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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DBD9C it is the complementary color #D24263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DBD9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DBD9C shade: #32BD97, #43CFAA, #54E1BD, #65F3D0 and #76FFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DBD9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DBD9C shade: #2DBD9C, #1CAB89, #0B9976, #008763 and #007550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DBD9C shade: #2DBE9D, #2DBE75, #2DBE4E, #32BE2D and #59BE2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DBD9C shade: #2DBE9D, #2DB8BE, #2D91BE, #2D6ABE and #2D42BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DBD9C shade matches the following richer shades: #2DBE9D, #1AD1A7 and #07E4B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DBD9C shade: #2DBE9D, #40AB92, #539888, #66857E and #787274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DBD9C shade: #2DBE4F, #2DBE75, #2DBE9C, #2DB9BE and #2D92BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DBD9C shade: #1D7B66, #259D81, #2DBE9D, #41D3B1 and #63DABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DBD9C shade: #2DBD9C, #2D31BE and #BE622D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DBD9C shade: #2DBD9C, #9C2DBE and #BE9C2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DBD9C shade: #2DBD9C, #2D31BE, #BE2D4F and #BEB92D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DBD9C shade: #2DBD9C, #532DBE, #BE2D4F and #97BE2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 17 / 26

HEX #2DBD9C

RGB 45 189 156

HSL 166.25, 0.62%, 0.46%

LAB 69.01, -44.85, 6.1

 

Complementary color

CMYK 0 / 69 / 53 / 18

HEX #D24263

RGB 210 66 99

HSL 346.25, 0.62%, 0.54%

LAB 50.1, 58.46, 13.61

 

CMYK 74 / 0 / 20 / 26

HEX #32BD97

RGB 50 189 151

HSL 163.6, 0.58%, 0.47%

LAB 68.97, -45.48, 8.8

 

CMYK 68 / 0 / 18 / 19

HEX #43CFAA

RGB 67 207 170

HSL 164.14, 0.59%, 0.54%

LAB 75.28, -46.03, 7.57

 

CMYK 63 / 0 / 16 / 12

HEX #54E1BD

RGB 84 225 189

HSL 164.68, 0.7%, 0.61%

LAB 81.52, -46.36, 6.46

 

CMYK 58 / 0 / 14 / 5

HEX #65F3D0

RGB 101 243 208

HSL 165.21, 0.86%, 0.67%

LAB 87.69, -46.56, 5.43

 

CMYK 54 / 0 / 11 / 0

HEX #76FFE3

RGB 118 255 227

HSL 167.74, 1%, 0.73%

LAB 92.1, -44.04, 2.01

 

CMYK 76 / 0 / 17 / 26

HEX #2DBD9C

RGB 45 189 156

HSL 166.25, 0.62%, 0.46%

LAB 69.01, -44.85, 6.1

 

CMYK 84 / 0 / 20 / 33

HEX #1CAB89

RGB 28 171 137

HSL 165.73, 0.72%, 0.39%

LAB 62.66, -43.86, 7.45

 

CMYK 93 / 0 / 23 / 40

HEX #0B9976

RGB 11 153 118

HSL 165.21, 0.87%, 0.32%

LAB 56.25, -42.43, 8.97

 

CMYK 100 / 0 / 27 / 47

HEX #008763

RGB 0 135 99

HSL 164, 1%, 0.26%

LAB 49.77, -40.46, 10.69

 

CMYK 100 / 0 / 32 / 54

HEX #007550

RGB 0 117 80

HSL 161.03, 1%, 0.23%

LAB 43.21, -37.87, 12.63

 

CMYK 76 / 0 / 17 / 25

HEX #2DBE9D

RGB 45 190 157

HSL 166.34, 0.62%, 0.46%

LAB 69.34, -45.02, 6.04

 

CMYK 76 / 0 / 38 / 25

HEX #2DBE75

RGB 45 190 117

HSL 149.79, 0.62%, 0.46%

LAB 68.51, -54.02, 26.43

 

CMYK 76 / 0 / 59 / 25

HEX #2DBE4E

RGB 45 190 78

HSL 133.66, 0.62%, 0.46%

LAB 67.97, -60.3, 45.22

 

CMYK 74 / 0 / 76 / 25

HEX #32BE2D

RGB 50 190 45

HSL 117.93, 0.62%, 0.46%

LAB 67.79, -62.79, 58.35

 

CMYK 53 / 0 / 76 / 25

HEX #59BE2D

RGB 89 190 45

HSL 101.79, 0.62%, 0.46%

LAB 68.85, -54.14, 59.75

 

CMYK 76 / 0 / 17 / 25

HEX #2DBE9D

RGB 45 190 157

HSL 166.34, 0.62%, 0.46%

LAB 69.34, -45.02, 6.04

 

CMYK 76 / 3 / 0 / 25

HEX #2DB8BE

RGB 45 184 190

HSL 182.48, 0.62%, 0.46%

LAB 68.43, -33.15, -13.43

 

CMYK 76 / 24 / 0 / 25

HEX #2D91BE

RGB 45 145 190

HSL 198.62, 0.62%, 0.46%

LAB 56.61, -13.12, -31.51

 

CMYK 76 / 44 / 0 / 25

HEX #2D6ABE

RGB 45 106 190

HSL 214.76, 0.62%, 0.46%

LAB 45.06, 10.17, -49.76

 

CMYK 76 / 65 / 0 / 25

HEX #2D42BE

RGB 45 66 190

HSL 231.31, 0.62%, 0.46%

LAB 34.34, 36.1, -67.14

 

CMYK 76 / 0 / 17 / 25

HEX #2DBE9D

RGB 45 190 157

HSL 166.34, 0.62%, 0.46%

LAB 69.34, -45.02, 6.04

 

CMYK 88 / 0 / 20 / 18

HEX #1AD1A7

RGB 26 209 167

HSL 166.23, 0.78%, 0.46%

LAB 75.21, -51.95, 9

 

CMYK 97 / 0 / 22 / 11

HEX #07E4B1

RGB 7 228 177

HSL 166.15, 0.94%, 0.46%

LAB 81.13, -57.68, 12.1

 

CMYK 76 / 0 / 17 / 25

HEX #2DBE9D

RGB 45 190 157

HSL 166.34, 0.62%, 0.46%

LAB 69.34, -45.02, 6.04

 

CMYK 63 / 0 / 15 / 33

HEX #40AB92

RGB 64 171 146

HSL 165.98, 0.46%, 0.46%

LAB 63.58, -36.66, 3.86

 

CMYK 45 / 0 / 11 / 40

HEX #539888

RGB 83 152 136

HSL 166.09, 0.29%, 0.46%

LAB 58.11, -25.85, 1.64

 

CMYK 23 / 0 / 5 / 48

HEX #66857E

RGB 102 133 126

HSL 166.45, 0.13%, 0.46%

LAB 53.07, -12.53, 0.17

 

CMYK 0 / 5 / 3 / 53

HEX #787274

RGB 120 114 116

HSL 340, 0.03%, 0.46%

LAB 48.62, 2.7, -0.28

 

CMYK 76 / 0 / 58 / 25

HEX #2DBE4F

RGB 45 190 79

HSL 134.07, 0.62%, 0.46%

LAB 67.98, -60.17, 44.77

 

CMYK 76 / 0 / 38 / 25

HEX #2DBE75

RGB 45 190 117

HSL 149.79, 0.62%, 0.46%

LAB 68.51, -54.02, 26.43

 

CMYK 76 / 0 / 18 / 25

HEX #2DBE9C

RGB 45 190 156

HSL 165.93, 0.62%, 0.46%

LAB 69.32, -45.28, 6.55

 

CMYK 76 / 3 / 0 / 25

HEX #2DB9BE

RGB 45 185 190

HSL 182.07, 0.62%, 0.46%

LAB 68.73, -33.62, -12.98

 

CMYK 76 / 23 / 0 / 25

HEX #2D92BE

RGB 45 146 190

HSL 198.21, 0.62%, 0.46%

LAB 56.91, -13.67, -31.04

 

CMYK 76 / 0 / 17 / 52

HEX #1D7B66

RGB 29 123 102

HSL 166.6, 0.62%, 0.3%

LAB 46.16, -31.98, 3.85

 

CMYK 76 / 0 / 18 / 38

HEX #259D81

RGB 37 157 129

HSL 166, 0.62%, 0.38%

LAB 58.12, -39, 5.46

 

CMYK 76 / 0 / 17 / 25

HEX #2DBE9D

RGB 45 190 157

HSL 166.34, 0.62%, 0.46%

LAB 69.34, -45.02, 6.04

 

CMYK 69 / 0 / 16 / 17

HEX #41D3B1

RGB 65 211 177

HSL 166.03, 0.62%, 0.54%

LAB 76.61, -46.31, 5.73

 

CMYK 55 / 0 / 12 / 15

HEX #63DABF

RGB 99 218 191

HSL 166.39, 0.62%, 0.62%

LAB 79.93, -39.98, 3.16

 

CMYK 76 / 0 / 17 / 26

HEX #2DBD9C

RGB 45 189 156

HSL 166.25, 0.62%, 0.46%

LAB 69.01, -44.85, 6.1

 

CMYK 76 / 74 / 0 / 25

HEX #2D31BE

RGB 45 49 190

HSL 238.34, 0.62%, 0.46%

LAB 30.57, 46.37, -73.34

 

CMYK 0 / 48 / 76 / 25

HEX #BE622D

RGB 190 98 45

HSL 21.93, 0.62%, 0.46%

LAB 51.69, 33.12, 45.36

 

CMYK 76 / 0 / 17 / 26

HEX #2DBD9C

RGB 45 189 156

HSL 166.25, 0.62%, 0.46%

LAB 69.01, -44.85, 6.1

 

CMYK 18 / 76 / 0 / 25

HEX #9C2DBE

RGB 156 45 190

HSL 285.93, 0.62%, 0.46%

LAB 42.25, 64.7, -53.76

 

CMYK 0 / 18 / 76 / 25

HEX #BE9C2D

RGB 190 156 45

HSL 45.93, 0.62%, 0.46%

LAB 65.68, 1.45, 59.03

 

CMYK 76 / 0 / 17 / 26

HEX #2DBD9C

RGB 45 189 156

HSL 166.25, 0.62%, 0.46%

LAB 69.01, -44.85, 6.1

 

CMYK 76 / 74 / 0 / 25

HEX #2D31BE

RGB 45 49 190

HSL 238.34, 0.62%, 0.46%

LAB 30.57, 46.37, -73.34

 

CMYK 0 / 76 / 58 / 25

HEX #BE2D4F

RGB 190 45 79

HSL 345.93, 0.62%, 0.46%

LAB 43.34, 58.41, 16.05

 

CMYK 0 / 3 / 76 / 25

HEX #BEB92D

RGB 190 185 45

HSL 57.93, 0.62%, 0.46%

LAB 73.44, -13.78, 66.22

 

CMYK 76 / 0 / 17 / 26

HEX #2DBD9C

RGB 45 189 156

HSL 166.25, 0.62%, 0.46%

LAB 69.01, -44.85, 6.1

 

CMYK 56 / 76 / 0 / 25

HEX #532DBE

RGB 83 45 190

HSL 255.72, 0.62%, 0.46%

LAB 32.77, 52.56, -69.61

 

CMYK 0 / 76 / 58 / 25

HEX #BE2D4F

RGB 190 45 79

HSL 345.93, 0.62%, 0.46%

LAB 43.34, 58.41, 16.05

 

CMYK 21 / 0 / 76 / 25

HEX #97BE2D

RGB 151 190 45

HSL 76.14, 0.62%, 0.46%

LAB 71.96, -32.57, 63.8

 

Description

Color code: HEX #2DBD9C | qconv.com Color code: HEX #2DBD9C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 189 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 189 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 17 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 17% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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