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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB09E it is the complementary color #D24F61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB09E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB09E shade: #32B099, #43C2AC, #54D4BF, #65E6D2 and #76F8E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB09E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB09E shade: #2DB09E, #1C9E8B, #0B8C78, #007A65 and #006852

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB09E shade: #2DAE9D, #2DAE7A, #2DAE57, #2DAE34 and #49AE2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB09E shade: #2DAE9D, #2D9DAE, #2D7AAE, #2D57AE and #2D35AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB09E shade matches the following richer shades: #2DAE9D, #1BC0A9 and #09D2B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB09E shade: #2DAE9D, #3F9D90, #508B83, #627976 and #746769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB09E shade: #2DAE56, #2DAE78, #2DAE9B, #2D9FAE and #2D7DAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB09E shade: #1C6D62, #248E7F, #2DAE9D, #39CCB8 and #59D4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB09E shade: #2DB09E, #332DAE and #AE672D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB09E shade: #2DB09E, #9B2DAE and #AE9B2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB09E shade: #2DB09E, #332DAE, #AE2D40 and #A8AE2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB09E shade: #2DB09E, #5A2DAE, #AE2D40 and #81AE2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 10 / 31

HEX #2DB09E

RGB 45 176 158

HSL 171.76, 0.59%, 0.43%

LAB 65.02, -38.66, -0.77

 

Complementary color

CMYK 0 / 62 / 54 / 18

HEX #D24F61

RGB 210 79 97

HSL 351.76, 0.59%, 0.57%

LAB 52.01, 52.97, 17.44

 

CMYK 72 / 0 / 13 / 31

HEX #32B099

RGB 50 176 153

HSL 169.05, 0.56%, 0.44%

LAB 64.99, -39.36, 1.96

 

CMYK 65 / 0 / 11 / 24

HEX #43C2AC

RGB 67 194 172

HSL 169.61, 0.51%, 0.51%

LAB 71.39, -39.86, 0.87

 

CMYK 60 / 0 / 10 / 17

HEX #54D4BF

RGB 84 212 191

HSL 170.16, 0.6%, 0.58%

LAB 77.72, -40.18, -0.11

 

CMYK 56 / 0 / 9 / 10

HEX #65E6D2

RGB 101 230 210

HSL 170.7, 0.72%, 0.65%

LAB 83.97, -40.37, -1.02

 

CMYK 52 / 0 / 8 / 3

HEX #76F8E5

RGB 118 248 229

HSL 171.23, 0.9%, 0.72%

LAB 90.16, -40.46, -1.85

 

CMYK 74 / 0 / 10 / 31

HEX #2DB09E

RGB 45 176 158

HSL 171.76, 0.59%, 0.43%

LAB 65.02, -38.66, -0.77

 

CMYK 82 / 0 / 12 / 38

HEX #1C9E8B

RGB 28 158 139

HSL 171.23, 0.7%, 0.36%

LAB 58.57, -37.7, 0.43

 

CMYK 92 / 0 / 14 / 45

HEX #0B8C78

RGB 11 140 120

HSL 170.7, 0.85%, 0.3%

LAB 52.04, -36.3, 1.79

 

CMYK 100 / 0 / 17 / 52

HEX #007A65

RGB 0 122 101

HSL 169.67, 1%, 0.24%

LAB 45.44, -34.36, 3.36

 

CMYK 100 / 0 / 21 / 59

HEX #006852

RGB 0 104 82

HSL 167.31, 1%, 0.2%

LAB 38.74, -31.77, 5.15

 

CMYK 74 / 0 / 10 / 32

HEX #2DAE9D

RGB 45 174 157

HSL 172.09, 0.59%, 0.43%

LAB 64.37, -38.04, -1.17

 

CMYK 74 / 0 / 30 / 32

HEX #2DAE7A

RGB 45 174 122

HSL 155.81, 0.59%, 0.43%

LAB 63.54, -46.77, 17

 

CMYK 74 / 0 / 50 / 32

HEX #2DAE57

RGB 45 174 87

HSL 139.53, 0.59%, 0.43%

LAB 62.94, -53.47, 34.79

 

CMYK 74 / 0 / 70 / 32

HEX #2DAE34

RGB 45 174 52

HSL 123.26, 0.59%, 0.43%

LAB 62.57, -57.86, 50.47

 

CMYK 58 / 0 / 74 / 32

HEX #49AE2D

RGB 73 174 45

HSL 106.98, 0.59%, 0.43%

LAB 63.24, -52.54, 54.03

 

CMYK 74 / 0 / 10 / 32

HEX #2DAE9D

RGB 45 174 157

HSL 172.09, 0.59%, 0.43%

LAB 64.37, -38.04, -1.17

 

CMYK 74 / 10 / 0 / 32

HEX #2D9DAE

RGB 45 157 174

HSL 187.91, 0.59%, 0.43%

LAB 59.64, -24.84, -17.78

 

CMYK 74 / 30 / 0 / 32

HEX #2D7AAE

RGB 45 122 174

HSL 204.19, 0.59%, 0.43%

LAB 48.92, -5.61, -34.34

 

CMYK 74 / 50 / 0 / 32

HEX #2D57AE

RGB 45 87 174

HSL 220.47, 0.59%, 0.43%

LAB 38.6, 16.38, -50.77

 

CMYK 74 / 70 / 0 / 32

HEX #2D35AE

RGB 45 53 174

HSL 236.28, 0.59%, 0.43%

LAB 29.81, 38.54, -65.09

 

CMYK 74 / 0 / 10 / 32

HEX #2DAE9D

RGB 45 174 157

HSL 172.09, 0.59%, 0.43%

LAB 64.37, -38.04, -1.17

 

CMYK 86 / 0 / 12 / 25

HEX #1BC0A9

RGB 27 192 169

HSL 171.64, 0.75%, 0.43%

LAB 70.03, -44.34, 0.45

 

CMYK 96 / 0 / 13 / 18

HEX #09D2B6

RGB 9 210 182

HSL 171.64, 0.92%, 0.43%

LAB 75.78, -49.21, 1.76

 

CMYK 74 / 0 / 10 / 32

HEX #2DAE9D

RGB 45 174 157

HSL 172.09, 0.59%, 0.43%

LAB 64.37, -38.04, -1.17

 

CMYK 60 / 0 / 8 / 38

HEX #3F9D90

RGB 63 157 144

HSL 171.7, 0.43%, 0.43%

LAB 59.14, -30.82, -1.48

 

CMYK 42 / 0 / 6 / 45

HEX #508B83

RGB 80 139 131

HSL 171.86, 0.27%, 0.43%

LAB 53.82, -21.27, -1.76

 

CMYK 19 / 0 / 2 / 53

HEX #627976

RGB 98 121 118

HSL 172.17, 0.11%, 0.43%

LAB 48.98, -9.03, -1.15

 

CMYK 0 / 11 / 9 / 55

HEX #746769

RGB 116 103 105

HSL 350.77, 0.06%, 0.43%

LAB 44.85, 5.52, 0.75

 

CMYK 74 / 0 / 51 / 32

HEX #2DAE56

RGB 45 174 86

HSL 139.07, 0.59%, 0.43%

LAB 62.93, -53.62, 35.28

 

CMYK 74 / 0 / 31 / 32

HEX #2DAE78

RGB 45 174 120

HSL 154.88, 0.59%, 0.43%

LAB 63.5, -47.22, 18.04

 

CMYK 74 / 0 / 11 / 32

HEX #2DAE9B

RGB 45 174 155

HSL 171.16, 0.59%, 0.43%

LAB 64.32, -38.59, -0.14

 

CMYK 74 / 9 / 0 / 32

HEX #2D9FAE

RGB 45 159 174

HSL 186.98, 0.59%, 0.43%

LAB 60.26, -25.85, -16.85

 

CMYK 74 / 28 / 0 / 32

HEX #2D7DAE

RGB 45 125 174

HSL 202.79, 0.59%, 0.43%

LAB 49.84, -7.38, -32.91

 

CMYK 74 / 0 / 10 / 57

HEX #1C6D62

RGB 28 109 98

HSL 171.85, 0.59%, 0.27%

LAB 41.32, -26.57, -0.79

 

CMYK 75 / 0 / 11 / 44

HEX #248E7F

RGB 36 142 127

HSL 171.51, 0.6%, 0.35%

LAB 53.23, -32.88, -0.5

 

CMYK 74 / 0 / 10 / 32

HEX #2DAE9D

RGB 45 174 157

HSL 172.09, 0.59%, 0.43%

LAB 64.37, -38.04, -1.17

 

CMYK 72 / 0 / 10 / 20

HEX #39CCB8

RGB 57 204 184

HSL 171.84, 0.59%, 0.51%

LAB 74.52, -42.58, -1.1

 

CMYK 58 / 0 / 8 / 17

HEX #59D4C3

RGB 89 212 195

HSL 171.71, 0.59%, 0.59%

LAB 77.96, -38.25, -1.88

 

CMYK 74 / 0 / 10 / 31

HEX #2DB09E

RGB 45 176 158

HSL 171.76, 0.59%, 0.43%

LAB 65.02, -38.66, -0.77

 

CMYK 71 / 74 / 0 / 32

HEX #332DAE

RGB 51 45 174

HSL 242.79, 0.59%, 0.43%

LAB 28.48, 43.89, -67.28

 

CMYK 0 / 41 / 74 / 32

HEX #AE672D

RGB 174 103 45

HSL 26.98, 0.59%, 0.43%

LAB 50.56, 23.7, 43.48

 

CMYK 74 / 0 / 10 / 31

HEX #2DB09E

RGB 45 176 158

HSL 171.76, 0.59%, 0.43%

LAB 65.02, -38.66, -0.77

 

CMYK 11 / 74 / 0 / 32

HEX #9B2DAE

RGB 155 45 174

HSL 291.16, 0.59%, 0.43%

LAB 41.06, 61.5, -46.25

 

CMYK 0 / 11 / 74 / 32

HEX #AE9B2D

RGB 174 155 45

HSL 51.16, 0.59%, 0.43%

LAB 63.86, -5.12, 56.75

 

CMYK 74 / 0 / 10 / 31

HEX #2DB09E

RGB 45 176 158

HSL 171.76, 0.59%, 0.43%

LAB 65.02, -38.66, -0.77

 

CMYK 71 / 74 / 0 / 32

HEX #332DAE

RGB 51 45 174

HSL 242.79, 0.59%, 0.43%

LAB 28.48, 43.89, -67.28

 

CMYK 0 / 74 / 63 / 32

HEX #AE2D40

RGB 174 45 64

HSL 351.16, 0.59%, 0.43%

LAB 39.99, 52.64, 20.42

 

CMYK 3 / 0 / 74 / 32

HEX #A8AE2D

RGB 168 174 45

HSL 62.79, 0.59%, 0.43%

LAB 68.6, -17.68, 61.07

 

CMYK 74 / 0 / 10 / 31

HEX #2DB09E

RGB 45 176 158

HSL 171.76, 0.59%, 0.43%

LAB 65.02, -38.66, -0.77

 

CMYK 48 / 74 / 0 / 32

HEX #5A2DAE

RGB 90 45 174

HSL 260.93, 0.59%, 0.43%

LAB 32.05, 49.15, -61.28

 

CMYK 0 / 74 / 63 / 32

HEX #AE2D40

RGB 174 45 64

HSL 351.16, 0.59%, 0.43%

LAB 39.99, 52.64, 20.42

 

CMYK 26 / 0 / 74 / 32

HEX #81AE2D

RGB 129 174 45

HSL 80.93, 0.59%, 0.43%

LAB 65.85, -33.88, 57.48

 

Description

Color code: HEX #2DB09E | qconv.com Color code: HEX #2DB09E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 176 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 176 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 10 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 10% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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