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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DACE3 it is the complementary color #D2531C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DACE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DACE3 shade: #32ACDE, #43BEF1, #54D0FF, #65E2FF and #76F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DACE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DACE3 shade: #2DACE3, #1C9AD0, #0B88BD, #0076AA and #006497

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DACE3 shade: #2CABE2, #2C7AE2, #2C49E2, #402CE2 and #712CE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DACE3 shade: #2CABE2, #2C7AE2, #2C49E2 and #2C2CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DACE3 shade matches the following richer shades: #2CABE2 and #19B3F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DACE3 shade: #2CABE2, #3FA4CF, #539CBB, #6694A8 and #7A8C95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DACE3 shade: #2CE2B8, #2CDCE2, #2CACE2, #2C7BE2 and #2C4AE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DACE3 shade: #177AA5, #1B95CA, #2CABE2, #50BAE7 and #75C8EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DACE3 shade: #2DACE3, #872CE2 and #E2D02C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DACE3 shade: #2DACE3, #E22CAC and #ACE22C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DACE3 shade: #2DACE3, #872CE2, #E2632C and #87E22C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DACE3 shade: #2DACE3, #BE2CE2, #E2632C and #50E22C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 24 / 0 / 11

HEX #2DACE3

RGB 45 172 227

HSL 198.13, 0.76%, 0.53%

LAB 66.22, -15.1, -37.18

 

Complementary color

CMYK 0 / 60 / 87 / 18

HEX #D2531C

RGB 210 83 28

HSL 18.13, 0.76%, 0.47%

LAB 51.81, 47.72, 54.06

 

CMYK 77 / 23 / 0 / 13

HEX #32ACDE

RGB 50 172 222

HSL 197.44, 0.72%, 0.53%

LAB 66.1, -16.31, -34.61

 

CMYK 72 / 21 / 0 / 5

HEX #43BEF1

RGB 67 190 241

HSL 197.59, 0.86%, 0.6%

LAB 72.48, -17.58, -35.05

 

CMYK 67 / 18 / 0 / 0

HEX #54D0FF

RGB 84 208 255

HSL 196.49, 1%, 0.66%

LAB 78.59, -20.15, -33.08

 

CMYK 60 / 11 / 0 / 0

HEX #65E2FF

RGB 101 226 255

HSL 191.3, 1%, 0.7%

LAB 84.16, -26.47, -24.5

 

CMYK 54 / 4 / 0 / 0

HEX #76F4FF

RGB 118 244 255

HSL 184.82, 1%, 0.73%

LAB 89.75, -32.05, -16

 

CMYK 80 / 24 / 0 / 11

HEX #2DACE3

RGB 45 172 227

HSL 198.13, 0.76%, 0.53%

LAB 66.22, -15.1, -37.18

 

CMYK 87 / 26 / 0 / 18

HEX #1C9AD0

RGB 28 154 208

HSL 198, 0.76%, 0.46%

LAB 59.81, -13.3, -36.68

 

CMYK 94 / 28 / 0 / 26

HEX #0B88BD

RGB 11 136 189

HSL 197.87, 0.89%, 0.39%

LAB 53.33, -11.05, -36.09

 

CMYK 100 / 31 / 0 / 33

HEX #0076AA

RGB 0 118 170

HSL 198.35, 1%, 0.33%

LAB 46.79, -8.27, -35.42

 

CMYK 100 / 34 / 0 / 41

HEX #006497

RGB 0 100 151

HSL 200.26, 1%, 0.3%

LAB 40.16, -4.91, -34.65

 

CMYK 81 / 24 / 0 / 11

HEX #2CABE2

RGB 44 171 226

HSL 198.13, 0.76%, 0.53%

LAB 65.87, -15, -37.18

 

CMYK 81 / 46 / 0 / 11

HEX #2C7AE2

RGB 44 122 226

HSL 214.29, 0.76%, 0.53%

LAB 51.78, 13.58, -59.51

 

CMYK 81 / 68 / 0 / 11

HEX #2C49E2

RGB 44 73 226

HSL 230.44, 0.76%, 0.53%

LAB 39.23, 44.48, -79.93

 

CMYK 72 / 81 / 0 / 11

HEX #402CE2

RGB 64 44 226

HSL 246.59, 0.76%, 0.53%

LAB 34.77, 61.46, -87.27

 

CMYK 50 / 81 / 0 / 11

HEX #712CE2

RGB 113 44 226

HSL 262.75, 0.76%, 0.53%

LAB 39.25, 66.23, -79.72

 

CMYK 81 / 24 / 0 / 11

HEX #2CABE2

RGB 44 171 226

HSL 198.13, 0.76%, 0.53%

LAB 65.87, -15, -37.18

 

CMYK 81 / 46 / 0 / 11

HEX #2C7AE2

RGB 44 122 226

HSL 214.29, 0.76%, 0.53%

LAB 51.78, 13.58, -59.51

 

CMYK 81 / 68 / 0 / 11

HEX #2C49E2

RGB 44 73 226

HSL 230.44, 0.76%, 0.53%

LAB 39.23, 44.48, -79.93

 

CMYK 81 / 81 / 0 / 11

HEX #2C2CE2

RGB 44 44 226

HSL 240, 0.76%, 0.53%

LAB 33.62, 60.26, -89.2

 

CMYK 81 / 24 / 0 / 11

HEX #2CABE2

RGB 44 171 226

HSL 198.13, 0.76%, 0.53%

LAB 65.87, -15, -37.18

 

CMYK 90 / 27 / 0 / 4

HEX #19B3F6

RGB 25 179 246

HSL 198.19, 0.92%, 0.53%

LAB 68.82, -13.65, -43.5

 

CMYK 81 / 24 / 0 / 11

HEX #2CABE2

RGB 44 171 226

HSL 198.13, 0.76%, 0.53%

LAB 65.87, -15, -37.18

 

CMYK 70 / 21 / 0 / 19

HEX #3FA4CF

RGB 63 164 207

HSL 197.92, 0.6%, 0.53%

LAB 63.44, -15.39, -30.43

 

CMYK 56 / 17 / 0 / 27

HEX #539CBB

RGB 83 156 187

HSL 197.88, 0.43%, 0.53%

LAB 60.96, -13.84, -23

 

CMYK 39 / 12 / 0 / 34

HEX #6694A8

RGB 102 148 168

HSL 198.18, 0.28%, 0.53%

LAB 58.82, -10.3, -15.43

 

CMYK 18 / 6 / 0 / 42

HEX #7A8C95

RGB 122 140 149

HSL 200, 0.11%, 0.53%

LAB 57.14, -4.44, -6.97

 

CMYK 81 / 0 / 19 / 11

HEX #2CE2B8

RGB 44 226 184

HSL 166.15, 0.76%, 0.53%

LAB 80.95, -53.2, 8.2

 

CMYK 81 / 3 / 0 / 11

HEX #2CDCE2

RGB 44 220 226

HSL 181.98, 0.76%, 0.53%

LAB 80.3, -39.27, -15.09

 

CMYK 81 / 24 / 0 / 11

HEX #2CACE2

RGB 44 172 226

HSL 197.8, 0.76%, 0.53%

LAB 66.16, -15.54, -36.73

 

CMYK 81 / 46 / 0 / 11

HEX #2C7BE2

RGB 44 123 226

HSL 213.96, 0.76%, 0.53%

LAB 52.05, 12.96, -59.06

 

CMYK 81 / 67 / 0 / 11

HEX #2C4AE2

RGB 44 74 226

HSL 230.11, 0.76%, 0.53%

LAB 39.45, 43.88, -79.56

 

CMYK 86 / 26 / 0 / 35

HEX #177AA5

RGB 23 122 165

HSL 198.17, 0.76%, 0.37%

LAB 48.03, -11.28, -30.54

 

CMYK 87 / 26 / 0 / 21

HEX #1B95CA

RGB 27 149 202

HSL 198.17, 0.76%, 0.45%

LAB 58.03, -12.75, -36.1

 

CMYK 81 / 24 / 0 / 11

HEX #2CABE2

RGB 44 171 226

HSL 198.13, 0.76%, 0.53%

LAB 65.87, -15, -37.18

 

CMYK 65 / 19 / 0 / 9

HEX #50BAE7

RGB 80 186 231

HSL 197.88, 0.76%, 0.61%

LAB 71.28, -16.82, -31.46

 

CMYK 50 / 15 / 0 / 7

HEX #75C8EC

RGB 117 200 236

HSL 198.15, 0.76%, 0.69%

LAB 76.77, -15.64, -25.61

 

CMYK 80 / 24 / 0 / 11

HEX #2DACE3

RGB 45 172 227

HSL 198.13, 0.76%, 0.53%

LAB 66.22, -15.1, -37.18

 

CMYK 40 / 81 / 0 / 11

HEX #872CE2

RGB 135 44 226

HSL 270, 0.76%, 0.53%

LAB 41.91, 69.11, -75.24

 

CMYK 0 / 8 / 81 / 11

HEX #E2D02C

RGB 226 208 44

HSL 54.07, 0.76%, 0.53%

LAB 82.63, -10.04, 75.84

 

CMYK 80 / 24 / 0 / 11

HEX #2DACE3

RGB 45 172 227

HSL 198.13, 0.76%, 0.53%

LAB 66.22, -15.1, -37.18

 

CMYK 0 / 81 / 24 / 11

HEX #E22CAC

RGB 226 44 172

HSL 317.8, 0.76%, 0.53%

LAB 52.89, 76.84, -25.62

 

CMYK 24 / 0 / 81 / 11

HEX #ACE22C

RGB 172 226 44

HSL 77.8, 0.76%, 0.53%

LAB 83.62, -40.69, 75.2

 

CMYK 80 / 24 / 0 / 11

HEX #2DACE3

RGB 45 172 227

HSL 198.13, 0.76%, 0.53%

LAB 66.22, -15.1, -37.18

 

CMYK 40 / 81 / 0 / 11

HEX #872CE2

RGB 135 44 226

HSL 270, 0.76%, 0.53%

LAB 41.91, 69.11, -75.24

 

CMYK 0 / 56 / 81 / 11

HEX #E2632C

RGB 226 99 44

HSL 18.13, 0.76%, 0.53%

LAB 57.34, 46.57, 53.2

 

CMYK 40 / 0 / 81 / 11

HEX #87E22C

RGB 135 226 44

HSL 90, 0.76%, 0.53%

LAB 81.69, -53.89, 72.73

 

CMYK 80 / 24 / 0 / 11

HEX #2DACE3

RGB 45 172 227

HSL 198.13, 0.76%, 0.53%

LAB 66.22, -15.1, -37.18

 

CMYK 16 / 81 / 0 / 11

HEX #BE2CE2

RGB 190 44 226

HSL 288.13, 0.76%, 0.53%

LAB 49.79, 77.75, -62.09

 

CMYK 0 / 56 / 81 / 11

HEX #E2632C

RGB 226 99 44

HSL 18.13, 0.76%, 0.53%

LAB 57.34, 46.57, 53.2

 

CMYK 65 / 0 / 81 / 11

HEX #50E22C

RGB 80 226 44

HSL 108.13, 0.76%, 0.53%

LAB 79.77, -68.79, 70.27

 

Description

Color code: HEX #2DACE3 | qconv.com Color code: HEX #2DACE3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 172 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 172 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 24 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 24% 0% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

87% - Specialist – The Con...
Link: http://www.specialistuk.com

26% - Amscan
Link: http://www.amscan.com

91% - EUROPA - European Un...
Link: http://europa.eu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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