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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB970 it is the complementary color #D2468F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB970. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB970 shade: #32B96B, #43CB7E, #54DD91, #65EFA4 and #76FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB970. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB970 shade: #2DB970, #1CA75D, #0B954A, #008337 and #007124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB970 shade: #2DB970, #2DB94A, #35B92D, #5BB92D and #81B92D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB970 shade: #2DB970, #2DB995, #2DB6B9, #2D90B9 and #2D6BB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB970 shade matches the following richer shades: #2DB970, #1ACB6F and #08DE6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB970 shade: #2DB970, #3FA671, #529471, #648172 and #776E73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB970 shade: #36B92D, #2DB949, #2DB96E, #2DB993 and #2DB9B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB970 shade: #1D7648, #25985C, #2DB970, #3ED084 and #60D899

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB970 shade: #2DB970, #2D5BB9 and #B9362D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB970 shade: #2DB970, #6E2DB9 and #B96E2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB970 shade: #2DB970, #2D5BB9, #B92D77 and #B98A2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB970 shade: #2DB970, #2D31B9, #B92D77 and #B9B42D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 39 / 27

HEX #2DB970

RGB 45 185 112

HSL 148.71, 0.61%, 0.45%

LAB 66.84, -53.12, 26.85

 

Complementary color

CMYK 0 / 67 / 32 / 18

HEX #D2468F

RGB 210 70 143

HSL 328.71, 0.61%, 0.55%

LAB 51.91, 61.26, -10.22

 

CMYK 73 / 0 / 42 / 27

HEX #32B96B

RGB 50 185 107

HSL 145.33, 0.57%, 0.46%

LAB 66.85, -53.33, 29.5

 

CMYK 67 / 0 / 38 / 20

HEX #43CB7E

RGB 67 203 126

HSL 146.03, 0.57%, 0.53%

LAB 73.16, -53.87, 27.99

 

CMYK 62 / 0 / 34 / 13

HEX #54DD91

RGB 84 221 145

HSL 146.72, 0.67%, 0.6%

LAB 79.41, -54.16, 26.58

 

CMYK 58 / 0 / 31 / 6

HEX #65EFA4

RGB 101 239 164

HSL 147.39, 0.81%, 0.67%

LAB 85.59, -54.27, 25.28

 

CMYK 54 / 0 / 28 / 0

HEX #76FFB7

RGB 118 255 183

HSL 148.47, 1%, 0.73%

LAB 91.14, -53.45, 23.27

 

CMYK 76 / 0 / 39 / 27

HEX #2DB970

RGB 45 185 112

HSL 148.71, 0.61%, 0.45%

LAB 66.84, -53.12, 26.85

 

CMYK 83 / 0 / 44 / 35

HEX #1CA75D

RGB 28 167 93

HSL 148.06, 0.71%, 0.38%

LAB 60.49, -52.07, 28.52

 

CMYK 93 / 0 / 50 / 42

HEX #0B954A

RGB 11 149 74

HSL 147.39, 0.86%, 0.31%

LAB 54.09, -50.44, 30.32

 

CMYK 100 / 0 / 58 / 49

HEX #008337

RGB 0 131 55

HSL 145.19, 1%, 0.26%

LAB 47.63, -48.04, 32.21

 

CMYK 100 / 0 / 68 / 56

HEX #007124

RGB 0 113 36

HSL 139.12, 1%, 0.22%

LAB 41.12, -44.66, 34.02

 

CMYK 76 / 0 / 39 / 27

HEX #2DB970

RGB 45 185 112

HSL 148.71, 0.61%, 0.45%

LAB 66.84, -53.12, 26.85

 

CMYK 76 / 0 / 60 / 27

HEX #2DB94A

RGB 45 185 74

HSL 132.43, 0.61%, 0.45%

LAB 66.33, -59.13, 45.15

 

CMYK 71 / 0 / 76 / 27

HEX #35B92D

RGB 53 185 45

HSL 116.57, 0.61%, 0.45%

LAB 66.25, -60.68, 56.85

 

CMYK 51 / 0 / 76 / 27

HEX #5BB92D

RGB 91 185 45

HSL 100.29, 0.61%, 0.45%

LAB 67.36, -51.68, 58.32

 

CMYK 30 / 0 / 76 / 27

HEX #81B92D

RGB 129 185 45

HSL 84, 0.61%, 0.45%

LAB 69.15, -38.85, 60.67

 

CMYK 76 / 0 / 39 / 27

HEX #2DB970

RGB 45 185 112

HSL 148.71, 0.61%, 0.45%

LAB 66.84, -53.12, 26.85

 

CMYK 76 / 0 / 19 / 27

HEX #2DB995

RGB 45 185 149

HSL 164.57, 0.61%, 0.45%

LAB 67.6, -44.93, 7.91

 

CMYK 76 / 2 / 0 / 27

HEX #2DB6B9

RGB 45 182 185

HSL 181.29, 0.61%, 0.45%

LAB 67.66, -33.7, -11.82

 

CMYK 76 / 22 / 0 / 27

HEX #2D90B9

RGB 45 144 185

HSL 197.57, 0.61%, 0.45%

LAB 56.09, -14.29, -29.47

 

CMYK 76 / 42 / 0 / 27

HEX #2D6BB9

RGB 45 107 185

HSL 213.43, 0.61%, 0.45%

LAB 45.05, 7.64, -46.87

 

CMYK 76 / 0 / 39 / 27

HEX #2DB970

RGB 45 185 112

HSL 148.71, 0.61%, 0.45%

LAB 66.84, -53.12, 26.85

 

CMYK 87 / 0 / 45 / 20

HEX #1ACB6F

RGB 26 203 111

HSL 148.81, 0.77%, 0.45%

LAB 72.28, -61.66, 34.41

 

CMYK 96 / 0 / 50 / 13

HEX #08DE6E

RGB 8 222 110

HSL 148.6, 0.93%, 0.45%

LAB 78.12, -68.95, 42.26

 

CMYK 76 / 0 / 39 / 27

HEX #2DB970

RGB 45 185 112

HSL 148.71, 0.61%, 0.45%

LAB 66.84, -53.12, 26.85

 

CMYK 62 / 0 / 32 / 35

HEX #3FA671

RGB 63 166 113

HSL 149.13, 0.45%, 0.45%

LAB 61.24, -42.29, 18.85

 

CMYK 45 / 0 / 24 / 42

HEX #529471

RGB 82 148 113

HSL 148.18, 0.29%, 0.45%

LAB 56.25, -29.45, 12.06

 

CMYK 22 / 0 / 12 / 49

HEX #648172

RGB 100 129 114

HSL 148.97, 0.13%, 0.45%

LAB 51.41, -13.66, 4.74

 

CMYK 0 / 8 / 3 / 53

HEX #776E73

RGB 119 110 115

HSL 326.67, 0.04%, 0.45%

LAB 47.38, 4.48, -1.52

 

CMYK 71 / 0 / 76 / 27

HEX #36B92D

RGB 54 185 45

HSL 116.14, 0.61%, 0.45%

LAB 66.27, -60.5, 56.88

 

CMYK 76 / 0 / 61 / 27

HEX #2DB949

RGB 45 185 73

HSL 132, 0.61%, 0.45%

LAB 66.32, -59.25, 45.6

 

CMYK 76 / 0 / 41 / 27

HEX #2DB96E

RGB 45 185 110

HSL 147.86, 0.61%, 0.45%

LAB 66.81, -53.5, 27.86

 

CMYK 76 / 0 / 21 / 27

HEX #2DB993

RGB 45 185 147

HSL 163.71, 0.61%, 0.45%

LAB 67.55, -45.42, 8.94

 

CMYK 76 / 0 / 0 / 27

HEX #2DB9B9

RGB 45 185 185

HSL 180, 0.61%, 0.45%

LAB 68.58, -35.11, -10.46

 

CMYK 75 / 0 / 39 / 54

HEX #1D7648

RGB 29 118 72

HSL 148.99, 0.61%, 0.29%

LAB 43.78, -37.14, 18.12

 

CMYK 76 / 0 / 39 / 40

HEX #25985C

RGB 37 152 92

HSL 148.7, 0.61%, 0.37%

LAB 55.71, -45.51, 22.81

 

CMYK 76 / 0 / 39 / 27

HEX #2DB970

RGB 45 185 112

HSL 148.71, 0.61%, 0.45%

LAB 66.84, -53.12, 26.85

 

CMYK 70 / 0 / 37 / 18

HEX #3ED084

RGB 62 208 132

HSL 148.77, 0.61%, 0.53%

LAB 74.7, -55.48, 26.9

 

CMYK 56 / 0 / 29 / 15

HEX #60D899

RGB 96 216 153

HSL 148.5, 0.61%, 0.61%

LAB 78.4, -48.08, 21.11

 

CMYK 76 / 0 / 39 / 27

HEX #2DB970

RGB 45 185 112

HSL 148.71, 0.61%, 0.45%

LAB 66.84, -53.12, 26.85

 

CMYK 76 / 51 / 0 / 27

HEX #2D5BB9

RGB 45 91 185

HSL 220.29, 0.61%, 0.45%

LAB 40.48, 17.94, -54.21

 

CMYK 0 / 71 / 76 / 27

HEX #B9362D

RGB 185 54 45

HSL 3.86, 0.61%, 0.45%

LAB 42.98, 51.85, 35.92

 

CMYK 76 / 0 / 39 / 27

HEX #2DB970

RGB 45 185 112

HSL 148.71, 0.61%, 0.45%

LAB 66.84, -53.12, 26.85

 

CMYK 41 / 76 / 0 / 27

HEX #6E2DB9

RGB 110 45 185

HSL 267.86, 0.61%, 0.45%

LAB 35.39, 55.29, -62.25

 

CMYK 0 / 41 / 76 / 27

HEX #B96E2D

RGB 185 110 45

HSL 27.86, 0.61%, 0.45%

LAB 53.66, 24.56, 47.13

 

CMYK 76 / 0 / 39 / 27

HEX #2DB970

RGB 45 185 112

HSL 148.71, 0.61%, 0.45%

LAB 66.84, -53.12, 26.85

 

CMYK 76 / 51 / 0 / 27

HEX #2D5BB9

RGB 45 91 185

HSL 220.29, 0.61%, 0.45%

LAB 40.48, 17.94, -54.21

 

CMYK 0 / 76 / 36 / 27

HEX #B92D77

RGB 185 45 119

HSL 328.29, 0.61%, 0.45%

LAB 43.54, 60.59, -8.68

 

CMYK 0 / 25 / 76 / 27

HEX #B98A2D

RGB 185 138 45

HSL 39.86, 0.61%, 0.45%

LAB 60.5, 9.06, 53.89

 

CMYK 76 / 0 / 39 / 27

HEX #2DB970

RGB 45 185 112

HSL 148.71, 0.61%, 0.45%

LAB 66.84, -53.12, 26.85

 

CMYK 76 / 74 / 0 / 27

HEX #2D31B9

RGB 45 49 185

HSL 238.29, 0.61%, 0.45%

LAB 30.05, 44.7, -71.24

 

CMYK 0 / 76 / 36 / 27

HEX #B92D77

RGB 185 45 119

HSL 328.29, 0.61%, 0.45%

LAB 43.54, 60.59, -8.68

 

CMYK 0 / 3 / 76 / 27

HEX #B9B42D

RGB 185 180 45

HSL 57.86, 0.61%, 0.45%

LAB 71.65, -13.39, 64.42

 

Description

Color code: HEX #2DB970 | qconv.com Color code: HEX #2DB970 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 185 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 185 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 39 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 39% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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