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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D9AE3 it is the complementary color #D2651C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D9AE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D9AE3 shade: #329ADE, #43ACF1, #54BEFF, #65D0FF and #76E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D9AE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D9AE3 shade: #2D9AE3, #1C88D0, #0B76BD, #0064AA and #005297

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D9AE3 shade: #2C99E2, #2C68E2, #2C36E2, #522CE2 and #832CE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D9AE3 shade: #2C99E2, #2C68E2, #2C36E2 and #2C2CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D9AE3 shade matches the following richer shades: #2C99E2 and #189CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D9AE3 shade: #2C99E2, #3F95CE, #5291BB, #668DA8 and #798994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D9AE3 shade: #2CE2C9, #2CC9E2, #2C99E2, #2C68E2 and #2C38E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D9AE3 shade: #166BA5, #1B83C9, #2C99E2, #50AAE7 and #74BCEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D9AE3 shade: #2D9AE3, #992CE2 and #E2E22C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D9AE3 shade: #2D9AE3, #E22C99 and #99E22C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D9AE3 shade: #2D9AE3, #992CE2, #E2742C and #74E22C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D9AE3 shade: #2D9AE3, #D02CE2, #E2742C and #3EE22C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 32 / 0 / 11

HEX #2D9AE3

RGB 45 154 227

HSL 204.07, 0.76%, 0.53%

LAB 60.97, -5.12, -45.41

 

Complementary color

CMYK 0 / 52 / 87 / 18

HEX #D2651C

RGB 210 101 28

HSL 24.07, 0.76%, 0.47%

LAB 55.17, 39.04, 56.78

 

CMYK 77 / 31 / 0 / 13

HEX #329ADE

RGB 50 154 222

HSL 203.72, 0.72%, 0.53%

LAB 60.84, -6.39, -42.84

 

CMYK 72 / 29 / 0 / 5

HEX #43ACF1

RGB 67 172 241

HSL 203.79, 0.86%, 0.6%

LAB 67.31, -7.89, -43.1

 

CMYK 67 / 25 / 0 / 0

HEX #54BEFF

RGB 84 190 255

HSL 202.81, 1%, 0.66%

LAB 73.5, -10.71, -40.97

 

CMYK 60 / 18 / 0 / 0

HEX #65D0FF

RGB 101 208 255

HSL 198.31, 1%, 0.7%

LAB 79.1, -17.42, -32.25

 

CMYK 54 / 11 / 0 / 0

HEX #76E2FF

RGB 118 226 255

HSL 192.7, 1%, 0.73%

LAB 84.72, -23.34, -23.6

 

CMYK 80 / 32 / 0 / 11

HEX #2D9AE3

RGB 45 154 227

HSL 204.07, 0.76%, 0.53%

LAB 60.97, -5.12, -45.41

 

CMYK 87 / 35 / 0 / 18

HEX #1C88D0

RGB 28 136 208

HSL 204, 0.76%, 0.46%

LAB 54.46, -3.03, -45.1

 

CMYK 94 / 38 / 0 / 26

HEX #0B76BD

RGB 11 118 189

HSL 203.93, 0.89%, 0.39%

LAB 47.88, -0.42, -44.71

 

CMYK 100 / 41 / 0 / 33

HEX #0064AA

RGB 0 100 170

HSL 204.71, 1%, 0.33%

LAB 41.24, 2.79, -44.22

 

CMYK 100 / 46 / 0 / 41

HEX #005297

RGB 0 82 151

HSL 207.42, 1%, 0.3%

LAB 34.54, 6.67, -43.62

 

CMYK 81 / 32 / 0 / 11

HEX #2C99E2

RGB 44 153 226

HSL 204.07, 0.76%, 0.53%

LAB 60.61, -5, -45.42

 

CMYK 81 / 54 / 0 / 11

HEX #2C68E2

RGB 44 104 226

HSL 220.22, 0.76%, 0.53%

LAB 46.88, 24.95, -67.42

 

CMYK 81 / 76 / 0 / 11

HEX #2C36E2

RGB 44 54 226

HSL 236.7, 0.76%, 0.53%

LAB 35.33, 55.31, -86.37

 

CMYK 64 / 81 / 0 / 11

HEX #522CE2

RGB 82 44 226

HSL 252.53, 0.76%, 0.53%

LAB 36.15, 62.92, -84.93

 

CMYK 42 / 81 / 0 / 11

HEX #832CE2

RGB 131 44 226

HSL 268.68, 0.76%, 0.53%

LAB 41.4, 68.55, -76.1

 

CMYK 81 / 32 / 0 / 11

HEX #2C99E2

RGB 44 153 226

HSL 204.07, 0.76%, 0.53%

LAB 60.61, -5, -45.42

 

CMYK 81 / 54 / 0 / 11

HEX #2C68E2

RGB 44 104 226

HSL 220.22, 0.76%, 0.53%

LAB 46.88, 24.95, -67.42

 

CMYK 81 / 76 / 0 / 11

HEX #2C36E2

RGB 44 54 226

HSL 236.7, 0.76%, 0.53%

LAB 35.33, 55.31, -86.37

 

CMYK 81 / 81 / 0 / 11

HEX #2C2CE2

RGB 44 44 226

HSL 240, 0.76%, 0.53%

LAB 33.62, 60.26, -89.2

 

CMYK 81 / 32 / 0 / 11

HEX #2C99E2

RGB 44 153 226

HSL 204.07, 0.76%, 0.53%

LAB 60.61, -5, -45.42

 

CMYK 90 / 36 / 0 / 4

HEX #189CF5

RGB 24 156 245

HSL 204.16, 0.92%, 0.53%

LAB 62.14, -1.18, -53.51

 

CMYK 81 / 32 / 0 / 11

HEX #2C99E2

RGB 44 153 226

HSL 204.07, 0.76%, 0.53%

LAB 60.61, -5, -45.42

 

CMYK 69 / 28 / 0 / 19

HEX #3F95CE

RGB 63 149 206

HSL 203.92, 0.59%, 0.53%

LAB 58.98, -7.44, -36.8

 

CMYK 56 / 22 / 0 / 27

HEX #5291BB

RGB 82 145 187

HSL 204, 0.44%, 0.53%

LAB 57.69, -7.97, -28.04

 

CMYK 39 / 16 / 0 / 34

HEX #668DA8

RGB 102 141 168

HSL 204.55, 0.28%, 0.53%

LAB 56.78, -6.39, -18.52

 

CMYK 18 / 7 / 0 / 42

HEX #798994

RGB 121 137 148

HSL 204.44, 0.11%, 0.53%

LAB 56.18, -3.32, -7.82

 

CMYK 81 / 0 / 11 / 11

HEX #2CE2C9

RGB 44 226 201

HSL 171.76, 0.76%, 0.53%

LAB 81.37, -48.87, -0.2

 

CMYK 81 / 11 / 0 / 11

HEX #2CC9E2

RGB 44 201 226

HSL 188.24, 0.76%, 0.53%

LAB 74.7, -30.34, -23.57

 

CMYK 81 / 32 / 0 / 11

HEX #2C99E2

RGB 44 153 226

HSL 204.07, 0.76%, 0.53%

LAB 60.61, -5, -45.42

 

CMYK 81 / 54 / 0 / 11

HEX #2C68E2

RGB 44 104 226

HSL 220.22, 0.76%, 0.53%

LAB 46.88, 24.95, -67.42

 

CMYK 81 / 75 / 0 / 11

HEX #2C38E2

RGB 44 56 226

HSL 236.04, 0.76%, 0.53%

LAB 35.7, 54.25, -85.75

 

CMYK 87 / 35 / 0 / 35

HEX #166BA5

RGB 22 107 165

HSL 204.34, 0.76%, 0.37%

LAB 43.36, -2.42, -37.88

 

CMYK 87 / 35 / 0 / 21

HEX #1B83C9

RGB 27 131 201

HSL 204.14, 0.76%, 0.45%

LAB 52.6, -2.77, -44.08

 

CMYK 81 / 32 / 0 / 11

HEX #2C99E2

RGB 44 153 226

HSL 204.07, 0.76%, 0.53%

LAB 60.61, -5, -45.42

 

CMYK 65 / 26 / 0 / 9

HEX #50AAE7

RGB 80 170 231

HSL 204.24, 0.76%, 0.61%

LAB 66.69, -8.21, -38.57

 

CMYK 51 / 20 / 0 / 7

HEX #74BCEC

RGB 116 188 236

HSL 204, 0.76%, 0.69%

LAB 73.37, -9.52, -30.82

 

CMYK 80 / 32 / 0 / 11

HEX #2D9AE3

RGB 45 154 227

HSL 204.07, 0.76%, 0.53%

LAB 60.97, -5.12, -45.41

 

CMYK 32 / 81 / 0 / 11

HEX #992CE2

RGB 153 44 226

HSL 275.93, 0.76%, 0.53%

LAB 44.33, 71.74, -71.2

 

CMYK 0 / 0 / 81 / 11

HEX #E2E22C

RGB 226 226 44

HSL 60, 0.76%, 0.53%

LAB 87.36, -18.96, 79.91

 

CMYK 80 / 32 / 0 / 11

HEX #2D9AE3

RGB 45 154 227

HSL 204.07, 0.76%, 0.53%

LAB 60.97, -5.12, -45.41

 

CMYK 0 / 81 / 32 / 11

HEX #E22C99

RGB 226 44 153

HSL 324.07, 0.76%, 0.53%

LAB 52.14, 74.68, -15.55

 

CMYK 32 / 0 / 81 / 11

HEX #99E22C

RGB 153 226 44

HSL 84.07, 0.76%, 0.53%

LAB 82.56, -47.71, 73.85

 

CMYK 80 / 32 / 0 / 11

HEX #2D9AE3

RGB 45 154 227

HSL 204.07, 0.76%, 0.53%

LAB 60.97, -5.12, -45.41

 

CMYK 32 / 81 / 0 / 11

HEX #992CE2

RGB 153 44 226

HSL 275.93, 0.76%, 0.53%

LAB 44.33, 71.74, -71.2

 

CMYK 0 / 49 / 81 / 11

HEX #E2742C

RGB 226 116 44

HSL 23.74, 0.76%, 0.53%

LAB 60.64, 38.2, 56.27

 

CMYK 49 / 0 / 81 / 11

HEX #74E22C

RGB 116 226 44

HSL 96.26, 0.76%, 0.53%

LAB 80.9, -59.78, 71.72

 

CMYK 80 / 32 / 0 / 11

HEX #2D9AE3

RGB 45 154 227

HSL 204.07, 0.76%, 0.53%

LAB 60.97, -5.12, -45.41

 

CMYK 8 / 81 / 0 / 11

HEX #D02CE2

RGB 208 44 226

HSL 294.07, 0.76%, 0.53%

LAB 52.62, 80.9, -57.37

 

CMYK 0 / 49 / 81 / 11

HEX #E2742C

RGB 226 116 44

HSL 23.74, 0.76%, 0.53%

LAB 60.64, 38.2, 56.27

 

CMYK 73 / 0 / 81 / 11

HEX #3EE22C

RGB 62 226 44

HSL 114.07, 0.76%, 0.53%

LAB 79.38, -72.09, 69.77

 

Description

Color code: HEX #2D9AE3 | qconv.com Color code: HEX #2D9AE3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 154 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 154 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 32 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 32% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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