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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB907 it is the complementary color #D246F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB907. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB907 shade: #32B902, #43CB15, #54DD28, #65EF3B and #76FF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB907. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB907 shade: #2DB907, #1CA700, #0B9500, #008300 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB907 shade: #2DBB07, #5EBB07, #8EBB07, #BBB707 and #BB8607

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB907 shade: #2DBB07, #07BB11, #07BB42, #07BB72 and #07BBA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB907 shade matches the following richer shades: #2DBB07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB907 shade: #2DBB07, #36AB16, #3F9C26, #488C36 and #517C45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB907 shade: #8EBB07, #5EBB07, #2EBB07, #07BB10 and #07BB40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB907 shade: #1A6B04, #249305, #2DBB07, #37E308 and #4CF71D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB907 shade: #2DB907, #07BBB8 and #BB0776

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB907 shade: #2DB907, #072EBB and #BB072E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB907 shade: #2DB907, #07BBB8, #9407BB and #BB070A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB907 shade: #2DB907, #0788BB, #9407BB and #BB3A07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 96 / 27

HEX #2DB907

RGB 45 185 7

HSL 107.19, 0.93%, 0.38%

LAB 65.96, -63.67, 65.05

 

Complementary color

CMYK 15 / 72 / 0 / 3

HEX #D246F8

RGB 210 70 248

HSL 287.19, 0.93%, 0.62%

LAB 56.94, 77.35, -62.77

 

CMYK 73 / 0 / 99 / 27

HEX #32B902

RGB 50 185 2

HSL 104.26, 0.98%, 0.37%

LAB 66.04, -62.96, 65.76

 

CMYK 67 / 0 / 90 / 20

HEX #43CB15

RGB 67 203 21

HSL 104.84, 0.81%, 0.44%

LAB 72.2, -65, 68.51

 

CMYK 62 / 0 / 82 / 13

HEX #54DD28

RGB 84 221 40

HSL 105.41, 0.73%, 0.51%

LAB 78.32, -66.5, 70.01

 

CMYK 58 / 0 / 75 / 6

HEX #65EF3B

RGB 101 239 59

HSL 106, 0.85%, 0.58%

LAB 84.39, -67.55, 70.49

 

CMYK 54 / 0 / 69 / 0

HEX #76FF4E

RGB 118 255 78

HSL 106.44, 1%, 0.65%

LAB 89.82, -67.58, 69.7

 

CMYK 76 / 0 / 96 / 27

HEX #2DB907

RGB 45 185 7

HSL 107.19, 0.93%, 0.38%

LAB 65.96, -63.67, 65.05

 

CMYK 83 / 0 / 100 / 35

HEX #1CA700

RGB 28 167 0

HSL 109.94, 1%, 0.33%

LAB 59.78, -60.74, 60.86

 

CMYK 93 / 0 / 100 / 42

HEX #0B9500

RGB 11 149 0

HSL 115.57, 1%, 0.29%

LAB 53.56, -57.03, 55.81

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 76 / 0 / 96 / 27

HEX #2DBB07

RGB 45 187 7

HSL 107.33, 0.93%, 0.38%

LAB 66.61, -64.27, 65.58

 

CMYK 50 / 0 / 96 / 27

HEX #5EBB07

RGB 94 187 7

HSL 91, 0.93%, 0.38%

LAB 67.97, -53, 67.26

 

CMYK 24 / 0 / 96 / 27

HEX #8EBB07

RGB 142 187 7

HSL 75, 0.93%, 0.38%

LAB 70.39, -35.9, 70.2

 

CMYK 0 / 2 / 96 / 27

HEX #BBB707

RGB 187 183 7

HSL 58.67, 0.93%, 0.38%

LAB 72.53, -14.97, 73.26

 

CMYK 0 / 28 / 96 / 27

HEX #BB8607

RGB 187 134 7

HSL 42.33, 0.93%, 0.38%

LAB 59.55, 11.17, 63.76

 

CMYK 76 / 0 / 96 / 27

HEX #2DBB07

RGB 45 187 7

HSL 107.33, 0.93%, 0.38%

LAB 66.61, -64.27, 65.58

 

CMYK 96 / 0 / 91 / 27

HEX #07BB11

RGB 7 187 17

HSL 123.33, 0.93%, 0.38%

LAB 66.23, -67.54, 63.78

 

CMYK 96 / 0 / 65 / 27

HEX #07BB42

RGB 7 187 66

HSL 139.67, 0.93%, 0.38%

LAB 66.5, -64.08, 48.8

 

CMYK 96 / 0 / 39 / 27

HEX #07BB72

RGB 7 187 114

HSL 155.67, 0.93%, 0.38%

LAB 67.13, -56.54, 26.1

 

CMYK 96 / 0 / 13 / 27

HEX #07BBA3

RGB 7 187 163

HSL 172, 0.93%, 0.38%

LAB 68.19, -44.81, 1.04

 

CMYK 76 / 0 / 96 / 27

HEX #2DBB07

RGB 45 187 7

HSL 107.33, 0.93%, 0.38%

LAB 66.61, -64.27, 65.58

 

CMYK 76 / 0 / 96 / 27

HEX #2DBB07

RGB 45 187 7

HSL 107.33, 0.93%, 0.38%

LAB 66.61, -64.27, 65.58

 

CMYK 68 / 0 / 87 / 33

HEX #36AB16

RGB 54 171 22

HSL 107.11, 0.77%, 0.38%

LAB 61.63, -57.21, 59.07

 

CMYK 60 / 0 / 76 / 39

HEX #3F9C26

RGB 63 156 38

HSL 107.29, 0.61%, 0.38%

LAB 57.05, -49.01, 50.26

 

CMYK 49 / 0 / 61 / 45

HEX #488C36

RGB 72 140 54

HSL 107.44, 0.44%, 0.38%

LAB 52.29, -38.61, 38.55

 

CMYK 35 / 0 / 44 / 51

HEX #517C45

RGB 81 124 69

HSL 106.91, 0.28%, 0.38%

LAB 47.74, -26.21, 25.38

 

CMYK 24 / 0 / 96 / 27

HEX #8EBB07

RGB 142 187 7

HSL 75, 0.93%, 0.38%

LAB 70.39, -35.9, 70.2

 

CMYK 50 / 0 / 96 / 27

HEX #5EBB07

RGB 94 187 7

HSL 91, 0.93%, 0.38%

LAB 67.97, -53, 67.26

 

CMYK 75 / 0 / 96 / 27

HEX #2EBB07

RGB 46 187 7

HSL 107, 0.93%, 0.38%

LAB 66.62, -64.12, 65.6

 

CMYK 96 / 0 / 91 / 27

HEX #07BB10

RGB 7 187 16

HSL 123, 0.93%, 0.38%

LAB 66.23, -67.57, 63.93

 

CMYK 96 / 0 / 66 / 27

HEX #07BB40

RGB 7 187 64

HSL 139, 0.93%, 0.38%

LAB 66.49, -64.31, 49.64

 

CMYK 76 / 0 / 96 / 58

HEX #1A6B04

RGB 26 107 4

HSL 107.18, 0.93%, 0.22%

LAB 39.15, -41.92, 43.31

 

CMYK 76 / 0 / 97 / 42

HEX #249305

RGB 36 147 5

HSL 106.9, 0.93%, 0.3%

LAB 53.23, -53.34, 54.83

 

CMYK 76 / 0 / 96 / 27

HEX #2DBB07

RGB 45 187 7

HSL 107.33, 0.93%, 0.38%

LAB 66.61, -64.27, 65.58

 

CMYK 76 / 0 / 96 / 11

HEX #37E308

RGB 55 227 8

HSL 107.12, 0.93%, 0.46%

LAB 79.48, -74.61, 76.04

 

CMYK 69 / 0 / 88 / 3

HEX #4CF71D

RGB 76 247 29

HSL 107.06, 0.93%, 0.54%

LAB 86.08, -76.69, 79.07

 

CMYK 76 / 0 / 96 / 27

HEX #2DB907

RGB 45 185 7

HSL 107.19, 0.93%, 0.38%

LAB 65.96, -63.67, 65.05

 

CMYK 96 / 0 / 2 / 27

HEX #07BBB8

RGB 7 187 184

HSL 179, 0.93%, 0.38%

LAB 68.78, -38.77, -9.63

 

CMYK 0 / 96 / 37 / 27

HEX #BB0776

RGB 187 7 118

HSL 323, 0.93%, 0.38%

LAB 41.26, 68.53, -11.46

 

CMYK 76 / 0 / 96 / 27

HEX #2DB907

RGB 45 185 7

HSL 107.19, 0.93%, 0.38%

LAB 65.96, -63.67, 65.05

 

CMYK 96 / 75 / 0 / 27

HEX #072EBB

RGB 7 46 187

HSL 227, 0.93%, 0.38%

LAB 28.35, 45.17, -75.29

 

CMYK 0 / 96 / 75 / 27

HEX #BB072E

RGB 187 7 46

HSL 347, 0.93%, 0.38%

LAB 39.44, 63.63, 31.5

 

CMYK 76 / 0 / 96 / 27

HEX #2DB907

RGB 45 185 7

HSL 107.19, 0.93%, 0.38%

LAB 65.96, -63.67, 65.05

 

CMYK 96 / 0 / 2 / 27

HEX #07BBB8

RGB 7 187 184

HSL 179, 0.93%, 0.38%

LAB 68.78, -38.77, -9.63

 

CMYK 21 / 96 / 0 / 27

HEX #9407BB

RGB 148 7 187

HSL 287, 0.93%, 0.38%

LAB 37.91, 71.15, -59.09

 

CMYK 0 / 96 / 95 / 27

HEX #BB070A

RGB 187 7 10

HSL 359, 0.93%, 0.38%

LAB 39.14, 62.8, 49.67

 

CMYK 76 / 0 / 96 / 27

HEX #2DB907

RGB 45 185 7

HSL 107.19, 0.93%, 0.38%

LAB 65.96, -63.67, 65.05

 

CMYK 96 / 27 / 0 / 27

HEX #0788BB

RGB 7 136 187

HSL 197, 0.93%, 0.38%

LAB 53.21, -11.94, -35.15

 

CMYK 21 / 96 / 0 / 27

HEX #9407BB

RGB 148 7 187

HSL 287, 0.93%, 0.38%

LAB 37.91, 71.15, -59.09

 

CMYK 0 / 69 / 96 / 27

HEX #BB3A07

RGB 187 58 7

HSL 17, 0.93%, 0.38%

LAB 43.66, 50.04, 53.22

 

Description

Color code: HEX #2DB907 | qconv.com Color code: HEX #2DB907 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 185 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 185 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 96 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 96% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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