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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D7319 it is the complementary color #D28CE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D7319. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D7319 shade: #327314, #438527, #54973A, #65A94D and #76BB60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D7319. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D7319 shade: #2D7319, #1C6106, #0B4F00, #003D00 and #002B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D7319 shade: #2C7119, #447119, #5C7119, #716E19 and #715619

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D7319 shade: #2C7119, #19711D, #197135, #19714D and #197164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D7319 shade matches the following richer shades: #2C7119, #267C0E and #208703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D7319 shade: #2C7119, #336624, #395B2F, #3F4F3A and #454445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D7319 shade: #5C7119, #457119, #2D7119, #19711C and #197133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D7319 shade: #122D0A, #1F4F11, #2C7119, #3A9320 and #47B528

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D7319 shade: #2D7319, #19716E and #711951

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D7319 shade: #2D7319, #192D71 and #71192D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D7319 shade: #2D7319, #19716E, #5C1971 and #71191C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D7319 shade: #2D7319, #195971, #5C1971 and #713019

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 78 / 55

HEX #2D7319

RGB 45 115 25

HSL 106.67, 0.64%, 0.27%

LAB 42.6, -39.18, 40.5

 

Complementary color

CMYK 9 / 39 / 0 / 10

HEX #D28CE6

RGB 210 140 230

HSL 286.67, 0.64%, 0.73%

LAB 68.15, 41.57, -35.08

 

CMYK 57 / 0 / 83 / 55

HEX #327314

RGB 50 115 20

HSL 101.05, 0.7%, 0.26%

LAB 42.75, -38.08, 42.47

 

CMYK 50 / 0 / 71 / 48

HEX #438527

RGB 67 133 39

HSL 102.13, 0.55%, 0.34%

LAB 49.64, -38.74, 42.35

 

CMYK 44 / 0 / 62 / 41

HEX #54973A

RGB 84 151 58

HSL 103.23, 0.44%, 0.41%

LAB 56.41, -39.02, 41.49

 

CMYK 40 / 0 / 54 / 34

HEX #65A94D

RGB 101 169 77

HSL 104.35, 0.37%, 0.48%

LAB 63.08, -39.08, 40.36

 

CMYK 37 / 0 / 49 / 27

HEX #76BB60

RGB 118 187 96

HSL 105.49, 0.4%, 0.55%

LAB 69.64, -39.02, 39.14

 

CMYK 61 / 0 / 78 / 55

HEX #2D7319

RGB 45 115 25

HSL 106.67, 0.64%, 0.27%

LAB 42.6, -39.18, 40.5

 

CMYK 71 / 0 / 94 / 62

HEX #1C6106

RGB 28 97 6

HSL 105.49, 0.88%, 0.2%

LAB 35.61, -37.84, 39.8

 

CMYK 86 / 0 / 100 / 69

HEX #0B4F00

RGB 11 79 0

HSL 111.65, 1%, 0.15%

LAB 28.55, -35.16, 35.79

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 61 / 0 / 78 / 56

HEX #2C7119

RGB 44 113 25

HSL 107.05, 0.64%, 0.27%

LAB 41.87, -38.67, 39.77

 

CMYK 40 / 0 / 78 / 56

HEX #447119

RGB 68 113 25

HSL 90.68, 0.64%, 0.27%

LAB 42.93, -30.71, 41.17

 

CMYK 19 / 0 / 78 / 56

HEX #5C7119

RGB 92 113 25

HSL 74.32, 0.64%, 0.27%

LAB 44.46, -20.72, 43.17

 

CMYK 0 / 3 / 78 / 56

HEX #716E19

RGB 113 110 25

HSL 57.95, 0.64%, 0.27%

LAB 45.27, -9.39, 44.55

 

CMYK 0 / 24 / 78 / 56

HEX #715619

RGB 113 86 25

HSL 41.59, 0.64%, 0.27%

LAB 38.26, 4.59, 37.86

 

CMYK 61 / 0 / 78 / 56

HEX #2C7119

RGB 44 113 25

HSL 107.05, 0.64%, 0.27%

LAB 41.87, -38.67, 39.77

 

CMYK 78 / 0 / 74 / 56

HEX #19711D

RGB 25 113 29

HSL 122.73, 0.64%, 0.27%

LAB 41.38, -42.58, 37.51

 

CMYK 78 / 0 / 53 / 56

HEX #197135

RGB 25 113 53

HSL 139.09, 0.64%, 0.27%

LAB 41.65, -39.41, 26.04

 

CMYK 78 / 0 / 32 / 56

HEX #19714D

RGB 25 113 77

HSL 155.45, 0.64%, 0.27%

LAB 42.08, -34.51, 12.89

 

CMYK 78 / 0 / 12 / 56

HEX #197164

RGB 25 113 100

HSL 171.14, 0.64%, 0.27%

LAB 42.67, -28.36, -0.03

 

CMYK 61 / 0 / 78 / 56

HEX #2C7119

RGB 44 113 25

HSL 107.05, 0.64%, 0.27%

LAB 41.87, -38.67, 39.77

 

CMYK 69 / 0 / 89 / 51

HEX #267C0E

RGB 38 124 14

HSL 106.91, 0.8%, 0.27%

LAB 45.44, -44.92, 46.5

 

CMYK 76 / 0 / 98 / 47

HEX #208703

RGB 32 135 3

HSL 106.82, 0.96%, 0.27%

LAB 49.06, -50.22, 51.75

 

CMYK 61 / 0 / 78 / 56

HEX #2C7119

RGB 44 113 25

HSL 107.05, 0.64%, 0.27%

LAB 41.87, -38.67, 39.77

 

CMYK 50 / 0 / 65 / 60

HEX #336624

RGB 51 102 36

HSL 106.36, 0.48%, 0.27%

LAB 38.44, -30.85, 31.34

 

CMYK 37 / 0 / 48 / 64

HEX #395B2F

RGB 57 91 47

HSL 106.36, 0.32%, 0.27%

LAB 35.12, -21.9, 21.49

 

CMYK 20 / 0 / 27 / 69

HEX #3F4F3A

RGB 63 79 58

HSL 105.71, 0.15%, 0.27%

LAB 31.7, -10.94, 10.39

 

CMYK 0 / 1 / 0 / 73

HEX #454445

RGB 69 68 69

HSL 300, 0.01%, 0.27%

LAB 28.98, 0.64, -0.46

 

CMYK 19 / 0 / 78 / 56

HEX #5C7119

RGB 92 113 25

HSL 74.32, 0.64%, 0.27%

LAB 44.46, -20.72, 43.17

 

CMYK 39 / 0 / 78 / 56

HEX #457119

RGB 69 113 25

HSL 90, 0.64%, 0.27%

LAB 42.98, -30.33, 41.24

 

CMYK 60 / 0 / 78 / 56

HEX #2D7119

RGB 45 113 25

HSL 106.36, 0.64%, 0.27%

LAB 41.9, -38.39, 39.81

 

CMYK 78 / 0 / 75 / 56

HEX #19711C

RGB 25 113 28

HSL 122.05, 0.64%, 0.27%

LAB 41.38, -42.68, 37.91

 

CMYK 78 / 0 / 55 / 56

HEX #197133

RGB 25 113 51

HSL 137.73, 0.64%, 0.27%

LAB 41.62, -39.75, 27.09

 

CMYK 60 / 0 / 78 / 82

HEX #122D0A

RGB 18 45 10

HSL 106.29, 0.64%, 0.11%

LAB 15.63, -18.55, 18.18

 

CMYK 61 / 0 / 78 / 69

HEX #1F4F11

RGB 31 79 17

HSL 106.45, 0.65%, 0.19%

LAB 29.22, -29.16, 30.11

 

CMYK 61 / 0 / 78 / 56

HEX #2C7119

RGB 44 113 25

HSL 107.05, 0.64%, 0.27%

LAB 41.87, -38.67, 39.77

 

CMYK 61 / 0 / 78 / 42

HEX #3A9320

RGB 58 147 32

HSL 106.43, 0.64%, 0.35%

LAB 53.89, -47.39, 49.2

 

CMYK 61 / 0 / 78 / 29

HEX #47B528

RGB 71 181 40

HSL 106.81, 0.64%, 0.43%

LAB 65.39, -55.89, 57.81

 

CMYK 61 / 0 / 78 / 55

HEX #2D7319

RGB 45 115 25

HSL 106.67, 0.64%, 0.27%

LAB 42.6, -39.18, 40.5

 

CMYK 78 / 0 / 3 / 56

HEX #19716E

RGB 25 113 110

HSL 177.95, 0.64%, 0.27%

LAB 42.98, -25.3, -5.6

 

CMYK 0 / 78 / 28 / 56

HEX #711951

RGB 113 25 81

HSL 321.82, 0.64%, 0.27%

LAB 26.16, 43.13, -11.96

 

CMYK 61 / 0 / 78 / 55

HEX #2D7319

RGB 45 115 25

HSL 106.67, 0.64%, 0.27%

LAB 42.6, -39.18, 40.5

 

CMYK 78 / 60 / 0 / 56

HEX #192D71

RGB 25 45 113

HSL 226.36, 0.64%, 0.27%

LAB 21.12, 18.45, -41.61

 

CMYK 0 / 78 / 60 / 56

HEX #71192D

RGB 113 25 45

HSL 346.36, 0.64%, 0.27%

LAB 24.94, 39.25, 10.66

 

CMYK 61 / 0 / 78 / 55

HEX #2D7319

RGB 45 115 25

HSL 106.67, 0.64%, 0.27%

LAB 42.6, -39.18, 40.5

 

CMYK 78 / 0 / 3 / 56

HEX #19716E

RGB 25 113 110

HSL 177.95, 0.64%, 0.27%

LAB 42.98, -25.3, -5.6

 

CMYK 19 / 78 / 0 / 56

HEX #5C1971

RGB 92 25 113

HSL 285.68, 0.64%, 0.27%

LAB 24.2, 43.45, -36.27

 

CMYK 0 / 78 / 75 / 56

HEX #71191C

RGB 113 25 28

HSL 357.95, 0.64%, 0.27%

LAB 24.61, 38.16, 21.66

 

CMYK 61 / 0 / 78 / 55

HEX #2D7319

RGB 45 115 25

HSL 106.67, 0.64%, 0.27%

LAB 42.6, -39.18, 40.5

 

CMYK 78 / 21 / 0 / 56

HEX #195971

RGB 25 89 113

HSL 196.36, 0.64%, 0.27%

LAB 35.09, -11.1, -19.41

 

CMYK 19 / 78 / 0 / 56

HEX #5C1971

RGB 92 25 113

HSL 285.68, 0.64%, 0.27%

LAB 24.2, 43.45, -36.27

 

CMYK 0 / 58 / 78 / 56

HEX #713019

RGB 113 48 25

HSL 15.68, 0.64%, 0.27%

LAB 28.63, 27.14, 28.01

 

Description

Color code: HEX #2D7319 | qconv.com Color code: HEX #2D7319 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 115 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 115 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 78 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 78% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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