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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D9AC2 it is the complementary color #D2653D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D9AC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D9AC2 shade: #329ABD, #43ACD0, #54BEE3, #65D0F6 and #76E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D9AC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D9AC2 shade: #2D9AC2, #1C88AF, #0B769C, #006489 and #005276

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D9AC2 shade: #2D9AC2, #2D72C2, #2D4AC2, #392DC2 and #612DC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D9AC2 shade: #2D9AC2, #2D72C2, #2D4AC2 and #2D2DC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D9AC2 shade matches the following richer shades: #2D9AC2, #1AA3D5 and #06ACE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D9AC2 shade: #2D9AC2, #4091AE, #54889B, #677F87 and #7B7674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D9AC2 shade: #2DC29A, #2DC2C2, #2D9AC2, #2D72C2 and #2D4BC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D9AC2 shade: #1D657F, #257FA0, #2D9AC2, #45ADD3 and #66BCDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D9AC2 shade: #2D9AC2, #722DC2 and #C2AE2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D9AC2 shade: #2D9AC2, #C22D9A and #9AC22D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D9AC2 shade: #2D9AC2, #722DC2, #C2552D and #7CC22D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D9AC2 shade: #2D9AC2, #9F2DC2, #C2552D and #50C22D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

Complementary color

CMYK 0 / 52 / 71 / 18

HEX #D2653D

RGB 210 101 61

HSL 16.11, 0.62%, 0.53%

LAB 55.43, 40.23, 42.16

 

CMYK 74 / 19 / 0 / 26

HEX #329ABD

RGB 50 154 189

HSL 195.11, 0.58%, 0.47%

LAB 59.4, -17.75, -26.61

 

CMYK 68 / 17 / 0 / 18

HEX #43ACD0

RGB 67 172 208

HSL 195.32, 0.6%, 0.54%

LAB 65.94, -18.73, -27.1

 

CMYK 63 / 16 / 0 / 11

HEX #54BEE3

RGB 84 190 227

HSL 195.52, 0.72%, 0.61%

LAB 72.4, -19.49, -27.54

 

CMYK 59 / 15 / 0 / 4

HEX #65D0F6

RGB 101 208 246

HSL 195.72, 0.89%, 0.68%

LAB 78.77, -20.08, -27.96

 

CMYK 54 / 11 / 0 / 0

HEX #76E2FF

RGB 118 226 255

HSL 192.7, 1%, 0.73%

LAB 84.72, -23.34, -23.6

 

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

CMYK 84 / 22 / 0 / 31

HEX #1C88AF

RGB 28 136 175

HSL 195.92, 0.72%, 0.4%

LAB 52.9, -15.13, -28.75

 

CMYK 93 / 24 / 0 / 39

HEX #0B769C

RGB 11 118 156

HSL 195.72, 0.87%, 0.33%

LAB 46.22, -13.11, -28.11

 

CMYK 100 / 27 / 0 / 46

HEX #006489

RGB 0 100 137

HSL 196.2, 1%, 0.27%

LAB 39.45, -10.49, -27.35

 

CMYK 100 / 31 / 0 / 54

HEX #005276

RGB 0 82 118

HSL 198.31, 1%, 0.23%

LAB 32.57, -7.16, -26.47

 

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

CMYK 77 / 41 / 0 / 24

HEX #2D72C2

RGB 45 114 194

HSL 212.21, 0.62%, 0.47%

LAB 47.61, 6.64, -47.99

 

CMYK 77 / 62 / 0 / 24

HEX #2D4AC2

RGB 45 74 194

HSL 228.32, 0.62%, 0.47%

LAB 36.65, 32.44, -65.7

 

CMYK 71 / 77 / 0 / 24

HEX #392DC2

RGB 57 45 194

HSL 244.83, 0.62%, 0.47%

LAB 30.98, 50.85, -75

 

CMYK 50 / 77 / 0 / 24

HEX #612DC2

RGB 97 45 194

HSL 260.94, 0.62%, 0.47%

LAB 34.63, 55.57, -68.86

 

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

CMYK 77 / 41 / 0 / 24

HEX #2D72C2

RGB 45 114 194

HSL 212.21, 0.62%, 0.47%

LAB 47.61, 6.64, -47.99

 

CMYK 77 / 62 / 0 / 24

HEX #2D4AC2

RGB 45 74 194

HSL 228.32, 0.62%, 0.47%

LAB 36.65, 32.44, -65.7

 

CMYK 77 / 77 / 0 / 24

HEX #2D2DC2

RGB 45 45 194

HSL 240, 0.62%, 0.47%

LAB 30.23, 49.87, -76.26

 

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

CMYK 88 / 23 / 0 / 16

HEX #1AA3D5

RGB 26 163 213

HSL 196.04, 0.78%, 0.47%

LAB 62.69, -16.56, -34.97

 

CMYK 97 / 26 / 0 / 9

HEX #06ACE8

RGB 6 172 232

HSL 195.93, 0.95%, 0.47%

LAB 66.04, -15.48, -40.24

 

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

CMYK 63 / 17 / 0 / 32

HEX #4091AE

RGB 64 145 174

HSL 195.82, 0.46%, 0.47%

LAB 56.48, -15.63, -22.56

 

CMYK 46 / 12 / 0 / 39

HEX #54889B

RGB 84 136 155

HSL 196.06, 0.3%, 0.47%

LAB 53.88, -12.08, -15.55

 

CMYK 24 / 6 / 0 / 47

HEX #677F87

RGB 103 127 135

HSL 195, 0.13%, 0.47%

LAB 51.62, -6.73, -7.2

 

CMYK 0 / 4 / 6 / 52

HEX #7B7674

RGB 123 118 116

HSL 17.14, 0.03%, 0.47%

LAB 50.01, 1.53, 1.77

 

CMYK 77 / 0 / 21 / 24

HEX #2DC29A

RGB 45 194 154

HSL 163.89, 0.62%, 0.47%

LAB 70.51, -47.44, 9.34

 

CMYK 77 / 0 / 0 / 24

HEX #2DC2C2

RGB 45 194 194

HSL 180, 0.62%, 0.47%

LAB 71.58, -36.64, -10.9

 

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

CMYK 77 / 41 / 0 / 24

HEX #2D72C2

RGB 45 114 194

HSL 212.21, 0.62%, 0.47%

LAB 47.61, 6.64, -47.99

 

CMYK 77 / 61 / 0 / 24

HEX #2D4BC2

RGB 45 75 194

HSL 227.92, 0.62%, 0.47%

LAB 36.9, 31.79, -65.29

 

CMYK 77 / 20 / 0 / 50

HEX #1D657F

RGB 29 101 127

HSL 195.92, 0.63%, 0.31%

LAB 39.75, -12.48, -20.79

 

CMYK 77 / 21 / 0 / 37

HEX #257FA0

RGB 37 127 160

HSL 196.1, 0.62%, 0.39%

LAB 49.63, -14.51, -25.11

 

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

CMYK 67 / 18 / 0 / 17

HEX #45ADD3

RGB 69 173 211

HSL 196.06, 0.62%, 0.55%

LAB 66.41, -18, -28.04

 

CMYK 53 / 14 / 0 / 14

HEX #66BCDB

RGB 102 188 219

HSL 195.9, 0.62%, 0.63%

LAB 72.17, -17.43, -23.5

 

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

CMYK 41 / 77 / 0 / 24

HEX #722DC2

RGB 114 45 194

HSL 267.79, 0.62%, 0.47%

LAB 36.65, 58.14, -65.47

 

CMYK 0 / 10 / 77 / 24

HEX #C2AE2D

RGB 194 174 45

HSL 51.95, 0.62%, 0.47%

LAB 70.82, -6.36, 63.95

 

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

CMYK 0 / 77 / 21 / 24

HEX #C22D9A

RGB 194 45 154

HSL 316.11, 0.62%, 0.47%

LAB 46.55, 67.07, -25.22

 

CMYK 21 / 0 / 77 / 24

HEX #9AC22D

RGB 154 194 45

HSL 76.11, 0.62%, 0.47%

LAB 73.31, -33.22, 65.13

 

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

CMYK 41 / 77 / 0 / 24

HEX #722DC2

RGB 114 45 194

HSL 267.79, 0.62%, 0.47%

LAB 36.65, 58.14, -65.47

 

CMYK 0 / 56 / 77 / 24

HEX #C2552D

RGB 194 85 45

HSL 16.11, 0.62%, 0.47%

LAB 49.68, 41.33, 43.5

 

CMYK 36 / 0 / 77 / 24

HEX #7CC22D

RGB 124 194 45

HSL 88.19, 0.62%, 0.47%

LAB 71.59, -44.56, 62.9

 

CMYK 77 / 21 / 0 / 24

HEX #2D9AC2

RGB 45 154 194

HSL 196.11, 0.62%, 0.47%

LAB 59.49, -16.67, -29.29

 

CMYK 18 / 77 / 0 / 24

HEX #9F2DC2

RGB 159 45 194

HSL 285.91, 0.62%, 0.47%

LAB 42.98, 66.03, -54.9

 

CMYK 0 / 56 / 77 / 24

HEX #C2552D

RGB 194 85 45

HSL 16.11, 0.62%, 0.47%

LAB 49.68, 41.33, 43.5

 

CMYK 59 / 0 / 77 / 24

HEX #50C22D

RGB 80 194 45

HSL 105.91, 0.62%, 0.47%

LAB 69.81, -57.96, 60.57

 

Description

Color code: HEX #2D9AC2 | qconv.com Color code: HEX #2D9AC2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 154 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 154 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 21 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 21% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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