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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DC543 it is the complementary color #D23ABC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DC543. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DC543 shade: #32C53E, #43D751, #54E964, #65FB77 and #76FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DC543. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DC543 shade: #2DC543, #1CB330, #0BA11D, #008F0A and #007D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DC543 shade: #2CC342, #3FC32C, #68C32C, #91C32C and #B9C32C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DC543 shade: #2CC342, #2CC36B, #2CC394, #2CC3BC and #2CA2C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DC543 shade matches the following richer shades: #2CC342, #19D734 and #06EA27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DC543 shade: #2CC342, #40B050, #539D5E, #67896C and #7A7679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DC543 shade: #69C32C, #40C32C, #2CC340, #2CC369 and #2CC391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DC543 shade: #1D802B, #25A237, #2CC342, #44D559 and #66DC77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DC543 shade: #2DC543, #2C91C3 and #C32C55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DC543 shade: #2DC543, #402CC3 and #C3402C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DC543 shade: #2DC543, #2C91C3, #C32CAF and #C35F2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DC543 shade: #2DC543, #2C64C3, #C32CAF and #C38C2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 66 / 23

HEX #2DC543

RGB 45 197 67

HSL 128.68, 0.63%, 0.47%

LAB 70.1, -63.85, 52.45

 

Complementary color

CMYK 0 / 72 / 10 / 18

HEX #D23ABC

RGB 210 58 188

HSL 308.68, 0.63%, 0.53%

LAB 52.24, 71.5, -36.18

 

CMYK 75 / 0 / 69 / 23

HEX #32C53E

RGB 50 197 62

HSL 124.9, 0.6%, 0.48%

LAB 70.15, -63.63, 54.55

 

CMYK 69 / 0 / 62 / 16

HEX #43D751

RGB 67 215 81

HSL 125.68, 0.65%, 0.55%

LAB 76.31, -64.79, 53.55

 

CMYK 64 / 0 / 57 / 9

HEX #54E964

RGB 84 233 100

HSL 126.44, 0.77%, 0.62%

LAB 82.42, -65.53, 52.34

 

CMYK 60 / 0 / 53 / 2

HEX #65FB77

RGB 101 251 119

HSL 127.2, 0.95%, 0.69%

LAB 88.49, -65.98, 51.06

 

CMYK 54 / 0 / 46 / 0

HEX #76FF8A

RGB 118 255 138

HSL 128.76, 1%, 0.73%

LAB 90.42, -61.02, 44.64

 

CMYK 77 / 0 / 66 / 23

HEX #2DC543

RGB 45 197 67

HSL 128.68, 0.63%, 0.47%

LAB 70.1, -63.85, 52.45

 

CMYK 84 / 0 / 73 / 30

HEX #1CB330

RGB 28 179 48

HSL 127.95, 0.73%, 0.41%

LAB 63.92, -62.03, 53.31

 

CMYK 93 / 0 / 82 / 37

HEX #0BA11D

RGB 11 161 29

HSL 127.2, 0.87%, 0.34%

LAB 57.7, -59.38, 53.49

 

CMYK 100 / 0 / 93 / 44

HEX #008F0A

RGB 0 143 10

HSL 124.2, 1%, 0.28%

LAB 51.46, -55.7, 52.34

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 77 / 0 / 66 / 24

HEX #2CC342

RGB 44 195 66

HSL 128.74, 0.63%, 0.47%

LAB 69.44, -63.45, 52.14

 

CMYK 68 / 0 / 77 / 24

HEX #3FC32C

RGB 63 195 44

HSL 112.45, 0.63%, 0.47%

LAB 69.66, -62.14, 60.59

 

CMYK 47 / 0 / 77 / 24

HEX #68C32C

RGB 104 195 44

HSL 96.16, 0.63%, 0.47%

LAB 70.98, -51.67, 62.31

 

CMYK 26 / 0 / 77 / 24

HEX #91C32C

RGB 145 195 44

HSL 79.87, 0.63%, 0.47%

LAB 73.04, -37.26, 64.99

 

CMYK 5 / 0 / 77 / 24

HEX #B9C32C

RGB 185 195 44

HSL 63.97, 0.63%, 0.47%

LAB 75.78, -20.97, 68.5

 

CMYK 77 / 0 / 66 / 24

HEX #2CC342

RGB 44 195 66

HSL 128.74, 0.63%, 0.47%

LAB 69.44, -63.45, 52.14

 

CMYK 77 / 0 / 45 / 24

HEX #2CC36B

RGB 44 195 107

HSL 145.03, 0.63%, 0.47%

LAB 69.91, -57.81, 33.45

 

CMYK 77 / 0 / 24 / 24

HEX #2CC394

RGB 44 195 148

HSL 161.32, 0.63%, 0.47%

LAB 70.67, -49.41, 12.81

 

CMYK 77 / 0 / 4 / 24

HEX #2CC3BC

RGB 44 195 188

HSL 177.22, 0.63%, 0.47%

LAB 71.69, -38.94, -7.47

 

CMYK 77 / 17 / 0 / 24

HEX #2CA2C3

RGB 44 162 195

HSL 193.11, 0.63%, 0.47%

LAB 61.93, -20.7, -26.1

 

CMYK 77 / 0 / 66 / 24

HEX #2CC342

RGB 44 195 66

HSL 128.74, 0.63%, 0.47%

LAB 69.44, -63.45, 52.14

 

CMYK 88 / 0 / 76 / 16

HEX #19D734

RGB 25 215 52

HSL 128.53, 0.79%, 0.47%

LAB 75.49, -72.61, 63.52

 

CMYK 97 / 0 / 83 / 8

HEX #06EA27

RGB 6 234 39

HSL 128.68, 0.95%, 0.47%

LAB 81.31, -79.52, 72.58

 

CMYK 77 / 0 / 66 / 24

HEX #2CC342

RGB 44 195 66

HSL 128.74, 0.63%, 0.47%

LAB 69.44, -63.45, 52.14

 

CMYK 64 / 0 / 55 / 31

HEX #40B050

RGB 64 176 80

HSL 128.57, 0.47%, 0.47%

LAB 63.93, -51.74, 39.59

 

CMYK 47 / 0 / 40 / 38

HEX #539D5E

RGB 83 157 94

HSL 128.92, 0.31%, 0.47%

LAB 58.75, -36.98, 25.99

 

CMYK 25 / 0 / 21 / 46

HEX #67896C

RGB 103 137 108

HSL 128.82, 0.14%, 0.47%

LAB 53.88, -18.12, 11.74

 

CMYK 0 / 3 / 1 / 52

HEX #7A7679

RGB 122 118 121

HSL 315, 0.02%, 0.47%

LAB 50.07, 2.12, -1.11

 

CMYK 46 / 0 / 77 / 24

HEX #69C32C

RGB 105 195 44

HSL 95.76, 0.63%, 0.47%

LAB 71.02, -51.36, 62.36

 

CMYK 67 / 0 / 77 / 24

HEX #40C32C

RGB 64 195 44

HSL 112.05, 0.63%, 0.47%

LAB 69.68, -61.94, 60.62

 

CMYK 77 / 0 / 67 / 24

HEX #2CC340

RGB 44 195 64

HSL 127.95, 0.63%, 0.47%

LAB 69.42, -63.65, 52.94

 

CMYK 77 / 0 / 46 / 24

HEX #2CC369

RGB 44 195 105

HSL 144.24, 0.63%, 0.47%

LAB 69.88, -58.15, 34.42

 

CMYK 77 / 0 / 26 / 24

HEX #2CC391

RGB 44 195 145

HSL 160.13, 0.63%, 0.47%

LAB 70.6, -50.11, 14.34

 

CMYK 77 / 0 / 66 / 50

HEX #1D802B

RGB 29 128 43

HSL 128.48, 0.63%, 0.31%

LAB 46.81, -45.72, 37.19

 

CMYK 77 / 0 / 66 / 36

HEX #25A237

RGB 37 162 55

HSL 128.64, 0.63%, 0.39%

LAB 58.52, -54.82, 44.8

 

CMYK 77 / 0 / 66 / 24

HEX #2CC342

RGB 44 195 66

HSL 128.74, 0.63%, 0.47%

LAB 69.44, -63.45, 52.14

 

CMYK 68 / 0 / 58 / 16

HEX #44D559

RGB 68 213 89

HSL 128.69, 0.63%, 0.55%

LAB 75.79, -63.01, 49.43

 

CMYK 54 / 0 / 46 / 14

HEX #66DC77

RGB 102 220 119

HSL 128.64, 0.63%, 0.63%

LAB 79.24, -54.18, 39.61

 

CMYK 77 / 0 / 66 / 23

HEX #2DC543

RGB 45 197 67

HSL 128.68, 0.63%, 0.47%

LAB 70.1, -63.85, 52.45

 

CMYK 77 / 26 / 0 / 24

HEX #2C91C3

RGB 44 145 195

HSL 199.87, 0.63%, 0.47%

LAB 56.81, -11.49, -34.03

 

CMYK 0 / 77 / 56 / 24

HEX #C32C55

RGB 195 44 85

HSL 343.71, 0.63%, 0.47%

LAB 44.32, 60.56, 13.8

 

CMYK 77 / 0 / 66 / 23

HEX #2DC543

RGB 45 197 67

HSL 128.68, 0.63%, 0.47%

LAB 70.1, -63.85, 52.45

 

CMYK 67 / 77 / 0 / 24

HEX #402CC3

RGB 64 44 195

HSL 247.95, 0.63%, 0.47%

LAB 31.42, 52.33, -74.84

 

CMYK 0 / 67 / 77 / 24

HEX #C3402C

RGB 195 64 44

HSL 7.95, 0.63%, 0.47%

LAB 46.25, 51.18, 40.51

 

CMYK 77 / 0 / 66 / 23

HEX #2DC543

RGB 45 197 67

HSL 128.68, 0.63%, 0.47%

LAB 70.1, -63.85, 52.45

 

CMYK 77 / 26 / 0 / 24

HEX #2C91C3

RGB 44 145 195

HSL 199.87, 0.63%, 0.47%

LAB 56.81, -11.49, -34.03

 

CMYK 0 / 77 / 10 / 24

HEX #C32CAF

RGB 195 44 175

HSL 307.95, 0.63%, 0.47%

LAB 47.62, 70.47, -36.01

 

CMYK 0 / 51 / 77 / 24

HEX #C35F2C

RGB 195 95 44

HSL 20.26, 0.63%, 0.47%

LAB 51.8, 36.65, 46.19

 

CMYK 77 / 0 / 66 / 23

HEX #2DC543

RGB 45 197 67

HSL 128.68, 0.63%, 0.47%

LAB 70.1, -63.85, 52.45

 

CMYK 77 / 49 / 0 / 24

HEX #2C64C3

RGB 44 100 195

HSL 217.75, 0.63%, 0.47%

LAB 43.64, 15.79, -54.93

 

CMYK 0 / 77 / 10 / 24

HEX #C32CAF

RGB 195 44 175

HSL 307.95, 0.63%, 0.47%

LAB 47.62, 70.47, -36.01

 

CMYK 0 / 28 / 77 / 24

HEX #C38C2C

RGB 195 140 44

HSL 38.15, 0.63%, 0.47%

LAB 62.12, 12.34, 56.23

 

Description

Color code: HEX #2DC543 | qconv.com Color code: HEX #2DC543 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 197 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 197 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 66 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 66% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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