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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DBD7F it is the complementary color #D24280. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DBD7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DBD7F shade: #32BD7A, #43CF8D, #54E1A0, #65F3B3 and #76FFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DBD7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DBD7F shade: #2DBD7F, #1CAB6C, #0B9959, #008746 and #007533

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DBD7F shade: #2DBE7F, #2DBE58, #2DBE31, #4FBE2D and #77BE2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DBD7F shade: #2DBE7F, #2DBEA7, #2DAEBE, #2D87BE and #2D60BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DBD7F shade matches the following richer shades: #2DBE7F, #1AD182 and #07E485

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DBD7F shade: #2DBE7F, #40AB7D, #53987A, #668577 and #787275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DBD7F shade: #2DBE31, #2DBE58, #2DBE7F, #2DBEA6 and #2DAFBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DBD7F shade: #1D7B53, #259D69, #2DBE7F, #41D394 and #63DAA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DBD7F shade: #2DBD7F, #2D4FBE and #BE452D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DBD7F shade: #2DBD7F, #7F2DBE and #BE7F2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DBD7F shade: #2DBD7F, #2D4FBE, #BE2D6C and #BE9C2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DBD7F shade: #2DBD7F, #362DBE, #BE2D6C and #B4BE2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 33 / 26

HEX #2DBD7F

RGB 45 189 127

HSL 154.17, 0.62%, 0.46%

LAB 68.38, -51.62, 20.94

 

Complementary color

CMYK 0 / 69 / 39 / 18

HEX #D24280

RGB 210 66 128

HSL 334.17, 0.62%, 0.54%

LAB 50.87, 61.13, -2.79

 

CMYK 74 / 0 / 35 / 26

HEX #32BD7A

RGB 50 189 122

HSL 151.08, 0.58%, 0.47%

LAB 68.37, -51.98, 23.61

 

CMYK 68 / 0 / 32 / 19

HEX #43CF8D

RGB 67 207 141

HSL 151.71, 0.59%, 0.54%

LAB 74.66, -52.5, 22.16

 

CMYK 63 / 0 / 29 / 12

HEX #54E1A0

RGB 84 225 160

HSL 152.34, 0.7%, 0.61%

LAB 80.89, -52.79, 20.82

 

CMYK 58 / 0 / 26 / 5

HEX #65F3B3

RGB 101 243 179

HSL 152.96, 0.86%, 0.67%

LAB 87.06, -52.92, 19.59

 

CMYK 54 / 0 / 22 / 0

HEX #76FFC6

RGB 118 255 198

HSL 155.04, 1%, 0.73%

LAB 91.44, -50.45, 16.02

 

CMYK 76 / 0 / 33 / 26

HEX #2DBD7F

RGB 45 189 127

HSL 154.17, 0.62%, 0.46%

LAB 68.38, -51.62, 20.94

 

CMYK 84 / 0 / 37 / 33

HEX #1CAB6C

RGB 28 171 108

HSL 153.57, 0.72%, 0.39%

LAB 62.05, -50.61, 22.54

 

CMYK 93 / 0 / 42 / 40

HEX #0B9959

RGB 11 153 89

HSL 152.96, 0.87%, 0.32%

LAB 55.66, -49.09, 24.32

 

CMYK 100 / 0 / 48 / 47

HEX #008746

RGB 0 135 70

HSL 151.11, 1%, 0.26%

LAB 49.22, -46.89, 26.27

 

CMYK 100 / 0 / 56 / 54

HEX #007533

RGB 0 117 51

HSL 146.15, 1%, 0.23%

LAB 42.71, -43.87, 28.34

 

CMYK 76 / 0 / 33 / 25

HEX #2DBE7F

RGB 45 190 127

HSL 153.93, 0.62%, 0.46%

LAB 68.69, -52, 21.37

 

CMYK 76 / 0 / 54 / 25

HEX #2DBE58

RGB 45 190 88

HSL 137.79, 0.62%, 0.46%

LAB 68.09, -58.94, 40.63

 

CMYK 76 / 0 / 74 / 25

HEX #2DBE31

RGB 45 190 49

HSL 121.66, 0.62%, 0.46%

LAB 67.73, -63.26, 56.89

 

CMYK 58 / 0 / 76 / 25

HEX #4FBE2D

RGB 79 190 45

HSL 105.93, 0.62%, 0.46%

LAB 68.52, -56.79, 59.31

 

CMYK 37 / 0 / 76 / 25

HEX #77BE2D

RGB 119 190 45

HSL 89.38, 0.62%, 0.46%

LAB 70.13, -44.64, 61.42

 

CMYK 76 / 0 / 33 / 25

HEX #2DBE7F

RGB 45 190 127

HSL 153.93, 0.62%, 0.46%

LAB 68.69, -52, 21.37

 

CMYK 76 / 0 / 12 / 25

HEX #2DBEA7

RGB 45 190 167

HSL 170.48, 0.62%, 0.46%

LAB 69.59, -42.42, 0.93

 

CMYK 76 / 8 / 0 / 25

HEX #2DAEBE

RGB 45 174 190

HSL 186.62, 0.62%, 0.46%

LAB 65.39, -28.31, -18.01

 

CMYK 76 / 29 / 0 / 25

HEX #2D87BE

RGB 45 135 190

HSL 202.76, 0.62%, 0.46%

LAB 53.6, -7.46, -36.21

 

CMYK 76 / 49 / 0 / 25

HEX #2D60BE

RGB 45 96 190

HSL 218.9, 0.62%, 0.46%

LAB 42.22, 16.59, -54.32

 

CMYK 76 / 0 / 33 / 25

HEX #2DBE7F

RGB 45 190 127

HSL 153.93, 0.62%, 0.46%

LAB 68.69, -52, 21.37

 

CMYK 88 / 0 / 38 / 18

HEX #1AD182

RGB 26 209 130

HSL 154.1, 0.78%, 0.46%

LAB 74.47, -60.22, 27.54

 

CMYK 97 / 0 / 42 / 11

HEX #07E485

RGB 7 228 133

HSL 154.21, 0.94%, 0.46%

LAB 80.31, -67.04, 33.71

 

CMYK 76 / 0 / 33 / 25

HEX #2DBE7F

RGB 45 190 127

HSL 153.93, 0.62%, 0.46%

LAB 68.69, -52, 21.37

 

CMYK 63 / 0 / 27 / 33

HEX #40AB7D

RGB 64 171 125

HSL 154.21, 0.46%, 0.46%

LAB 63.09, -41.65, 14.81

 

CMYK 45 / 0 / 20 / 40

HEX #53987A

RGB 83 152 122

HSL 153.91, 0.29%, 0.46%

LAB 57.75, -29.13, 9.08

 

CMYK 23 / 0 / 11 / 48

HEX #668577

RGB 102 133 119

HSL 152.9, 0.13%, 0.46%

LAB 52.87, -14.08, 3.96

 

CMYK 0 / 5 / 3 / 53

HEX #787275

RGB 120 114 117

HSL 330, 0.03%, 0.46%

LAB 48.65, 2.9, -0.83

 

CMYK 76 / 0 / 74 / 25

HEX #2DBE31

RGB 45 190 49

HSL 121.66, 0.62%, 0.46%

LAB 67.73, -63.26, 56.89

 

CMYK 76 / 0 / 54 / 25

HEX #2DBE58

RGB 45 190 88

HSL 137.79, 0.62%, 0.46%

LAB 68.09, -58.94, 40.63

 

CMYK 76 / 0 / 33 / 25

HEX #2DBE7F

RGB 45 190 127

HSL 153.93, 0.62%, 0.46%

LAB 68.69, -52, 21.37

 

CMYK 76 / 0 / 13 / 25

HEX #2DBEA6

RGB 45 190 166

HSL 170.07, 0.62%, 0.46%

LAB 69.57, -42.68, 1.44

 

CMYK 76 / 8 / 0 / 25

HEX #2DAFBE

RGB 45 175 190

HSL 186.21, 0.62%, 0.46%

LAB 65.7, -28.8, -17.55

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B53

RGB 29 123 83

HSL 154.47, 0.62%, 0.3%

LAB 45.7, -36.81, 14.36

 

CMYK 76 / 0 / 33 / 38

HEX #259D69

RGB 37 157 105

HSL 154, 0.62%, 0.38%

LAB 57.59, -44.78, 18.17

 

CMYK 76 / 0 / 33 / 25

HEX #2DBE7F

RGB 45 190 127

HSL 153.93, 0.62%, 0.46%

LAB 68.69, -52, 21.37

 

CMYK 69 / 0 / 30 / 17

HEX #41D394

RGB 65 211 148

HSL 154.11, 0.62%, 0.54%

LAB 75.98, -52.95, 20.27

 

CMYK 55 / 0 / 23 / 15

HEX #63DAA7

RGB 99 218 167

HSL 154.29, 0.62%, 0.62%

LAB 79.38, -45.4, 15.11

 

CMYK 76 / 0 / 33 / 26

HEX #2DBD7F

RGB 45 189 127

HSL 154.17, 0.62%, 0.46%

LAB 68.38, -51.62, 20.94

 

CMYK 76 / 58 / 0 / 25

HEX #2D4FBE

RGB 45 79 190

HSL 225.93, 0.62%, 0.46%

LAB 37.6, 27.7, -61.8

 

CMYK 0 / 64 / 76 / 25

HEX #BE452D

RGB 190 69 45

HSL 9.93, 0.62%, 0.46%

LAB 46.17, 47.35, 39.62

 

CMYK 76 / 0 / 33 / 26

HEX #2DBD7F

RGB 45 189 127

HSL 154.17, 0.62%, 0.46%

LAB 68.38, -51.62, 20.94

 

CMYK 33 / 76 / 0 / 25

HEX #7F2DBE

RGB 127 45 190

HSL 273.93, 0.62%, 0.46%

LAB 38.03, 59.38, -60.8

 

CMYK 0 / 33 / 76 / 25

HEX #BE7F2D

RGB 190 127 45

HSL 33.93, 0.62%, 0.46%

LAB 58.34, 17.35, 51.98

 

CMYK 76 / 0 / 33 / 26

HEX #2DBD7F

RGB 45 189 127

HSL 154.17, 0.62%, 0.46%

LAB 68.38, -51.62, 20.94

 

CMYK 76 / 58 / 0 / 25

HEX #2D4FBE

RGB 45 79 190

HSL 225.93, 0.62%, 0.46%

LAB 37.6, 27.7, -61.8

 

CMYK 0 / 76 / 43 / 25

HEX #BE2D6C

RGB 190 45 108

HSL 333.93, 0.62%, 0.46%

LAB 44.1, 60.8, -0.95

 

CMYK 0 / 18 / 76 / 25

HEX #BE9C2D

RGB 190 156 45

HSL 45.93, 0.62%, 0.46%

LAB 65.68, 1.45, 59.03

 

CMYK 76 / 0 / 33 / 26

HEX #2DBD7F

RGB 45 189 127

HSL 154.17, 0.62%, 0.46%

LAB 68.38, -51.62, 20.94

 

CMYK 72 / 76 / 0 / 25

HEX #362DBE

RGB 54 45 190

HSL 243.72, 0.62%, 0.46%

LAB 30.35, 49.33, -73.69

 

CMYK 0 / 76 / 43 / 25

HEX #BE2D6C

RGB 190 45 108

HSL 333.93, 0.62%, 0.46%

LAB 44.1, 60.8, -0.95

 

CMYK 5 / 0 / 76 / 25

HEX #B4BE2D

RGB 180 190 45

HSL 64.14, 0.62%, 0.46%

LAB 74.01, -20.57, 66.44

 

Description

Color code: HEX #2DBD7F | qconv.com Color code: HEX #2DBD7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 189 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 189 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 33 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 33% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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