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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB133 it is the complementary color #D24ECC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB133 shade: #32B12E, #43C341, #54D554, #65E767 and #76F97A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB133 shade: #2DB133, #1C9F20, #0B8D0D, #007B00 and #006900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB133 shade: #2EB234, #4CB22E, #6FB22E, #93B22E and #B2AE2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB133 shade: #2EB234, #2EB258, #2EB27B, #2EB29F and #2EA2B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB133 shade matches the following richer shades: #2EB234, #1CC524 and #0AD713

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB133 shade: #2EB234, #40A045, #528E55, #647C66 and #776A76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB133 shade: #70B22E, #4DB22E, #2EB232, #2EB256 and #2EB279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB133 shade: #1D7121, #26922A, #2EB234, #3DCD43 and #5ED563

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB133 shade: #2DB133, #2E94B2 and #B22E5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB133 shade: #2DB133, #322EB2 and #B2322E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB133 shade: #2DB133, #2E94B2, #B22EAE and #B24D2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB133 shade: #2DB133, #2E6CB2, #B22EAE and #B2752E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 71 / 31

HEX #2DB133

RGB 45 177 51

HSL 122.73, 0.59%, 0.44%

LAB 63.54, -58.94, 51.87

 

Complementary color

CMYK 0 / 63 / 3 / 18

HEX #D24ECC

RGB 210 78 204

HSL 302.73, 0.59%, 0.56%

LAB 55.59, 66.73, -40.12

 

CMYK 72 / 0 / 74 / 31

HEX #32B12E

RGB 50 177 46

HSL 118.17, 0.59%, 0.44%

LAB 63.61, -58.52, 53.84

 

CMYK 66 / 0 / 67 / 24

HEX #43C341

RGB 67 195 65

HSL 119.08, 0.52%, 0.51%

LAB 69.9, -59.65, 53.19

 

CMYK 61 / 0 / 61 / 16

HEX #54D554

RGB 84 213 84

HSL 120, 0.61%, 0.58%

LAB 76.14, -60.35, 52.17

 

CMYK 56 / 0 / 55 / 9

HEX #65E767

RGB 101 231 103

HSL 120.92, 0.73%, 0.65%

LAB 82.32, -60.74, 50.99

 

CMYK 53 / 0 / 51 / 2

HEX #76F97A

RGB 118 249 122

HSL 121.83, 0.92%, 0.72%

LAB 88.45, -60.93, 49.74

 

CMYK 75 / 0 / 71 / 31

HEX #2DB133

RGB 45 177 51

HSL 122.73, 0.59%, 0.44%

LAB 63.54, -58.94, 51.87

 

CMYK 82 / 0 / 80 / 38

HEX #1C9F20

RGB 28 159 32

HSL 121.83, 0.7%, 0.37%

LAB 57.22, -57.08, 52.18

 

CMYK 92 / 0 / 91 / 45

HEX #0B8D0D

RGB 11 141 13

HSL 120.92, 0.86%, 0.3%

LAB 50.86, -54.26, 51.3

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 74 / 0 / 71 / 30

HEX #2EB234

RGB 46 178 52

HSL 122.73, 0.59%, 0.44%

LAB 63.89, -59.01, 51.86

 

CMYK 57 / 0 / 74 / 30

HEX #4CB22E

RGB 76 178 46

HSL 106.36, 0.59%, 0.44%

LAB 64.62, -53.15, 55.09

 

CMYK 38 / 0 / 74 / 30

HEX #6FB22E

RGB 111 178 46

HSL 90.45, 0.59%, 0.44%

LAB 66.07, -42.32, 57.01

 

CMYK 17 / 0 / 74 / 30

HEX #93B22E

RGB 147 178 46

HSL 74.09, 0.59%, 0.44%

LAB 68.2, -28.47, 59.8

 

CMYK 0 / 2 / 74 / 30

HEX #B2AE2E

RGB 178 174 46

HSL 58.18, 0.59%, 0.44%

LAB 69.42, -13.3, 61.8

 

CMYK 74 / 0 / 71 / 30

HEX #2EB234

RGB 46 178 52

HSL 122.73, 0.59%, 0.44%

LAB 63.89, -59.01, 51.86

 

CMYK 74 / 0 / 51 / 30

HEX #2EB258

RGB 46 178 88

HSL 139.09, 0.59%, 0.44%

LAB 64.26, -54.59, 35.94

 

CMYK 74 / 0 / 31 / 30

HEX #2EB27B

RGB 46 178 123

HSL 155, 0.59%, 0.44%

LAB 64.84, -48.02, 18.26

 

CMYK 74 / 0 / 11 / 30

HEX #2EB29F

RGB 46 178 159

HSL 171.36, 0.59%, 0.44%

LAB 65.69, -39.16, -0.35

 

CMYK 74 / 9 / 0 / 30

HEX #2EA2B2

RGB 46 162 178

HSL 187.27, 0.59%, 0.44%

LAB 61.34, -25.98, -17.46

 

CMYK 74 / 0 / 71 / 30

HEX #2EB234

RGB 46 178 52

HSL 122.73, 0.59%, 0.44%

LAB 63.89, -59.01, 51.86

 

CMYK 86 / 0 / 82 / 23

HEX #1CC524

RGB 28 197 36

HSL 122.84, 0.75%, 0.44%

LAB 69.69, -68.21, 62.75

 

CMYK 95 / 0 / 91 / 16

HEX #0AD713

RGB 10 215 19

HSL 122.63, 0.91%, 0.44%

LAB 75.27, -75.02, 71.14

 

CMYK 74 / 0 / 71 / 30

HEX #2EB234

RGB 46 178 52

HSL 122.73, 0.59%, 0.44%

LAB 63.89, -59.01, 51.86

 

CMYK 60 / 0 / 57 / 37

HEX #40A045

RGB 64 160 69

HSL 123.13, 0.43%, 0.44%

LAB 58.66, -47.12, 38.65

 

CMYK 42 / 0 / 40 / 44

HEX #528E55

RGB 82 142 85

HSL 123, 0.27%, 0.44%

LAB 53.81, -31.95, 24.41

 

CMYK 19 / 0 / 18 / 51

HEX #647C66

RGB 100 124 102

HSL 125, 0.11%, 0.44%

LAB 49.6, -13.38, 9.17

 

CMYK 0 / 11 / 1 / 53

HEX #776A76

RGB 119 106 118

HSL 304.62, 0.06%, 0.44%

LAB 46.36, 7.46, -4.81

 

CMYK 37 / 0 / 74 / 30

HEX #70B22E

RGB 112 178 46

HSL 90, 0.59%, 0.44%

LAB 66.12, -41.97, 57.08

 

CMYK 57 / 0 / 74 / 30

HEX #4DB22E

RGB 77 178 46

HSL 105.91, 0.59%, 0.44%

LAB 64.66, -52.89, 55.13

 

CMYK 74 / 0 / 72 / 30

HEX #2EB232

RGB 46 178 50

HSL 121.82, 0.59%, 0.44%

LAB 63.88, -59.19, 52.61

 

CMYK 74 / 0 / 52 / 30

HEX #2EB256

RGB 46 178 86

HSL 138.18, 0.59%, 0.44%

LAB 64.24, -54.9, 36.9

 

CMYK 74 / 0 / 32 / 30

HEX #2EB279

RGB 46 178 121

HSL 154.09, 0.59%, 0.44%

LAB 64.81, -48.45, 19.29

 

CMYK 74 / 0 / 71 / 56

HEX #1D7121

RGB 29 113 33

HSL 122.86, 0.59%, 0.28%

LAB 41.5, -41.45, 35.93

 

CMYK 74 / 0 / 71 / 43

HEX #26922A

RGB 38 146 42

HSL 122.22, 0.59%, 0.36%

LAB 53.1, -50.57, 44.48

 

CMYK 74 / 0 / 71 / 30

HEX #2EB234

RGB 46 178 52

HSL 122.73, 0.59%, 0.44%

LAB 63.89, -59.01, 51.86

 

CMYK 70 / 0 / 67 / 20

HEX #3DCD43

RGB 61 205 67

HSL 122.5, 0.59%, 0.52%

LAB 72.93, -63.96, 55.61

 

CMYK 56 / 0 / 54 / 16

HEX #5ED563

RGB 94 213 99

HSL 122.52, 0.59%, 0.6%

LAB 76.6, -56.22, 45.95

 

CMYK 75 / 0 / 71 / 31

HEX #2DB133

RGB 45 177 51

HSL 122.73, 0.59%, 0.44%

LAB 63.54, -58.94, 51.87

 

CMYK 74 / 17 / 0 / 30

HEX #2E94B2

RGB 46 148 178

HSL 193.64, 0.59%, 0.44%

LAB 57.05, -18.71, -24.01

 

CMYK 0 / 74 / 47 / 30

HEX #B22E5F

RGB 178 46 95

HSL 337.73, 0.59%, 0.44%

LAB 41.6, 55.9, 3.26

 

CMYK 75 / 0 / 71 / 31

HEX #2DB133

RGB 45 177 51

HSL 122.73, 0.59%, 0.44%

LAB 63.54, -58.94, 51.87

 

CMYK 72 / 74 / 0 / 30

HEX #322EB2

RGB 50 46 178

HSL 241.82, 0.59%, 0.44%

LAB 29.02, 44.54, -68.77

 

CMYK 0 / 72 / 74 / 30

HEX #B2322E

RGB 178 50 46

HSL 1.82, 0.59%, 0.44%

LAB 41.13, 51.13, 32.93

 

CMYK 75 / 0 / 71 / 31

HEX #2DB133

RGB 45 177 51

HSL 122.73, 0.59%, 0.44%

LAB 63.54, -58.94, 51.87

 

CMYK 74 / 17 / 0 / 30

HEX #2E94B2

RGB 46 148 178

HSL 193.64, 0.59%, 0.44%

LAB 57.05, -18.71, -24.01

 

CMYK 0 / 74 / 2 / 30

HEX #B22EAE

RGB 178 46 174

HSL 301.82, 0.59%, 0.44%

LAB 44.91, 66.06, -39.9

 

CMYK 0 / 57 / 74 / 30

HEX #B24D2E

RGB 178 77 46

HSL 14.09, 0.59%, 0.44%

LAB 45.59, 39.2, 37.87

 

CMYK 75 / 0 / 71 / 31

HEX #2DB133

RGB 45 177 51

HSL 122.73, 0.59%, 0.44%

LAB 63.54, -58.94, 51.87

 

CMYK 74 / 39 / 0 / 30

HEX #2E6CB2

RGB 46 108 178

HSL 211.82, 0.59%, 0.44%

LAB 44.97, 4.52, -42.92

 

CMYK 0 / 74 / 2 / 30

HEX #B22EAE

RGB 178 46 174

HSL 301.82, 0.59%, 0.44%

LAB 44.91, 66.06, -39.9

 

CMYK 0 / 34 / 74 / 30

HEX #B2752E

RGB 178 117 46

HSL 32.27, 0.59%, 0.44%

LAB 54.43, 17.68, 47.16

 

Description

Color code: HEX #2DB133 | qconv.com Color code: HEX #2DB133 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 177 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 177 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 71 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 71% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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