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Color name
HEX #2D9FDB

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D9FDB it is the complementary color #D26024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D9FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D9FDB shade: #329FD6, #43B1E9, #54C3FC, #65D5FF and #76E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D9FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D9FDB shade: #2D9FDB, #1C8DC8, #0B7BB5, #0069A2 and #00578F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D9FDB shade: #2EA0DC, #2E71DC, #2E42DC, #482EDC and #772EDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D9FDB shade: #2EA0DC, #2E71DC, #2E42DC and #2E2EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D9FDB shade matches the following richer shades: #2EA0DC and #1AA6EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D9FDB shade: #2EA0DC, #4299C8, #5593B4, #698DA0 and #7D878C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D9FDB shade: #2EDCB9, #2ED0DC, #2EA2DC, #2E73DC and #2E45DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D9FDB shade: #1A6F9C, #2089BF, #2EA0DC, #51B0E1 and #74C0E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D9FDB shade: #2D9FDB, #8A2EDC and #DCD02E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D9FDB shade: #2D9FDB, #DC2EA2 and #A2DC2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D9FDB shade: #2D9FDB, #8A2EDC, #DC682E and #7FDC2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D9FDB shade: #2D9FDB, #BF2EDC, #DC682E and #4BDC2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 27 / 0 / 14

HEX #2D9FDB

RGB 45 159 219

HSL 200.69, 0.71%, 0.52%

LAB 62.06, -10.77, -39.27

 

Complementary color

CMYK 0 / 54 / 83 / 18

HEX #D26024

RGB 210 96 36

HSL 20.69, 0.71%, 0.48%

LAB 54.23, 41.74, 52.9

 

CMYK 77 / 26 / 0 / 16

HEX #329FD6

RGB 50 159 214

HSL 200.12, 0.67%, 0.52%

LAB 61.94, -11.98, -36.67

 

CMYK 71 / 24 / 0 / 9

HEX #43B1E9

RGB 67 177 233

HSL 200.24, 0.79%, 0.59%

LAB 68.4, -13.29, -37.03

 

CMYK 67 / 23 / 0 / 1

HEX #54C3FC

RGB 84 195 252

HSL 200.36, 0.97%, 0.66%

LAB 74.79, -14.34, -37.35

 

CMYK 60 / 16 / 0 / 0

HEX #65D5FF

RGB 101 213 255

HSL 196.36, 1%, 0.7%

LAB 80.5, -19.98, -30.1

 

CMYK 54 / 9 / 0 / 0

HEX #76E7FF

RGB 118 231 255

HSL 190.51, 1%, 0.73%

LAB 86.12, -25.8, -21.48

 

CMYK 79 / 27 / 0 / 14

HEX #2D9FDB

RGB 45 159 219

HSL 200.69, 0.71%, 0.52%

LAB 62.06, -10.77, -39.27

 

CMYK 86 / 30 / 0 / 22

HEX #1C8DC8

RGB 28 141 200

HSL 200.58, 0.75%, 0.45%

LAB 55.55, -8.9, -38.85

 

CMYK 94 / 32 / 0 / 29

HEX #0B7BB5

RGB 11 123 181

HSL 200.47, 0.89%, 0.38%

LAB 48.97, -6.53, -38.36

 

CMYK 100 / 35 / 0 / 36

HEX #0069A2

RGB 0 105 162

HSL 201.11, 1%, 0.32%

LAB 42.33, -3.58, -37.77

 

CMYK 100 / 39 / 0 / 44

HEX #00578F

RGB 0 87 143

HSL 203.5, 1%, 0.28%

LAB 35.6, 0.02, -37.07

 

CMYK 79 / 27 / 0 / 14

HEX #2EA0DC

RGB 46 160 220

HSL 200.69, 0.71%, 0.52%

LAB 62.41, -10.88, -39.26

 

CMYK 79 / 49 / 0 / 14

HEX #2E71DC

RGB 46 113 220

HSL 216.9, 0.71%, 0.52%

LAB 48.96, 17.16, -60.66

 

CMYK 79 / 70 / 0 / 14

HEX #2E42DC

RGB 46 66 220

HSL 233.1, 0.71%, 0.52%

LAB 37.2, 46.74, -79.84

 

CMYK 67 / 79 / 0 / 14

HEX #482EDC

RGB 72 46 220

HSL 248.97, 0.71%, 0.52%

LAB 35, 59.47, -83.42

 

CMYK 46 / 79 / 0 / 14

HEX #772EDC

RGB 119 46 220

HSL 265.17, 0.71%, 0.52%

LAB 39.65, 64.78, -75.59

 

CMYK 79 / 27 / 0 / 14

HEX #2EA0DC

RGB 46 160 220

HSL 200.69, 0.71%, 0.52%

LAB 62.41, -10.88, -39.26

 

CMYK 79 / 49 / 0 / 14

HEX #2E71DC

RGB 46 113 220

HSL 216.9, 0.71%, 0.52%

LAB 48.96, 17.16, -60.66

 

CMYK 79 / 70 / 0 / 14

HEX #2E42DC

RGB 46 66 220

HSL 233.1, 0.71%, 0.52%

LAB 37.2, 46.74, -79.84

 

CMYK 79 / 79 / 0 / 14

HEX #2E2EDC

RGB 46 46 220

HSL 240, 0.71%, 0.52%

LAB 33.35, 57.6, -86.2

 

CMYK 79 / 27 / 0 / 14

HEX #2EA0DC

RGB 46 160 220

HSL 200.69, 0.71%, 0.52%

LAB 62.41, -10.88, -39.26

 

CMYK 89 / 31 / 0 / 6

HEX #1AA6EF

RGB 26 166 239

HSL 200.56, 0.87%, 0.52%

LAB 64.74, -8.96, -46.1

 

CMYK 79 / 27 / 0 / 14

HEX #2EA0DC

RGB 46 160 220

HSL 200.69, 0.71%, 0.52%

LAB 62.41, -10.88, -39.26

 

CMYK 67 / 24 / 0 / 22

HEX #4299C8

RGB 66 153 200

HSL 201.04, 0.55%, 0.52%

LAB 59.99, -11.23, -31.85

 

CMYK 53 / 18 / 0 / 29

HEX #5593B4

RGB 85 147 180

HSL 200.84, 0.39%, 0.52%

LAB 58.13, -10.58, -23.38

 

CMYK 34 / 12 / 0 / 37

HEX #698DA0

RGB 105 141 160

HSL 200.73, 0.22%, 0.52%

LAB 56.67, -7.68, -14.09

 

CMYK 11 / 4 / 0 / 45

HEX #7D878C

RGB 125 135 140

HSL 200, 0.06%, 0.52%

LAB 55.67, -2.59, -3.94

 

CMYK 79 / 0 / 16 / 14

HEX #2EDCB9

RGB 46 220 185

HSL 167.93, 0.71%, 0.52%

LAB 79.2, -50.33, 5.14

 

CMYK 79 / 5 / 0 / 14

HEX #2ED0DC

RGB 46 208 220

HSL 184.14, 0.71%, 0.52%

LAB 76.59, -35.35, -17.45

 

CMYK 79 / 26 / 0 / 14

HEX #2EA2DC

RGB 46 162 220

HSL 200, 0.71%, 0.52%

LAB 63, -11.98, -38.34

 

CMYK 79 / 48 / 0 / 14

HEX #2E73DC

RGB 46 115 220

HSL 216.21, 0.71%, 0.52%

LAB 49.51, 15.9, -59.77

 

CMYK 79 / 69 / 0 / 14

HEX #2E45DC

RGB 46 69 220

HSL 232.07, 0.71%, 0.52%

LAB 37.85, 44.96, -78.77

 

CMYK 83 / 29 / 0 / 39

HEX #1A6F9C

RGB 26 111 156

HSL 200.77, 0.71%, 0.36%

LAB 44.22, -7.95, -31.21

 

CMYK 83 / 28 / 0 / 25

HEX #2089BF

RGB 32 137 191

HSL 200.38, 0.71%, 0.44%

LAB 53.98, -9.58, -36.2

 

CMYK 79 / 27 / 0 / 14

HEX #2EA0DC

RGB 46 160 220

HSL 200.69, 0.71%, 0.52%

LAB 62.41, -10.88, -39.26

 

CMYK 64 / 22 / 0 / 12

HEX #51B0E1

RGB 81 176 225

HSL 200.42, 0.71%, 0.6%

LAB 68.19, -13.24, -32.95

 

CMYK 50 / 17 / 0 / 9

HEX #74C0E7

RGB 116 192 231

HSL 200.35, 0.71%, 0.68%

LAB 74.31, -13.08, -26.69

 

CMYK 79 / 27 / 0 / 14

HEX #2D9FDB

RGB 45 159 219

HSL 200.69, 0.71%, 0.52%

LAB 62.06, -10.77, -39.27

 

CMYK 37 / 79 / 0 / 14

HEX #8A2EDC

RGB 138 46 220

HSL 271.72, 0.71%, 0.52%

LAB 42.04, 67.51, -71.59

 

CMYK 0 / 5 / 79 / 14

HEX #DCD02E

RGB 220 208 46

HSL 55.86, 0.71%, 0.52%

LAB 82.12, -12.53, 74.65

 

CMYK 79 / 27 / 0 / 14

HEX #2D9FDB

RGB 45 159 219

HSL 200.69, 0.71%, 0.52%

LAB 62.06, -10.77, -39.27

 

CMYK 0 / 79 / 26 / 14

HEX #DC2EA2

RGB 220 46 162

HSL 320, 0.71%, 0.52%

LAB 51.59, 73.81, -21.83

 

CMYK 26 / 0 / 79 / 14

HEX #A2DC2E

RGB 162 220 46

HSL 80, 0.71%, 0.52%

LAB 81.33, -41.76, 72.38

 

CMYK 79 / 27 / 0 / 14

HEX #2D9FDB

RGB 45 159 219

HSL 200.69, 0.71%, 0.52%

LAB 62.06, -10.77, -39.27

 

CMYK 37 / 79 / 0 / 14

HEX #8A2EDC

RGB 138 46 220

HSL 271.72, 0.71%, 0.52%

LAB 42.04, 67.51, -71.59

 

CMYK 0 / 53 / 79 / 14

HEX #DC682E

RGB 220 104 46

HSL 20, 0.71%, 0.52%

LAB 57.38, 41.95, 52.01

 

CMYK 42 / 0 / 79 / 14

HEX #7FDC2E

RGB 127 220 46

HSL 92.07, 0.71%, 0.52%

LAB 79.55, -54.04, 70.11

 

CMYK 79 / 27 / 0 / 14

HEX #2D9FDB

RGB 45 159 219

HSL 200.69, 0.71%, 0.52%

LAB 62.06, -10.77, -39.27

 

CMYK 13 / 79 / 0 / 14

HEX #BF2EDC

RGB 191 46 220

HSL 290, 0.71%, 0.52%

LAB 49.73, 76.34, -58.75

 

CMYK 0 / 53 / 79 / 14

HEX #DC682E

RGB 220 104 46

HSL 20, 0.71%, 0.52%

LAB 57.38, 41.95, 52.01

 

CMYK 66 / 0 / 79 / 14

HEX #4BDC2E

RGB 75 220 46

HSL 110, 0.71%, 0.52%

LAB 77.8, -67.77, 67.84

 

Description

Color code: HEX #2D9FDB | qconv.com Color code: HEX #2D9FDB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 159 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 159 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 27 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 27% 0% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

62% - 引越しＡじぇんと - 一括見積り・口コミ...
Link: http://e-hikkoshi.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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