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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D9D4C it is the complementary color #D262B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D9D4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D9D4C shade: #329D47, #43AF5A, #54C16D, #65D380 and #76E593

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D9D4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D9D4C shade: #2D9D4C, #1C8B39, #0B7926, #006713 and #005500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D9D4C shade: #2E9E4D, #2E9E2F, #4B9E2E, #6A9E2E and #889E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D9D4C shade: #2E9E4D, #2E9E6B, #2E9E89, #2E949E and #2E769E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D9D4C shade matches the following richer shades: #2E9E4D, #1DAF46 and #0DBF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D9D4C shade: #2E9E4D, #3E8E54, #4F7D5C, #5F6D63 and #705C6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D9D4C shade: #4C9E2E, #2E9E2E, #2E9E4C, #2E9E6A and #2E9E88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D9D4C shade: #1B5E2E, #257E3D, #2E9E4D, #37BE5D and #52CD74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D9D4C shade: #2D9D4C, #2E6A9E and #9E2E3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D9D4C shade: #2D9D4C, #4C2E9E and #9E4C2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D9D4C shade: #2D9D4C, #2E6A9E, #9E2E80 and #9E622E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D9D4C shade: #2D9D4C, #2E489E, #9E2E80 and #9E842E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 52 / 38

HEX #2D9D4C

RGB 45 157 76

HSL 136.61, 0.55%, 0.4%

LAB 57.26, -48.97, 33.34

 

Complementary color

CMYK 0 / 53 / 15 / 18

HEX #D262B3

RGB 210 98 179

HSL 316.61, 0.55%, 0.6%

LAB 57.74, 53.95, -22.43

 

CMYK 68 / 0 / 55 / 38

HEX #329D47

RGB 50 157 71

HSL 131.78, 0.52%, 0.41%

LAB 57.32, -48.79, 35.96

 

CMYK 62 / 0 / 49 / 31

HEX #43AF5A

RGB 67 175 90

HSL 132.78, 0.45%, 0.47%

LAB 63.83, -49.24, 34.49

 

CMYK 56 / 0 / 44 / 24

HEX #54C16D

RGB 84 193 109

HSL 133.76, 0.47%, 0.54%

LAB 70.27, -49.41, 33.07

 

CMYK 52 / 0 / 39 / 17

HEX #65D380

RGB 101 211 128

HSL 134.73, 0.56%, 0.61%

LAB 76.63, -49.41, 31.72

 

CMYK 48 / 0 / 36 / 10

HEX #76E593

RGB 118 229 147

HSL 135.68, 0.68%, 0.68%

LAB 82.91, -49.3, 30.44

 

CMYK 71 / 0 / 52 / 38

HEX #2D9D4C

RGB 45 157 76

HSL 136.61, 0.55%, 0.4%

LAB 57.26, -48.97, 33.34

 

CMYK 80 / 0 / 59 / 45

HEX #1C8B39

RGB 28 139 57

HSL 135.68, 0.66%, 0.33%

LAB 50.7, -47.95, 34.92

 

CMYK 91 / 0 / 69 / 53

HEX #0B7926

RGB 11 121 38

HSL 134.73, 0.83%, 0.26%

LAB 44.07, -46.14, 36.38

 

CMYK 100 / 0 / 82 / 60

HEX #006713

RGB 0 103 19

HSL 131.07, 1%, 0.2%

LAB 37.39, -43.17, 37.28

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 71 / 0 / 51 / 38

HEX #2E9E4D

RGB 46 158 77

HSL 136.61, 0.55%, 0.4%

LAB 57.63, -49.01, 33.28

 

CMYK 71 / 0 / 70 / 38

HEX #2E9E2F

RGB 46 158 47

HSL 120.54, 0.55%, 0.4%

LAB 57.31, -52.77, 46.93

 

CMYK 53 / 0 / 71 / 38

HEX #4B9E2E

RGB 75 158 46

HSL 104.46, 0.55%, 0.4%

LAB 58.18, -45.84, 48.51

 

CMYK 33 / 0 / 71 / 38

HEX #6A9E2E

RGB 106 158 46

HSL 87.86, 0.55%, 0.4%

LAB 59.63, -35.37, 50.47

 

CMYK 14 / 0 / 71 / 38

HEX #889E2E

RGB 136 158 46

HSL 71.79, 0.55%, 0.4%

LAB 61.56, -23.28, 53.04

 

CMYK 71 / 0 / 51 / 38

HEX #2E9E4D

RGB 46 158 77

HSL 136.61, 0.55%, 0.4%

LAB 57.63, -49.01, 33.28

 

CMYK 71 / 0 / 32 / 38

HEX #2E9E6B

RGB 46 158 107

HSL 152.68, 0.55%, 0.4%

LAB 58.13, -43.4, 17.83

 

CMYK 71 / 0 / 13 / 38

HEX #2E9E89

RGB 46 158 137

HSL 168.75, 0.55%, 0.4%

LAB 58.83, -36.1, 1.97

 

CMYK 71 / 6 / 0 / 38

HEX #2E949E

RGB 46 148 158

HSL 185.36, 0.55%, 0.4%

LAB 56.32, -25.17, -13.72

 

CMYK 71 / 25 / 0 / 38

HEX #2E769E

RGB 46 118 158

HSL 201.43, 0.55%, 0.4%

LAB 46.98, -8.83, -28.03

 

CMYK 71 / 0 / 51 / 38

HEX #2E9E4D

RGB 46 158 77

HSL 136.61, 0.55%, 0.4%

LAB 57.63, -49.01, 33.28

 

CMYK 83 / 0 / 60 / 31

HEX #1DAF46

RGB 29 175 70

HSL 136.85, 0.72%, 0.4%

LAB 62.81, -58.32, 42.86

 

CMYK 93 / 0 / 68 / 25

HEX #0DBF3E

RGB 13 191 62

HSL 136.52, 0.87%, 0.4%

LAB 67.8, -65.45, 51.9

 

CMYK 71 / 0 / 51 / 38

HEX #2E9E4D

RGB 46 158 77

HSL 136.61, 0.55%, 0.4%

LAB 57.63, -49.01, 33.28

 

CMYK 56 / 0 / 41 / 44

HEX #3E8E54

RGB 62 142 84

HSL 136.5, 0.39%, 0.4%

LAB 52.96, -37.92, 23.7

 

CMYK 37 / 0 / 26 / 51

HEX #4F7D5C

RGB 79 125 92

HSL 136.96, 0.23%, 0.4%

LAB 48.39, -23.34, 13.12

 

CMYK 13 / 0 / 9 / 57

HEX #5F6D63

RGB 95 109 99

HSL 137.14, 0.07%, 0.4%

LAB 44.62, -7.43, 3.8

 

CMYK 0 / 18 / 5 / 56

HEX #705C6A

RGB 112 92 106

HSL 318, 0.1%, 0.4%

LAB 41.44, 10.77, -4.92

 

CMYK 52 / 0 / 71 / 38

HEX #4C9E2E

RGB 76 158 46

HSL 103.93, 0.55%, 0.4%

LAB 58.21, -45.55, 48.56

 

CMYK 71 / 0 / 71 / 38

HEX #2E9E2E

RGB 46 158 46

HSL 120, 0.55%, 0.4%

LAB 57.3, -52.86, 47.32

 

CMYK 71 / 0 / 52 / 38

HEX #2E9E4C

RGB 46 158 76

HSL 136.07, 0.55%, 0.4%

LAB 57.61, -49.17, 33.78

 

CMYK 71 / 0 / 33 / 38

HEX #2E9E6A

RGB 46 158 106

HSL 152.14, 0.55%, 0.4%

LAB 58.11, -43.61, 18.36

 

CMYK 71 / 0 / 14 / 38

HEX #2E9E88

RGB 46 158 136

HSL 168.21, 0.55%, 0.4%

LAB 58.8, -36.36, 2.5

 

CMYK 71 / 0 / 51 / 63

HEX #1B5E2E

RGB 27 94 46

HSL 137.01, 0.55%, 0.24%

LAB 34.87, -32.59, 21.49

 

CMYK 71 / 0 / 52 / 51

HEX #257E3D

RGB 37 126 61

HSL 136.18, 0.55%, 0.32%

LAB 46.51, -41.01, 27.82

 

CMYK 71 / 0 / 51 / 38

HEX #2E9E4D

RGB 46 158 77

HSL 136.61, 0.55%, 0.4%

LAB 57.63, -49.01, 33.28

 

CMYK 71 / 0 / 51 / 25

HEX #37BE5D

RGB 55 190 93

HSL 136.89, 0.55%, 0.48%

LAB 68.34, -56.69, 38.53

 

CMYK 60 / 0 / 43 / 20

HEX #52CD74

RGB 82 205 116

HSL 136.59, 0.55%, 0.56%

LAB 74.01, -53.45, 34.31

 

CMYK 71 / 0 / 52 / 38

HEX #2D9D4C

RGB 45 157 76

HSL 136.61, 0.55%, 0.4%

LAB 57.26, -48.97, 33.34

 

CMYK 71 / 33 / 0 / 38

HEX #2E6A9E

RGB 46 106 158

HSL 207.86, 0.55%, 0.4%

LAB 43.3, -1.65, -33.81

 

CMYK 0 / 71 / 61 / 38

HEX #9E2E3D

RGB 158 46 61

HSL 351.96, 0.55%, 0.4%

LAB 37.04, 46.99, 17.87

 

CMYK 71 / 0 / 52 / 38

HEX #2D9D4C

RGB 45 157 76

HSL 136.61, 0.55%, 0.4%

LAB 57.26, -48.97, 33.34

 

CMYK 52 / 71 / 0 / 38

HEX #4C2E9E

RGB 76 46 158

HSL 256.07, 0.55%, 0.4%

LAB 29.31, 41.76, -56.18

 

CMYK 0 / 52 / 71 / 38

HEX #9E4C2E

RGB 158 76 46

HSL 16.07, 0.55%, 0.4%

LAB 42.21, 31.8, 33.22

 

CMYK 71 / 0 / 52 / 38

HEX #2D9D4C

RGB 45 157 76

HSL 136.61, 0.55%, 0.4%

LAB 57.26, -48.97, 33.34

 

CMYK 71 / 33 / 0 / 38

HEX #2E6A9E

RGB 46 106 158

HSL 207.86, 0.55%, 0.4%

LAB 43.3, -1.65, -33.81

 

CMYK 0 / 71 / 19 / 38

HEX #9E2E80

RGB 158 46 128

HSL 316.07, 0.55%, 0.4%

LAB 39.21, 54.24, -21.28

 

CMYK 0 / 38 / 71 / 38

HEX #9E622E

RGB 158 98 46

HSL 27.86, 0.55%, 0.4%

LAB 47.24, 19.58, 38.81

 

CMYK 71 / 0 / 52 / 38

HEX #2D9D4C

RGB 45 157 76

HSL 136.61, 0.55%, 0.4%

LAB 57.26, -48.97, 33.34

 

CMYK 71 / 54 / 0 / 38

HEX #2E489E

RGB 46 72 158

HSL 226.07, 0.55%, 0.4%

LAB 33.32, 20.41, -49.75

 

CMYK 0 / 71 / 19 / 38

HEX #9E2E80

RGB 158 46 128

HSL 316.07, 0.55%, 0.4%

LAB 39.21, 54.24, -21.28

 

CMYK 0 / 16 / 71 / 38

HEX #9E842E

RGB 158 132 46

HSL 46.07, 0.55%, 0.4%

LAB 56.06, 0.29, 48.1

 

Description

Color code: HEX #2D9D4C | qconv.com Color code: HEX #2D9D4C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 157 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 157 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 52 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 52% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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