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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D8D9C it is the complementary color #D27263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D8D9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D8D9C shade: #328D97, #439FAA, #54B1BD, #65C3D0 and #76D5E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D8D9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D8D9C shade: #2D8D9C, #1C7B89, #0B6976, #005763 and #004550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D8D9C shade: #2D8B9A, #2D6E9A, #2D509A, #2D339A and #442D9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D8D9C shade: #2D8B9A, #2D6E9A, #2D509A, #2D339A and #2D2D9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D8D9C shade matches the following richer shades: #2D8B9A, #1D97AA and #0DA3BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D8D9C shade: #2D8B9A, #3D808A, #4D747A, #5D686A and #6D5C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D8D9C shade: #2D9A6E, #2D9A8C, #2D8C9A, #2D6E9A and #2D519A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D8D9C shade: #1A525A, #236E7A, #2D8B9A, #36A8BA and #4EBBCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D8D9C shade: #2D8D9C, #512D9A and #9A7D2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D8D9C shade: #2D8D9C, #9A2D8C and #8C9A2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D8D9C shade: #2D8D9C, #512D9A, #9A3B2D and #769A2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D8D9C shade: #2D8D9C, #722D9A, #9A3B2D and #559A2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 10 / 0 / 39

HEX #2D8D9C

RGB 45 141 156

HSL 188.11, 0.55%, 0.39%

LAB 54.04, -22.35, -16.02

 

Complementary color

CMYK 0 / 46 / 53 / 18

HEX #D27263

RGB 210 114 99

HSL 8.11, 0.55%, 0.61%

LAB 58.64, 36.15, 25.14

 

CMYK 67 / 7 / 0 / 41

HEX #328D97

RGB 50 141 151

HSL 185.94, 0.5%, 0.39%

LAB 53.99, -23.16, -13.2

 

CMYK 61 / 6 / 0 / 33

HEX #439FAA

RGB 67 159 170

HSL 186.41, 0.43%, 0.46%

LAB 60.69, -23.69, -13.89

 

CMYK 56 / 6 / 0 / 26

HEX #54B1BD

RGB 84 177 189

HSL 186.86, 0.44%, 0.54%

LAB 67.28, -24.05, -14.51

 

CMYK 51 / 6 / 0 / 18

HEX #65C3D0

RGB 101 195 208

HSL 187.29, 0.53%, 0.61%

LAB 73.77, -24.3, -15.09

 

CMYK 48 / 6 / 0 / 11

HEX #76D5E3

RGB 118 213 227

HSL 187.71, 0.66%, 0.68%

LAB 80.17, -24.46, -15.62

 

CMYK 71 / 10 / 0 / 39

HEX #2D8D9C

RGB 45 141 156

HSL 188.11, 0.55%, 0.39%

LAB 54.04, -22.35, -16.02

 

CMYK 80 / 10 / 0 / 46

HEX #1C7B89

RGB 28 123 137

HSL 187.71, 0.66%, 0.32%

LAB 47.26, -21.3, -15.27

 

CMYK 91 / 11 / 0 / 54

HEX #0B6976

RGB 11 105 118

HSL 187.29, 0.83%, 0.25%

LAB 40.38, -19.78, -14.38

 

CMYK 100 / 12 / 0 / 61

HEX #005763

RGB 0 87 99

HSL 187.27, 1%, 0.19%

LAB 33.39, -17.62, -13.32

 

CMYK 100 / 14 / 0 / 69

HEX #004550

RGB 0 69 80

HSL 188.25, 1%, 0.16%

LAB 26.26, -14.61, -12.05

 

CMYK 71 / 10 / 0 / 40

HEX #2D8B9A

RGB 45 139 154

HSL 188.26, 0.55%, 0.39%

LAB 53.34, -21.94, -15.93

 

CMYK 71 / 29 / 0 / 40

HEX #2D6E9A

RGB 45 110 154

HSL 204.22, 0.55%, 0.39%

LAB 44.29, -5.68, -29.88

 

CMYK 71 / 48 / 0 / 40

HEX #2D509A

RGB 45 80 154

HSL 220.73, 0.55%, 0.39%

LAB 35.26, 13.39, -44.21

 

CMYK 71 / 67 / 0 / 40

HEX #2D339A

RGB 45 51 154

HSL 236.7, 0.55%, 0.39%

LAB 27.46, 32.7, -56.87

 

CMYK 56 / 71 / 0 / 40

HEX #442D9A

RGB 68 45 154

HSL 252.66, 0.55%, 0.39%

LAB 27.95, 39.76, -55.99

 

CMYK 71 / 10 / 0 / 40

HEX #2D8B9A

RGB 45 139 154

HSL 188.26, 0.55%, 0.39%

LAB 53.34, -21.94, -15.93

 

CMYK 71 / 29 / 0 / 40

HEX #2D6E9A

RGB 45 110 154

HSL 204.22, 0.55%, 0.39%

LAB 44.29, -5.68, -29.88

 

CMYK 71 / 48 / 0 / 40

HEX #2D509A

RGB 45 80 154

HSL 220.73, 0.55%, 0.39%

LAB 35.26, 13.39, -44.21

 

CMYK 71 / 67 / 0 / 40

HEX #2D339A

RGB 45 51 154

HSL 236.7, 0.55%, 0.39%

LAB 27.46, 32.7, -56.87

 

CMYK 71 / 71 / 0 / 40

HEX #2D2D9A

RGB 45 45 154

HSL 240, 0.55%, 0.39%

LAB 26.06, 36.47, -59.16

 

CMYK 71 / 10 / 0 / 40

HEX #2D8B9A

RGB 45 139 154

HSL 188.26, 0.55%, 0.39%

LAB 53.34, -21.94, -15.93

 

CMYK 83 / 11 / 0 / 33

HEX #1D97AA

RGB 29 151 170

HSL 188.09, 0.71%, 0.39%

LAB 57.36, -24.75, -19.01

 

CMYK 93 / 12 / 0 / 27

HEX #0DA3BA

RGB 13 163 186

HSL 187.98, 0.87%, 0.39%

LAB 61.5, -26.48, -21.74

 

CMYK 71 / 10 / 0 / 40

HEX #2D8B9A

RGB 45 139 154

HSL 188.26, 0.55%, 0.39%

LAB 53.34, -21.94, -15.93

 

CMYK 56 / 7 / 0 / 46

HEX #3D808A

RGB 61 128 138

HSL 187.79, 0.39%, 0.39%

LAB 49.82, -18.19, -11.89

 

CMYK 37 / 5 / 0 / 52

HEX #4D747A

RGB 77 116 122

HSL 188, 0.23%, 0.39%

LAB 46.28, -12.02, -7.67

 

CMYK 12 / 2 / 0 / 58

HEX #5D686A

RGB 93 104 106

HSL 189.23, 0.07%, 0.39%

LAB 43.16, -3.73, -2.56

 

CMYK 0 / 16 / 17 / 57

HEX #6D5C5A

RGB 109 92 90

HSL 6.32, 0.1%, 0.39%

LAB 40.64, 6.53, 3.71

 

CMYK 71 / 0 / 29 / 40

HEX #2D9A6E

RGB 45 154 110

HSL 155.78, 0.55%, 0.39%

LAB 56.88, -41.23, 14.43

 

CMYK 71 / 0 / 9 / 40

HEX #2D9A8C

RGB 45 154 140

HSL 172.29, 0.55%, 0.39%

LAB 57.62, -33.58, -1.5

 

CMYK 71 / 9 / 0 / 40

HEX #2D8C9A

RGB 45 140 154

HSL 187.71, 0.55%, 0.39%

LAB 53.65, -22.47, -15.45

 

CMYK 71 / 29 / 0 / 40

HEX #2D6E9A

RGB 45 110 154

HSL 204.22, 0.55%, 0.39%

LAB 44.29, -5.68, -29.88

 

CMYK 71 / 47 / 0 / 40

HEX #2D519A

RGB 45 81 154

HSL 220.18, 0.55%, 0.39%

LAB 35.55, 12.72, -43.74

 

CMYK 71 / 9 / 0 / 65

HEX #1A525A

RGB 26 82 90

HSL 187.5, 0.55%, 0.23%

LAB 31.79, -15.1, -10.02

 

CMYK 71 / 10 / 0 / 52

HEX #236E7A

RGB 35 110 122

HSL 188.28, 0.55%, 0.31%

LAB 42.63, -18.42, -13.33

 

CMYK 71 / 10 / 0 / 40

HEX #2D8B9A

RGB 45 139 154

HSL 188.26, 0.55%, 0.39%

LAB 53.34, -21.94, -15.93

 

CMYK 71 / 10 / 0 / 27

HEX #36A8BA

RGB 54 168 186

HSL 188.18, 0.55%, 0.47%

LAB 63.62, -25.46, -18.46

 

CMYK 62 / 8 / 0 / 20

HEX #4EBBCC

RGB 78 187 204

HSL 188.1, 0.55%, 0.55%

LAB 70.54, -25.86, -17.86

 

CMYK 71 / 10 / 0 / 39

HEX #2D8D9C

RGB 45 141 156

HSL 188.11, 0.55%, 0.39%

LAB 54.04, -22.35, -16.02

 

CMYK 47 / 71 / 0 / 40

HEX #512D9A

RGB 81 45 154

HSL 259.82, 0.55%, 0.39%

LAB 29.31, 42.03, -53.72

 

CMYK 0 / 19 / 71 / 40

HEX #9A7D2D

RGB 154 125 45

HSL 44.04, 0.55%, 0.39%

LAB 53.74, 2.33, 46.02

 

CMYK 71 / 10 / 0 / 39

HEX #2D8D9C

RGB 45 141 156

HSL 188.11, 0.55%, 0.39%

LAB 54.04, -22.35, -16.02

 

CMYK 0 / 71 / 9 / 40

HEX #9A2D8C

RGB 154 45 140

HSL 307.71, 0.55%, 0.39%

LAB 38.97, 55.42, -29.09

 

CMYK 9 / 0 / 71 / 40

HEX #8C9A2D

RGB 140 154 45

HSL 67.71, 0.55%, 0.39%

LAB 60.67, -19.61, 52.64

 

CMYK 71 / 10 / 0 / 39

HEX #2D8D9C

RGB 45 141 156

HSL 188.11, 0.55%, 0.39%

LAB 54.04, -22.35, -16.02

 

CMYK 47 / 71 / 0 / 40

HEX #512D9A

RGB 81 45 154

HSL 259.82, 0.55%, 0.39%

LAB 29.31, 42.03, -53.72

 

CMYK 0 / 62 / 71 / 40

HEX #9A3B2D

RGB 154 59 45

HSL 7.71, 0.55%, 0.39%

LAB 38.18, 38.85, 28.98

 

CMYK 23 / 0 / 71 / 40

HEX #769A2D

RGB 118 154 45

HSL 79.82, 0.55%, 0.39%

LAB 59.11, -28.87, 50.57

 

CMYK 71 / 10 / 0 / 39

HEX #2D8D9C

RGB 45 141 156

HSL 188.11, 0.55%, 0.39%

LAB 54.04, -22.35, -16.02

 

CMYK 26 / 71 / 0 / 40

HEX #722D9A

RGB 114 45 154

HSL 277.98, 0.55%, 0.39%

LAB 33.54, 48.71, -46.66

 

CMYK 0 / 62 / 71 / 40

HEX #9A3B2D

RGB 154 59 45

HSL 7.71, 0.55%, 0.39%

LAB 38.18, 38.85, 28.98

 

CMYK 45 / 0 / 71 / 40

HEX #559A2D

RGB 85 154 45

HSL 97.98, 0.55%, 0.39%

LAB 57.3, -41.17, 48.13

 

Description

Color code: HEX #2D8D9C | qconv.com Color code: HEX #2D8D9C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 141 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 141 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 10 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 10% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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