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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D9FC5 it is the complementary color #D2603A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D9FC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D9FC5 shade: #329FC0, #43B1D3, #54C3E6, #65D5F9 and #76E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D9FC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D9FC5 shade: #2D9FC5, #1C8DB2, #0B7B9F, #00698C and #005779

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D9FC5 shade: #2C9EC3, #2C75C3, #2C4CC3, #352CC3 and #5E2CC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D9FC5 shade: #2C9EC3, #2C75C3, #2C4CC3 and #2C2CC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D9FC5 shade matches the following richer shades: #2C9EC3, #19A7D7 and #06B1EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D9FC5 shade: #2C9EC3, #4094B0, #538A9D, #678189 and #7A7776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D9FC5 shade: #2CC399, #2CC3C1, #2C9EC3, #2C75C3 and #2C4DC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D9FC5 shade: #1D6780, #2582A2, #2C9EC3, #44B1D5 and #66BFDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D9FC5 shade: #2D9FC5, #702CC3 and #C3AD2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D9FC5 shade: #2D9FC5, #C32C9E and #9EC32C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D9FC5 shade: #2D9FC5, #702CC3, #C3522C and #7FC32C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D9FC5 shade: #2D9FC5, #9E2CC3, #C3522C and #52C32C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 19 / 0 / 23

HEX #2D9FC5

RGB 45 159 197

HSL 195, 0.63%, 0.47%

LAB 61.12, -18.34, -28.46

 

Complementary color

CMYK 0 / 54 / 72 / 18

HEX #D2603A

RGB 210 96 58

HSL 15, 0.63%, 0.53%

LAB 54.42, 42.57, 42.61

 

CMYK 74 / 17 / 0 / 25

HEX #329FC0

RGB 50 159 192

HSL 193.94, 0.59%, 0.47%

LAB 61.03, -19.41, -25.79

 

CMYK 68 / 16 / 0 / 17

HEX #43B1D3

RGB 67 177 211

HSL 194.17, 0.62%, 0.55%

LAB 67.53, -20.4, -26.32

 

CMYK 63 / 15 / 0 / 10

HEX #54C3E6

RGB 84 195 230

HSL 194.38, 0.74%, 0.62%

LAB 73.95, -21.15, -26.79

 

CMYK 59 / 14 / 0 / 2

HEX #65D5F9

RGB 101 213 249

HSL 194.59, 0.93%, 0.69%

LAB 80.29, -21.74, -27.23

 

CMYK 54 / 9 / 0 / 0

HEX #76E7FF

RGB 118 231 255

HSL 190.51, 1%, 0.73%

LAB 86.12, -25.8, -21.48

 

CMYK 77 / 19 / 0 / 23

HEX #2D9FC5

RGB 45 159 197

HSL 195, 0.63%, 0.47%

LAB 61.12, -18.34, -28.46

 

CMYK 84 / 21 / 0 / 30

HEX #1C8DB2

RGB 28 141 178

HSL 194.8, 0.73%, 0.4%

LAB 54.57, -16.82, -27.88

 

CMYK 93 / 23 / 0 / 38

HEX #0B7B9F

RGB 11 123 159

HSL 194.59, 0.87%, 0.33%

LAB 47.93, -14.82, -27.2

 

CMYK 100 / 25 / 0 / 45

HEX #00698C

RGB 0 105 140

HSL 195, 1%, 0.27%

LAB 41.21, -12.26, -26.4

 

CMYK 100 / 28 / 0 / 53

HEX #005779

RGB 0 87 121

HSL 196.86, 1%, 0.24%

LAB 34.39, -9.03, -25.49

 

CMYK 77 / 19 / 0 / 24

HEX #2C9EC3

RGB 44 158 195

HSL 194.7, 0.63%, 0.47%

LAB 60.72, -18.59, -27.96

 

CMYK 77 / 40 / 0 / 24

HEX #2C75C3

RGB 44 117 195

HSL 210.99, 0.63%, 0.47%

LAB 48.51, 5.03, -47.13

 

CMYK 77 / 61 / 0 / 24

HEX #2C4CC3

RGB 44 76 195

HSL 227.28, 0.63%, 0.47%

LAB 37.2, 31.41, -65.39

 

CMYK 73 / 77 / 0 / 24

HEX #352CC3

RGB 53 44 195

HSL 243.58, 0.63%, 0.47%

LAB 30.64, 51.33, -76.16

 

CMYK 52 / 77 / 0 / 24

HEX #5E2CC3

RGB 94 44 195

HSL 259.87, 0.63%, 0.47%

LAB 34.23, 55.86, -70.11

 

CMYK 77 / 19 / 0 / 24

HEX #2C9EC3

RGB 44 158 195

HSL 194.7, 0.63%, 0.47%

LAB 60.72, -18.59, -27.96

 

CMYK 77 / 40 / 0 / 24

HEX #2C75C3

RGB 44 117 195

HSL 210.99, 0.63%, 0.47%

LAB 48.51, 5.03, -47.13

 

CMYK 77 / 61 / 0 / 24

HEX #2C4CC3

RGB 44 76 195

HSL 227.28, 0.63%, 0.47%

LAB 37.2, 31.41, -65.39

 

CMYK 77 / 77 / 0 / 24

HEX #2C2CC3

RGB 44 44 195

HSL 240, 0.63%, 0.47%

LAB 30.1, 50.65, -77.07

 

CMYK 77 / 19 / 0 / 24

HEX #2C9EC3

RGB 44 158 195

HSL 194.7, 0.63%, 0.47%

LAB 60.72, -18.59, -27.96

 

CMYK 88 / 22 / 0 / 16

HEX #19A7D7

RGB 25 167 215

HSL 195.16, 0.79%, 0.47%

LAB 63.96, -18.07, -34.11

 

CMYK 97 / 24 / 0 / 8

HEX #06B1EA

RGB 6 177 234

HSL 195, 0.95%, 0.47%

LAB 67.59, -17.45, -38.9

 

CMYK 77 / 19 / 0 / 24

HEX #2C9EC3

RGB 44 158 195

HSL 194.7, 0.63%, 0.47%

LAB 60.72, -18.59, -27.96

 

CMYK 64 / 16 / 0 / 31

HEX #4094B0

RGB 64 148 176

HSL 195, 0.47%, 0.47%

LAB 57.47, -16.62, -22.19

 

CMYK 47 / 12 / 0 / 38

HEX #538A9D

RGB 83 138 157

HSL 195.41, 0.31%, 0.47%

LAB 54.5, -12.86, -15.77

 

CMYK 25 / 6 / 0 / 46

HEX #678189

RGB 103 129 137

HSL 194.12, 0.14%, 0.47%

LAB 52.28, -7.38, -7.4

 

CMYK 0 / 2 / 3 / 52

HEX #7A7776

RGB 122 119 118

HSL 15, 0.02%, 0.47%

LAB 50.26, 0.95, 0.95

 

CMYK 77 / 0 / 22 / 24

HEX #2CC399

RGB 44 195 153

HSL 163.31, 0.63%, 0.47%

LAB 70.78, -48.21, 10.26

 

CMYK 77 / 0 / 1 / 24

HEX #2CC3C1

RGB 44 195 193

HSL 179.21, 0.63%, 0.47%

LAB 71.84, -37.5, -9.97

 

CMYK 77 / 19 / 0 / 24

HEX #2C9EC3

RGB 44 158 195

HSL 194.7, 0.63%, 0.47%

LAB 60.72, -18.59, -27.96

 

CMYK 77 / 40 / 0 / 24

HEX #2C75C3

RGB 44 117 195

HSL 210.99, 0.63%, 0.47%

LAB 48.51, 5.03, -47.13

 

CMYK 77 / 61 / 0 / 24

HEX #2C4DC3

RGB 44 77 195

HSL 226.89, 0.63%, 0.47%

LAB 37.45, 30.76, -64.98

 

CMYK 77 / 20 / 0 / 50

HEX #1D6780

RGB 29 103 128

HSL 195.15, 0.63%, 0.31%

LAB 40.44, -13.28, -20.32

 

CMYK 77 / 20 / 0 / 36

HEX #2582A2

RGB 37 130 162

HSL 195.36, 0.63%, 0.39%

LAB 50.65, -15.48, -24.7

 

CMYK 77 / 19 / 0 / 24

HEX #2C9EC3

RGB 44 158 195

HSL 194.7, 0.63%, 0.47%

LAB 60.72, -18.59, -27.96

 

CMYK 68 / 17 / 0 / 16

HEX #44B1D5

RGB 68 177 213

HSL 194.9, 0.63%, 0.55%

LAB 67.63, -19.62, -27.26

 

CMYK 54 / 13 / 0 / 14

HEX #66BFDC

RGB 102 191 220

HSL 194.75, 0.63%, 0.63%

LAB 73.06, -18.7, -22.68

 

CMYK 77 / 19 / 0 / 23

HEX #2D9FC5

RGB 45 159 197

HSL 195, 0.63%, 0.47%

LAB 61.12, -18.34, -28.46

 

CMYK 43 / 77 / 0 / 24

HEX #702CC3

RGB 112 44 195

HSL 267.02, 0.63%, 0.47%

LAB 36.34, 58.48, -66.57

 

CMYK 0 / 11 / 77 / 24

HEX #C3AD2C

RGB 195 173 44

HSL 51.26, 0.63%, 0.47%

LAB 70.64, -5.43, 64.15

 

CMYK 77 / 19 / 0 / 23

HEX #2D9FC5

RGB 45 159 197

HSL 195, 0.63%, 0.47%

LAB 61.12, -18.34, -28.46

 

CMYK 0 / 77 / 19 / 24

HEX #C32C9E

RGB 195 44 158

HSL 314.7, 0.63%, 0.47%

LAB 46.81, 68.11, -27.2

 

CMYK 19 / 0 / 77 / 24

HEX #9EC32C

RGB 158 195 44

HSL 74.7, 0.63%, 0.47%

LAB 73.86, -32.13, 66.04

 

CMYK 77 / 19 / 0 / 23

HEX #2D9FC5

RGB 45 159 197

HSL 195, 0.63%, 0.47%

LAB 61.12, -18.34, -28.46

 

CMYK 43 / 77 / 0 / 24

HEX #702CC3

RGB 112 44 195

HSL 267.02, 0.63%, 0.47%

LAB 36.34, 58.48, -66.57

 

CMYK 0 / 58 / 77 / 24

HEX #C3522C

RGB 195 82 44

HSL 15.1, 0.63%, 0.47%

LAB 49.28, 43.12, 43.64

 

CMYK 35 / 0 / 77 / 24

HEX #7FC32C

RGB 127 195 44

HSL 87.02, 0.63%, 0.47%

LAB 72.04, -43.97, 63.69

 

CMYK 77 / 19 / 0 / 23

HEX #2D9FC5

RGB 45 159 197

HSL 195, 0.63%, 0.47%

LAB 61.12, -18.34, -28.46

 

CMYK 19 / 77 / 0 / 24

HEX #9E2CC3

RGB 158 44 195

HSL 285.3, 0.63%, 0.47%

LAB 42.78, 66.37, -55.82

 

CMYK 0 / 58 / 77 / 24

HEX #C3522C

RGB 195 82 44

HSL 15.1, 0.63%, 0.47%

LAB 49.28, 43.12, 43.64

 

CMYK 58 / 0 / 77 / 24

HEX #52C32C

RGB 82 195 44

HSL 104.9, 0.63%, 0.47%

LAB 70.18, -57.87, 61.27

 

Description

Color code: HEX #2D9FC5 | qconv.com Color code: HEX #2D9FC5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 159 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 159 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 19 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 19% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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