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Color name
HEX #2DB050

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB050 it is the complementary color #D24FAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB050 shade: #32B04B, #43C25E, #54D471, #65E684 and #76F897

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB050 shade: #2DB050, #1C9E3D, #0B8C2A, #007A17 and #006804

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB050 shade: #2DAE50, #2DAE2D, #50AE2D, #73AE2D and #96AE2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB050 shade: #2DAE50, #2DAE72, #2DAE95, #2DA4AE and #2D82AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB050 shade matches the following richer shades: #2DAE50, #1BC047 and #09D23F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB050 shade: #2DAE50, #3F9D58, #508B60, #627968 and #746771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB050 shade: #4FAE2D, #2DAE2D, #2DAE4F, #2DAE72 and #2DAE94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB050 shade: #1C6D32, #248E41, #2DAE50, #39CC60 and #59D47A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB050 shade: #2DB050, #2D72AE and #AE2D3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB050 shade: #2DB050, #4F2DAE and #AE4F2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB050 shade: #2DB050, #2D72AE, #AE2D8C and #AE692D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB050 shade: #2DB050, #2D4BAE, #AE2D8C and #AE902D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 55 / 31

HEX #2DB050

RGB 45 176 80

HSL 136.03, 0.59%, 0.43%

LAB 63.5, -55.24, 38.96

 

Complementary color

CMYK 0 / 62 / 17 / 18

HEX #D24FAF

RGB 210 79 175

HSL 316.03, 0.59%, 0.57%

LAB 54.44, 61.84, -25.2

 

CMYK 72 / 0 / 57 / 31

HEX #32B04B

RGB 50 176 75

HSL 131.9, 0.56%, 0.44%

LAB 63.54, -55.12, 41.45

 

CMYK 65 / 0 / 52 / 24

HEX #43C25E

RGB 67 194 94

HSL 132.76, 0.51%, 0.51%

LAB 69.88, -55.81, 40.01

 

CMYK 60 / 0 / 47 / 17

HEX #54D471

RGB 84 212 113

HSL 133.59, 0.6%, 0.58%

LAB 76.17, -56.17, 38.58

 

CMYK 56 / 0 / 43 / 10

HEX #65E684

RGB 101 230 132

HSL 134.42, 0.72%, 0.65%

LAB 82.39, -56.32, 37.21

 

CMYK 52 / 0 / 39 / 3

HEX #76F897

RGB 118 248 151

HSL 135.23, 0.9%, 0.72%

LAB 88.55, -56.33, 35.89

 

CMYK 74 / 0 / 55 / 31

HEX #2DB050

RGB 45 176 80

HSL 136.03, 0.59%, 0.43%

LAB 63.5, -55.24, 38.96

 

CMYK 82 / 0 / 61 / 38

HEX #1C9E3D

RGB 28 158 61

HSL 135.23, 0.7%, 0.36%

LAB 57.11, -53.95, 40.47

 

CMYK 92 / 0 / 70 / 45

HEX #0B8C2A

RGB 11 140 42

HSL 134.42, 0.85%, 0.3%

LAB 50.68, -51.89, 41.79

 

CMYK 100 / 0 / 81 / 52

HEX #007A17

RGB 0 122 23

HSL 131.31, 1%, 0.24%

LAB 44.21, -48.79, 42.51

 

CMYK 100 / 0 / 96 / 59

HEX #006804

RGB 0 104 4

HSL 122.31, 1%, 0.2%

LAB 37.68, -44.38, 41.93

 

CMYK 74 / 0 / 54 / 32

HEX #2DAE50

RGB 45 174 80

HSL 136.28, 0.59%, 0.43%

LAB 62.85, -54.53, 38.18

 

CMYK 74 / 0 / 74 / 32

HEX #2DAE2D

RGB 45 174 45

HSL 120, 0.59%, 0.43%

LAB 62.52, -58.47, 53.07

 

CMYK 54 / 0 / 74 / 32

HEX #50AE2D

RGB 80 174 45

HSL 103.72, 0.59%, 0.43%

LAB 63.48, -50.66, 54.35

 

CMYK 34 / 0 / 74 / 32

HEX #73AE2D

RGB 115 174 45

HSL 87.44, 0.59%, 0.43%

LAB 65.05, -39.21, 56.42

 

CMYK 14 / 0 / 74 / 32

HEX #96AE2D

RGB 150 174 45

HSL 71.16, 0.59%, 0.43%

LAB 67.24, -25.34, 59.3

 

CMYK 74 / 0 / 54 / 32

HEX #2DAE50

RGB 45 174 80

HSL 136.28, 0.59%, 0.43%

LAB 62.85, -54.53, 38.18

 

CMYK 74 / 0 / 34 / 32

HEX #2DAE72

RGB 45 174 114

HSL 152.09, 0.59%, 0.43%

LAB 63.38, -48.5, 21.14

 

CMYK 74 / 0 / 14 / 32

HEX #2DAE95

RGB 45 174 149

HSL 168.37, 0.59%, 0.43%

LAB 64.16, -40.2, 2.97

 

CMYK 74 / 6 / 0 / 32

HEX #2DA4AE

RGB 45 164 174

HSL 184.65, 0.59%, 0.43%

LAB 61.8, -28.34, -14.52

 

CMYK 74 / 25 / 0 / 32

HEX #2D82AE

RGB 45 130 174

HSL 200.47, 0.59%, 0.43%

LAB 51.36, -10.26, -30.54

 

CMYK 74 / 0 / 54 / 32

HEX #2DAE50

RGB 45 174 80

HSL 136.28, 0.59%, 0.43%

LAB 62.85, -54.53, 38.18

 

CMYK 86 / 0 / 63 / 25

HEX #1BC047

RGB 27 192 71

HSL 136, 0.75%, 0.43%

LAB 68.31, -63.83, 48.69

 

CMYK 96 / 0 / 70 / 18

HEX #09D23F

RGB 9 210 63

HSL 136.12, 0.92%, 0.43%

LAB 73.88, -71.12, 57.98

 

CMYK 74 / 0 / 54 / 32

HEX #2DAE50

RGB 45 174 80

HSL 136.28, 0.59%, 0.43%

LAB 62.85, -54.53, 38.18

 

CMYK 60 / 0 / 44 / 38

HEX #3F9D58

RGB 63 157 88

HSL 135.96, 0.43%, 0.43%

LAB 57.92, -43.3, 27.99

 

CMYK 42 / 0 / 31 / 45

HEX #508B60

RGB 80 139 96

HSL 136.27, 0.27%, 0.43%

LAB 52.97, -29.17, 17.13

 

CMYK 19 / 0 / 14 / 53

HEX #627968

RGB 98 121 104

HSL 135.65, 0.11%, 0.43%

LAB 48.6, -12.06, 6.56

 

CMYK 0 / 11 / 3 / 55

HEX #746771

RGB 116 103 113

HSL 313.85, 0.06%, 0.43%

LAB 45.09, 7.09, -3.72

 

CMYK 55 / 0 / 74 / 32

HEX #4FAE2D

RGB 79 174 45

HSL 104.19, 0.59%, 0.43%

LAB 63.45, -50.94, 54.3

 

CMYK 74 / 0 / 74 / 32

HEX #2DAE2D

RGB 45 174 45

HSL 120, 0.59%, 0.43%

LAB 62.52, -58.47, 53.07

 

CMYK 74 / 0 / 55 / 32

HEX #2DAE4F

RGB 45 174 79

HSL 135.81, 0.59%, 0.43%

LAB 62.84, -54.68, 38.65

 

CMYK 74 / 0 / 34 / 32

HEX #2DAE72

RGB 45 174 114

HSL 152.09, 0.59%, 0.43%

LAB 63.38, -48.5, 21.14

 

CMYK 74 / 0 / 15 / 32

HEX #2DAE94

RGB 45 174 148

HSL 167.91, 0.59%, 0.43%

LAB 64.14, -40.46, 3.49

 

CMYK 74 / 0 / 54 / 57

HEX #1C6D32

RGB 28 109 50

HSL 136.3, 0.59%, 0.27%

LAB 40.27, -37.83, 25.99

 

CMYK 75 / 0 / 54 / 44

HEX #248E41

RGB 36 142 65

HSL 136.42, 0.6%, 0.35%

LAB 51.95, -46.65, 32.42

 

CMYK 74 / 0 / 54 / 32

HEX #2DAE50

RGB 45 174 80

HSL 136.28, 0.59%, 0.43%

LAB 62.85, -54.53, 38.18

 

CMYK 72 / 0 / 53 / 20

HEX #39CC60

RGB 57 204 96

HSL 135.92, 0.59%, 0.51%

LAB 72.83, -60.85, 42.59

 

CMYK 58 / 0 / 42 / 17

HEX #59D47A

RGB 89 212 122

HSL 136.1, 0.59%, 0.59%

LAB 76.45, -53.65, 34.46

 

CMYK 74 / 0 / 55 / 31

HEX #2DB050

RGB 45 176 80

HSL 136.03, 0.59%, 0.43%

LAB 63.5, -55.24, 38.96

 

CMYK 74 / 34 / 0 / 32

HEX #2D72AE

RGB 45 114 174

HSL 207.91, 0.59%, 0.43%

LAB 46.51, -0.81, -38.14

 

CMYK 0 / 74 / 64 / 32

HEX #AE2D3E

RGB 174 45 62

HSL 352.09, 0.59%, 0.43%

LAB 39.95, 52.52, 21.62

 

CMYK 74 / 0 / 55 / 31

HEX #2DB050

RGB 45 176 80

HSL 136.03, 0.59%, 0.43%

LAB 63.5, -55.24, 38.96

 

CMYK 55 / 74 / 0 / 32

HEX #4F2DAE

RGB 79 45 174

HSL 255.81, 0.59%, 0.43%

LAB 30.87, 47.44, -63.26

 

CMYK 0 / 55 / 74 / 32

HEX #AE4F2D

RGB 174 79 45

HSL 15.81, 0.59%, 0.43%

LAB 45.33, 36.59, 37.94

 

CMYK 74 / 0 / 55 / 31

HEX #2DB050

RGB 45 176 80

HSL 136.03, 0.59%, 0.43%

LAB 63.5, -55.24, 38.96

 

CMYK 74 / 34 / 0 / 32

HEX #2D72AE

RGB 45 114 174

HSL 207.91, 0.59%, 0.43%

LAB 46.51, -0.81, -38.14

 

CMYK 0 / 74 / 20 / 32

HEX #AE2D8C

RGB 174 45 140

HSL 315.81, 0.59%, 0.43%

LAB 42.41, 60.37, -23.46

 

CMYK 0 / 40 / 74 / 32

HEX #AE692D

RGB 174 105 45

HSL 27.91, 0.59%, 0.43%

LAB 51.03, 22.58, 43.97

 

CMYK 74 / 0 / 55 / 31

HEX #2DB050

RGB 45 176 80

HSL 136.03, 0.59%, 0.43%

LAB 63.5, -55.24, 38.96

 

CMYK 74 / 57 / 0 / 32

HEX #2D4BAE

RGB 45 75 174

HSL 226.05, 0.59%, 0.43%

LAB 35.29, 24.32, -56.13

 

CMYK 0 / 74 / 20 / 32

HEX #AE2D8C

RGB 174 45 140

HSL 315.81, 0.59%, 0.43%

LAB 42.41, 60.37, -23.46

 

CMYK 0 / 17 / 74 / 32

HEX #AE902D

RGB 174 144 45

HSL 46.05, 0.59%, 0.43%

LAB 60.9, 0.84, 53.88

 

Description

Color code: HEX #2DB050 | qconv.com Color code: HEX #2DB050 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 176 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 176 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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