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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB7DD00 it is the complementary color #D2482200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB7DD00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB7DD00 shade: #32B7D800, #43C9EB00, #54DBFE00, #65EDFF00 and #76FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB7DD00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB7DD00 shade: #2DB7DD00, #1CA5CA00, #0B93B700, #0081A400 and #006F9100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB7DD00 shade: #2CB7DD, #2C87DD, #2C58DD, #312CDD and #602CDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB7DD00 shade: #2CB7DD, #2C87DD, #2C58DD and #2C2CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB7DD00 shade matches the following richer shades: #2CB7DD and #19C2F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB7DD00 shade: #2CB7DD, #40ABC9, #54A0B5, #6895A1 and #7C8A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB7DD00 shade: #2CDDA2, #2CDDD1, #2CB9DD, #2C8ADD and #2C5BDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB7DD00 shade: #1A819D, #1F9EC1, #2CB7DD, #50C3E3 and #73CFE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB7DD00 shade: #2DB7DD, #732CDD and #DDB92C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB7DD00 shade: #2DB7DD, #DD2CB9 and #B9DD2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB7DD00 shade: #2DB7DD, #732CDD, #DD502C and #96DD2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB7DD00 shade: #2DB7DD, #A82CDD, #DD502C and #61DD2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #2DB7DD00

RGBA 45 183 221 0

HSLA 192.95, 0.72%, 0.52%, 0

LABA 69.22, -22.89, -29.25, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #D2482200

RGBA 210 72 34 0

HSLA 12.95, 0.72%, 0.48%, 0

LABA 50.04, 52.67, 50.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #32B7D800

RGBA 50 183 216 0

HSLA 191.93, 0.68%, 0.52%, 0

LABA 69.11, -24.02, -26.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #43C9EB00

RGBA 67 201 235 0

HSLA 192.14, 0.81%, 0.59%, 0

LABA 75.43, -25.12, -27.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #54DBFE00

RGBA 84 219 254 0

HSLA 192.35, 0.99%, 0.66%, 0

LABA 81.68, -25.98, -27.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #65EDFF00

RGBA 101 237 255 0

HSLA 187.01, 1%, 0.7%, 0

LABA 87.27, -31.77, -19.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #76FFFF00

RGBA 118 255 255 0

HSLA 180, 1%, 0.73%, 0

LABA 92.84, -37.17, -11.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2DB7DD00

RGBA 45 183 221 0

HSLA 192.95, 0.72%, 0.52%, 0

LABA 69.22, -22.89, -29.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1CA5CA00

RGBA 28 165 202 0

HSLA 192.76, 0.76%, 0.45%, 0

LABA 62.86, -21.3, -28.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0B93B700

RGBA 11 147 183 0

HSLA 192.56, 0.89%, 0.38%, 0

LABA 56.44, -19.3, -27.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0081A400

RGBA 0 129 164 0

HSLA 192.8, 1%, 0.32%, 0

LABA 49.95, -16.81, -26.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #006F9100

RGBA 0 111 145 0

HSLA 194.07, 1%, 0.28%, 0

LABA 43.38, -13.8, -26.02, 0

 

CMYK 80 / 17 / 0 / 13

HEX #2CB7DD

RGB 44 183 221

HSL 192.88, 0.72%, 0.52%

LAB 69.2, -22.98, -29.28

 

CMYK 80 / 39 / 0 / 13

HEX #2C87DD

RGB 44 135 221

HSL 209.15, 0.72%, 0.52%

LAB 55.16, 3.74, -51.28

 

CMYK 80 / 60 / 0 / 13

HEX #2C58DD

RGB 44 88 221

HSL 225.08, 0.72%, 0.52%

LAB 42.36, 33.32, -71.94

 

CMYK 78 / 80 / 0 / 13

HEX #312CDD

RGB 49 44 221

HSL 241.69, 0.72%, 0.52%

LAB 33.3, 59.02, -86.87

 

CMYK 57 / 80 / 0 / 13

HEX #602CDD

RGB 96 44 221

HSL 257.63, 0.72%, 0.52%

LAB 36.95, 62.98, -80.71

 

CMYK 80 / 17 / 0 / 13

HEX #2CB7DD

RGB 44 183 221

HSL 192.88, 0.72%, 0.52%

LAB 69.2, -22.98, -29.28

 

CMYK 80 / 39 / 0 / 13

HEX #2C87DD

RGB 44 135 221

HSL 209.15, 0.72%, 0.52%

LAB 55.16, 3.74, -51.28

 

CMYK 80 / 60 / 0 / 13

HEX #2C58DD

RGB 44 88 221

HSL 225.08, 0.72%, 0.52%

LAB 42.36, 33.32, -71.94

 

CMYK 80 / 80 / 0 / 13

HEX #2C2CDD

RGB 44 44 221

HSL 240, 0.72%, 0.52%

LAB 33.04, 58.75, -87.29

 

CMYK 80 / 17 / 0 / 13

HEX #2CB7DD

RGB 44 183 221

HSL 192.88, 0.72%, 0.52%

LAB 69.2, -22.98, -29.28

 

CMYK 90 / 20 / 0 / 5

HEX #19C2F1

RGB 25 194 241

HSL 193.06, 0.89%, 0.52%

LAB 72.98, -23.24, -34.32

 

CMYK 80 / 17 / 0 / 13

HEX #2CB7DD

RGB 44 183 221

HSL 192.88, 0.72%, 0.52%

LAB 69.2, -22.98, -29.28

 

CMYK 68 / 15 / 0 / 21

HEX #40ABC9

RGB 64 171 201

HSL 193.14, 0.56%, 0.52%

LAB 65.3, -20.88, -24.21

 

CMYK 54 / 12 / 0 / 29

HEX #54A0B5

RGB 84 160 181

HSL 192.99, 0.4%, 0.52%

LAB 61.97, -17.56, -18.09

 

CMYK 35 / 7 / 0 / 37

HEX #6895A1

RGB 104 149 161

HSL 192.63, 0.23%, 0.52%

LAB 58.98, -12.13, -11.19

 

CMYK 13 / 3 / 0 / 44

HEX #7C8A8E

RGB 124 138 142

HSL 193.33, 0.07%, 0.52%

LAB 56.5, -4.2, -3.87

 

CMYK 80 / 0 / 27 / 13

HEX #2CDDA2

RGB 44 221 162

HSL 160, 0.72%, 0.52%

LAB 78.96, -56.41, 16.98

 

CMYK 80 / 0 / 5 / 13

HEX #2CDDD1

RGB 44 221 209

HSL 175.93, 0.72%, 0.52%

LAB 80.1, -44.57, -6.33

 

CMYK 80 / 16 / 0 / 13

HEX #2CB9DD

RGB 44 185 221

HSL 192.2, 0.72%, 0.52%

LAB 69.79, -24, -28.37

 

CMYK 80 / 38 / 0 / 13

HEX #2C8ADD

RGB 44 138 221

HSL 208.14, 0.72%, 0.52%

LAB 56.02, 1.95, -49.91

 

CMYK 80 / 59 / 0 / 13

HEX #2C5BDD

RGB 44 91 221

HSL 224.07, 0.72%, 0.52%

LAB 43.12, 31.4, -70.7

 

CMYK 83 / 18 / 0 / 38

HEX #1A819D

RGB 26 129 157

HSL 192.82, 0.72%, 0.36%

LAB 49.92, -17.84, -22.93

 

CMYK 84 / 18 / 0 / 24

HEX #1F9EC1

RGB 31 158 193

HSL 192.96, 0.72%, 0.44%

LAB 60.42, -20.48, -27.31

 

CMYK 80 / 17 / 0 / 13

HEX #2CB7DD

RGB 44 183 221

HSL 192.88, 0.72%, 0.52%

LAB 69.2, -22.98, -29.28

 

CMYK 65 / 14 / 0 / 11

HEX #50C3E3

RGB 80 195 227

HSL 193.06, 0.72%, 0.6%

LAB 73.73, -22.7, -25.52

 

CMYK 50 / 11 / 0 / 9

HEX #73CFE8

RGB 115 207 232

HSL 192.82, 0.72%, 0.68%

LAB 78.52, -20.77, -20.81

 

CMYK 80 / 17 / 0 / 13

HEX #2DB7DD

RGB 45 183 221

HSL 192.95, 0.72%, 0.52%

LAB 69.22, -22.89, -29.25

 

CMYK 48 / 80 / 0 / 13

HEX #732CDD

RGB 115 44 221

HSL 264.07, 0.72%, 0.52%

LAB 39.01, 65.25, -77.23

 

CMYK 0 / 16 / 80 / 13

HEX #DDB92C

RGB 221 185 44

HSL 47.8, 0.72%, 0.52%

LAB 76.22, -0.39, 70.08

 

CMYK 80 / 17 / 0 / 13

HEX #2DB7DD

RGB 45 183 221

HSL 192.95, 0.72%, 0.52%

LAB 69.22, -22.89, -29.25

 

CMYK 0 / 80 / 16 / 13

HEX #DD2CB9

RGB 221 44 185

HSL 312.2, 0.72%, 0.52%

LAB 52.59, 77.39, -33.75

 

CMYK 16 / 0 / 80 / 13

HEX #B9DD2C

RGB 185 221 44

HSL 72.2, 0.72%, 0.52%

LAB 83.02, -33.36, 74.98

 

CMYK 80 / 17 / 0 / 13

HEX #2DB7DD

RGB 45 183 221

HSL 192.95, 0.72%, 0.52%

LAB 69.22, -22.89, -29.25

 

CMYK 48 / 80 / 0 / 13

HEX #732CDD

RGB 115 44 221

HSL 264.07, 0.72%, 0.52%

LAB 39.01, 65.25, -77.23

 

CMYK 0 / 64 / 80 / 13

HEX #DD502C

RGB 221 80 44

HSL 12.2, 0.72%, 0.52%

LAB 53.27, 53.36, 49.04

 

CMYK 32 / 0 / 80 / 13

HEX #96DD2C

RGB 150 221 44

HSL 84.07, 0.72%, 0.52%

LAB 80.95, -46.69, 72.34

 

CMYK 80 / 17 / 0 / 13

HEX #2DB7DD

RGB 45 183 221

HSL 192.95, 0.72%, 0.52%

LAB 69.22, -22.89, -29.25

 

CMYK 24 / 80 / 0 / 13

HEX #A82CDD

RGB 168 44 221

HSL 282.03, 0.72%, 0.52%

LAB 46.11, 73.12, -65.36

 

CMYK 0 / 64 / 80 / 13

HEX #DD502C

RGB 221 80 44

HSL 12.2, 0.72%, 0.52%

LAB 53.27, 53.36, 49.04

 

CMYK 56 / 0 / 80 / 13

HEX #61DD2C

RGB 97 221 44

HSL 102.03, 0.72%, 0.52%

LAB 78.72, -63.19, 69.47

 

Description

Color code: HEX #2DB7DD00 | qconv.com Color code: HEX #2DB7DD00 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 183 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 183 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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