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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D9887 it is the complementary color #D26778. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D9887. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D9887 shade: #329882, #43AA95, #54BCA8, #65CEBB and #76E0CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D9887. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D9887 shade: #2D9887, #1C8674, #0B7461, #00624E and #00503B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D9887 shade: #2D9988, #2D996B, #2D994E, #2D9931 and #47992D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D9887 shade: #2D9988, #2D8D99, #2D7099, #2D5399 and #2D3699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D9887 shade matches the following richer shades: #2D9988, #1DA993 and #0DB99E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D9887 shade: #2D9988, #3D897D, #4D7872, #5E6867 and #6E585C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D9887 shade: #2D994D, #2D996A, #2D9987, #2D8E99 and #2D7199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D9887 shade: #1A594F, #24796B, #2D9988, #37B8A4 and #4ECAB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D9887 shade: #2D9887, #312D99 and #995C2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D9887 shade: #2D9887, #872D99 and #99872D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D9887 shade: #2D9887, #312D99, #992D3F and #95992D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D9887 shade: #2D9887, #512D99, #992D3F and #75992D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 11 / 40

HEX #2D9887

RGB 45 152 135

HSL 170.47, 0.54%, 0.39%

LAB 56.84, -34.03, 0.22

 

Complementary color

CMYK 0 / 51 / 43 / 18

HEX #D26778

RGB 210 103 120

HSL 350.47, 0.54%, 0.61%

LAB 56.84, 43.8, 10.56

 

CMYK 67 / 0 / 14 / 40

HEX #329882

RGB 50 152 130

HSL 167.06, 0.5%, 0.4%

LAB 56.83, -34.58, 3.06

 

CMYK 61 / 0 / 12 / 33

HEX #43AA95

RGB 67 170 149

HSL 167.77, 0.43%, 0.46%

LAB 63.44, -34.87, 1.99

 

CMYK 55 / 0 / 11 / 26

HEX #54BCA8

RGB 84 188 168

HSL 168.46, 0.44%, 0.53%

LAB 69.95, -35, 1.02

 

CMYK 51 / 0 / 9 / 19

HEX #65CEBB

RGB 101 206 187

HSL 169.14, 0.52%, 0.6%

LAB 76.37, -35.04, 0.14

 

CMYK 47 / 0 / 8 / 12

HEX #76E0CE

RGB 118 224 206

HSL 169.81, 0.63%, 0.67%

LAB 82.71, -35.01, -0.68

 

CMYK 70 / 0 / 11 / 40

HEX #2D9887

RGB 45 152 135

HSL 170.47, 0.54%, 0.39%

LAB 56.84, -34.03, 0.22

 

CMYK 79 / 0 / 13 / 47

HEX #1C8674

RGB 28 134 116

HSL 169.81, 0.65%, 0.32%

LAB 50.17, -33.28, 1.41

 

CMYK 91 / 0 / 16 / 55

HEX #0B7461

RGB 11 116 97

HSL 169.14, 0.83%, 0.25%

LAB 43.4, -32.07, 2.8

 

CMYK 100 / 0 / 20 / 62

HEX #00624E

RGB 0 98 78

HSL 167.76, 1%, 0.19%

LAB 36.53, -30.21, 4.43

 

CMYK 100 / 0 / 26 / 69

HEX #00503B

RGB 0 80 59

HSL 164.25, 1%, 0.16%

LAB 29.55, -27.51, 6.37

 

CMYK 71 / 0 / 11 / 40

HEX #2D9988

RGB 45 153 136

HSL 170.56, 0.55%, 0.39%

LAB 57.19, -34.22, 0.15

 

CMYK 71 / 0 / 30 / 40

HEX #2D996B

RGB 45 153 107

HSL 154.44, 0.55%, 0.39%

LAB 56.49, -41.48, 15.57

 

CMYK 71 / 0 / 49 / 40

HEX #2D994E

RGB 45 153 78

HSL 138.33, 0.55%, 0.39%

LAB 55.98, -47.15, 30.7

 

CMYK 71 / 0 / 68 / 40

HEX #2D9931

RGB 45 153 49

HSL 122.22, 0.55%, 0.39%

LAB 55.65, -51.02, 44.31

 

CMYK 54 / 0 / 71 / 40

HEX #47992D

RGB 71 153 45

HSL 105.56, 0.55%, 0.39%

LAB 56.4, -45.12, 47.01

 

CMYK 71 / 0 / 11 / 40

HEX #2D9988

RGB 45 153 136

HSL 170.56, 0.55%, 0.39%

LAB 57.19, -34.22, 0.15

 

CMYK 71 / 8 / 0 / 40

HEX #2D8D99

RGB 45 141 153

HSL 186.67, 0.55%, 0.39%

LAB 53.93, -23.3, -14.46

 

CMYK 71 / 27 / 0 / 40

HEX #2D7099

RGB 45 112 153

HSL 202.78, 0.55%, 0.39%

LAB 44.87, -7.23, -28.39

 

CMYK 71 / 46 / 0 / 40

HEX #2D5399

RGB 45 83 153

HSL 218.89, 0.55%, 0.39%

LAB 36.07, 11.02, -42.3

 

CMYK 71 / 65 / 0 / 40

HEX #2D3699

RGB 45 54 153

HSL 235, 0.55%, 0.39%

LAB 28.1, 30.39, -55.2

 

CMYK 71 / 0 / 11 / 40

HEX #2D9988

RGB 45 153 136

HSL 170.56, 0.55%, 0.39%

LAB 57.19, -34.22, 0.15

 

CMYK 83 / 0 / 13 / 34

HEX #1DA993

RGB 29 169 147

HSL 170.57, 0.71%, 0.39%

LAB 62.29, -40.26, 1.34

 

CMYK 93 / 0 / 15 / 27

HEX #0DB99E

RGB 13 185 158

HSL 170.58, 0.87%, 0.39%

LAB 67.47, -45.12, 2.74

 

CMYK 71 / 0 / 11 / 40

HEX #2D9988

RGB 45 153 136

HSL 170.56, 0.55%, 0.39%

LAB 57.19, -34.22, 0.15

 

CMYK 55 / 0 / 9 / 46

HEX #3D897D

RGB 61 137 125

HSL 170.53, 0.38%, 0.39%

LAB 52.25, -26.56, -0.69

 

CMYK 36 / 0 / 5 / 53

HEX #4D7872

RGB 77 120 114

HSL 171.63, 0.22%, 0.39%

LAB 47.27, -16.33, -1.44

 

CMYK 10 / 0 / 1 / 59

HEX #5E6867

RGB 94 104 103

HSL 174, 0.05%, 0.39%

LAB 43.15, -4.03, -0.75

 

CMYK 0 / 20 / 16 / 57

HEX #6E585C

RGB 110 88 92

HSL 349.09, 0.11%, 0.39%

LAB 39.69, 9.74, 1.11

 

CMYK 71 / 0 / 50 / 40

HEX #2D994D

RGB 45 153 77

HSL 137.78, 0.55%, 0.39%

LAB 55.96, -47.31, 31.21

 

CMYK 71 / 0 / 31 / 40

HEX #2D996A

RGB 45 153 106

HSL 153.89, 0.55%, 0.39%

LAB 56.47, -41.71, 16.11

 

CMYK 71 / 0 / 12 / 40

HEX #2D9987

RGB 45 153 135

HSL 170, 0.55%, 0.39%

LAB 57.16, -34.49, 0.68

 

CMYK 71 / 7 / 0 / 40

HEX #2D8E99

RGB 45 142 153

HSL 186.11, 0.55%, 0.39%

LAB 54.24, -23.82, -13.98

 

CMYK 71 / 26 / 0 / 40

HEX #2D7199

RGB 45 113 153

HSL 202.22, 0.55%, 0.39%

LAB 45.18, -7.82, -27.91

 

CMYK 71 / 0 / 11 / 65

HEX #1A594F

RGB 26 89 79

HSL 170.48, 0.55%, 0.23%

LAB 33.83, -22.47, -0.03

 

CMYK 70 / 0 / 12 / 53

HEX #24796B

RGB 36 121 107

HSL 170.12, 0.54%, 0.31%

LAB 45.79, -28.57, 0.36

 

CMYK 71 / 0 / 11 / 40

HEX #2D9988

RGB 45 153 136

HSL 170.56, 0.55%, 0.39%

LAB 57.19, -34.22, 0.15

 

CMYK 70 / 0 / 11 / 28

HEX #37B8A4

RGB 55 184 164

HSL 170.7, 0.54%, 0.47%

LAB 67.85, -39.31, 0.07

 

CMYK 61 / 0 / 10 / 21

HEX #4ECAB6

RGB 78 202 182

HSL 170.32, 0.54%, 0.55%

LAB 74.34, -39.03, -0.22

 

CMYK 70 / 0 / 11 / 40

HEX #2D9887

RGB 45 152 135

HSL 170.47, 0.54%, 0.39%

LAB 56.84, -34.03, 0.22

 

CMYK 68 / 71 / 0 / 40

HEX #312D99

RGB 49 45 153

HSL 242.22, 0.55%, 0.39%

LAB 26.24, 36.62, -58.24

 

CMYK 0 / 40 / 71 / 40

HEX #995C2D

RGB 153 92 45

HSL 26.11, 0.55%, 0.39%

LAB 45.1, 20.73, 36.8

 

CMYK 70 / 0 / 11 / 40

HEX #2D9887

RGB 45 152 135

HSL 170.47, 0.54%, 0.39%

LAB 56.84, -34.03, 0.22

 

CMYK 12 / 71 / 0 / 40

HEX #872D99

RGB 135 45 153

HSL 290, 0.55%, 0.39%

LAB 36.61, 53.18, -40.95

 

CMYK 0 / 12 / 71 / 40

HEX #99872D

RGB 153 135 45

HSL 50, 0.55%, 0.39%

LAB 56.38, -3.7, 48.69

 

CMYK 70 / 0 / 11 / 40

HEX #2D9887

RGB 45 152 135

HSL 170.47, 0.54%, 0.39%

LAB 56.84, -34.03, 0.22

 

CMYK 68 / 71 / 0 / 40

HEX #312D99

RGB 49 45 153

HSL 242.22, 0.55%, 0.39%

LAB 26.24, 36.62, -58.24

 

CMYK 0 / 71 / 59 / 40

HEX #992D3F

RGB 153 45 63

HSL 350, 0.55%, 0.39%

LAB 36, 45.9, 15.05

 

CMYK 3 / 0 / 71 / 40

HEX #95992D

RGB 149 153 45

HSL 62.22, 0.55%, 0.39%

LAB 61.1, -15.16, 53.3

 

CMYK 70 / 0 / 11 / 40

HEX #2D9887

RGB 45 152 135

HSL 170.47, 0.54%, 0.39%

LAB 56.84, -34.03, 0.22

 

CMYK 47 / 71 / 0 / 40

HEX #512D99

RGB 81 45 153

HSL 260, 0.55%, 0.39%

LAB 29.23, 41.75, -53.24

 

CMYK 0 / 71 / 59 / 40

HEX #992D3F

RGB 153 45 63

HSL 350, 0.55%, 0.39%

LAB 36, 45.9, 15.05

 

CMYK 24 / 0 / 71 / 40

HEX #75992D

RGB 117 153 45

HSL 80, 0.55%, 0.39%

LAB 58.75, -28.8, 50.17

 

Description

Color code: HEX #2D9887 | qconv.com Color code: HEX #2D9887 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 152 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 152 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 11 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 11% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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