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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D80D6 it is the complementary color #D27F29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D80D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D80D6 shade: #3280D1, #4392E4, #54A4F7, #65B6FF and #76C8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D80D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D80D6 shade: #2D80D6, #1C6EC3, #0B5CB0, #004A9D and #00388A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D80D6 shade: #2E80D5, #2E53D5, #362ED5, #632ED5 and #902ED5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D80D6 shade: #2E80D5, #2E53D5 and #2E2ED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D80D6 shade matches the following richer shades: #2E80D5, #1A80E9 and #057FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D80D6 shade: #2E80D5, #4280C1, #5681AD, #6A8199 and #7F8184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D80D6 shade: #2ED5D0, #2EAED5, #2E82D5, #2E55D5 and #332ED5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D80D6 shade: #1D5794, #246CB6, #2E80D5, #5095DC and #73AAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D80D6 shade: #2D80D6, #A32ED5 and #C5D52E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D80D6 shade: #2D80D6, #D52E82 and #82D52E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D80D6 shade: #2D80D6, #A32ED5, #D5822E and #60D52E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D80D6 shade: #2D80D6, #D52ED5, #D5822E and #2ED52E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 40 / 0 / 16

HEX #2D80D6

RGB 45 128 214

HSL 210.53, 0.67%, 0.51%

LAB 52.79, 5.49, -51.12

 

Complementary color

CMYK 0 / 40 / 80 / 18

HEX #D27F29

RGB 210 127 41

HSL 30.53, 0.67%, 0.49%

LAB 60.82, 25.79, 56.84

 

CMYK 76 / 39 / 0 / 18

HEX #3280D1

RGB 50 128 209

HSL 210.57, 0.63%, 0.51%

LAB 52.64, 4.19, -48.52

 

CMYK 71 / 36 / 0 / 11

HEX #4392E4

RGB 67 146 228

HSL 210.56, 0.75%, 0.58%

LAB 59.3, 2.48, -48.57

 

CMYK 66 / 34 / 0 / 3

HEX #54A4F7

RGB 84 164 247

HSL 210.55, 0.91%, 0.65%

LAB 65.87, 1.09, -48.61

 

CMYK 60 / 29 / 0 / 0

HEX #65B6FF

RGB 101 182 255

HSL 208.44, 1%, 0.7%

LAB 71.85, -3.54, -43.5

 

CMYK 54 / 22 / 0 / 0

HEX #76C8FF

RGB 118 200 255

HSL 204.09, 1%, 0.73%

LAB 77.51, -9.99, -34.66

 

CMYK 79 / 40 / 0 / 16

HEX #2D80D6

RGB 45 128 214

HSL 210.53, 0.67%, 0.51%

LAB 52.79, 5.49, -51.12

 

CMYK 86 / 44 / 0 / 24

HEX #1C6EC3

RGB 28 110 195

HSL 210.54, 0.75%, 0.44%

LAB 46.09, 7.88, -51.01

 

CMYK 94 / 48 / 0 / 31

HEX #0B5CB0

RGB 11 92 176

HSL 210.55, 0.88%, 0.37%

LAB 39.34, 10.89, -50.8

 

CMYK 100 / 53 / 0 / 38

HEX #004A9D

RGB 0 74 157

HSL 211.72, 1%, 0.31%

LAB 32.55, 14.63, -50.45

 

CMYK 100 / 59 / 0 / 46

HEX #00388A

RGB 0 56 138

HSL 215.65, 1%, 0.27%

LAB 25.75, 19.13, -49.87

 

CMYK 78 / 40 / 0 / 16

HEX #2E80D5

RGB 46 128 213

HSL 210.54, 0.67%, 0.51%

LAB 52.76, 5.22, -50.61

 

CMYK 78 / 61 / 0 / 16

HEX #2E53D5

RGB 46 83 213

HSL 226.71, 0.67%, 0.51%

LAB 40.53, 33.75, -70.36

 

CMYK 75 / 78 / 0 / 16

HEX #362ED5

RGB 54 46 213

HSL 242.87, 0.67%, 0.51%

LAB 33.01, 55.96, -82.72

 

CMYK 54 / 78 / 0 / 16

HEX #632ED5

RGB 99 46 213

HSL 259.04, 0.67%, 0.51%

LAB 36.76, 60.41, -76.4

 

CMYK 32 / 78 / 0 / 16

HEX #902ED5

RGB 144 46 213

HSL 275.21, 0.67%, 0.51%

LAB 42.29, 66.92, -67.13

 

CMYK 78 / 40 / 0 / 16

HEX #2E80D5

RGB 46 128 213

HSL 210.54, 0.67%, 0.51%

LAB 52.76, 5.22, -50.61

 

CMYK 78 / 61 / 0 / 16

HEX #2E53D5

RGB 46 83 213

HSL 226.71, 0.67%, 0.51%

LAB 40.53, 33.75, -70.36

 

CMYK 78 / 78 / 0 / 16

HEX #2E2ED5

RGB 46 46 213

HSL 240, 0.67%, 0.51%

LAB 32.57, 55.44, -83.47

 

CMYK 78 / 40 / 0 / 16

HEX #2E80D5

RGB 46 128 213

HSL 210.54, 0.67%, 0.51%

LAB 52.76, 5.22, -50.61

 

CMYK 89 / 45 / 0 / 9

HEX #1A80E9

RGB 26 128 233

HSL 210.43, 0.82%, 0.51%

LAB 53.54, 11.19, -60.61

 

CMYK 98 / 50 / 0 / 0

HEX #057FFE

RGB 5 127 254

HSL 210.6, 0.99%, 0.51%

LAB 54.41, 19.15, -70.86

 

CMYK 78 / 40 / 0 / 16

HEX #2E80D5

RGB 46 128 213

HSL 210.54, 0.67%, 0.51%

LAB 52.76, 5.22, -50.61

 

CMYK 66 / 34 / 0 / 24

HEX #4280C1

RGB 66 128 193

HSL 210.71, 0.51%, 0.51%

LAB 52.34, 0.79, -39.86

 

CMYK 50 / 25 / 0 / 32

HEX #5681AD

RGB 86 129 173

HSL 210.34, 0.35%, 0.51%

LAB 52.62, -2.22, -27.88

 

CMYK 31 / 16 / 0 / 40

HEX #6A8199

RGB 106 129 153

HSL 210.64, 0.19%, 0.51%

LAB 53.02, -2.38, -15.58

 

CMYK 4 / 2 / 0 / 48

HEX #7F8184

RGB 127 129 132

HSL 216, 0.02%, 0.51%

LAB 53.9, -0.13, -1.89

 

CMYK 78 / 0 / 2 / 16

HEX #2ED5D0

RGB 46 213 208

HSL 178.2, 0.67%, 0.51%

LAB 77.71, -41.14, -9.33

 

CMYK 78 / 18 / 0 / 16

HEX #2EAED5

RGB 46 174 213

HSL 194.01, 0.67%, 0.51%

LAB 66.26, -20.79, -29.42

 

CMYK 78 / 39 / 0 / 16

HEX #2E82D5

RGB 46 130 213

HSL 209.82, 0.67%, 0.51%

LAB 53.33, 4, -49.69

 

CMYK 78 / 60 / 0 / 16

HEX #2E55D5

RGB 46 85 213

HSL 225.99, 0.67%, 0.51%

LAB 41.03, 32.47, -69.54

 

CMYK 76 / 78 / 0 / 16

HEX #332ED5

RGB 51 46 213

HSL 241.8, 0.67%, 0.51%

LAB 32.84, 55.76, -83.01

 

CMYK 80 / 41 / 0 / 42

HEX #1D5794

RGB 29 87 148

HSL 210.76, 0.67%, 0.35%

LAB 36.4, 4.23, -38.79

 

CMYK 80 / 41 / 0 / 29

HEX #246CB6

RGB 36 108 182

HSL 210.41, 0.67%, 0.43%

LAB 44.91, 4.83, -45.36

 

CMYK 78 / 40 / 0 / 16

HEX #2E80D5

RGB 46 128 213

HSL 210.54, 0.67%, 0.51%

LAB 52.76, 5.22, -50.61

 

CMYK 64 / 32 / 0 / 14

HEX #5095DC

RGB 80 149 220

HSL 210.43, 0.67%, 0.59%

LAB 60.22, 0.05, -42.64

 

CMYK 49 / 25 / 0 / 11

HEX #73AAE3

RGB 115 170 227

HSL 210.54, 0.67%, 0.67%

LAB 67.98, -2.53, -34.27

 

CMYK 79 / 40 / 0 / 16

HEX #2D80D6

RGB 45 128 214

HSL 210.53, 0.67%, 0.51%

LAB 52.79, 5.49, -51.12

 

CMYK 23 / 78 / 0 / 16

HEX #A32ED5

RGB 163 46 213

HSL 282.04, 0.67%, 0.51%

LAB 45, 70.11, -62.6

 

CMYK 8 / 0 / 78 / 16

HEX #C5D52E

RGB 197 213 46

HSL 65.75, 0.67%, 0.51%

LAB 81.65, -24.64, 73.54

 

CMYK 79 / 40 / 0 / 16

HEX #2D80D6

RGB 45 128 214

HSL 210.53, 0.67%, 0.51%

LAB 52.79, 5.49, -51.12

 

CMYK 0 / 78 / 39 / 16

HEX #D52E82

RGB 213 46 130

HSL 329.82, 0.67%, 0.51%

LAB 49.14, 68.65, -6.49

 

CMYK 39 / 0 / 78 / 16

HEX #82D52E

RGB 130 213 46

HSL 89.82, 0.67%, 0.51%

LAB 77.6, -50.27, 68.34

 

CMYK 79 / 40 / 0 / 16

HEX #2D80D6

RGB 45 128 214

HSL 210.53, 0.67%, 0.51%

LAB 52.79, 5.49, -51.12

 

CMYK 23 / 78 / 0 / 16

HEX #A32ED5

RGB 163 46 213

HSL 282.04, 0.67%, 0.51%

LAB 45, 70.11, -62.6

 

CMYK 0 / 39 / 78 / 16

HEX #D5822E

RGB 213 130 46

HSL 30.18, 0.67%, 0.51%

LAB 61.92, 25.62, 56.01

 

CMYK 55 / 0 / 78 / 16

HEX #60D52E

RGB 96 213 46

HSL 102.04, 0.67%, 0.51%

LAB 76.24, -60.53, 66.58

 

CMYK 79 / 40 / 0 / 16

HEX #2D80D6

RGB 45 128 214

HSL 210.53, 0.67%, 0.51%

LAB 52.79, 5.49, -51.12

 

CMYK 0 / 78 / 0 / 16

HEX #D52ED5

RGB 213 46 213

HSL 300, 0.67%, 0.51%

LAB 52.84, 79.28, -49.58

 

CMYK 0 / 39 / 78 / 16

HEX #D5822E

RGB 213 130 46

HSL 30.18, 0.67%, 0.51%

LAB 61.92, 25.62, 56.01

 

CMYK 78 / 0 / 78 / 16

HEX #2ED52E

RGB 46 213 46

HSL 120, 0.67%, 0.51%

LAB 75.06, -70.36, 65.04

 

Description

Color code: HEX #2D80D6 | qconv.com Color code: HEX #2D80D6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 128 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 128 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 40 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 40% 0% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

82% - Live preview for Mot...
Link: http://www.templatemonster.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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