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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DA5E1 it is the complementary color #D25A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DA5E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DA5E1 shade: #32A5DC, #43B7EF, #54C9FF, #65DBFF and #76EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DA5E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DA5E1 shade: #2DA5E1, #1C93CE, #0B81BB, #006FA8 and #005D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DA5E1 shade: #2DA5E1, #2D74E1, #2D44E1, #462DE1 and #772DE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DA5E1 shade: #2DA5E1, #2D74E1, #2D44E1 and #2D2DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DA5E1 shade matches the following richer shades: #2DA5E1 and #19ABF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DA5E1 shade: #2DA5E1, #409ECD, #5498BA, #6791A6 and #7A8B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DA5E1 shade: #2DE1BD, #2DD5E1, #2DA5E1, #2D75E1 and #2D45E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DA5E1 shade: #1775A4, #1C8FC8, #2DA5E1, #51B4E6 and #75C4EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DA5E1 shade: #2DA5E1, #8D2DE1 and #E1D52D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DA5E1 shade: #2DA5E1, #E12DA5 and #A5E12D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DA5E1 shade: #2DA5E1, #8D2DE1, #E1692D and #81E12D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DA5E1 shade: #2DA5E1, #C32DE1, #E1692D and #4BE12D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

Complementary color

CMYK 0 / 57 / 86 / 18

HEX #D25A1E

RGB 210 90 30

HSL 20, 0.75%, 0.47%

LAB 53.07, 44.49, 54.32

 

CMYK 77 / 25 / 0 / 14

HEX #32A5DC

RGB 50 165 220

HSL 199.41, 0.71%, 0.53%

LAB 63.96, -13.21, -36.84

 

CMYK 72 / 23 / 0 / 6

HEX #43B7EF

RGB 67 183 239

HSL 199.53, 0.84%, 0.6%

LAB 70.38, -14.53, -37.22

 

CMYK 67 / 21 / 0 / 0

HEX #54C9FF

RGB 84 201 255

HSL 198.95, 1%, 0.66%

LAB 76.61, -16.54, -36.15

 

CMYK 60 / 14 / 0 / 0

HEX #65DBFF

RGB 101 219 255

HSL 194.03, 1%, 0.7%

LAB 82.19, -23, -27.51

 

CMYK 54 / 7 / 0 / 0

HEX #76EDFF

RGB 118 237 255

HSL 187.88, 1%, 0.73%

LAB 87.79, -28.71, -18.95

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 86 / 29 / 0 / 19

HEX #1C93CE

RGB 28 147 206

HSL 199.89, 0.76%, 0.46%

LAB 57.63, -10.12, -38.97

 

CMYK 94 / 31 / 0 / 27

HEX #0B81BB

RGB 11 129 187

HSL 199.77, 0.89%, 0.39%

LAB 51.11, -7.77, -38.45

 

CMYK 100 / 34 / 0 / 34

HEX #006FA8

RGB 0 111 168

HSL 200.36, 1%, 0.33%

LAB 44.51, -4.86, -37.84

 

CMYK 100 / 38 / 0 / 42

HEX #005D95

RGB 0 93 149

HSL 202.55, 1%, 0.29%

LAB 37.84, -1.34, -37.13

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 80 / 48 / 0 / 12

HEX #2D74E1

RGB 45 116 225

HSL 216.33, 0.75%, 0.53%

LAB 50.08, 17.05, -61.67

 

CMYK 80 / 70 / 0 / 12

HEX #2D44E1

RGB 45 68 225

HSL 232.33, 0.75%, 0.53%

LAB 38.07, 47.2, -81.26

 

CMYK 69 / 80 / 0 / 12

HEX #462DE1

RGB 70 45 225

HSL 248.33, 0.75%, 0.53%

LAB 35.23, 61.19, -85.91

 

CMYK 47 / 80 / 0 / 12

HEX #772DE1

RGB 119 45 225

HSL 264.67, 0.75%, 0.53%

LAB 39.97, 66.37, -77.93

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 80 / 48 / 0 / 12

HEX #2D74E1

RGB 45 116 225

HSL 216.33, 0.75%, 0.53%

LAB 50.08, 17.05, -61.67

 

CMYK 80 / 70 / 0 / 12

HEX #2D44E1

RGB 45 68 225

HSL 232.33, 0.75%, 0.53%

LAB 38.07, 47.2, -81.26

 

CMYK 80 / 80 / 0 / 12

HEX #2D2DE1

RGB 45 45 225

HSL 240, 0.75%, 0.53%

LAB 33.71, 59.54, -88.48

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 90 / 30 / 0 / 4

HEX #19ABF4

RGB 25 171 244

HSL 200, 0.91%, 0.53%

LAB 66.42, -9.99, -46.2

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 55 / 18 / 0 / 27

HEX #5498BA

RGB 84 152 186

HSL 200, 0.43%, 0.53%

LAB 59.79, -11.75, -24.23

 

CMYK 38 / 13 / 0 / 35

HEX #6791A6

RGB 103 145 166

HSL 200, 0.26%, 0.53%

LAB 57.93, -8.9, -15.63

 

CMYK 17 / 5 / 0 / 42

HEX #7A8B93

RGB 122 139 147

HSL 199.2, 0.1%, 0.53%

LAB 56.79, -4.34, -6.33

 

CMYK 80 / 0 / 16 / 12

HEX #2DE1BD

RGB 45 225 189

HSL 168, 0.75%, 0.53%

LAB 80.78, -51.46, 5.31

 

CMYK 80 / 5 / 0 / 12

HEX #2DD5E1

RGB 45 213 225

HSL 184, 0.75%, 0.53%

LAB 78.22, -36.27, -17.69

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 80 / 48 / 0 / 12

HEX #2D75E1

RGB 45 117 225

HSL 216, 0.75%, 0.53%

LAB 50.35, 16.43, -61.23

 

CMYK 80 / 69 / 0 / 12

HEX #2D45E1

RGB 45 69 225

HSL 232, 0.75%, 0.53%

LAB 38.29, 46.61, -80.91

 

CMYK 86 / 29 / 0 / 36

HEX #1775A4

RGB 23 117 164

HSL 200, 0.75%, 0.37%

LAB 46.43, -8.74, -32.47

 

CMYK 86 / 29 / 0 / 22

HEX #1C8FC8

RGB 28 143 200

HSL 199.88, 0.75%, 0.45%

LAB 56.15, -10.04, -37.91

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 65 / 22 / 0 / 10

HEX #51B4E6

RGB 81 180 230

HSL 200.13, 0.75%, 0.61%

LAB 69.54, -13.8, -33.59

 

CMYK 50 / 17 / 0 / 8

HEX #75C4EB

RGB 117 196 235

HSL 199.83, 0.75%, 0.69%

LAB 75.61, -13.83, -26.84

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 37 / 80 / 0 / 12

HEX #8D2DE1

RGB 141 45 225

HSL 272, 0.75%, 0.53%

LAB 42.73, 69.41, -73.31

 

CMYK 0 / 5 / 80 / 12

HEX #E1D52D

RGB 225 213 45

HSL 56, 0.75%, 0.53%

LAB 83.85, -12.94, 76.6

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 0 / 80 / 27 / 12

HEX #E12DA5

RGB 225 45 165

HSL 320, 0.75%, 0.53%

LAB 52.51, 75.55, -22.11

 

CMYK 27 / 0 / 80 / 12

HEX #A5E12D

RGB 165 225 45

HSL 80, 0.75%, 0.53%

LAB 82.93, -42.85, 74.17

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 37 / 80 / 0 / 12

HEX #8D2DE1

RGB 141 45 225

HSL 272, 0.75%, 0.53%

LAB 42.73, 69.41, -73.31

 

CMYK 0 / 53 / 80 / 12

HEX #E1692D

RGB 225 105 45

HSL 20, 0.75%, 0.53%

LAB 58.32, 43.34, 53.62

 

CMYK 43 / 0 / 80 / 12

HEX #81E12D

RGB 129 225 45

HSL 92, 0.75%, 0.53%

LAB 81.13, -55.39, 71.86

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 13 / 80 / 0 / 12

HEX #C32DE1

RGB 195 45 225

HSL 290, 0.75%, 0.53%

LAB 50.59, 78.18, -60.19

 

CMYK 0 / 53 / 80 / 12

HEX #E1692D

RGB 225 105 45

HSL 20, 0.75%, 0.53%

LAB 58.32, 43.34, 53.62

 

CMYK 67 / 0 / 80 / 12

HEX #4BE12D

RGB 75 225 45

HSL 110, 0.75%, 0.53%

LAB 79.35, -69.42, 69.57

 

Description

Color code: HEX #2DA5E1 | qconv.com Color code: HEX #2DA5E1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 165 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 165 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 27 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 27% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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