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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D7C0E it is the complementary color #D283F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D7C0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D7C0E shade: #327C09, #438E1C, #54A02F, #65B242 and #76C455

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D7C0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D7C0E shade: #2D7C0E, #1C6A00, #0B5800, #004600 and #003400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D7C0E shade: #2D7C0E, #4B7C0E, #687C0E, #7C720E and #7C540E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D7C0E shade: #2D7C0E, #0F7C0E, #0E7C2A, #0E7C48 and #0E7C66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D7C0E shade matches the following richer shades: #2D7C0E and #288703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D7C0E shade: #2D7C0E, #327119, #376624, #3B5B2F and #404F3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D7C0E shade: #687C0E, #4A7C0E, #2D7C0E, #107C0E and #0E7C29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D7C0E shade: #123206, #1F570A, #2D7C0E, #3AA112 and #48C616

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D7C0E shade: #2D7C0E, #0E7C73 and #7C0E59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D7C0E shade: #2D7C0E, #0E2D7C and #7C0E2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D7C0E shade: #2D7C0E, #0E7C73, #5D0E7C and #7C0E17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D7C0E shade: #2D7C0E, #0E647C, #5D0E7C and #7C260E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

Complementary color

CMYK 13 / 46 / 0 / 5

HEX #D283F1

RGB 210 131 241

HSL 283.09, 0.8%, 0.73%

LAB 66.74, 48.53, -43.33

 

CMYK 60 / 0 / 93 / 51

HEX #327C09

RGB 50 124 9

HSL 98.61, 0.86%, 0.26%

LAB 45.79, -42.1, 48.04

 

CMYK 53 / 0 / 80 / 44

HEX #438E1C

RGB 67 142 28

HSL 99.47, 0.67%, 0.33%

LAB 52.53, -43.21, 49.34

 

CMYK 48 / 0 / 71 / 37

HEX #54A02F

RGB 84 160 47

HSL 100.35, 0.55%, 0.41%

LAB 59.19, -43.82, 49.27

 

CMYK 43 / 0 / 63 / 30

HEX #65B242

RGB 101 178 66

HSL 101.25, 0.46%, 0.48%

LAB 65.75, -44.12, 48.55

 

CMYK 40 / 0 / 57 / 23

HEX #76C455

RGB 118 196 85

HSL 102.16, 0.48%, 0.55%

LAB 72.22, -44.23, 47.53

 

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

CMYK 74 / 0 / 100 / 58

HEX #1C6A00

RGB 28 106 0

HSL 104.15, 1%, 0.21%

LAB 38.82, -41.36, 44.14

 

CMYK 88 / 0 / 100 / 65

HEX #0B5800

RGB 11 88 0

HSL 112.5, 1%, 0.17%

LAB 31.92, -38.21, 38.49

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

CMYK 40 / 0 / 89 / 51

HEX #4B7C0E

RGB 75 124 14

HSL 86.73, 0.8%, 0.27%

LAB 46.9, -33.6, 48.34

 

CMYK 16 / 0 / 89 / 51

HEX #687C0E

RGB 104 124 14

HSL 70.91, 0.8%, 0.27%

LAB 48.75, -21.5, 50.65

 

CMYK 0 / 8 / 89 / 51

HEX #7C720E

RGB 124 114 14

HSL 54.55, 0.8%, 0.27%

LAB 47.43, -6.81, 50.25

 

CMYK 0 / 32 / 89 / 51

HEX #7C540E

RGB 124 84 14

HSL 38.18, 0.8%, 0.27%

LAB 39, 10.68, 43.29

 

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

CMYK 88 / 0 / 89 / 51

HEX #0F7C0E

RGB 15 124 14

HSL 119.45, 0.8%, 0.27%

LAB 45.01, -48.67, 45.95

 

CMYK 89 / 0 / 66 / 51

HEX #0E7C2A

RGB 14 124 42

HSL 135.27, 0.8%, 0.27%

LAB 45.19, -46.39, 35.78

 

CMYK 89 / 0 / 42 / 51

HEX #0E7C48

RGB 14 124 72

HSL 151.64, 0.8%, 0.27%

LAB 45.6, -41.42, 20.5

 

CMYK 89 / 0 / 18 / 51

HEX #0E7C66

RGB 14 124 102

HSL 168, 0.8%, 0.27%

LAB 46.27, -34.04, 3.97

 

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

CMYK 70 / 0 / 98 / 47

HEX #288703

RGB 40 135 3

HSL 103.18, 0.96%, 0.27%

LAB 49.24, -48.69, 51.96

 

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

CMYK 56 / 0 / 78 / 56

HEX #327119

RGB 50 113 25

HSL 102.95, 0.64%, 0.27%

LAB 42.09, -36.93, 40.06

 

CMYK 46 / 0 / 65 / 60

HEX #376624

RGB 55 102 36

HSL 102.73, 0.48%, 0.27%

LAB 38.62, -29.47, 31.61

 

CMYK 35 / 0 / 48 / 64

HEX #3B5B2F

RGB 59 91 47

HSL 103.64, 0.32%, 0.27%

LAB 35.24, -21.12, 21.67

 

CMYK 19 / 0 / 27 / 69

HEX #404F3A

RGB 64 79 58

HSL 102.86, 0.15%, 0.27%

LAB 31.78, -10.53, 10.51

 

CMYK 16 / 0 / 89 / 51

HEX #687C0E

RGB 104 124 14

HSL 70.91, 0.8%, 0.27%

LAB 48.75, -21.5, 50.65

 

CMYK 40 / 0 / 89 / 51

HEX #4A7C0E

RGB 74 124 14

HSL 87.27, 0.8%, 0.27%

LAB 46.85, -33.98, 48.27

 

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

CMYK 87 / 0 / 89 / 51

HEX #107C0E

RGB 16 124 14

HSL 118.91, 0.8%, 0.27%

LAB 45.02, -48.56, 45.97

 

CMYK 89 / 0 / 67 / 51

HEX #0E7C29

RGB 14 124 41

HSL 134.73, 0.8%, 0.27%

LAB 45.18, -46.52, 36.23

 

CMYK 64 / 0 / 88 / 80

HEX #123206

RGB 18 50 6

HSL 103.64, 0.79%, 0.11%

LAB 17.57, -21.45, 22.21

 

CMYK 64 / 0 / 89 / 66

HEX #1F570A

RGB 31 87 10

HSL 103.64, 0.79%, 0.19%

LAB 32.1, -33, 35.51

 

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

CMYK 64 / 0 / 89 / 37

HEX #3AA112

RGB 58 161 18

HSL 103.22, 0.8%, 0.35%

LAB 58.45, -53.12, 57.19

 

CMYK 64 / 0 / 89 / 22

HEX #48C616

RGB 72 198 22

HSL 102.95, 0.8%, 0.43%

LAB 70.75, -62.29, 67.15

 

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

CMYK 89 / 0 / 7 / 51

HEX #0E7C73

RGB 14 124 115

HSL 175.09, 0.8%, 0.27%

LAB 46.64, -30.21, -3.18

 

CMYK 0 / 89 / 28 / 51

HEX #7C0E59

RGB 124 14 89

HSL 319.09, 0.8%, 0.27%

LAB 27.63, 50.11, -14.82

 

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

CMYK 89 / 64 / 0 / 51

HEX #0E2D7C

RGB 14 45 124

HSL 223.09, 0.8%, 0.27%

LAB 21.67, 21.89, -47.74

 

CMYK 0 / 89 / 64 / 51

HEX #7C0E2D

RGB 124 14 45

HSL 343.09, 0.8%, 0.27%

LAB 26.12, 45.85, 12.66

 

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

CMYK 89 / 0 / 7 / 51

HEX #0E7C73

RGB 14 124 115

HSL 175.09, 0.8%, 0.27%

LAB 46.64, -30.21, -3.18

 

CMYK 25 / 89 / 0 / 51

HEX #5D0E7C

RGB 93 14 124

HSL 283.09, 0.8%, 0.27%

LAB 23.99, 49.55, -43.64

 

CMYK 0 / 89 / 81 / 51

HEX #7C0E17

RGB 124 14 23

HSL 355.09, 0.8%, 0.27%

LAB 25.75, 44.74, 26.79

 

CMYK 64 / 0 / 89 / 51

HEX #2D7C0E

RGB 45 124 14

HSL 103.09, 0.8%, 0.27%

LAB 45.64, -43.25, 46.75

 

CMYK 89 / 19 / 0 / 51

HEX #0E647C

RGB 14 100 124

HSL 193.09, 0.8%, 0.27%

LAB 39.01, -14.59, -20.13

 

CMYK 25 / 89 / 0 / 51

HEX #5D0E7C

RGB 93 14 124

HSL 283.09, 0.8%, 0.27%

LAB 23.99, 49.55, -43.64

 

CMYK 0 / 69 / 89 / 51

HEX #7C260E

RGB 124 38 14

HSL 13.09, 0.8%, 0.27%

LAB 28.65, 36.15, 34.58

 

Description

Color code: HEX #2D7C0E | qconv.com Color code: HEX #2D7C0E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 124 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 124 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 89 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 89% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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