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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB1DD it is the complementary color #D24E22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB1DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB1DD shade: #32B1D8, #43C3EB, #54D5FE, #65E7FF and #76F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB1DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB1DD shade: #2DB1DD, #1C9FCA, #0B8DB7, #007BA4 and #006991

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB1DD shade: #2CB1DD, #2C81DD, #2C52DD, #372CDD and #662CDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB1DD shade: #2CB1DD, #2C81DD, #2C52DD and #2C2CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB1DD shade matches the following richer shades: #2CB1DD and #19BBF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB1DD shade: #2CB1DD, #40A7C9, #549DB5, #6893A1 and #7C898E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB1DD shade: #2CDDAB, #2CDDDA, #2CB1DD, #2C82DD and #2C53DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB1DD shade: #1A7C9D, #1F98C1, #2CB1DD, #50BEE3 and #73CBE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB1DD shade: #2DB1DD, #7C2CDD and #DDC22C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB1DD shade: #2DB1DD, #DD2CB1 and #B1DD2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB1DD shade: #2DB1DD, #7C2CDD, #DD592C and #8DDD2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB1DD shade: #2DB1DD, #B12CDD, #DD592C and #59DD2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 20 / 0 / 13

HEX #2DB1DD

RGB 45 177 221

HSL 195, 0.72%, 0.52%

LAB 67.44, -19.79, -31.99

 

Complementary color

CMYK 0 / 63 / 84 / 18

HEX #D24E22

RGB 210 78 34

HSL 15, 0.72%, 0.48%

LAB 51, 50.1, 50.89

 

CMYK 77 / 18 / 0 / 15

HEX #32B1D8

RGB 50 177 216

HSL 194.1, 0.68%, 0.52%

LAB 67.34, -20.94, -29.4

 

CMYK 71 / 17 / 0 / 8

HEX #43C3EB

RGB 67 195 235

HSL 194.29, 0.81%, 0.59%

LAB 73.69, -22.08, -29.93

 

CMYK 67 / 16 / 0 / 0

HEX #54D5FE

RGB 84 213 254

HSL 194.47, 0.99%, 0.66%

LAB 79.97, -22.99, -30.42

 

CMYK 60 / 9 / 0 / 0

HEX #65E7FF

RGB 101 231 255

HSL 189.35, 1%, 0.7%

LAB 85.57, -28.9, -22.36

 

CMYK 54 / 2 / 0 / 0

HEX #76F9FF

RGB 118 249 255

HSL 182.63, 1%, 0.73%

LAB 91.15, -34.4, -13.9

 

CMYK 80 / 20 / 0 / 13

HEX #2DB1DD

RGB 45 177 221

HSL 195, 0.72%, 0.52%

LAB 67.44, -19.79, -31.99

 

CMYK 86 / 21 / 0 / 21

HEX #1C9FCA

RGB 28 159 202

HSL 194.83, 0.76%, 0.45%

LAB 61.05, -18.13, -31.39

 

CMYK 94 / 23 / 0 / 28

HEX #0B8DB7

RGB 11 141 183

HSL 194.65, 0.89%, 0.38%

LAB 54.6, -16.04, -30.7

 

CMYK 100 / 25 / 0 / 36

HEX #007BA4

RGB 0 123 164

HSL 195, 1%, 0.32%

LAB 48.07, -13.45, -29.92

 

CMYK 100 / 28 / 0 / 43

HEX #006991

RGB 0 105 145

HSL 196.55, 1%, 0.28%

LAB 41.45, -10.31, -29.03

 

CMYK 80 / 20 / 0 / 13

HEX #2CB1DD

RGB 44 177 221

HSL 194.92, 0.72%, 0.52%

LAB 67.43, -19.88, -32.01

 

CMYK 80 / 42 / 0 / 13

HEX #2C81DD

RGB 44 129 221

HSL 211.19, 0.72%, 0.52%

LAB 53.45, 7.38, -54.02

 

CMYK 80 / 63 / 0 / 13

HEX #2C52DD

RGB 44 82 221

HSL 227.12, 0.72%, 0.52%

LAB 40.88, 37.13, -74.36

 

CMYK 75 / 80 / 0 / 13

HEX #372CDD

RGB 55 44 221

HSL 243.73, 0.72%, 0.52%

LAB 33.63, 59.39, -86.29

 

CMYK 54 / 80 / 0 / 13

HEX #662CDD

RGB 102 44 221

HSL 259.66, 0.72%, 0.52%

LAB 37.57, 63.66, -79.67

 

CMYK 80 / 20 / 0 / 13

HEX #2CB1DD

RGB 44 177 221

HSL 194.92, 0.72%, 0.52%

LAB 67.43, -19.88, -32.01

 

CMYK 80 / 42 / 0 / 13

HEX #2C81DD

RGB 44 129 221

HSL 211.19, 0.72%, 0.52%

LAB 53.45, 7.38, -54.02

 

CMYK 80 / 63 / 0 / 13

HEX #2C52DD

RGB 44 82 221

HSL 227.12, 0.72%, 0.52%

LAB 40.88, 37.13, -74.36

 

CMYK 80 / 80 / 0 / 13

HEX #2C2CDD

RGB 44 44 221

HSL 240, 0.72%, 0.52%

LAB 33.04, 58.75, -87.29

 

CMYK 80 / 20 / 0 / 13

HEX #2CB1DD

RGB 44 177 221

HSL 194.92, 0.72%, 0.52%

LAB 67.43, -19.88, -32.01

 

CMYK 90 / 22 / 0 / 5

HEX #19BBF1

RGB 25 187 241

HSL 195, 0.89%, 0.52%

LAB 70.94, -19.63, -37.49

 

CMYK 80 / 20 / 0 / 13

HEX #2CB1DD

RGB 44 177 221

HSL 194.92, 0.72%, 0.52%

LAB 67.43, -19.88, -32.01

 

CMYK 68 / 17 / 0 / 21

HEX #40A7C9

RGB 64 167 201

HSL 194.89, 0.56%, 0.52%

LAB 64.12, -18.78, -26.04

 

CMYK 54 / 13 / 0 / 29

HEX #549DB5

RGB 84 157 181

HSL 194.85, 0.4%, 0.52%

LAB 61.08, -15.96, -19.44

 

CMYK 35 / 9 / 0 / 37

HEX #6893A1

RGB 104 147 161

HSL 194.74, 0.23%, 0.52%

LAB 58.4, -11.04, -12.07

 

CMYK 13 / 4 / 0 / 44

HEX #7C898E

RGB 124 137 142

HSL 196.67, 0.07%, 0.52%

LAB 56.22, -3.63, -4.29

 

CMYK 80 / 0 / 23 / 13

HEX #2CDDAB

RGB 44 221 171

HSL 163.05, 0.72%, 0.52%

LAB 79.15, -54.34, 12.5

 

CMYK 80 / 0 / 1 / 13

HEX #2CDDDA

RGB 44 221 218

HSL 178.98, 0.72%, 0.52%

LAB 80.35, -42.03, -10.74

 

CMYK 80 / 20 / 0 / 13

HEX #2CB1DD

RGB 44 177 221

HSL 194.92, 0.72%, 0.52%

LAB 67.43, -19.88, -32.01

 

CMYK 80 / 41 / 0 / 13

HEX #2C82DD

RGB 44 130 221

HSL 210.85, 0.72%, 0.52%

LAB 53.73, 6.77, -53.56

 

CMYK 80 / 62 / 0 / 13

HEX #2C53DD

RGB 44 83 221

HSL 226.78, 0.72%, 0.52%

LAB 41.12, 36.49, -73.96

 

CMYK 83 / 21 / 0 / 38

HEX #1A7C9D

RGB 26 124 157

HSL 195.11, 0.72%, 0.36%

LAB 48.35, -15.08, -25.37

 

CMYK 84 / 21 / 0 / 24

HEX #1F98C1

RGB 31 152 193

HSL 195.19, 0.72%, 0.44%

LAB 58.6, -17.29, -30.13

 

CMYK 80 / 20 / 0 / 13

HEX #2CB1DD

RGB 44 177 221

HSL 194.92, 0.72%, 0.52%

LAB 67.43, -19.88, -32.01

 

CMYK 65 / 16 / 0 / 11

HEX #50BEE3

RGB 80 190 227

HSL 195.1, 0.72%, 0.6%

LAB 72.28, -20.15, -27.74

 

CMYK 50 / 13 / 0 / 9

HEX #73CBE8

RGB 115 203 232

HSL 194.87, 0.72%, 0.68%

LAB 77.39, -18.73, -22.52

 

CMYK 80 / 20 / 0 / 13

HEX #2DB1DD

RGB 45 177 221

HSL 195, 0.72%, 0.52%

LAB 67.44, -19.79, -31.99

 

CMYK 44 / 80 / 0 / 13

HEX #7C2CDD

RGB 124 44 221

HSL 267.12, 0.72%, 0.52%

LAB 40.09, 66.44, -75.42

 

CMYK 0 / 12 / 80 / 13

HEX #DDC22C

RGB 221 194 44

HSL 50.85, 0.72%, 0.52%

LAB 78.54, -5.05, 72.11

 

CMYK 80 / 20 / 0 / 13

HEX #2DB1DD

RGB 45 177 221

HSL 195, 0.72%, 0.52%

LAB 67.44, -19.79, -31.99

 

CMYK 0 / 80 / 20 / 13

HEX #DD2CB1

RGB 221 44 177

HSL 314.92, 0.72%, 0.52%

LAB 52.23, 76.36, -29.65

 

CMYK 20 / 0 / 80 / 13

HEX #B1DD2C

RGB 177 221 44

HSL 74.92, 0.72%, 0.52%

LAB 82.51, -36.52, 74.32

 

CMYK 80 / 20 / 0 / 13

HEX #2DB1DD

RGB 45 177 221

HSL 195, 0.72%, 0.52%

LAB 67.44, -19.79, -31.99

 

CMYK 44 / 80 / 0 / 13

HEX #7C2CDD

RGB 124 44 221

HSL 267.12, 0.72%, 0.52%

LAB 40.09, 66.44, -75.42

 

CMYK 0 / 60 / 80 / 13

HEX #DD592C

RGB 221 89 44

HSL 15.25, 0.72%, 0.52%

LAB 54.76, 49.4, 50.48

 

CMYK 36 / 0 / 80 / 13

HEX #8DDD2C

RGB 141 221 44

HSL 87.12, 0.72%, 0.52%

LAB 80.49, -49.86, 71.75

 

CMYK 80 / 20 / 0 / 13

HEX #2DB1DD

RGB 45 177 221

HSL 195, 0.72%, 0.52%

LAB 67.44, -19.79, -31.99

 

CMYK 20 / 80 / 0 / 13

HEX #B12CDD

RGB 177 44 221

HSL 285.08, 0.72%, 0.52%

LAB 47.45, 74.62, -63.11

 

CMYK 0 / 60 / 80 / 13

HEX #DD592C

RGB 221 89 44

HSL 15.25, 0.72%, 0.52%

LAB 54.76, 49.4, 50.48

 

CMYK 60 / 0 / 80 / 13

HEX #59DD2C

RGB 89 221 44

HSL 104.75, 0.72%, 0.52%

LAB 78.47, -65.15, 69.16

 

Description

Color code: HEX #2DB1DD | qconv.com Color code: HEX #2DB1DD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 177 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 177 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 20 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 20% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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