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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DCD5C it is the complementary color #D232A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DCD5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DCD5C shade: #32CD57, #43DF6A, #54F17D, #65FF90 and #76FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DCD5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DCD5C shade: #2DCD5C, #1CBB49, #0BA936, #009723 and #008510

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DCD5C shade: #2DCD5C, #2DCD31, #54CD2D, #7FCD2D and #ABCD2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DCD5C shade: #2DCD5C, #2DCD87, #2DCDB2, #2DBCCD and #2D91CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DCD5C shade matches the following richer shades: #2DCD5C, #19E154 and #05F54B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DCD5C shade: #2DCD5C, #41B964, #55A46D, #6A9075 and #7E7C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DCD5C shade: #55CD2D, #2DCD30, #2DCD5A, #2DCD85 and #2DCDB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DCD5C shade: #1E893E, #26AB4D, #2DCD5C, #4CD875 and #6DDF8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DCD5C shade: #2DCD5C, #2D80CD and #CD2D40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DCD5C shade: #2DCD5C, #5A2DCD and #CD5A2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DCD5C shade: #2DCD5C, #2D80CD, #CD2DA0 and #CD7A2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DCD5C shade: #2DCD5C, #2D50CD, #CD2DA0 and #CDAA2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 55 / 20

HEX #2DCD5C

RGB 45 205 92

HSL 137.63, 0.64%, 0.49%

LAB 72.89, -63.44, 44.51

 

Complementary color

CMYK 0 / 76 / 22 / 18

HEX #D232A3

RGB 210 50 163

HSL 317.63, 0.64%, 0.51%

LAB 50.25, 70.53, -24.63

 

CMYK 76 / 0 / 58 / 20

HEX #32CD57

RGB 50 205 87

HSL 134.32, 0.61%, 0.5%

LAB 72.91, -63.45, 46.89

 

CMYK 70 / 0 / 52 / 13

HEX #43DF6A

RGB 67 223 106

HSL 135, 0.71%, 0.57%

LAB 79.05, -64.39, 45.45

 

CMYK 65 / 0 / 48 / 5

HEX #54F17D

RGB 84 241 125

HSL 135.67, 0.85%, 0.64%

LAB 85.14, -64.98, 44.02

 

CMYK 60 / 0 / 44 / 0

HEX #65FF90

RGB 101 255 144

HSL 136.75, 1%, 0.7%

LAB 90, -63.87, 41.11

 

CMYK 54 / 0 / 36 / 0

HEX #76FFA3

RGB 118 255 163

HSL 139.71, 1%, 0.73%

LAB 90.79, -57.09, 32.88

 

CMYK 78 / 0 / 55 / 20

HEX #2DCD5C

RGB 45 205 92

HSL 137.63, 0.64%, 0.49%

LAB 72.89, -63.44, 44.51

 

CMYK 85 / 0 / 61 / 27

HEX #1CBB49

RGB 28 187 73

HSL 136.98, 0.74%, 0.42%

LAB 66.72, -61.92, 46

 

CMYK 93 / 0 / 68 / 34

HEX #0BA936

RGB 11 169 54

HSL 136.33, 0.88%, 0.35%

LAB 60.53, -59.71, 47.34

 

CMYK 100 / 0 / 77 / 41

HEX #009723

RGB 0 151 35

HSL 133.91, 1%, 0.3%

LAB 54.3, -56.64, 48.24

 

CMYK 100 / 0 / 88 / 48

HEX #008510

RGB 0 133 16

HSL 127.22, 1%, 0.26%

LAB 48.02, -52.53, 48.1

 

CMYK 78 / 0 / 55 / 20

HEX #2DCD5C

RGB 45 205 92

HSL 137.63, 0.64%, 0.49%

LAB 72.89, -63.44, 44.51

 

CMYK 78 / 0 / 76 / 20

HEX #2DCD31

RGB 45 205 49

HSL 121.5, 0.64%, 0.49%

LAB 72.52, -67.89, 61.65

 

CMYK 59 / 0 / 78 / 20

HEX #54CD2D

RGB 84 205 45

HSL 105.38, 0.64%, 0.49%

LAB 73.37, -60.82, 64.03

 

CMYK 38 / 0 / 78 / 20

HEX #7FCD2D

RGB 127 205 45

HSL 89.25, 0.64%, 0.49%

LAB 75.05, -48.09, 66.21

 

CMYK 17 / 0 / 78 / 20

HEX #ABCD2D

RGB 171 205 45

HSL 72.75, 0.64%, 0.49%

LAB 77.58, -31.52, 69.47

 

CMYK 78 / 0 / 55 / 20

HEX #2DCD5C

RGB 45 205 92

HSL 137.63, 0.64%, 0.49%

LAB 72.89, -63.44, 44.51

 

CMYK 78 / 0 / 34 / 20

HEX #2DCD87

RGB 45 205 135

HSL 153.75, 0.64%, 0.49%

LAB 73.53, -56.04, 23.7

 

CMYK 78 / 0 / 13 / 20

HEX #2DCDB2

RGB 45 205 178

HSL 169.88, 0.64%, 0.49%

LAB 74.47, -45.96, 2.04

 

CMYK 78 / 8 / 0 / 20

HEX #2DBCCD

RGB 45 188 205

HSL 186.38, 0.64%, 0.49%

LAB 70.13, -30.49, -19.1

 

CMYK 78 / 29 / 0 / 20

HEX #2D91CD

RGB 45 145 205

HSL 202.5, 0.64%, 0.49%

LAB 57.29, -7.84, -38.93

 

CMYK 78 / 0 / 55 / 20

HEX #2DCD5C

RGB 45 205 92

HSL 137.63, 0.64%, 0.49%

LAB 72.89, -63.44, 44.51

 

CMYK 89 / 0 / 63 / 12

HEX #19E154

RGB 25 225 84

HSL 137.7, 0.8%, 0.49%

LAB 78.87, -72.59, 54.99

 

CMYK 98 / 0 / 69 / 4

HEX #05F54B

RGB 5 245 75

HSL 137.5, 0.96%, 0.49%

LAB 84.92, -80.1, 65.1

 

CMYK 78 / 0 / 55 / 20

HEX #2DCD5C

RGB 45 205 92

HSL 137.63, 0.64%, 0.49%

LAB 72.89, -63.44, 44.51

 

CMYK 65 / 0 / 46 / 27

HEX #41B964

RGB 65 185 100

HSL 137.5, 0.48%, 0.49%

LAB 67.08, -51.92, 33.48

 

CMYK 48 / 0 / 34 / 36

HEX #55A46D

RGB 85 164 109

HSL 138.23, 0.32%, 0.49%

LAB 61.3, -36.86, 21.24

 

CMYK 26 / 0 / 19 / 44

HEX #6A9075

RGB 106 144 117

HSL 137.37, 0.15%, 0.49%

LAB 56.38, -18.98, 10.15

 

CMYK 0 / 2 / 1 / 51

HEX #7E7C7D

RGB 126 124 125

HSL 330, 0.01%, 0.49%

LAB 52.21, 0.96, -0.28

 

CMYK 59 / 0 / 78 / 20

HEX #55CD2D

RGB 85 205 45

HSL 105, 0.64%, 0.49%

LAB 73.4, -60.58, 64.07

 

CMYK 78 / 0 / 77 / 20

HEX #2DCD30

RGB 45 205 48

HSL 121.13, 0.64%, 0.49%

LAB 72.52, -67.96, 61.97

 

CMYK 78 / 0 / 56 / 20

HEX #2DCD5A

RGB 45 205 90

HSL 136.88, 0.64%, 0.49%

LAB 72.86, -63.71, 45.42

 

CMYK 78 / 0 / 35 / 20

HEX #2DCD85

RGB 45 205 133

HSL 153, 0.64%, 0.49%

LAB 73.49, -56.45, 24.7

 

CMYK 78 / 0 / 14 / 20

HEX #2DCDB0

RGB 45 205 176

HSL 169.13, 0.64%, 0.49%

LAB 74.42, -46.48, 3.05

 

CMYK 78 / 0 / 55 / 46

HEX #1E893E

RGB 30 137 62

HSL 137.94, 0.64%, 0.33%

LAB 50.12, -46.21, 31.7

 

CMYK 78 / 0 / 55 / 33

HEX #26AB4D

RGB 38 171 77

HSL 137.59, 0.64%, 0.41%

LAB 61.72, -54.93, 38.25

 

CMYK 78 / 0 / 55 / 20

HEX #2DCD5C

RGB 45 205 92

HSL 137.63, 0.64%, 0.49%

LAB 72.89, -63.44, 44.51

 

CMYK 65 / 0 / 46 / 15

HEX #4CD875

RGB 76 216 117

HSL 137.57, 0.64%, 0.57%

LAB 77.24, -58.66, 37.91

 

CMYK 51 / 0 / 36 / 13

HEX #6DDF8F

RGB 109 223 143

HSL 137.89, 0.64%, 0.65%

LAB 80.74, -49.79, 29.54

 

CMYK 78 / 0 / 55 / 20

HEX #2DCD5C

RGB 45 205 92

HSL 137.63, 0.64%, 0.49%

LAB 72.89, -63.44, 44.51

 

CMYK 78 / 38 / 0 / 20

HEX #2D80CD

RGB 45 128 205

HSL 208.88, 0.64%, 0.49%

LAB 52.29, 2.15, -46.82

 

CMYK 0 / 78 / 69 / 20

HEX #CD2D40

RGB 205 45 64

HSL 352.88, 0.64%, 0.49%

LAB 45.94, 61.86, 29.18

 

CMYK 78 / 0 / 55 / 20

HEX #2DCD5C

RGB 45 205 92

HSL 137.63, 0.64%, 0.49%

LAB 72.89, -63.44, 44.51

 

CMYK 56 / 78 / 0 / 20

HEX #5A2DCD

RGB 90 45 205

HSL 256.88, 0.64%, 0.49%

LAB 34.92, 57.6, -74.83

 

CMYK 0 / 56 / 78 / 20

HEX #CD5A2D

RGB 205 90 45

HSL 16.88, 0.64%, 0.49%

LAB 52.38, 43.06, 46.79

 

CMYK 78 / 0 / 55 / 20

HEX #2DCD5C

RGB 45 205 92

HSL 137.63, 0.64%, 0.49%

LAB 72.89, -63.44, 44.51

 

CMYK 78 / 38 / 0 / 20

HEX #2D80CD

RGB 45 128 205

HSL 208.88, 0.64%, 0.49%

LAB 52.29, 2.15, -46.82

 

CMYK 0 / 78 / 22 / 20

HEX #CD2DA0

RGB 205 45 160

HSL 316.88, 0.64%, 0.49%

LAB 48.75, 70.39, -25.24

 

CMYK 0 / 40 / 78 / 20

HEX #CD7A2D

RGB 205 122 45

HSL 28.88, 0.64%, 0.49%

LAB 59.06, 26.52, 53.33

 

CMYK 78 / 0 / 55 / 20

HEX #2DCD5C

RGB 45 205 92

HSL 137.63, 0.64%, 0.49%

LAB 72.89, -63.44, 44.51

 

CMYK 78 / 61 / 0 / 20

HEX #2D50CD

RGB 45 80 205

HSL 226.88, 0.64%, 0.49%

LAB 39.08, 32.63, -68.13

 

CMYK 0 / 78 / 22 / 20

HEX #CD2DA0

RGB 205 45 160

HSL 316.88, 0.64%, 0.49%

LAB 48.75, 70.39, -25.24

 

CMYK 0 / 17 / 78 / 20

HEX #CDAA2D

RGB 205 170 45

HSL 46.88, 0.64%, 0.49%

LAB 70.81, 0.57, 64.32

 

Description

Color code: HEX #2DCD5C | qconv.com Color code: HEX #2DCD5C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 205 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 205 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 55 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 55% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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