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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DCCEB it is the complementary color #D23314. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DCCEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DCCEB shade: #32CCE6, #43DEF9, #54F0FF, #65FFFF and #76FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DCCEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DCCEB shade: #2DCCEB, #1CBAD8, #0BA8C5, #0096B2 and #00849F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DCCEB shade: #2DCCEB, #2D99EB, #2D65EB, #2D32EB and #5B2DEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DCCEB shade: #2DCCEB, #2D99EB, #2D65EB, #2D32EB and #2D2DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DCCEB shade matches the following richer shades: #2DCCEB and #1AD8FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DCCEB shade: #2DCCEB, #3FBFD8, #52B3C6, #64A6B3 and #779AA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DCCEB shade: #2DEBA2, #2DEBD5, #2DCEEB, #2D9CEB and #2D69EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DCCEB shade: #109AB5, #14BADA, #2DCCEB, #52D5EE and #78DEF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DCCEB shade: #2DCCEB, #6F2DEB and #EBBB2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DCCEB shade: #2DCCEB, #EB2DCE and #CEEB2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DCCEB shade: #2DCCEB, #6F2DEB, #EB492D and #A8EB2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DCCEB shade: #2DCCEB, #A82DEB, #EB492D and #6FEB2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 13 / 0 / 8

HEX #2DCCEB

RGB 45 204 235

HSL 189.79, 0.83%, 0.55%

LAB 75.91, -28.89, -26.56

 

Complementary color

CMYK 0 / 76 / 90 / 18

HEX #D23314

RGB 210 51 20

HSL 9.79, 0.83%, 0.45%

LAB 47.13, 60.13, 53.53

 

CMYK 78 / 11 / 0 / 10

HEX #32CCE6

RGB 50 204 230

HSL 188.67, 0.78%, 0.55%

LAB 75.81, -30.02, -24.02

 

CMYK 73 / 11 / 0 / 2

HEX #43DEF9

RGB 67 222 249

HSL 188.9, 0.94%, 0.62%

LAB 81.99, -31.12, -24.72

 

CMYK 67 / 6 / 0 / 0

HEX #54F0FF

RGB 84 240 255

HSL 185.26, 1%, 0.66%

LAB 87.69, -35.75, -19.2

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 81 / 13 / 0 / 8

HEX #2DCCEB

RGB 45 204 235

HSL 189.79, 0.83%, 0.55%

LAB 75.91, -28.89, -26.56

 

CMYK 87 / 14 / 0 / 15

HEX #1CBAD8

RGB 28 186 216

HSL 189.57, 0.77%, 0.48%

LAB 69.7, -27.33, -25.79

 

CMYK 94 / 15 / 0 / 23

HEX #0BA8C5

RGB 11 168 197

HSL 189.35, 0.89%, 0.41%

LAB 63.43, -25.39, -24.94

 

CMYK 100 / 16 / 0 / 30

HEX #0096B2

RGB 0 150 178

HSL 189.44, 1%, 0.35%

LAB 57.1, -23.04, -23.98

 

CMYK 100 / 17 / 0 / 38

HEX #00849F

RGB 0 132 159

HSL 190.19, 1%, 0.31%

LAB 50.69, -20.25, -22.93

 

CMYK 81 / 13 / 0 / 8

HEX #2DCCEB

RGB 45 204 235

HSL 189.79, 0.83%, 0.55%

LAB 75.91, -28.89, -26.56

 

CMYK 81 / 35 / 0 / 8

HEX #2D99EB

RGB 45 153 235

HSL 205.89, 0.83%, 0.55%

LAB 61.08, -1.66, -49.67

 

CMYK 81 / 57 / 0 / 8

HEX #2D65EB

RGB 45 101 235

HSL 222.32, 0.83%, 0.55%

LAB 46.79, 30.31, -72.63

 

CMYK 81 / 79 / 0 / 8

HEX #2D32EB

RGB 45 50 235

HSL 238.42, 0.83%, 0.55%

LAB 35.67, 60.2, -90.93

 

CMYK 61 / 81 / 0 / 8

HEX #5B2DEB

RGB 91 45 235

HSL 254.53, 0.83%, 0.55%

LAB 38.02, 65.78, -86.94

 

CMYK 81 / 13 / 0 / 8

HEX #2DCCEB

RGB 45 204 235

HSL 189.79, 0.83%, 0.55%

LAB 75.91, -28.89, -26.56

 

CMYK 81 / 35 / 0 / 8

HEX #2D99EB

RGB 45 153 235

HSL 205.89, 0.83%, 0.55%

LAB 61.08, -1.66, -49.67

 

CMYK 81 / 57 / 0 / 8

HEX #2D65EB

RGB 45 101 235

HSL 222.32, 0.83%, 0.55%

LAB 46.79, 30.31, -72.63

 

CMYK 81 / 79 / 0 / 8

HEX #2D32EB

RGB 45 50 235

HSL 238.42, 0.83%, 0.55%

LAB 35.67, 60.2, -90.93

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

CMYK 81 / 13 / 0 / 8

HEX #2DCCEB

RGB 45 204 235

HSL 189.79, 0.83%, 0.55%

LAB 75.91, -28.89, -26.56

 

CMYK 90 / 15 / 0 / 0

HEX #1AD8FE

RGB 26 216 254

HSL 190, 0.99%, 0.55%

LAB 79.89, -29.87, -30.63

 

CMYK 81 / 13 / 0 / 8

HEX #2DCCEB

RGB 45 204 235

HSL 189.79, 0.83%, 0.55%

LAB 75.91, -28.89, -26.56

 

CMYK 71 / 12 / 0 / 15

HEX #3FBFD8

RGB 63 191 216

HSL 189.8, 0.66%, 0.55%

LAB 71.74, -26.51, -22.62

 

CMYK 59 / 10 / 0 / 22

HEX #52B3C6

RGB 82 179 198

HSL 189.83, 0.5%, 0.55%

LAB 68.1, -22.86, -18.24

 

CMYK 44 / 7 / 0 / 30

HEX #64A6B3

RGB 100 166 179

HSL 189.87, 0.34%, 0.55%

LAB 64.35, -17.55, -13.29

 

CMYK 26 / 4 / 0 / 37

HEX #779AA1

RGB 119 154 161

HSL 190, 0.18%, 0.55%

LAB 61.31, -10.36, -7.62

 

CMYK 81 / 0 / 31 / 8

HEX #2DEBA2

RGB 45 235 162

HSL 156.95, 0.83%, 0.55%

LAB 83.22, -61.58, 22.88

 

CMYK 81 / 0 / 9 / 8

HEX #2DEBD5

RGB 45 235 213

HSL 173.05, 0.83%, 0.55%

LAB 84.37, -49.38, -2.15

 

CMYK 81 / 12 / 0 / 8

HEX #2DCEEB

RGB 45 206 235

HSL 189.16, 0.83%, 0.55%

LAB 76.5, -29.87, -25.66

 

CMYK 81 / 34 / 0 / 8

HEX #2D9CEB

RGB 45 156 235

HSL 204.95, 0.83%, 0.55%

LAB 61.94, -3.39, -48.3

 

CMYK 81 / 55 / 0 / 8

HEX #2D69EB

RGB 45 105 235

HSL 221.05, 0.83%, 0.55%

LAB 47.83, 27.77, -70.95

 

CMYK 91 / 15 / 0 / 29

HEX #109AB5

RGB 16 154 181

HSL 189.82, 0.84%, 0.39%

LAB 58.56, -23.45, -23.43

 

CMYK 91 / 15 / 0 / 15

HEX #14BADA

RGB 20 186 218

HSL 189.7, 0.83%, 0.47%

LAB 69.7, -27.09, -26.89

 

CMYK 81 / 13 / 0 / 8

HEX #2DCCEB

RGB 45 204 235

HSL 189.79, 0.83%, 0.55%

LAB 75.91, -28.89, -26.56

 

CMYK 66 / 11 / 0 / 7

HEX #52D5EE

RGB 82 213 238

HSL 189.62, 0.82%, 0.63%

LAB 79.36, -28.07, -22.84

 

CMYK 50 / 8 / 0 / 5

HEX #78DEF2

RGB 120 222 242

HSL 189.84, 0.82%, 0.71%

LAB 83.26, -24.49, -18.95

 

CMYK 81 / 13 / 0 / 8

HEX #2DCCEB

RGB 45 204 235

HSL 189.79, 0.83%, 0.55%

LAB 75.91, -28.89, -26.56

 

CMYK 53 / 81 / 0 / 8

HEX #6F2DEB

RGB 111 45 235

HSL 260.84, 0.83%, 0.55%

LAB 40.01, 67.85, -83.6

 

CMYK 0 / 20 / 81 / 8

HEX #EBBB2D

RGB 235 187 45

HSL 44.84, 0.83%, 0.55%

LAB 78.11, 4.63, 71.95

 

CMYK 81 / 13 / 0 / 8

HEX #2DCCEB

RGB 45 204 235

HSL 189.79, 0.83%, 0.55%

LAB 75.91, -28.89, -26.56

 

CMYK 0 / 81 / 12 / 8

HEX #EB2DCE

RGB 235 45 206

HSL 309.16, 0.83%, 0.55%

LAB 56.08, 82.83, -40.22

 

CMYK 12 / 0 / 81 / 8

HEX #CEEB2D

RGB 206 235 45

HSL 69.16, 0.83%, 0.55%

LAB 88.32, -31.39, 79.91

 

CMYK 81 / 13 / 0 / 8

HEX #2DCCEB

RGB 45 204 235

HSL 189.79, 0.83%, 0.55%

LAB 75.91, -28.89, -26.56

 

CMYK 53 / 81 / 0 / 8

HEX #6F2DEB

RGB 111 45 235

HSL 260.84, 0.83%, 0.55%

LAB 40.01, 67.85, -83.6

 

CMYK 0 / 69 / 81 / 8

HEX #EB492D

RGB 235 73 45

HSL 8.84, 0.83%, 0.55%

LAB 54.68, 60.83, 50.75

 

CMYK 29 / 0 / 81 / 8

HEX #A8EB2D

RGB 168 235 45

HSL 81.16, 0.83%, 0.55%

LAB 85.97, -46.03, 76.95

 

CMYK 81 / 13 / 0 / 8

HEX #2DCCEB

RGB 45 204 235

HSL 189.79, 0.83%, 0.55%

LAB 75.91, -28.89, -26.56

 

CMYK 29 / 81 / 0 / 8

HEX #A82DEB

RGB 168 45 235

HSL 278.84, 0.83%, 0.55%

LAB 47.24, 75.57, -71.47

 

CMYK 0 / 69 / 81 / 8

HEX #EB492D

RGB 235 73 45

HSL 8.84, 0.83%, 0.55%

LAB 54.68, 60.83, 50.75

 

CMYK 53 / 0 / 81 / 8

HEX #6FEB2D

RGB 111 235 45

HSL 99.16, 0.83%, 0.55%

LAB 83.43, -64.38, 73.71

 

Description

Color code: HEX #2DCCEB | qconv.com Color code: HEX #2DCCEB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 204 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 204 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 13 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 13% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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