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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D7CDF it is the complementary color #D28320. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D7CDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D7CDF shade: #327CDA, #438EED, #54A0FF, #65B2FF and #76C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D7CDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D7CDF shade: #2D7CDF, #1C6ACC, #0B58B9, #0046A6 and #003493

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D7CDF shade: #2E7DE0, #2E4DE0, #3F2EE0, #6F2EE0 and #9F2EE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D7CDF shade: #2E7DE0, #2E4DE0 and #2E2EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D7CDF shade matches the following richer shades: #2E7DE0 and #1B7BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D7CDF shade: #2E7DE0, #427FCC, #5582B9, #6984A6 and #7C8692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D7CDF shade: #2EDDE0, #2EAEE0, #2E7EE0, #2E4FE0 and #3D2EE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D7CDF shade: #1856A3, #1E69C7, #2E7DE0, #5294E5 and #76AAEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D7CDF shade: #2D7CDF, #B32EE0 and #C5E02E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D7CDF shade: #2D7CDF, #E02E7E and #7EE02E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D7CDF shade: #2D7CDF, #B32EE0, #E0902E and #5BE02E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D7CDF shade: #2D7CDF, #E02ED7, #E0902E and #2EE037

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 44 / 0 / 13

HEX #2D7CDF

RGB 45 124 223

HSL 213.37, 0.74%, 0.53%

LAB 52.18, 11.31, -57.17

 

Complementary color

CMYK 0 / 38 / 85 / 18

HEX #D28320

RGB 210 131 32

HSL 33.37, 0.74%, 0.47%

LAB 61.69, 23.37, 60.82

 

CMYK 77 / 43 / 0 / 15

HEX #327CDA

RGB 50 124 218

HSL 213.57, 0.69%, 0.53%

LAB 52.01, 9.97, -54.61

 

CMYK 72 / 40 / 0 / 7

HEX #438EED

RGB 67 142 237

HSL 213.53, 0.83%, 0.6%

LAB 58.65, 8.01, -54.59

 

CMYK 67 / 37 / 0 / 0

HEX #54A0FF

RGB 84 160 255

HSL 213.33, 1%, 0.66%

LAB 65.16, 6.08, -54.1

 

CMYK 60 / 30 / 0 / 0

HEX #65B2FF

RGB 101 178 255

HSL 210, 1%, 0.7%

LAB 70.75, -1.32, -45.23

 

CMYK 54 / 23 / 0 / 0

HEX #76C4FF

RGB 118 196 255

HSL 205.84, 1%, 0.73%

LAB 76.41, -7.85, -36.36

 

CMYK 80 / 44 / 0 / 13

HEX #2D7CDF

RGB 45 124 223

HSL 213.37, 0.74%, 0.53%

LAB 52.18, 11.31, -57.17

 

CMYK 86 / 48 / 0 / 20

HEX #1C6ACC

RGB 28 106 204

HSL 213.41, 0.76%, 0.45%

LAB 45.52, 13.94, -57.11

 

CMYK 94 / 52 / 0 / 27

HEX #0B58B9

RGB 11 88 185

HSL 213.45, 0.89%, 0.38%

LAB 38.82, 17.2, -56.94

 

CMYK 100 / 58 / 0 / 35

HEX #0046A6

RGB 0 70 166

HSL 214.7, 1%, 0.33%

LAB 32.11, 21.15, -56.59

 

CMYK 100 / 65 / 0 / 42

HEX #003493

RGB 0 52 147

HSL 218.78, 1%, 0.29%

LAB 25.45, 25.75, -55.93

 

CMYK 79 / 44 / 0 / 12

HEX #2E7DE0

RGB 46 125 224

HSL 213.37, 0.74%, 0.53%

LAB 52.54, 11.16, -57.15

 

CMYK 79 / 66 / 0 / 12

HEX #2E4DE0

RGB 46 77 224

HSL 229.55, 0.74%, 0.53%

LAB 40.03, 41.49, -77.46

 

CMYK 72 / 79 / 0 / 12

HEX #3F2EE0

RGB 63 46 224

HSL 245.73, 0.74%, 0.53%

LAB 34.79, 59.91, -86.09

 

CMYK 50 / 79 / 0 / 12

HEX #6F2EE0

RGB 111 46 224

HSL 261.91, 0.74%, 0.53%

LAB 39.1, 64.72, -78.83

 

CMYK 29 / 79 / 0 / 12

HEX #9F2EE0

RGB 159 46 224

HSL 278.09, 0.74%, 0.53%

LAB 45.23, 71.64, -68.55

 

CMYK 79 / 44 / 0 / 12

HEX #2E7DE0

RGB 46 125 224

HSL 213.37, 0.74%, 0.53%

LAB 52.54, 11.16, -57.15

 

CMYK 79 / 66 / 0 / 12

HEX #2E4DE0

RGB 46 77 224

HSL 229.55, 0.74%, 0.53%

LAB 40.03, 41.49, -77.46

 

CMYK 79 / 79 / 0 / 12

HEX #2E2EE0

RGB 46 46 224

HSL 240, 0.74%, 0.53%

LAB 33.81, 58.82, -87.74

 

CMYK 79 / 44 / 0 / 12

HEX #2E7DE0

RGB 46 125 224

HSL 213.37, 0.74%, 0.53%

LAB 52.54, 11.16, -57.15

 

CMYK 89 / 49 / 0 / 5

HEX #1B7BF3

RGB 27 123 243

HSL 213.33, 0.9%, 0.53%

LAB 52.81, 18.18, -67.36

 

CMYK 79 / 44 / 0 / 12

HEX #2E7DE0

RGB 46 125 224

HSL 213.37, 0.74%, 0.53%

LAB 52.54, 11.16, -57.15

 

CMYK 68 / 38 / 0 / 20

HEX #427FCC

RGB 66 127 204

HSL 213.48, 0.58%, 0.53%

LAB 52.62, 5.24, -45.69

 

CMYK 54 / 30 / 0 / 27

HEX #5582B9

RGB 85 130 185

HSL 213, 0.42%, 0.53%

LAB 53.38, 0.72, -33.58

 

CMYK 37 / 20 / 0 / 35

HEX #6984A6

RGB 105 132 166

HSL 213.44, 0.26%, 0.53%

LAB 54.3, -0.94, -21.15

 

CMYK 15 / 8 / 0 / 43

HEX #7C8692

RGB 124 134 146

HSL 212.73, 0.09%, 0.53%

LAB 55.49, -1.04, -7.67

 

CMYK 79 / 1 / 0 / 12

HEX #2EDDE0

RGB 46 221 224

HSL 181.01, 0.74%, 0.53%

LAB 80.56, -40.14, -13.63

 

CMYK 79 / 22 / 0 / 12

HEX #2EAEE0

RGB 46 174 224

HSL 196.85, 0.74%, 0.53%

LAB 66.7, -17.1, -34.79

 

CMYK 79 / 44 / 0 / 12

HEX #2E7EE0

RGB 46 126 224

HSL 213.03, 0.74%, 0.53%

LAB 52.82, 10.54, -56.7

 

CMYK 79 / 65 / 0 / 12

HEX #2E4FE0

RGB 46 79 224

HSL 228.88, 0.74%, 0.53%

LAB 40.5, 40.25, -76.7

 

CMYK 73 / 79 / 0 / 12

HEX #3D2EE0

RGB 61 46 224

HSL 245.06, 0.74%, 0.53%

LAB 34.66, 59.76, -86.31

 

CMYK 85 / 47 / 0 / 36

HEX #1856A3

RGB 24 86 163

HSL 213.24, 0.74%, 0.37%

LAB 36.92, 10.4, -46.98

 

CMYK 85 / 47 / 0 / 22

HEX #1E69C7

RGB 30 105 199

HSL 213.37, 0.74%, 0.45%

LAB 44.95, 12.78, -55.16

 

CMYK 79 / 44 / 0 / 12

HEX #2E7DE0

RGB 46 125 224

HSL 213.37, 0.74%, 0.53%

LAB 52.54, 11.16, -57.15

 

CMYK 64 / 35 / 0 / 10

HEX #5294E5

RGB 82 148 229

HSL 213.06, 0.74%, 0.61%

LAB 60.45, 3.99, -47.26

 

CMYK 50 / 28 / 0 / 8

HEX #76AAEB

RGB 118 170 235

HSL 213.33, 0.75%, 0.69%

LAB 68.46, 0.51, -37.89

 

CMYK 80 / 44 / 0 / 13

HEX #2D7CDF

RGB 45 124 223

HSL 213.37, 0.74%, 0.53%

LAB 52.18, 11.31, -57.17

 

CMYK 20 / 79 / 0 / 12

HEX #B32EE0

RGB 179 46 224

HSL 284.83, 0.74%, 0.53%

LAB 48.16, 74.95, -63.66

 

CMYK 12 / 0 / 79 / 12

HEX #C5E02E

RGB 197 224 46

HSL 69.1, 0.74%, 0.53%

LAB 84.68, -29.86, 76.23

 

CMYK 80 / 44 / 0 / 13

HEX #2D7CDF

RGB 45 124 223

HSL 213.37, 0.74%, 0.53%

LAB 52.18, 11.31, -57.17

 

CMYK 0 / 79 / 44 / 12

HEX #E02E7E

RGB 224 46 126

HSL 333.03, 0.74%, 0.53%

LAB 51.05, 71.04, -1.04

 

CMYK 44 / 0 / 79 / 12

HEX #7EE02E

RGB 126 224 46

HSL 93.03, 0.74%, 0.53%

LAB 80.71, -55.91, 71.16

 

CMYK 80 / 44 / 0 / 13

HEX #2D7CDF

RGB 45 124 223

HSL 213.37, 0.74%, 0.53%

LAB 52.18, 11.31, -57.17

 

CMYK 20 / 79 / 0 / 12

HEX #B32EE0

RGB 179 46 224

HSL 284.83, 0.74%, 0.53%

LAB 48.16, 74.95, -63.66

 

CMYK 0 / 36 / 79 / 12

HEX #E0902E

RGB 224 144 46

HSL 33.03, 0.74%, 0.53%

LAB 66.51, 22.77, 60.79

 

CMYK 59 / 0 / 79 / 12

HEX #5BE02E

RGB 91 224 46

HSL 104.83, 0.74%, 0.53%

LAB 79.46, -65.59, 69.55

 

CMYK 80 / 44 / 0 / 13

HEX #2D7CDF

RGB 45 124 223

HSL 213.37, 0.74%, 0.53%

LAB 52.18, 11.31, -57.17

 

CMYK 0 / 79 / 4 / 12

HEX #E02ED7

RGB 224 46 215

HSL 303.03, 0.74%, 0.53%

LAB 54.77, 81.7, -47.55

 

CMYK 0 / 36 / 79 / 12

HEX #E0902E

RGB 224 144 46

HSL 33.03, 0.74%, 0.53%

LAB 66.51, 22.77, 60.79

 

CMYK 79 / 0 / 75 / 12

HEX #2EE037

RGB 46 224 55

HSL 123.03, 0.74%, 0.53%

LAB 78.56, -73.03, 65.65

 

Description

Color code: HEX #2D7CDF | qconv.com Color code: HEX #2D7CDF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 124 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 124 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 44 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 44% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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