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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DD04A it is the complementary color #D22FB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DD04A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DD04A shade: #32D045, #43E258, #54F46B, #65FF7E and #76FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DD04A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DD04A shade: #2DD04A, #1CBE37, #0BAC24, #009A11 and #008800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DD04A shade: #2ED14B, #3DD12E, #69D12E, #95D12E and #C1D12E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DD04A shade: #2ED14B, #2ED177, #2ED1A3, #2ED1CF and #2EA7D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DD04A shade matches the following richer shades: #2ED14B, #19E63E and #05FA30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DD04A shade: #2ED14B, #43BC58, #57A866, #6C9373 and #807F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DD04A shade: #6AD12E, #3ED12E, #2ED149, #2ED175 and #2ED1A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DD04A shade: #1F8D33, #26AF3F, #2ED14B, #50D968 and #72E085

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DD04A shade: #2DD04A, #2E95D1 and #D12E54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DD04A shade: #2DD04A, #492ED1 and #D1492E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DD04A shade: #2DD04A, #2E95D1, #D12EB6 and #D16A2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DD04A shade: #2DD04A, #2E64D1, #D12EB6 and #D19B2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 64 / 18

HEX #2DD04A

RGB 45 208 74

HSL 130.67, 0.64%, 0.5%

LAB 73.65, -66.61, 53.44

 

Complementary color

CMYK 0 / 78 / 14 / 18

HEX #D22FB5

RGB 210 47 181

HSL 310.67, 0.64%, 0.5%

LAB 50.77, 73.74, -34.41

 

CMYK 76 / 0 / 67 / 18

HEX #32D045

RGB 50 208 69

HSL 127.22, 0.63%, 0.51%

LAB 73.69, -66.46, 55.56

 

CMYK 70 / 0 / 61 / 11

HEX #43E258

RGB 67 226 88

HSL 127.92, 0.73%, 0.57%

LAB 79.78, -67.66, 54.46

 

CMYK 66 / 0 / 56 / 4

HEX #54F46B

RGB 84 244 107

HSL 128.63, 0.88%, 0.64%

LAB 85.83, -68.46, 53.22

 

CMYK 60 / 0 / 51 / 0

HEX #65FF7E

RGB 101 255 126

HSL 129.74, 1%, 0.7%

LAB 89.76, -66.49, 49.38

 

CMYK 54 / 0 / 43 / 0

HEX #76FF91

RGB 118 255 145

HSL 131.82, 1%, 0.73%

LAB 90.51, -59.99, 41.38

 

CMYK 78 / 0 / 64 / 18

HEX #2DD04A

RGB 45 208 74

HSL 130.67, 0.64%, 0.5%

LAB 73.65, -66.61, 53.44

 

CMYK 85 / 0 / 71 / 25

HEX #1CBE37

RGB 28 190 55

HSL 130, 0.74%, 0.43%

LAB 67.54, -64.77, 54.43

 

CMYK 94 / 0 / 79 / 33

HEX #0BAC24

RGB 11 172 36

HSL 129.32, 0.88%, 0.36%

LAB 61.4, -62.16, 54.88

 

CMYK 100 / 0 / 89 / 40

HEX #009A11

RGB 0 154 17

HSL 126.62, 1%, 0.3%

LAB 55.23, -58.6, 54.25

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 78 / 0 / 64 / 18

HEX #2ED14B

RGB 46 209 75

HSL 130.67, 0.64%, 0.5%

LAB 73.99, -66.69, 53.4

 

CMYK 71 / 0 / 78 / 18

HEX #3DD12E

RGB 61 209 46

HSL 114.48, 0.64%, 0.5%

LAB 74.06, -66.88, 64.18

 

CMYK 50 / 0 / 78 / 18

HEX #69D12E

RGB 105 209 46

HSL 98.28, 0.64%, 0.5%

LAB 75.33, -56.59, 65.84

 

CMYK 29 / 0 / 78 / 18

HEX #95D12E

RGB 149 209 46

HSL 82.09, 0.64%, 0.5%

LAB 77.39, -41.84, 68.51

 

CMYK 8 / 0 / 78 / 18

HEX #C1D12E

RGB 193 209 46

HSL 65.89, 0.64%, 0.5%

LAB 80.26, -24.37, 72.18

 

CMYK 78 / 0 / 64 / 18

HEX #2ED14B

RGB 46 209 75

HSL 130.67, 0.64%, 0.5%

LAB 73.99, -66.69, 53.4

 

CMYK 78 / 0 / 43 / 18

HEX #2ED177

RGB 46 209 119

HSL 146.87, 0.64%, 0.5%

LAB 74.52, -60.44, 33.29

 

CMYK 78 / 0 / 22 / 18

HEX #2ED1A3

RGB 46 209 163

HSL 163.07, 0.64%, 0.5%

LAB 75.34, -51.26, 11.36

 

CMYK 78 / 0 / 1 / 18

HEX #2ED1CF

RGB 46 209 207

HSL 179.26, 0.64%, 0.5%

LAB 76.49, -39.63, -10.61

 

CMYK 78 / 20 / 0 / 18

HEX #2EA7D1

RGB 46 167 209

HSL 195.46, 0.64%, 0.5%

LAB 64.02, -18.44, -30.67

 

CMYK 78 / 0 / 64 / 18

HEX #2ED14B

RGB 46 209 75

HSL 130.67, 0.64%, 0.5%

LAB 73.99, -66.69, 53.4

 

CMYK 89 / 0 / 73 / 10

HEX #19E63E

RGB 25 230 62

HSL 130.83, 0.8%, 0.5%

LAB 80.26, -76.14, 64.95

 

CMYK 98 / 0 / 81 / 2

HEX #05FA30

RGB 5 250 48

HSL 130.53, 0.96%, 0.5%

LAB 86.31, -83.37, 74.96

 

CMYK 78 / 0 / 64 / 18

HEX #2ED14B

RGB 46 209 75

HSL 130.67, 0.64%, 0.5%

LAB 73.99, -66.69, 53.4

 

CMYK 64 / 0 / 53 / 26

HEX #43BC58

RGB 67 188 88

HSL 130.41, 0.47%, 0.5%

LAB 67.92, -54.46, 40.54

 

CMYK 48 / 0 / 39 / 34

HEX #57A866

RGB 87 168 102

HSL 131.11, 0.32%, 0.5%

LAB 62.5, -39.33, 26.64

 

CMYK 27 / 0 / 22 / 42

HEX #6C9373

RGB 108 147 115

HSL 130.77, 0.15%, 0.5%

LAB 57.36, -20.24, 12.67

 

CMYK 0 / 1 / 0 / 50

HEX #807F80

RGB 128 127 128

HSL 300, 0%, 0.5%

LAB 53.3, 0.58, -0.42

 

CMYK 49 / 0 / 78 / 18

HEX #6AD12E

RGB 106 209 46

HSL 97.91, 0.64%, 0.5%

LAB 75.37, -56.29, 65.88

 

CMYK 70 / 0 / 78 / 18

HEX #3ED12E

RGB 62 209 46

HSL 114.11, 0.64%, 0.5%

LAB 74.08, -66.71, 64.2

 

CMYK 78 / 0 / 65 / 18

HEX #2ED149

RGB 46 209 73

HSL 129.94, 0.64%, 0.5%

LAB 73.97, -66.9, 54.22

 

CMYK 78 / 0 / 44 / 18

HEX #2ED175

RGB 46 209 117

HSL 146.13, 0.64%, 0.5%

LAB 74.49, -60.79, 34.26

 

CMYK 78 / 0 / 23 / 18

HEX #2ED1A0

RGB 46 209 160

HSL 161.96, 0.64%, 0.5%

LAB 75.28, -51.97, 12.87

 

CMYK 78 / 0 / 64 / 45

HEX #1F8D33

RGB 31 141 51

HSL 130.91, 0.64%, 0.34%

LAB 51.36, -49.01, 38.59

 

CMYK 78 / 0 / 64 / 31

HEX #26AF3F

RGB 38 175 63

HSL 130.95, 0.64%, 0.42%

LAB 62.87, -58.1, 46.13

 

CMYK 78 / 0 / 64 / 18

HEX #2ED14B

RGB 46 209 75

HSL 130.67, 0.64%, 0.5%

LAB 73.99, -66.69, 53.4

 

CMYK 63 / 0 / 52 / 15

HEX #50D968

RGB 80 217 104

HSL 130.51, 0.64%, 0.58%

LAB 77.48, -60.16, 44.55

 

CMYK 49 / 0 / 41 / 12

HEX #72E085

RGB 114 224 133

HSL 130.36, 0.64%, 0.66%

LAB 81.06, -50.58, 35.07

 

CMYK 78 / 0 / 64 / 18

HEX #2DD04A

RGB 45 208 74

HSL 130.67, 0.64%, 0.5%

LAB 73.65, -66.61, 53.44

 

CMYK 78 / 29 / 0 / 18

HEX #2E95D1

RGB 46 149 209

HSL 202.09, 0.64%, 0.5%

LAB 58.68, -8.58, -38.99

 

CMYK 0 / 78 / 60 / 18

HEX #D12E54

RGB 209 46 84

HSL 346.01, 0.64%, 0.5%

LAB 47.17, 63.83, 18.73

 

CMYK 78 / 0 / 64 / 18

HEX #2DD04A

RGB 45 208 74

HSL 130.67, 0.64%, 0.5%

LAB 73.65, -66.61, 53.44

 

CMYK 65 / 78 / 0 / 18

HEX #492ED1

RGB 73 46 209

HSL 249.94, 0.64%, 0.5%

LAB 33.93, 56.39, -78.84

 

CMYK 0 / 65 / 78 / 18

HEX #D1492E

RGB 209 73 46

HSL 9.94, 0.64%, 0.5%

LAB 50.12, 52.27, 44.23

 

CMYK 78 / 0 / 64 / 18

HEX #2DD04A

RGB 45 208 74

HSL 130.67, 0.64%, 0.5%

LAB 73.65, -66.61, 53.44

 

CMYK 78 / 29 / 0 / 18

HEX #2E95D1

RGB 46 149 209

HSL 202.09, 0.64%, 0.5%

LAB 58.68, -8.58, -38.99

 

CMYK 0 / 78 / 13 / 18

HEX #D12EB6

RGB 209 46 182

HSL 309.94, 0.64%, 0.5%

LAB 50.55, 73.93, -35.34

 

CMYK 0 / 49 / 78 / 18

HEX #D16A2E

RGB 209 106 46

HSL 22.09, 0.64%, 0.5%

LAB 56.15, 36.64, 50.26

 

CMYK 78 / 0 / 64 / 18

HEX #2DD04A

RGB 45 208 74

HSL 130.67, 0.64%, 0.5%

LAB 73.65, -66.61, 53.44

 

CMYK 78 / 52 / 0 / 18

HEX #2E64D1

RGB 46 100 209

HSL 220.12, 0.64%, 0.5%

LAB 44.66, 21.31, -61.34

 

CMYK 0 / 78 / 13 / 18

HEX #D12EB6

RGB 209 46 182

HSL 309.94, 0.64%, 0.5%

LAB 50.55, 73.93, -35.34

 

CMYK 0 / 26 / 78 / 18

HEX #D19B2E

RGB 209 155 46

HSL 40.12, 0.64%, 0.5%

LAB 67.42, 10.4, 61

 

Description

Color code: HEX #2DD04A | qconv.com Color code: HEX #2DD04A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 208 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 208 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 64 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 64% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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