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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D9FBE it is the complementary color #D26041. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D9FBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D9FBE shade: #329FB9, #43B1CC, #54C3DF, #65D5F2 and #76E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D9FBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D9FBE shade: #2D9FBE, #1C8DAB, #0B7B98, #006985 and #005772

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D9FBE shade: #2D9FBE, #2D78BE, #2D50BE, #302DBE and #572DBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D9FBE shade: #2D9FBE, #2D78BE, #2D50BE and #2D2DBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D9FBE shade matches the following richer shades: #2D9FBE, #1AAAD1 and #07B5E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D9FBE shade: #2D9FBE, #4094AB, #538998, #667E85 and #787372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D9FBE shade: #2DBE8E, #2DBEB4, #2DA1BE, #2D7ABE and #2D53BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D9FBE shade: #1D677B, #25839D, #2D9FBE, #41B3D3 and #63C1DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D9FBE shade: #2D9FBE, #672DBE and #BEA12D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D9FBE shade: #2D9FBE, #BE2DA1 and #A1BE2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D9FBE shade: #2D9FBE, #672DBE, #BE4A2D and #84BE2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D9FBE shade: #2D9FBE, #922DBE, #BE4A2D and #58BE2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 16 / 0 / 25

HEX #2D9FBE

RGB 45 159 190

HSL 192.83, 0.62%, 0.46%

LAB 60.85, -20.67, -24.96

 

Complementary color

CMYK 0 / 54 / 69 / 18

HEX #D26041

RGB 210 96 65

HSL 12.83, 0.62%, 0.54%

LAB 54.5, 42.92, 38.98

 

CMYK 73 / 14 / 0 / 27

HEX #329FB9

RGB 50 159 185

HSL 191.56, 0.57%, 0.46%

LAB 60.76, -21.7, -22.27

 

CMYK 67 / 13 / 0 / 20

HEX #43B1CC

RGB 67 177 204

HSL 191.82, 0.57%, 0.53%

LAB 67.27, -22.58, -22.85

 

CMYK 62 / 13 / 0 / 13

HEX #54C3DF

RGB 84 195 223

HSL 192.09, 0.68%, 0.6%

LAB 73.7, -23.25, -23.38

 

CMYK 58 / 12 / 0 / 5

HEX #65D5F2

RGB 101 213 242

HSL 192.34, 0.84%, 0.67%

LAB 80.05, -23.76, -23.87

 

CMYK 54 / 9 / 0 / 0

HEX #76E7FF

RGB 118 231 255

HSL 190.51, 1%, 0.73%

LAB 86.12, -25.8, -21.48

 

CMYK 76 / 16 / 0 / 25

HEX #2D9FBE

RGB 45 159 190

HSL 192.83, 0.62%, 0.46%

LAB 60.85, -20.67, -24.96

 

CMYK 84 / 18 / 0 / 33

HEX #1C8DAB

RGB 28 141 171

HSL 192.59, 0.72%, 0.39%

LAB 54.28, -19.26, -24.31

 

CMYK 93 / 19 / 0 / 40

HEX #0B7B98

RGB 11 123 152

HSL 192.34, 0.87%, 0.32%

LAB 47.63, -17.39, -23.56

 

CMYK 100 / 21 / 0 / 48

HEX #006985

RGB 0 105 133

HSL 192.63, 1%, 0.26%

LAB 40.89, -14.94, -22.69

 

CMYK 100 / 24 / 0 / 55

HEX #005772

RGB 0 87 114

HSL 194.21, 1%, 0.22%

LAB 34.05, -11.83, -21.68

 

CMYK 76 / 16 / 0 / 25

HEX #2D9FBE

RGB 45 159 190

HSL 192.83, 0.62%, 0.46%

LAB 60.85, -20.67, -24.96

 

CMYK 76 / 37 / 0 / 25

HEX #2D78BE

RGB 45 120 190

HSL 208.97, 0.62%, 0.46%

LAB 49.14, 1.45, -43.25

 

CMYK 76 / 58 / 0 / 25

HEX #2D50BE

RGB 45 80 190

HSL 225.52, 0.62%, 0.46%

LAB 37.87, 27.05, -61.38

 

CMYK 75 / 76 / 0 / 25

HEX #302DBE

RGB 48 45 190

HSL 241.24, 0.62%, 0.46%

LAB 29.97, 48.81, -74.34

 

CMYK 54 / 76 / 0 / 25

HEX #572DBE

RGB 87 45 190

HSL 257.38, 0.62%, 0.46%

LAB 33.18, 53.1, -68.93

 

CMYK 76 / 16 / 0 / 25

HEX #2D9FBE

RGB 45 159 190

HSL 192.83, 0.62%, 0.46%

LAB 60.85, -20.67, -24.96

 

CMYK 76 / 37 / 0 / 25

HEX #2D78BE

RGB 45 120 190

HSL 208.97, 0.62%, 0.46%

LAB 49.14, 1.45, -43.25

 

CMYK 76 / 58 / 0 / 25

HEX #2D50BE

RGB 45 80 190

HSL 225.52, 0.62%, 0.46%

LAB 37.87, 27.05, -61.38

 

CMYK 76 / 76 / 0 / 25

HEX #2D2DBE

RGB 45 45 190

HSL 240, 0.62%, 0.46%

LAB 29.79, 48.58, -74.63

 

CMYK 76 / 16 / 0 / 25

HEX #2D9FBE

RGB 45 159 190

HSL 192.83, 0.62%, 0.46%

LAB 60.85, -20.67, -24.96

 

CMYK 88 / 19 / 0 / 18

HEX #1AAAD1

RGB 26 170 209

HSL 192.79, 0.78%, 0.46%

LAB 64.62, -21.65, -29.76

 

CMYK 97 / 21 / 0 / 11

HEX #07B5E4

RGB 7 181 228

HSL 192.76, 0.94%, 0.46%

LAB 68.53, -21.61, -34.17

 

CMYK 76 / 16 / 0 / 25

HEX #2D9FBE

RGB 45 159 190

HSL 192.83, 0.62%, 0.46%

LAB 60.85, -20.67, -24.96

 

CMYK 63 / 13 / 0 / 33

HEX #4094AB

RGB 64 148 171

HSL 192.9, 0.46%, 0.46%

LAB 57.28, -18.19, -19.63

 

CMYK 45 / 10 / 0 / 40

HEX #538998

RGB 83 137 152

HSL 193.04, 0.29%, 0.46%

LAB 54.02, -13.74, -13.6

 

CMYK 23 / 5 / 0 / 48

HEX #667E85

RGB 102 126 133

HSL 193.55, 0.13%, 0.46%

LAB 51.2, -6.98, -6.67

 

CMYK 0 / 4 / 5 / 53

HEX #787372

RGB 120 115 114

HSL 10, 0.03%, 0.46%

LAB 48.85, 1.73, 1.23

 

CMYK 76 / 0 / 25 / 25

HEX #2DBE8E

RGB 45 190 142

HSL 160.14, 0.62%, 0.46%

LAB 69, -48.68, 13.71

 

CMYK 76 / 0 / 5 / 25

HEX #2DBEB4

RGB 45 190 180

HSL 175.86, 0.62%, 0.46%

LAB 69.95, -38.84, -5.67

 

CMYK 76 / 15 / 0 / 25

HEX #2DA1BE

RGB 45 161 190

HSL 192, 0.62%, 0.46%

LAB 61.45, -21.72, -24.03

 

CMYK 76 / 36 / 0 / 25

HEX #2D7ABE

RGB 45 122 190

HSL 208.14, 0.62%, 0.46%

LAB 49.73, 0.23, -42.31

 

CMYK 76 / 56 / 0 / 25

HEX #2D53BE

RGB 45 83 190

HSL 224.28, 0.62%, 0.46%

LAB 38.66, 25.08, -60.09

 

CMYK 76 / 16 / 0 / 52

HEX #1D677B

RGB 29 103 123

HSL 192.77, 0.62%, 0.3%

LAB 40.23, -15.06, -17.61

 

CMYK 76 / 17 / 0 / 38

HEX #25839D

RGB 37 131 157

HSL 193, 0.62%, 0.38%

LAB 50.76, -17.76, -21.63

 

CMYK 76 / 16 / 0 / 25

HEX #2D9FBE

RGB 45 159 190

HSL 192.83, 0.62%, 0.46%

LAB 60.85, -20.67, -24.96

 

CMYK 69 / 15 / 0 / 17

HEX #41B3D3

RGB 65 179 211

HSL 193.15, 0.62%, 0.54%

LAB 68.07, -21.72, -25.49

 

CMYK 55 / 11 / 0 / 15

HEX #63C1DA

RGB 99 193 218

HSL 192.61, 0.62%, 0.62%

LAB 73.45, -20.91, -21.01

 

CMYK 76 / 16 / 0 / 25

HEX #2D9FBE

RGB 45 159 190

HSL 192.83, 0.62%, 0.46%

LAB 60.85, -20.67, -24.96

 

CMYK 46 / 76 / 0 / 25

HEX #672DBE

RGB 103 45 190

HSL 264, 0.62%, 0.46%

LAB 34.96, 55.42, -65.94

 

CMYK 0 / 15 / 76 / 25

HEX #BEA12D

RGB 190 161 45

HSL 48, 0.62%, 0.46%

LAB 67, -1.23, 60.26

 

CMYK 76 / 16 / 0 / 25

HEX #2D9FBE

RGB 45 159 190

HSL 192.83, 0.62%, 0.46%

LAB 60.85, -20.67, -24.96

 

CMYK 0 / 76 / 15 / 25

HEX #BE2DA1

RGB 190 45 161

HSL 312, 0.62%, 0.46%

LAB 46.17, 67.09, -30.05

 

CMYK 15 / 0 / 76 / 25

HEX #A1BE2D

RGB 161 190 45

HSL 72, 0.62%, 0.46%

LAB 72.62, -28.51, 64.66

 

CMYK 76 / 16 / 0 / 25

HEX #2D9FBE

RGB 45 159 190

HSL 192.83, 0.62%, 0.46%

LAB 60.85, -20.67, -24.96

 

CMYK 46 / 76 / 0 / 25

HEX #672DBE

RGB 103 45 190

HSL 264, 0.62%, 0.46%

LAB 34.96, 55.42, -65.94

 

CMYK 0 / 61 / 76 / 25

HEX #BE4A2D

RGB 190 74 45

HSL 12, 0.62%, 0.46%

LAB 47.02, 45.09, 40.52

 

CMYK 31 / 0 / 76 / 25

HEX #84BE2D

RGB 132 190 45

HSL 84, 0.62%, 0.46%

LAB 70.82, -39.93, 62.31

 

CMYK 76 / 16 / 0 / 25

HEX #2D9FBE

RGB 45 159 190

HSL 192.83, 0.62%, 0.46%

LAB 60.85, -20.67, -24.96

 

CMYK 23 / 76 / 0 / 25

HEX #922DBE

RGB 146 45 190

HSL 281.79, 0.62%, 0.46%

LAB 40.74, 62.81, -56.27

 

CMYK 0 / 61 / 76 / 25

HEX #BE4A2D

RGB 190 74 45

HSL 12, 0.62%, 0.46%

LAB 47.02, 45.09, 40.52

 

CMYK 54 / 0 / 76 / 25

HEX #58BE2D

RGB 88 190 45

HSL 102.21, 0.62%, 0.46%

LAB 68.82, -54.41, 59.7

 

Description

Color code: HEX #2D9FBE | qconv.com Color code: HEX #2D9FBE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 159 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 159 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 16 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 16% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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