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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D948E it is the complementary color #D26B71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D948E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D948E shade: #329489, #43A69C, #54B8AF, #65CAC2 and #76DCD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D948E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D948E shade: #2D948E, #1C827B, #0B7068, #005E55 and #004C42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D948E shade: #2D948E, #2D9472, #2D9456, #2D943B and #3B942D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D948E shade: #2D948E, #2D7E94, #2D6294, #2D4794 and #2D2D94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D948E shade matches the following richer shades: #2D948E, #1DA39C and #0EB3A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D948E shade: #2D948E, #3D8480, #4C7472, #5C6564 and #6C5556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D948E shade: #2D9456, #2D9472, #2D948D, #2D7F94 and #2D6494

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D948E shade: #1A5551, #23746F, #2D948E, #37B3AC and #4CC8C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D948E shade: #2D948E, #3B2D94 and #94642D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D948E shade: #2D948E, #8D2D94 and #948D2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D948E shade: #2D948E, #3B2D94, #942D34 and #86942D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D948E shade: #2D948E, #5A2D94, #942D34 and #67942D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 4 / 42

HEX #2D948E

RGB 45 148 142

HSL 176.5, 0.53%, 0.38%

LAB 55.78, -30.15, -5.36

 

Complementary color

CMYK 0 / 49 / 46 / 18

HEX #D26B71

RGB 210 107 113

HSL 356.5, 0.53%, 0.62%

LAB 57.47, 41.07, 15.52

 

CMYK 66 / 0 / 7 / 42

HEX #329489

RGB 50 148 137

HSL 173.27, 0.49%, 0.39%

LAB 55.75, -30.79, -2.51

 

CMYK 60 / 0 / 6 / 35

HEX #43A69C

RGB 67 166 156

HSL 173.94, 0.42%, 0.46%

LAB 62.39, -31.14, -3.46

 

CMYK 54 / 0 / 5 / 28

HEX #54B8AF

RGB 84 184 175

HSL 174.6, 0.41%, 0.53%

LAB 68.94, -31.32, -4.31

 

CMYK 50 / 0 / 4 / 21

HEX #65CAC2

RGB 101 202 194

HSL 175.25, 0.49%, 0.59%

LAB 75.39, -31.41, -5.08

 

CMYK 46 / 0 / 3 / 14

HEX #76DCD5

RGB 118 220 213

HSL 175.88, 0.59%, 0.66%

LAB 81.75, -31.43, -5.81

 

CMYK 70 / 0 / 4 / 42

HEX #2D948E

RGB 45 148 142

HSL 176.5, 0.53%, 0.38%

LAB 55.78, -30.15, -5.36

 

CMYK 78 / 0 / 5 / 49

HEX #1C827B

RGB 28 130 123

HSL 175.88, 0.65%, 0.31%

LAB 49.06, -29.34, -4.31

 

CMYK 90 / 0 / 7 / 56

HEX #0B7068

RGB 11 112 104

HSL 175.25, 0.82%, 0.24%

LAB 42.24, -28.07, -3.09

 

CMYK 100 / 0 / 10 / 63

HEX #005E55

RGB 0 94 85

HSL 174.26, 1%, 0.18%

LAB 35.32, -26.17, -1.65

 

CMYK 100 / 0 / 13 / 70

HEX #004C42

RGB 0 76 66

HSL 172.11, 1%, 0.15%

LAB 28.28, -23.45, 0.07

 

CMYK 70 / 0 / 4 / 42

HEX #2D948E

RGB 45 148 142

HSL 176.5, 0.53%, 0.38%

LAB 55.78, -30.15, -5.36

 

CMYK 70 / 0 / 23 / 42

HEX #2D9472

RGB 45 148 114

HSL 160.19, 0.53%, 0.38%

LAB 55.02, -37.69, 9.58

 

CMYK 70 / 0 / 42 / 42

HEX #2D9456

RGB 45 148 86

HSL 143.88, 0.53%, 0.38%

LAB 54.46, -43.78, 24.47

 

CMYK 70 / 0 / 60 / 42

HEX #2D943B

RGB 45 148 59

HSL 128.16, 0.53%, 0.38%

LAB 54.08, -48.08, 37.99

 

CMYK 60 / 0 / 70 / 42

HEX #3B942D

RGB 59 148 45

HSL 111.84, 0.53%, 0.38%

LAB 54.34, -46.47, 44.72

 

CMYK 70 / 0 / 4 / 42

HEX #2D948E

RGB 45 148 142

HSL 176.5, 0.53%, 0.38%

LAB 55.78, -30.15, -5.36

 

CMYK 70 / 15 / 0 / 42

HEX #2D7E94

RGB 45 126 148

HSL 192.82, 0.53%, 0.38%

LAB 49.03, -16.94, -19.01

 

CMYK 70 / 34 / 0 / 42

HEX #2D6294

RGB 45 98 148

HSL 209.13, 0.53%, 0.38%

LAB 40.3, -0.52, -32.58

 

CMYK 70 / 52 / 0 / 42

HEX #2D4794

RGB 45 71 148

HSL 224.85, 0.53%, 0.38%

LAB 32.26, 17.14, -45.39

 

CMYK 70 / 70 / 0 / 42

HEX #2D2D94

RGB 45 45 148

HSL 240, 0.53%, 0.38%

LAB 25.48, 34.37, -56.43

 

CMYK 70 / 0 / 4 / 42

HEX #2D948E

RGB 45 148 142

HSL 176.5, 0.53%, 0.38%

LAB 55.78, -30.15, -5.36

 

CMYK 82 / 0 / 4 / 36

HEX #1DA39C

RGB 29 163 156

HSL 176.87, 0.7%, 0.38%

LAB 60.65, -34.98, -6.12

 

CMYK 92 / 0 / 6 / 30

HEX #0EB3A9

RGB 14 179 169

HSL 176.36, 0.85%, 0.38%

LAB 65.9, -39.38, -5.63

 

CMYK 70 / 0 / 4 / 42

HEX #2D948E

RGB 45 148 142

HSL 176.5, 0.53%, 0.38%

LAB 55.78, -30.15, -5.36

 

CMYK 54 / 0 / 3 / 48

HEX #3D8480

RGB 61 132 128

HSL 176.62, 0.37%, 0.38%

LAB 50.75, -23.2, -4.64

 

CMYK 34 / 0 / 2 / 55

HEX #4C7472

RGB 76 116 114

HSL 177, 0.21%, 0.38%

LAB 45.96, -14.43, -3.37

 

CMYK 9 / 0 / 1 / 60

HEX #5C6564

RGB 92 101 100

HSL 173.33, 0.05%, 0.38%

LAB 42, -3.67, -0.63

 

CMYK 0 / 21 / 20 / 58

HEX #6C5556

RGB 108 85 86

HSL 357.39, 0.12%, 0.38%

LAB 38.48, 9.68, 3.04

 

CMYK 70 / 0 / 42 / 42

HEX #2D9456

RGB 45 148 86

HSL 143.88, 0.53%, 0.38%

LAB 54.46, -43.78, 24.47

 

CMYK 70 / 0 / 23 / 42

HEX #2D9472

RGB 45 148 114

HSL 160.19, 0.53%, 0.38%

LAB 55.02, -37.69, 9.58

 

CMYK 70 / 0 / 5 / 42

HEX #2D948D

RGB 45 148 141

HSL 175.92, 0.53%, 0.38%

LAB 55.75, -30.44, -4.83

 

CMYK 70 / 14 / 0 / 42

HEX #2D7F94

RGB 45 127 148

HSL 192.23, 0.53%, 0.38%

LAB 49.34, -17.49, -18.52

 

CMYK 70 / 32 / 0 / 42

HEX #2D6494

RGB 45 100 148

HSL 207.96, 0.53%, 0.38%

LAB 40.91, -1.77, -31.61

 

CMYK 69 / 0 / 5 / 67

HEX #1A5551

RGB 26 85 81

HSL 175.93, 0.53%, 0.22%

LAB 32.5, -19.75, -3.25

 

CMYK 70 / 0 / 4 / 55

HEX #23746F

RGB 35 116 111

HSL 176.3, 0.54%, 0.3%

LAB 44.23, -25.08, -4.32

 

CMYK 70 / 0 / 4 / 42

HEX #2D948E

RGB 45 148 142

HSL 176.5, 0.53%, 0.38%

LAB 55.78, -30.15, -5.36

 

CMYK 69 / 0 / 4 / 30

HEX #37B3AC

RGB 55 179 172

HSL 176.61, 0.53%, 0.46%

LAB 66.54, -34.83, -6.28

 

CMYK 62 / 0 / 4 / 22

HEX #4CC8C0

RGB 76 200 192

HSL 176.13, 0.53%, 0.54%

LAB 73.97, -35.83, -6.19

 

CMYK 70 / 0 / 4 / 42

HEX #2D948E

RGB 45 148 142

HSL 176.5, 0.53%, 0.38%

LAB 55.78, -30.15, -5.36

 

CMYK 60 / 70 / 0 / 42

HEX #3B2D94

RGB 59 45 148

HSL 248.16, 0.53%, 0.38%

LAB 26.58, 36.4, -54.6

 

CMYK 0 / 32 / 70 / 42

HEX #94642D

RGB 148 100 45

HSL 32.04, 0.53%, 0.38%

LAB 46.44, 13.89, 38.08

 

CMYK 70 / 0 / 4 / 42

HEX #2D948E

RGB 45 148 142

HSL 176.5, 0.53%, 0.38%

LAB 55.78, -30.15, -5.36

 

CMYK 5 / 70 / 0 / 42

HEX #8D2D94

RGB 141 45 148

HSL 295.92, 0.53%, 0.38%

LAB 37.26, 53.63, -36.82

 

CMYK 0 / 5 / 70 / 42

HEX #948D2D

RGB 148 141 45

HSL 55.92, 0.53%, 0.38%

LAB 57.59, -9.24, 49.77

 

CMYK 70 / 0 / 4 / 42

HEX #2D948E

RGB 45 148 142

HSL 176.5, 0.53%, 0.38%

LAB 55.78, -30.15, -5.36

 

CMYK 60 / 70 / 0 / 42

HEX #3B2D94

RGB 59 45 148

HSL 248.16, 0.53%, 0.38%

LAB 26.58, 36.4, -54.6

 

CMYK 0 / 70 / 65 / 42

HEX #942D34

RGB 148 45 52

HSL 355.92, 0.53%, 0.38%

LAB 34.84, 43.46, 20.36

 

CMYK 9 / 0 / 70 / 42

HEX #86942D

RGB 134 148 45

HSL 68.16, 0.53%, 0.38%

LAB 58.45, -19.14, 50.26

 

CMYK 70 / 0 / 4 / 42

HEX #2D948E

RGB 45 148 142

HSL 176.5, 0.53%, 0.38%

LAB 55.78, -30.15, -5.36

 

CMYK 39 / 70 / 0 / 42

HEX #5A2D94

RGB 90 45 148

HSL 266.21, 0.53%, 0.38%

LAB 29.88, 42.14, -49.06

 

CMYK 0 / 70 / 65 / 42

HEX #942D34

RGB 148 45 52

HSL 355.92, 0.53%, 0.38%

LAB 34.84, 43.46, 20.36

 

CMYK 30 / 0 / 70 / 42

HEX #67942D

RGB 103 148 45

HSL 86.21, 0.53%, 0.38%

LAB 56.34, -32, 47.43

 

Description

Color code: HEX #2D948E | qconv.com Color code: HEX #2D948E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 148 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 148 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 4 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 4% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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