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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB343 it is the complementary color #D24CBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB343. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB343 shade: #32B33E, #43C551, #54D764, #65E977 and #76FB8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB343. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB343 shade: #2DB343, #1CA130, #0B8F1D, #007D0A and #006B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB343 shade: #2DB443, #3BB42D, #5FB42D, #84B42D and #A8B42D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB343 shade: #2DB443, #2DB467, #2DB48C, #2DB4B0 and #2D93B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB343 shade matches the following richer shades: #2DB443, #1BC637 and #09D82B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB343 shade: #2DB443, #3FA14F, #518F5B, #637D68 and #756B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB343 shade: #60B42D, #3DB42D, #2DB441, #2DB465 and #2DB489

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB343 shade: #1C722A, #259337, #2DB443, #3CCE54 and #5DD671

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB343 shade: #2DB343, #2D84B4 and #B42D4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB343 shade: #2DB343, #412DB4 and #B4412D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB343 shade: #2DB343, #2D84B4, #B42D9F and #B45C2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB343 shade: #2DB343, #2D5CB4, #B42D9F and #B4842D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 63 / 30

HEX #2DB343

RGB 45 179 67

HSL 129.85, 0.6%, 0.44%

LAB 64.33, -57.96, 46.03

 

Complementary color

CMYK 0 / 64 / 10 / 18

HEX #D24CBC

RGB 210 76 188

HSL 309.85, 0.6%, 0.56%

LAB 54.55, 65, -32.56

 

CMYK 72 / 0 / 65 / 30

HEX #32B33E

RGB 50 179 62

HSL 125.58, 0.56%, 0.45%

LAB 64.38, -57.7, 48.3

 

CMYK 66 / 0 / 59 / 23

HEX #43C551

RGB 67 197 81

HSL 126.46, 0.53%, 0.52%

LAB 70.68, -58.61, 47.11

 

CMYK 61 / 0 / 53 / 16

HEX #54D764

RGB 84 215 100

HSL 127.33, 0.62%, 0.59%

LAB 76.92, -59.13, 45.8

 

CMYK 57 / 0 / 49 / 9

HEX #65E977

RGB 101 233 119

HSL 128.18, 0.75%, 0.65%

LAB 83.11, -59.4, 44.47

 

CMYK 53 / 0 / 45 / 2

HEX #76FB8A

RGB 118 251 138

HSL 129.02, 0.94%, 0.72%

LAB 89.24, -59.5, 43.15

 

CMYK 75 / 0 / 63 / 30

HEX #2DB343

RGB 45 179 67

HSL 129.85, 0.6%, 0.44%

LAB 64.33, -57.96, 46.03

 

CMYK 83 / 0 / 70 / 37

HEX #1CA130

RGB 28 161 48

HSL 129.02, 0.7%, 0.37%

LAB 57.99, -56.4, 47.14

 

CMYK 92 / 0 / 80 / 44

HEX #0B8F1D

RGB 11 143 29

HSL 128.18, 0.86%, 0.3%

LAB 51.62, -53.98, 47.7

 

CMYK 100 / 0 / 92 / 51

HEX #007D0A

RGB 0 125 10

HSL 124.8, 1%, 0.25%

LAB 45.21, -50.43, 46.97

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 75 / 0 / 63 / 29

HEX #2DB443

RGB 45 180 67

HSL 129.78, 0.6%, 0.44%

LAB 64.65, -58.29, 46.39

 

CMYK 67 / 0 / 75 / 29

HEX #3BB42D

RGB 59 180 45

HSL 113.78, 0.6%, 0.44%

LAB 64.77, -57.88, 55.43

 

CMYK 47 / 0 / 75 / 29

HEX #5FB42D

RGB 95 180 45

HSL 97.78, 0.6%, 0.44%

LAB 65.95, -48.53, 56.99

 

CMYK 27 / 0 / 75 / 29

HEX #84B42D

RGB 132 180 45

HSL 81.33, 0.6%, 0.44%

LAB 67.83, -35.46, 59.46

 

CMYK 7 / 0 / 75 / 29

HEX #A8B42D

RGB 168 180 45

HSL 65.33, 0.6%, 0.44%

LAB 70.29, -20.7, 62.66

 

CMYK 75 / 0 / 63 / 29

HEX #2DB443

RGB 45 180 67

HSL 129.78, 0.6%, 0.44%

LAB 64.65, -58.29, 46.39

 

CMYK 75 / 0 / 43 / 29

HEX #2DB467

RGB 45 180 103

HSL 145.78, 0.6%, 0.44%

LAB 65.1, -52.93, 29.3

 

CMYK 75 / 0 / 22 / 29

HEX #2DB48C

RGB 45 180 140

HSL 162.22, 0.6%, 0.44%

LAB 65.82, -45.05, 10.33

 

CMYK 75 / 0 / 2 / 29

HEX #2DB4B0

RGB 45 180 176

HSL 178.22, 0.6%, 0.44%

LAB 66.78, -35.41, -8.17

 

CMYK 75 / 18 / 0 / 29

HEX #2D93B4

RGB 45 147 180

HSL 194.67, 0.6%, 0.44%

LAB 56.8, -17.63, -25.53

 

CMYK 75 / 0 / 63 / 29

HEX #2DB443

RGB 45 180 67

HSL 129.78, 0.6%, 0.44%

LAB 64.65, -58.29, 46.39

 

CMYK 86 / 0 / 72 / 22

HEX #1BC637

RGB 27 198 55

HSL 129.82, 0.76%, 0.44%

LAB 70.1, -67.26, 57.08

 

CMYK 96 / 0 / 80 / 15

HEX #09D82B

RGB 9 216 43

HSL 129.86, 0.92%, 0.44%

LAB 75.66, -74.3, 66.37

 

CMYK 75 / 0 / 63 / 29

HEX #2DB443

RGB 45 180 67

HSL 129.78, 0.6%, 0.44%

LAB 64.65, -58.29, 46.39

 

CMYK 61 / 0 / 51 / 37

HEX #3FA14F

RGB 63 161 79

HSL 129.8, 0.44%, 0.44%

LAB 59.08, -46.35, 34.15

 

CMYK 43 / 0 / 36 / 44

HEX #518F5B

RGB 81 143 91

HSL 129.68, 0.28%, 0.44%

LAB 54.19, -31.7, 21.58

 

CMYK 21 / 0 / 17 / 51

HEX #637D68

RGB 99 125 104

HSL 131.54, 0.12%, 0.44%

LAB 49.88, -13.9, 8.39

 

CMYK 0 / 9 / 1 / 54

HEX #756B74

RGB 117 107 116

HSL 306, 0.04%, 0.44%

LAB 46.39, 5.69, -3.59

 

CMYK 47 / 0 / 75 / 29

HEX #60B42D

RGB 96 180 45

HSL 97.33, 0.6%, 0.44%

LAB 66, -48.22, 57.05

 

CMYK 66 / 0 / 75 / 29

HEX #3DB42D

RGB 61 180 45

HSL 112.89, 0.6%, 0.44%

LAB 64.82, -57.47, 55.5

 

CMYK 75 / 0 / 64 / 29

HEX #2DB441

RGB 45 180 65

HSL 128.89, 0.6%, 0.44%

LAB 64.63, -58.52, 47.26

 

CMYK 75 / 0 / 44 / 29

HEX #2DB465

RGB 45 180 101

HSL 144.89, 0.6%, 0.44%

LAB 65.07, -53.29, 30.3

 

CMYK 75 / 0 / 24 / 29

HEX #2DB489

RGB 45 180 137

HSL 160.89, 0.6%, 0.44%

LAB 65.75, -45.77, 11.88

 

CMYK 75 / 0 / 63 / 55

HEX #1C722A

RGB 28 114 42

HSL 129.77, 0.61%, 0.28%

LAB 41.92, -40.93, 32.13

 

CMYK 75 / 0 / 63 / 42

HEX #259337

RGB 37 147 55

HSL 129.82, 0.6%, 0.36%

LAB 53.53, -49.67, 39.21

 

CMYK 75 / 0 / 63 / 29

HEX #2DB443

RGB 45 180 67

HSL 129.78, 0.6%, 0.44%

LAB 64.65, -58.29, 46.39

 

CMYK 71 / 0 / 59 / 19

HEX #3CCE54

RGB 60 206 84

HSL 129.86, 0.6%, 0.52%

LAB 73.38, -62.62, 48.85

 

CMYK 57 / 0 / 47 / 16

HEX #5DD671

RGB 93 214 113

HSL 129.92, 0.6%, 0.6%

LAB 77.05, -54.91, 39.75

 

CMYK 75 / 0 / 63 / 30

HEX #2DB343

RGB 45 179 67

HSL 129.85, 0.6%, 0.44%

LAB 64.33, -57.96, 46.03

 

CMYK 75 / 27 / 0 / 29

HEX #2D84B4

RGB 45 132 180

HSL 201.33, 0.6%, 0.44%

LAB 52.24, -9.29, -32.62

 

CMYK 0 / 75 / 56 / 29

HEX #B42D4F

RGB 180 45 79

HSL 344.89, 0.6%, 0.44%

LAB 41.44, 55.49, 13.15

 

CMYK 75 / 0 / 63 / 30

HEX #2DB343

RGB 45 179 67

HSL 129.85, 0.6%, 0.44%

LAB 64.33, -57.96, 46.03

 

CMYK 64 / 75 / 0 / 29

HEX #412DB4

RGB 65 45 180

HSL 248.89, 0.6%, 0.44%

LAB 30.15, 47.36, -68.07

 

CMYK 0 / 64 / 75 / 29

HEX #B4412D

RGB 180 65 45

HSL 8.89, 0.6%, 0.44%

LAB 43.76, 45.57, 36.52

 

CMYK 75 / 0 / 63 / 30

HEX #2DB343

RGB 45 179 67

HSL 129.85, 0.6%, 0.44%

LAB 64.33, -57.96, 46.03

 

CMYK 75 / 27 / 0 / 29

HEX #2D84B4

RGB 45 132 180

HSL 201.33, 0.6%, 0.44%

LAB 52.24, -9.29, -32.62

 

CMYK 0 / 75 / 12 / 29

HEX #B42D9F

RGB 180 45 159

HSL 309.33, 0.6%, 0.44%

LAB 44.35, 64.51, -31.83

 

CMYK 0 / 49 / 75 / 29

HEX #B45C2D

RGB 180 92 45

HSL 20.89, 0.6%, 0.44%

LAB 48.94, 32.21, 42.06

 

CMYK 75 / 0 / 63 / 30

HEX #2DB343

RGB 45 179 67

HSL 129.85, 0.6%, 0.44%

LAB 64.33, -57.96, 46.03

 

CMYK 75 / 49 / 0 / 29

HEX #2D5CB4

RGB 45 92 180

HSL 219.11, 0.6%, 0.44%

LAB 40.42, 15.39, -51.37

 

CMYK 0 / 75 / 12 / 29

HEX #B42D9F

RGB 180 45 159

HSL 309.33, 0.6%, 0.44%

LAB 44.35, 64.51, -31.83

 

CMYK 0 / 27 / 75 / 29

HEX #B4842D

RGB 180 132 45

HSL 38.67, 0.6%, 0.44%

LAB 58.41, 10.16, 51.66

 

Description

Color code: HEX #2DB343 | qconv.com Color code: HEX #2DB343 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 179 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 179 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 63 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 63% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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