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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D9AF7 it is the complementary color #D26508. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D9AF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D9AF7 shade: #329AF2, #43ACFF, #54BEFF, #65D0FF and #76E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D9AF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D9AF7 shade: #2D9AF7, #1C88E4, #0B76D1, #0064BE and #0052AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D9AF7 shade: #2B99F7, #2B62F7, #2B2BF7, #622BF7 and #992BF7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D9AF7 shade: #2B99F7, #2B62F7, #2B2BF7 and #2B2BF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D9AF7 shade matches the following richer shades: #2B99F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D9AF7 shade: #2B99F7, #3D98E5, #4E96D3, #6095C2 and #7293B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D9AF7 shade: #2BF7E6, #2BD1F7, #2B9BF7, #2B65F7 and #2B2EF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D9AF7 shade: #076FC8, #0885F0, #2B99F7, #53ACF8 and #7BBFFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D9AF7 shade: #2D9AF7, #AF2BF7 and #EDF72B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D9AF7 shade: #2D9AF7, #F72B9B and #9BF72B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D9AF7 shade: #2D9AF7, #AF2BF7, #F7872B and #72F72B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D9AF7 shade: #2D9AF7, #ED2BF7, #F7872B and #35F72B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 38 / 0 / 3

HEX #2D9AF7

RGB 45 154 247

HSL 207.62, 0.93%, 0.57%

LAB 61.98, 2.11, -54.83

 

Complementary color

CMYK 0 / 52 / 96 / 18

HEX #D26508

RGB 210 101 8

HSL 27.62, 0.93%, 0.43%

LAB 55.1, 38.73, 62.01

 

CMYK 79 / 36 / 0 / 5

HEX #329AF2

RGB 50 154 242

HSL 207.5, 0.88%, 0.57%

LAB 61.83, 0.75, -52.33

 

CMYK 74 / 33 / 0 / 0

HEX #43ACFF

RGB 67 172 255

HSL 206.49, 1%, 0.63%

LAB 67.96, -3.12, -49.7

 

CMYK 67 / 25 / 0 / 0

HEX #54BEFF

RGB 84 190 255

HSL 202.81, 1%, 0.66%

LAB 73.5, -10.71, -40.97

 

CMYK 60 / 18 / 0 / 0

HEX #65D0FF

RGB 101 208 255

HSL 198.31, 1%, 0.7%

LAB 79.1, -17.42, -32.25

 

CMYK 54 / 11 / 0 / 0

HEX #76E2FF

RGB 118 226 255

HSL 192.7, 1%, 0.73%

LAB 84.72, -23.34, -23.6

 

CMYK 82 / 38 / 0 / 3

HEX #2D9AF7

RGB 45 154 247

HSL 207.62, 0.93%, 0.57%

LAB 61.98, 2.11, -54.83

 

CMYK 88 / 40 / 0 / 11

HEX #1C88E4

RGB 28 136 228

HSL 207.6, 0.79%, 0.5%

LAB 55.54, 4.51, -54.61

 

CMYK 95 / 44 / 0 / 18

HEX #0B76D1

RGB 11 118 209

HSL 207.58, 0.9%, 0.43%

LAB 49.05, 7.42, -54.31

 

CMYK 100 / 47 / 0 / 25

HEX #0064BE

RGB 0 100 190

HSL 208.42, 1%, 0.37%

LAB 42.51, 10.93, -53.9

 

CMYK 100 / 52 / 0 / 33

HEX #0052AB

RGB 0 82 171

HSL 211.23, 1%, 0.34%

LAB 35.94, 15.04, -53.35

 

CMYK 83 / 38 / 0 / 3

HEX #2B99F7

RGB 43 153 247

HSL 207.65, 0.93%, 0.57%

LAB 61.66, 2.53, -55.35

 

CMYK 83 / 60 / 0 / 3

HEX #2B62F7

RGB 43 98 247

HSL 223.82, 0.93%, 0.57%

LAB 46.93, 36.46, -79.14

 

CMYK 83 / 83 / 0 / 3

HEX #2B2BF7

RGB 43 43 247

HSL 240, 0.93%, 0.57%

LAB 35.9, 66.83, -97.33

 

CMYK 60 / 83 / 0 / 3

HEX #622BF7

RGB 98 43 247

HSL 256.18, 0.93%, 0.57%

LAB 39.65, 70.31, -91.01

 

CMYK 38 / 83 / 0 / 3

HEX #992BF7

RGB 153 43 247

HSL 272.35, 0.93%, 0.57%

LAB 45.93, 76.46, -80.44

 

CMYK 83 / 38 / 0 / 3

HEX #2B99F7

RGB 43 153 247

HSL 207.65, 0.93%, 0.57%

LAB 61.66, 2.53, -55.35

 

CMYK 83 / 60 / 0 / 3

HEX #2B62F7

RGB 43 98 247

HSL 223.82, 0.93%, 0.57%

LAB 46.93, 36.46, -79.14

 

CMYK 83 / 83 / 0 / 3

HEX #2B2BF7

RGB 43 43 247

HSL 240, 0.93%, 0.57%

LAB 35.9, 66.83, -97.33

 

CMYK 83 / 83 / 0 / 3

HEX #2B2BF7

RGB 43 43 247

HSL 240, 0.93%, 0.57%

LAB 35.9, 66.83, -97.33

 

CMYK 83 / 38 / 0 / 3

HEX #2B99F7

RGB 43 153 247

HSL 207.65, 0.93%, 0.57%

LAB 61.66, 2.53, -55.35

 

CMYK 83 / 38 / 0 / 3

HEX #2B99F7

RGB 43 153 247

HSL 207.65, 0.93%, 0.57%

LAB 61.66, 2.53, -55.35

 

CMYK 73 / 34 / 0 / 10

HEX #3D98E5

RGB 61 152 229

HSL 207.5, 0.76%, 0.57%

LAB 60.87, -1.48, -46.65

 

CMYK 63 / 29 / 0 / 17

HEX #4E96D3

RGB 78 150 211

HSL 207.52, 0.6%, 0.57%

LAB 60.01, -3.87, -37.95

 

CMYK 51 / 23 / 0 / 24

HEX #6095C2

RGB 96 149 194

HSL 207.55, 0.45%, 0.57%

LAB 59.78, -4.95, -28.71

 

CMYK 35 / 16 / 0 / 31

HEX #7293B0

RGB 114 147 176

HSL 208.06, 0.28%, 0.57%

LAB 59.51, -4.21, -18.87

 

CMYK 83 / 0 / 7 / 3

HEX #2BF7E6

RGB 43 247 230

HSL 175, 0.93%, 0.57%

LAB 88.33, -50.03, -5.25

 

CMYK 83 / 15 / 0 / 3

HEX #2BD1F7

RGB 43 209 247

HSL 191.18, 0.93%, 0.57%

LAB 77.77, -27.69, -30.13

 

CMYK 83 / 37 / 0 / 3

HEX #2B9BF7

RGB 43 155 247

HSL 207.06, 0.93%, 0.57%

LAB 62.23, 1.36, -54.45

 

CMYK 83 / 59 / 0 / 3

HEX #2B65F7

RGB 43 101 247

HSL 222.94, 0.93%, 0.57%

LAB 47.67, 34.58, -77.92

 

CMYK 83 / 81 / 0 / 3

HEX #2B2EF7

RGB 43 46 247

HSL 239.12, 0.93%, 0.57%

LAB 36.33, 65.55, -96.61

 

CMYK 97 / 45 / 0 / 22

HEX #076FC8

RGB 7 111 200

HSL 207.67, 0.93%, 0.41%

LAB 46.42, 8.14, -53.37

 

CMYK 97 / 45 / 0 / 6

HEX #0885F0

RGB 8 133 240

HSL 207.67, 0.94%, 0.49%

LAB 55.19, 10.1, -61.86

 

CMYK 83 / 38 / 0 / 3

HEX #2B99F7

RGB 43 153 247

HSL 207.65, 0.93%, 0.57%

LAB 61.66, 2.53, -55.35

 

CMYK 67 / 31 / 0 / 3

HEX #53ACF8

RGB 83 172 248

HSL 207.64, 0.92%, 0.65%

LAB 68.11, -3.26, -45.63

 

CMYK 51 / 24 / 0 / 2

HEX #7BBFFA

RGB 123 191 250

HSL 207.87, 0.93%, 0.73%

LAB 75.06, -5.55, -35.74

 

CMYK 82 / 38 / 0 / 3

HEX #2D9AF7

RGB 45 154 247

HSL 207.62, 0.93%, 0.57%

LAB 61.98, 2.11, -54.83

 

CMYK 29 / 83 / 0 / 3

HEX #AF2BF7

RGB 175 43 247

HSL 278.82, 0.93%, 0.57%

LAB 48.95, 79.53, -75.37

 

CMYK 4 / 0 / 83 / 3

HEX #EDF72B

RGB 237 247 43

HSL 62.94, 0.93%, 0.57%

LAB 93.75, -24.53, 85.9

 

CMYK 82 / 38 / 0 / 3

HEX #2D9AF7

RGB 45 154 247

HSL 207.62, 0.93%, 0.57%

LAB 61.98, 2.11, -54.83

 

CMYK 0 / 83 / 37 / 3

HEX #F72B9B

RGB 247 43 155

HSL 327.06, 0.93%, 0.57%

LAB 55.96, 79.94, -10.6

 

CMYK 37 / 0 / 83 / 3

HEX #9BF72B

RGB 155 247 43

HSL 87.06, 0.93%, 0.57%

LAB 88.76, -55.58, 79.64

 

CMYK 82 / 38 / 0 / 3

HEX #2D9AF7

RGB 45 154 247

HSL 207.62, 0.93%, 0.57%

LAB 61.98, 2.11, -54.83

 

CMYK 29 / 83 / 0 / 3

HEX #AF2BF7

RGB 175 43 247

HSL 278.82, 0.93%, 0.57%

LAB 48.95, 79.53, -75.37

 

CMYK 0 / 45 / 83 / 3

HEX #F7872B

RGB 247 135 43

HSL 27.06, 0.93%, 0.57%

LAB 67.48, 36.82, 63.9

 

CMYK 54 / 0 / 83 / 3

HEX #72F72B

RGB 114 247 43

HSL 99.12, 0.93%, 0.57%

LAB 87.13, -67.86, 77.57

 

CMYK 82 / 38 / 0 / 3

HEX #2D9AF7

RGB 45 154 247

HSL 207.62, 0.93%, 0.57%

LAB 61.98, 2.11, -54.83

 

CMYK 4 / 83 / 0 / 3

HEX #ED2BF7

RGB 237 43 247

HSL 297.06, 0.93%, 0.57%

LAB 58.46, 89.5, -59.55

 

CMYK 0 / 45 / 83 / 3

HEX #F7872B

RGB 247 135 43

HSL 27.06, 0.93%, 0.57%

LAB 67.48, 36.82, 63.9

 

CMYK 79 / 0 / 83 / 3

HEX #35F72B

RGB 53 247 43

HSL 117.06, 0.93%, 0.57%

LAB 85.73, -79.56, 75.79

 

Description

Color code: HEX #2D9AF7 | qconv.com Color code: HEX #2D9AF7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 154 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 154 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 38 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 38% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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