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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB055 it is the complementary color #D24FAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB055. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB055 shade: #32B050, #43C263, #54D476, #65E689 and #76F89C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB055. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB055 shade: #2DB055, #1C9E42, #0B8C2F, #007A1C and #006809

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB055 shade: #2DAE54, #2DAE32, #4BAE2D, #6EAE2D and #91AE2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB055 shade: #2DAE54, #2DAE77, #2DAE9A, #2DA0AE and #2D7DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB055 shade matches the following richer shades: #2DAE54, #1BC04E and #09D247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB055 shade: #2DAE54, #3F9D5B, #508B62, #627969 and #746770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB055 shade: #4BAE2D, #2DAE31, #2DAE54, #2DAE76 and #2DAE99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB055 shade: #1C6D35, #248E45, #2DAE54, #39CC66 and #59D47F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB055 shade: #2DB055, #2D6EAE and #AE2D3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB055 shade: #2DB055, #542DAE and #AE542D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB055 shade: #2DB055, #2D6EAE, #AE2D88 and #AE6E2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB055 shade: #2DB055, #2D47AE, #AE2D88 and #AE942D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 52 / 31

HEX #2DB055

RGB 45 176 85

HSL 138.32, 0.59%, 0.43%

LAB 63.56, -54.49, 36.57

 

Complementary color

CMYK 0 / 62 / 19 / 18

HEX #D24FAA

RGB 210 79 170

HSL 318.32, 0.59%, 0.57%

LAB 54.23, 61.13, -22.6

 

CMYK 72 / 0 / 55 / 31

HEX #32B050

RGB 50 176 80

HSL 134.29, 0.56%, 0.44%

LAB 63.6, -54.43, 39.1

 

CMYK 65 / 0 / 49 / 24

HEX #43C263

RGB 67 194 99

HSL 135.12, 0.51%, 0.51%

LAB 69.95, -55.06, 37.62

 

CMYK 60 / 0 / 44 / 17

HEX #54D476

RGB 84 212 118

HSL 135.94, 0.6%, 0.58%

LAB 76.24, -55.39, 36.18

 

CMYK 56 / 0 / 40 / 10

HEX #65E689

RGB 101 230 137

HSL 136.74, 0.72%, 0.65%

LAB 82.47, -55.51, 34.81

 

CMYK 52 / 0 / 37 / 3

HEX #76F89C

RGB 118 248 156

HSL 137.54, 0.9%, 0.72%

LAB 88.63, -55.5, 33.51

 

CMYK 74 / 0 / 52 / 31

HEX #2DB055

RGB 45 176 85

HSL 138.32, 0.59%, 0.43%

LAB 63.56, -54.49, 36.57

 

CMYK 82 / 0 / 58 / 38

HEX #1C9E42

RGB 28 158 66

HSL 137.54, 0.7%, 0.36%

LAB 57.17, -53.29, 38.15

 

CMYK 92 / 0 / 66 / 45

HEX #0B8C2F

RGB 11 140 47

HSL 136.74, 0.85%, 0.3%

LAB 50.73, -51.34, 39.64

 

CMYK 100 / 0 / 77 / 52

HEX #007A1C

RGB 0 122 28

HSL 133.77, 1%, 0.24%

LAB 44.24, -48.38, 40.73

 

CMYK 100 / 0 / 91 / 59

HEX #006809

RGB 0 104 9

HSL 125.19, 1%, 0.2%

LAB 37.7, -44.12, 40.62

 

CMYK 74 / 0 / 52 / 32

HEX #2DAE54

RGB 45 174 84

HSL 138.14, 0.59%, 0.43%

LAB 62.9, -53.93, 36.25

 

CMYK 74 / 0 / 71 / 32

HEX #2DAE32

RGB 45 174 50

HSL 122.33, 0.59%, 0.43%

LAB 62.56, -58.04, 51.24

 

CMYK 57 / 0 / 74 / 32

HEX #4BAE2D

RGB 75 174 45

HSL 106.05, 0.59%, 0.43%

LAB 63.31, -52.02, 54.12

 

CMYK 37 / 0 / 74 / 32

HEX #6EAE2D

RGB 110 174 45

HSL 89.77, 0.59%, 0.43%

LAB 64.78, -41.03, 56.08

 

CMYK 17 / 0 / 74 / 32

HEX #91AE2D

RGB 145 174 45

HSL 73.49, 0.59%, 0.43%

LAB 66.89, -27.42, 58.84

 

CMYK 74 / 0 / 52 / 32

HEX #2DAE54

RGB 45 174 84

HSL 138.14, 0.59%, 0.43%

LAB 62.9, -53.93, 36.25

 

CMYK 74 / 0 / 32 / 32

HEX #2DAE77

RGB 45 174 119

HSL 154.42, 0.59%, 0.43%

LAB 63.48, -47.43, 18.56

 

CMYK 74 / 0 / 11 / 32

HEX #2DAE9A

RGB 45 174 154

HSL 170.7, 0.59%, 0.43%

LAB 64.29, -38.86, 0.38

 

CMYK 74 / 8 / 0 / 32

HEX #2DA0AE

RGB 45 160 174

HSL 186.51, 0.59%, 0.43%

LAB 60.57, -26.35, -16.38

 

CMYK 74 / 28 / 0 / 32

HEX #2D7DAE

RGB 45 125 174

HSL 202.79, 0.59%, 0.43%

LAB 49.84, -7.38, -32.91

 

CMYK 74 / 0 / 52 / 32

HEX #2DAE54

RGB 45 174 84

HSL 138.14, 0.59%, 0.43%

LAB 62.9, -53.93, 36.25

 

CMYK 86 / 0 / 59 / 25

HEX #1BC04E

RGB 27 192 78

HSL 138.55, 0.75%, 0.43%

LAB 68.37, -62.97, 45.63

 

CMYK 96 / 0 / 66 / 18

HEX #09D247

RGB 9 210 71

HSL 138.51, 0.92%, 0.43%

LAB 73.94, -70.33, 54.9

 

CMYK 74 / 0 / 52 / 32

HEX #2DAE54

RGB 45 174 84

HSL 138.14, 0.59%, 0.43%

LAB 62.9, -53.93, 36.25

 

CMYK 60 / 0 / 42 / 38

HEX #3F9D5B

RGB 63 157 91

HSL 137.87, 0.43%, 0.43%

LAB 57.97, -42.77, 26.44

 

CMYK 42 / 0 / 29 / 45

HEX #508B62

RGB 80 139 98

HSL 138.31, 0.27%, 0.43%

LAB 53.01, -28.78, 16.05

 

CMYK 19 / 0 / 13 / 53

HEX #627969

RGB 98 121 105

HSL 138.26, 0.11%, 0.43%

LAB 48.63, -11.86, 6.01

 

CMYK 0 / 11 / 3 / 55

HEX #746770

RGB 116 103 112

HSL 318.46, 0.06%, 0.43%

LAB 45.06, 6.88, -3.17

 

CMYK 57 / 0 / 74 / 32

HEX #4BAE2D

RGB 75 174 45

HSL 106.05, 0.59%, 0.43%

LAB 63.31, -52.02, 54.12

 

CMYK 74 / 0 / 72 / 32

HEX #2DAE31

RGB 45 174 49

HSL 121.86, 0.59%, 0.43%

LAB 62.55, -58.13, 51.61

 

CMYK 74 / 0 / 52 / 32

HEX #2DAE54

RGB 45 174 84

HSL 138.14, 0.59%, 0.43%

LAB 62.9, -53.93, 36.25

 

CMYK 74 / 0 / 32 / 32

HEX #2DAE76

RGB 45 174 118

HSL 153.95, 0.59%, 0.43%

LAB 63.46, -47.65, 19.08

 

CMYK 74 / 0 / 12 / 32

HEX #2DAE99

RGB 45 174 153

HSL 170.23, 0.59%, 0.43%

LAB 64.27, -39.13, 0.9

 

CMYK 74 / 0 / 51 / 57

HEX #1C6D35

RGB 28 109 53

HSL 138.52, 0.59%, 0.27%

LAB 40.31, -37.32, 24.39

 

CMYK 75 / 0 / 51 / 44

HEX #248E45

RGB 36 142 69

HSL 138.68, 0.6%, 0.35%

LAB 52.01, -46.02, 30.41

 

CMYK 74 / 0 / 52 / 32

HEX #2DAE54

RGB 45 174 84

HSL 138.14, 0.59%, 0.43%

LAB 62.9, -53.93, 36.25

 

CMYK 72 / 0 / 50 / 20

HEX #39CC66

RGB 57 204 102

HSL 138.37, 0.59%, 0.51%

LAB 72.9, -59.97, 39.77

 

CMYK 58 / 0 / 40 / 17

HEX #59D47F

RGB 89 212 127

HSL 138.54, 0.59%, 0.59%

LAB 76.52, -52.81, 32.02

 

CMYK 74 / 0 / 52 / 31

HEX #2DB055

RGB 45 176 85

HSL 138.32, 0.59%, 0.43%

LAB 63.56, -54.49, 36.57

 

CMYK 74 / 37 / 0 / 32

HEX #2D6EAE

RGB 45 110 174

HSL 209.77, 0.59%, 0.43%

LAB 45.31, 1.64, -40.04

 

CMYK 0 / 74 / 67 / 32

HEX #AE2D3A

RGB 174 45 58

HSL 353.95, 0.59%, 0.43%

LAB 39.88, 52.28, 24.02

 

CMYK 74 / 0 / 52 / 31

HEX #2DB055

RGB 45 176 85

HSL 138.32, 0.59%, 0.43%

LAB 63.56, -54.49, 36.57

 

CMYK 52 / 74 / 0 / 32

HEX #542DAE

RGB 84 45 174

HSL 258.14, 0.59%, 0.43%

LAB 31.39, 48.2, -62.39

 

CMYK 0 / 52 / 74 / 32

HEX #AE542D

RGB 174 84 45

HSL 18.14, 0.59%, 0.43%

LAB 46.35, 34, 39.04

 

CMYK 74 / 0 / 52 / 31

HEX #2DB055

RGB 45 176 85

HSL 138.32, 0.59%, 0.43%

LAB 63.56, -54.49, 36.57

 

CMYK 74 / 37 / 0 / 32

HEX #2D6EAE

RGB 45 110 174

HSL 209.77, 0.59%, 0.43%

LAB 45.31, 1.64, -40.04

 

CMYK 0 / 74 / 22 / 32

HEX #AE2D88

RGB 174 45 136

HSL 317.67, 0.59%, 0.43%

LAB 42.24, 59.83, -21.29

 

CMYK 0 / 37 / 74 / 32

HEX #AE6E2D

RGB 174 110 45

HSL 30.23, 0.59%, 0.43%

LAB 52.22, 19.79, 45.2

 

CMYK 74 / 0 / 52 / 31

HEX #2DB055

RGB 45 176 85

HSL 138.32, 0.59%, 0.43%

LAB 63.56, -54.49, 36.57

 

CMYK 74 / 59 / 0 / 32

HEX #2D47AE

RGB 45 71 174

HSL 227.91, 0.59%, 0.43%

LAB 34.23, 26.96, -57.86

 

CMYK 0 / 74 / 22 / 32

HEX #AE2D88

RGB 174 45 136

HSL 317.67, 0.59%, 0.43%

LAB 42.24, 59.83, -21.29

 

CMYK 0 / 15 / 74 / 32

HEX #AE942D

RGB 174 148 45

HSL 47.91, 0.59%, 0.43%

LAB 61.97, -1.34, 54.92

 

Description

Color code: HEX #2DB055 | qconv.com Color code: HEX #2DB055 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 176 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 176 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 52 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 52% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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