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Color name
HEX #2DAFA5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DAFA5 it is the complementary color #D2505A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DAFA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DAFA5 shade: #32AFA0, #43C1B3, #54D3C6, #65E5D9 and #76F7EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DAFA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DAFA5 shade: #2DAFA5, #1C9D92, #0B8B7F, #00796C and #006759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DAFA5 shade: #2DAEA4, #2DAE81, #2DAE5F, #2DAE3C and #41AE2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DAFA5 shade: #2DAEA4, #2D95AE, #2D73AE, #2D50AE and #2D2DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DAFA5 shade matches the following richer shades: #2DAEA4, #1BC0B3 and #09D2C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DAFA5 shade: #2DAEA4, #3F9D95, #508B86, #627977 and #746768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DAFA5 shade: #2DAE5F, #2DAE81, #2DAEA4, #2D97AE and #2D74AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DAFA5 shade: #1C6D67, #248E85, #2DAEA4, #39CCC1 and #59D4CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DAFA5 shade: #2DAFA5, #3C2DAE and #AE702D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DAFA5 shade: #2DAFA5, #A42DAE and #AEA42D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DAFA5 shade: #2DAFA5, #3C2DAE, #AE2D38 and #9FAE2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DAFA5 shade: #2DAFA5, #632DAE, #AE2D38 and #78AE2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 6 / 31

HEX #2DAFA5

RGB 45 175 165

HSL 175.38, 0.59%, 0.43%

LAB 64.91, -36.26, -4.83

 

Complementary color

CMYK 0 / 62 / 57 / 18

HEX #D2505A

RGB 210 80 90

HSL 355.38, 0.59%, 0.57%

LAB 52.04, 51.99, 21.63

 

CMYK 71 / 0 / 9 / 31

HEX #32AFA0

RGB 50 175 160

HSL 172.8, 0.56%, 0.44%

LAB 64.86, -37.02, -2.11

 

CMYK 65 / 0 / 7 / 24

HEX #43C1B3

RGB 67 193 179

HSL 173.33, 0.5%, 0.51%

LAB 71.27, -37.57, -3.12

 

CMYK 60 / 0 / 6 / 17

HEX #54D3C6

RGB 84 211 198

HSL 173.86, 0.59%, 0.58%

LAB 77.61, -37.93, -4.03

 

CMYK 56 / 0 / 5 / 10

HEX #65E5D9

RGB 101 229 217

HSL 174.38, 0.71%, 0.65%

LAB 83.87, -38.16, -4.87

 

CMYK 52 / 0 / 4 / 3

HEX #76F7EC

RGB 118 247 236

HSL 174.88, 0.89%, 0.72%

LAB 90.06, -38.3, -5.64

 

CMYK 74 / 0 / 6 / 31

HEX #2DAFA5

RGB 45 175 165

HSL 175.38, 0.59%, 0.43%

LAB 64.91, -36.26, -4.83

 

CMYK 82 / 0 / 7 / 38

HEX #1C9D92

RGB 28 157 146

HSL 174.88, 0.7%, 0.36%

LAB 58.45, -35.24, -3.72

 

CMYK 92 / 0 / 9 / 45

HEX #0B8B7F

RGB 11 139 127

HSL 174.38, 0.85%, 0.29%

LAB 51.91, -33.8, -2.46

 

CMYK 100 / 0 / 11 / 53

HEX #00796C

RGB 0 121 108

HSL 173.55, 1%, 0.24%

LAB 45.3, -31.82, -1.01

 

CMYK 100 / 0 / 14 / 60

HEX #006759

RGB 0 103 89

HSL 171.84, 1%, 0.2%

LAB 38.59, -29.23, 0.66

 

CMYK 74 / 0 / 6 / 32

HEX #2DAEA4

RGB 45 174 164

HSL 175.35, 0.59%, 0.43%

LAB 64.57, -36.08, -4.78

 

CMYK 74 / 0 / 26 / 32

HEX #2DAE81

RGB 45 174 129

HSL 159.07, 0.59%, 0.43%

LAB 63.68, -45.18, 13.37

 

CMYK 74 / 0 / 45 / 32

HEX #2DAE5F

RGB 45 174 95

HSL 143.26, 0.59%, 0.43%

LAB 63.06, -52.13, 30.83

 

CMYK 74 / 0 / 66 / 32

HEX #2DAE3C

RGB 45 174 60

HSL 126.98, 0.59%, 0.43%

LAB 62.64, -57.06, 47.22

 

CMYK 63 / 0 / 74 / 32

HEX #41AE2D

RGB 65 174 45

HSL 110.7, 0.59%, 0.43%

LAB 63, -54.5, 53.71

 

CMYK 74 / 0 / 6 / 32

HEX #2DAEA4

RGB 45 174 164

HSL 175.35, 0.59%, 0.43%

LAB 64.57, -36.08, -4.78

 

CMYK 74 / 14 / 0 / 32

HEX #2D95AE

RGB 45 149 174

HSL 191.63, 0.59%, 0.43%

LAB 57.18, -20.69, -21.54

 

CMYK 74 / 34 / 0 / 32

HEX #2D73AE

RGB 45 115 174

HSL 207.44, 0.59%, 0.43%

LAB 46.81, -1.42, -37.67

 

CMYK 74 / 54 / 0 / 32

HEX #2D50AE

RGB 45 80 174

HSL 223.72, 0.59%, 0.43%

LAB 36.65, 21, -53.92

 

CMYK 74 / 74 / 0 / 32

HEX #2D2DAE

RGB 45 45 174

HSL 240, 0.59%, 0.43%

LAB 28.09, 43.3, -67.93

 

CMYK 74 / 0 / 6 / 32

HEX #2DAEA4

RGB 45 174 164

HSL 175.35, 0.59%, 0.43%

LAB 64.57, -36.08, -4.78

 

CMYK 86 / 0 / 7 / 25

HEX #1BC0B3

RGB 27 192 179

HSL 175.27, 0.75%, 0.43%

LAB 70.31, -41.56, -4.62

 

CMYK 96 / 0 / 8 / 18

HEX #09D2C2

RGB 9 210 194

HSL 175.22, 0.92%, 0.43%

LAB 76.1, -45.92, -4.23

 

CMYK 74 / 0 / 6 / 32

HEX #2DAEA4

RGB 45 174 164

HSL 175.35, 0.59%, 0.43%

LAB 64.57, -36.08, -4.78

 

CMYK 60 / 0 / 5 / 38

HEX #3F9D95

RGB 63 157 149

HSL 174.89, 0.43%, 0.43%

LAB 59.29, -29.46, -4.1

 

CMYK 42 / 0 / 4 / 45

HEX #508B86

RGB 80 139 134

HSL 174.92, 0.27%, 0.43%

LAB 53.91, -20.5, -3.37

 

CMYK 19 / 0 / 2 / 53

HEX #627977

RGB 98 121 119

HSL 174.78, 0.11%, 0.43%

LAB 49.01, -8.8, -1.69

 

CMYK 0 / 11 / 10 / 55

HEX #746768

RGB 116 103 104

HSL 355.38, 0.06%, 0.43%

LAB 44.82, 5.33, 1.31

 

CMYK 74 / 0 / 45 / 32

HEX #2DAE5F

RGB 45 174 95

HSL 143.26, 0.59%, 0.43%

LAB 63.06, -52.13, 30.83

 

CMYK 74 / 0 / 26 / 32

HEX #2DAE81

RGB 45 174 129

HSL 159.07, 0.59%, 0.43%

LAB 63.68, -45.18, 13.37

 

CMYK 74 / 0 / 6 / 32

HEX #2DAEA4

RGB 45 174 164

HSL 175.35, 0.59%, 0.43%

LAB 64.57, -36.08, -4.78

 

CMYK 74 / 13 / 0 / 32

HEX #2D97AE

RGB 45 151 174

HSL 190.7, 0.59%, 0.43%

LAB 57.8, -21.74, -20.6

 

CMYK 74 / 33 / 0 / 32

HEX #2D74AE

RGB 45 116 174

HSL 206.98, 0.59%, 0.43%

LAB 47.11, -2.03, -37.19

 

CMYK 74 / 0 / 6 / 57

HEX #1C6D67

RGB 28 109 103

HSL 175.56, 0.59%, 0.27%

LAB 41.47, -25.06, -3.59

 

CMYK 75 / 0 / 6 / 44

HEX #248E85

RGB 36 142 133

HSL 174.91, 0.6%, 0.35%

LAB 53.4, -31.15, -3.71

 

CMYK 74 / 0 / 6 / 32

HEX #2DAEA4

RGB 45 174 164

HSL 175.35, 0.59%, 0.43%

LAB 64.57, -36.08, -4.78

 

CMYK 72 / 0 / 5 / 20

HEX #39CCC1

RGB 57 204 193

HSL 175.51, 0.59%, 0.51%

LAB 74.77, -40.14, -5.6

 

CMYK 58 / 0 / 4 / 17

HEX #59D4CB

RGB 89 212 203

HSL 175.61, 0.59%, 0.59%

LAB 78.18, -36.19, -5.85

 

CMYK 74 / 0 / 6 / 31

HEX #2DAFA5

RGB 45 175 165

HSL 175.38, 0.59%, 0.43%

LAB 64.91, -36.26, -4.83

 

CMYK 66 / 74 / 0 / 32

HEX #3C2DAE

RGB 60 45 174

HSL 246.98, 0.59%, 0.43%

LAB 29.14, 44.89, -66.16

 

CMYK 0 / 36 / 74 / 32

HEX #AE702D

RGB 174 112 45

HSL 31.16, 0.59%, 0.43%

LAB 52.7, 18.67, 45.7

 

CMYK 74 / 0 / 6 / 31

HEX #2DAFA5

RGB 45 175 165

HSL 175.38, 0.59%, 0.43%

LAB 64.91, -36.26, -4.83

 

CMYK 6 / 74 / 0 / 32

HEX #A42DAE

RGB 164 45 174

HSL 295.35, 0.59%, 0.43%

LAB 42.5, 63.39, -43.87

 

CMYK 0 / 6 / 74 / 32

HEX #AEA42D

RGB 174 164 45

HSL 55.35, 0.59%, 0.43%

LAB 66.32, -9.9, 59.09

 

CMYK 74 / 0 / 6 / 31

HEX #2DAFA5

RGB 45 175 165

HSL 175.38, 0.59%, 0.43%

LAB 64.91, -36.26, -4.83

 

CMYK 66 / 74 / 0 / 32

HEX #3C2DAE

RGB 60 45 174

HSL 246.98, 0.59%, 0.43%

LAB 29.14, 44.89, -66.16

 

CMYK 0 / 74 / 68 / 32

HEX #AE2D38

RGB 174 45 56

HSL 354.88, 0.59%, 0.43%

LAB 39.85, 52.17, 25.21

 

CMYK 9 / 0 / 74 / 32

HEX #9FAE2D

RGB 159 174 45

HSL 66.98, 0.59%, 0.43%

LAB 67.9, -21.54, 60.16

 

CMYK 74 / 0 / 6 / 31

HEX #2DAFA5

RGB 45 175 165

HSL 175.38, 0.59%, 0.43%

LAB 64.91, -36.26, -4.83

 

CMYK 43 / 74 / 0 / 32

HEX #632DAE

RGB 99 45 174

HSL 265.12, 0.59%, 0.43%

LAB 33.1, 50.66, -59.51

 

CMYK 0 / 74 / 68 / 32

HEX #AE2D38

RGB 174 45 56

HSL 354.88, 0.59%, 0.43%

LAB 39.85, 52.17, 25.21

 

CMYK 31 / 0 / 74 / 32

HEX #78AE2D

RGB 120 174 45

HSL 85.12, 0.59%, 0.43%

LAB 65.32, -37.35, 56.79

 

Description

Color code: HEX #2DAFA5 | qconv.com Color code: HEX #2DAFA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 175 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 175 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 6 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 6% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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