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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB171 it is the complementary color #D24E8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB171 shade: #32B16C, #43C37F, #54D592, #65E7A5 and #76F9B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB171 shade: #2DB171, #1C9F5E, #0B8D4B, #007B38 and #006925

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB171 shade: #2EB272, #2EB24F, #31B22E, #55B22E and #79B22E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB171 shade: #2EB272, #2EB296, #2EABB2, #2E87B2 and #2E64B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB171 shade matches the following richer shades: #2EB272, #1CC573 and #0AD773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB171 shade: #2EB272, #40A072, #528E71, #647C71 and #776A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB171 shade: #32B22E, #2EB24D, #2EB270, #2EB294 and #2EAEB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB171 shade: #1D7148, #26925D, #2EB272, #3DCD87 and #5ED59B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB171 shade: #2DB171, #2E56B2 and #B23B2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB171 shade: #2DB171, #702EB2 and #B2702E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB171 shade: #2DB171, #2E56B2, #B22E70 and #B28B2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB171 shade: #2DB171, #2E2EB2, #B22E70 and #B2B22E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 36 / 31

HEX #2DB171

RGB 45 177 113

HSL 150.91, 0.59%, 0.44%

LAB 64.32, -49.87, 22.95

 

Complementary color

CMYK 0 / 63 / 32 / 18

HEX #D24E8E

RGB 210 78 142

HSL 330.91, 0.59%, 0.56%

LAB 53.06, 57.9, -7.9

 

CMYK 72 / 0 / 39 / 31

HEX #32B16C

RGB 50 177 108

HSL 147.4, 0.56%, 0.45%

LAB 64.33, -50.11, 25.65

 

CMYK 66 / 0 / 35 / 24

HEX #43C37F

RGB 67 195 127

HSL 148.13, 0.52%, 0.51%

LAB 70.7, -50.56, 24.17

 

CMYK 61 / 0 / 31 / 16

HEX #54D592

RGB 84 213 146

HSL 148.84, 0.61%, 0.58%

LAB 77.01, -50.77, 22.81

 

CMYK 56 / 0 / 29 / 9

HEX #65E7A5

RGB 101 231 165

HSL 149.54, 0.73%, 0.65%

LAB 83.25, -50.83, 21.55

 

CMYK 53 / 0 / 26 / 2

HEX #76F9B8

RGB 118 249 184

HSL 150.23, 0.92%, 0.72%

LAB 89.42, -50.78, 20.39

 

CMYK 75 / 0 / 36 / 31

HEX #2DB171

RGB 45 177 113

HSL 150.91, 0.59%, 0.44%

LAB 64.32, -49.87, 22.95

 

CMYK 82 / 0 / 41 / 38

HEX #1C9F5E

RGB 28 159 94

HSL 150.23, 0.7%, 0.37%

LAB 57.9, -48.93, 24.59

 

CMYK 92 / 0 / 47 / 45

HEX #0B8D4B

RGB 11 141 75

HSL 149.54, 0.86%, 0.3%

LAB 51.42, -47.42, 26.39

 

CMYK 100 / 0 / 54 / 52

HEX #007B38

RGB 0 123 56

HSL 147.32, 1%, 0.24%

LAB 44.87, -45.13, 28.34

 

CMYK 100 / 0 / 65 / 59

HEX #006925

RGB 0 105 37

HSL 141.14, 1%, 0.21%

LAB 38.26, -41.85, 30.32

 

CMYK 74 / 0 / 36 / 30

HEX #2EB272

RGB 46 178 114

HSL 150.91, 0.59%, 0.44%

LAB 64.67, -49.92, 22.89

 

CMYK 74 / 0 / 56 / 30

HEX #2EB24F

RGB 46 178 79

HSL 135, 0.59%, 0.44%

LAB 64.15, -55.92, 40.24

 

CMYK 72 / 0 / 74 / 30

HEX #31B22E

RGB 49 178 46

HSL 118.64, 0.59%, 0.44%

LAB 63.91, -59.02, 54.14

 

CMYK 52 / 0 / 74 / 30

HEX #55B22E

RGB 85 178 46

HSL 102.27, 0.59%, 0.44%

LAB 64.94, -50.69, 55.51

 

CMYK 32 / 0 / 74 / 30

HEX #79B22E

RGB 121 178 46

HSL 85.91, 0.59%, 0.44%

LAB 66.6, -38.69, 57.7

 

CMYK 74 / 0 / 36 / 30

HEX #2EB272

RGB 46 178 114

HSL 150.91, 0.59%, 0.44%

LAB 64.67, -49.92, 22.89

 

CMYK 74 / 0 / 16 / 30

HEX #2EB296

RGB 46 178 150

HSL 167.27, 0.59%, 0.44%

LAB 65.45, -41.56, 4.29

 

CMYK 74 / 4 / 0 / 30

HEX #2EABB2

RGB 46 171 178

HSL 183.18, 0.59%, 0.44%

LAB 64.1, -30.43, -13.29

 

CMYK 74 / 24 / 0 / 30

HEX #2E87B2

RGB 46 135 178

HSL 199.55, 0.59%, 0.44%

LAB 53.08, -11.57, -30.15

 

CMYK 74 / 44 / 0 / 30

HEX #2E64B2

RGB 46 100 178

HSL 215.45, 0.59%, 0.44%

LAB 42.63, 9.58, -46.66

 

CMYK 74 / 0 / 36 / 30

HEX #2EB272

RGB 46 178 114

HSL 150.91, 0.59%, 0.44%

LAB 64.67, -49.92, 22.89

 

CMYK 86 / 0 / 42 / 23

HEX #1CC573

RGB 28 197 115

HSL 150.89, 0.75%, 0.44%

LAB 70.47, -58.71, 30.02

 

CMYK 95 / 0 / 47 / 16

HEX #0AD773

RGB 10 215 115

HSL 150.73, 0.91%, 0.44%

LAB 76.01, -65.81, 37.15

 

CMYK 74 / 0 / 36 / 30

HEX #2EB272

RGB 46 178 114

HSL 150.91, 0.59%, 0.44%

LAB 64.67, -49.92, 22.89

 

CMYK 60 / 0 / 29 / 37

HEX #40A072

RGB 64 160 114

HSL 151.25, 0.43%, 0.44%

LAB 59.39, -39.29, 15.75

 

CMYK 42 / 0 / 20 / 44

HEX #528E71

RGB 82 142 113

HSL 151, 0.27%, 0.44%

LAB 54.38, -26.51, 9.42

 

CMYK 19 / 0 / 9 / 51

HEX #647C71

RGB 100 124 113

HSL 152.5, 0.11%, 0.44%

LAB 49.88, -11.12, 3.12

 

CMYK 0 / 11 / 6 / 53

HEX #776A70

RGB 119 106 112

HSL 332.31, 0.06%, 0.44%

LAB 46.18, 6.26, -1.49

 

CMYK 72 / 0 / 74 / 30

HEX #32B22E

RGB 50 178 46

HSL 118.18, 0.59%, 0.44%

LAB 63.93, -58.84, 54.17

 

CMYK 74 / 0 / 57 / 30

HEX #2EB24D

RGB 46 178 77

HSL 134.09, 0.59%, 0.44%

LAB 64.13, -56.2, 41.17

 

CMYK 74 / 0 / 37 / 30

HEX #2EB270

RGB 46 178 112

HSL 150, 0.59%, 0.44%

LAB 64.64, -50.32, 23.92

 

CMYK 74 / 0 / 17 / 30

HEX #2EB294

RGB 46 178 148

HSL 166.36, 0.59%, 0.44%

LAB 65.4, -42.07, 5.32

 

CMYK 74 / 2 / 0 / 30

HEX #2EAEB2

RGB 46 174 178

HSL 181.82, 0.59%, 0.44%

LAB 65.02, -31.87, -11.91

 

CMYK 74 / 0 / 36 / 56

HEX #1D7148

RGB 29 113 72

HSL 150.71, 0.59%, 0.28%

LAB 42.06, -35.03, 15.81

 

CMYK 74 / 0 / 36 / 43

HEX #26925D

RGB 38 146 93

HSL 150.56, 0.59%, 0.36%

LAB 53.77, -42.77, 19.67

 

CMYK 74 / 0 / 36 / 30

HEX #2EB272

RGB 46 178 114

HSL 150.91, 0.59%, 0.44%

LAB 64.67, -49.92, 22.89

 

CMYK 70 / 0 / 34 / 20

HEX #3DCD87

RGB 61 205 135

HSL 150.83, 0.59%, 0.52%

LAB 73.81, -53.9, 24.13

 

CMYK 56 / 0 / 27 / 16

HEX #5ED59B

RGB 94 213 155

HSL 150.76, 0.59%, 0.6%

LAB 77.48, -46.86, 18.77

 

CMYK 75 / 0 / 36 / 31

HEX #2DB171

RGB 45 177 113

HSL 150.91, 0.59%, 0.44%

LAB 64.32, -49.87, 22.95

 

CMYK 74 / 52 / 0 / 30

HEX #2E56B2

RGB 46 86 178

HSL 221.82, 0.59%, 0.44%

LAB 38.64, 18.69, -53.07

 

CMYK 0 / 67 / 74 / 30

HEX #B23B2E

RGB 178 59 46

HSL 5.91, 0.59%, 0.44%

LAB 42.45, 47.53, 34.41

 

CMYK 75 / 0 / 36 / 31

HEX #2DB171

RGB 45 177 113

HSL 150.91, 0.59%, 0.44%

LAB 64.32, -49.87, 22.95

 

CMYK 37 / 74 / 0 / 30

HEX #702EB2

RGB 112 46 178

HSL 270, 0.59%, 0.44%

LAB 35.23, 53.5, -58.36

 

CMYK 0 / 37 / 74 / 30

HEX #B2702E

RGB 178 112 46

HSL 30, 0.59%, 0.44%

LAB 53.22, 20.47, 45.93

 

CMYK 75 / 0 / 36 / 31

HEX #2DB171

RGB 45 177 113

HSL 150.91, 0.59%, 0.44%

LAB 64.32, -49.87, 22.95

 

CMYK 74 / 52 / 0 / 30

HEX #2E56B2

RGB 46 86 178

HSL 221.82, 0.59%, 0.44%

LAB 38.64, 18.69, -53.07

 

CMYK 0 / 74 / 37 / 30

HEX #B22E70

RGB 178 46 112

HSL 330, 0.59%, 0.44%

LAB 42.14, 57.62, -6.58

 

CMYK 0 / 22 / 74 / 30

HEX #B28B2E

RGB 178 139 46

HSL 42.27, 0.59%, 0.44%

LAB 60, 5.43, 52.74

 

CMYK 75 / 0 / 36 / 31

HEX #2DB171

RGB 45 177 113

HSL 150.91, 0.59%, 0.44%

LAB 64.32, -49.87, 22.95

 

CMYK 74 / 74 / 0 / 30

HEX #2E2EB2

RGB 46 46 178

HSL 240, 0.59%, 0.44%

LAB 28.77, 44.16, -69.2

 

CMYK 0 / 74 / 37 / 30

HEX #B22E70

RGB 178 46 112

HSL 330, 0.59%, 0.44%

LAB 42.14, 57.62, -6.58

 

CMYK 0 / 0 / 74 / 30

HEX #B2B22E

RGB 178 178 46

HSL 60, 0.59%, 0.44%

LAB 70.53, -15.35, 62.83

 

Description

Color code: HEX #2DB171 | qconv.com Color code: HEX #2DB171 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 177 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 177 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 36 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 36% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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