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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D6887 it is the complementary color #D29778. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D6887. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D6887 shade: #326882, #437A95, #548CA8, #659EBB and #76B0CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D6887. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D6887 shade: #2D6887, #1C5674, #0B4461, #00324E and #00203B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D6887 shade: #2D6786, #2D4F86, #2D3786, #3A2D86 and #522D86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D6887 shade: #2D6786, #2D4F86, #2D3786 and #2D2D86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D6887 shade matches the following richer shades: #2D6786, #1E6C94, #1070A3 and #0175B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D6887 shade: #2D6786, #3B6377, #4A5E69, #585A5B and #66554C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D6887 shade: #2D8674, #2D8086, #2D6886, #2D5086 and #2D3986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D6887 shade: #183748, #224F67, #2D6786, #377FA5 and #4496C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D6887 shade: #2D6887, #5C2D86 and #86802D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D6887 shade: #2D6887, #862D68 and #68862D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D6887 shade: #2D6887, #5C2D86, #864A2D and #56862D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D6887 shade: #2D6887, #772D86, #864A2D and #3C862D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 23 / 0 / 47

HEX #2D6887

RGB 45 104 135

HSL 200.67, 0.5%, 0.35%

LAB 41.54, -8.84, -22.81

 

Complementary color

CMYK 0 / 28 / 43 / 18

HEX #D29778

RGB 210 151 120

HSL 20.67, 0.5%, 0.65%

LAB 67.42, 18.33, 25.09

 

CMYK 62 / 20 / 0 / 49

HEX #326882

RGB 50 104 130

HSL 199.5, 0.44%, 0.35%

LAB 41.52, -9.58, -19.82

 

CMYK 55 / 18 / 0 / 42

HEX #437A95

RGB 67 122 149

HSL 199.76, 0.38%, 0.42%

LAB 48.61, -10.13, -20.16

 

CMYK 50 / 17 / 0 / 34

HEX #548CA8

RGB 84 140 168

HSL 200, 0.33%, 0.49%

LAB 55.55, -10.51, -20.49

 

CMYK 46 / 16 / 0 / 27

HEX #659EBB

RGB 101 158 187

HSL 200.23, 0.39%, 0.56%

LAB 62.35, -10.79, -20.81

 

CMYK 43 / 15 / 0 / 19

HEX #76B0CE

RGB 118 176 206

HSL 200.45, 0.47%, 0.64%

LAB 69.01, -11.01, -21.13

 

CMYK 67 / 23 / 0 / 47

HEX #2D6887

RGB 45 104 135

HSL 200.67, 0.5%, 0.35%

LAB 41.54, -8.84, -22.81

 

CMYK 76 / 26 / 0 / 55

HEX #1C5674

RGB 28 86 116

HSL 200.45, 0.61%, 0.28%

LAB 34.32, -7.73, -22.46

 

CMYK 89 / 30 / 0 / 62

HEX #0B4461

RGB 11 68 97

HSL 200.23, 0.8%, 0.21%

LAB 26.93, -6.01, -22.03

 

CMYK 100 / 36 / 0 / 69

HEX #00324E

RGB 0 50 78

HSL 201.54, 1%, 0.15%

LAB 19.36, -3.38, -21.47

 

CMYK 100 / 46 / 0 / 77

HEX #00203B

RGB 0 32 59

HSL 207.46, 1%, 0.12%

LAB 11.61, 0.74, -20.65

 

CMYK 66 / 23 / 0 / 47

HEX #2D6786

RGB 45 103 134

HSL 200.9, 0.5%, 0.35%

LAB 41.18, -8.6, -22.77

 

CMYK 66 / 41 / 0 / 47

HEX #2D4F86

RGB 45 79 134

HSL 217.08, 0.5%, 0.35%

LAB 33.71, 6.49, -34.5

 

CMYK 66 / 59 / 0 / 47

HEX #2D3786

RGB 45 55 134

HSL 233.26, 0.5%, 0.35%

LAB 26.77, 22.73, -45.66

 

CMYK 57 / 66 / 0 / 47

HEX #3A2D86

RGB 58 45 134

HSL 248.76, 0.5%, 0.35%

LAB 25.25, 31.63, -48.08

 

CMYK 39 / 66 / 0 / 47

HEX #522D86

RGB 82 45 134

HSL 264.94, 0.5%, 0.35%

LAB 27.82, 36.63, -43.79

 

CMYK 66 / 23 / 0 / 47

HEX #2D6786

RGB 45 103 134

HSL 200.9, 0.5%, 0.35%

LAB 41.18, -8.6, -22.77

 

CMYK 66 / 41 / 0 / 47

HEX #2D4F86

RGB 45 79 134

HSL 217.08, 0.5%, 0.35%

LAB 33.71, 6.49, -34.5

 

CMYK 66 / 59 / 0 / 47

HEX #2D3786

RGB 45 55 134

HSL 233.26, 0.5%, 0.35%

LAB 26.77, 22.73, -45.66

 

CMYK 66 / 66 / 0 / 47

HEX #2D2D86

RGB 45 45 134

HSL 240, 0.5%, 0.35%

LAB 24.18, 29.41, -49.87

 

CMYK 66 / 23 / 0 / 47

HEX #2D6786

RGB 45 103 134

HSL 200.9, 0.5%, 0.35%

LAB 41.18, -8.6, -22.77

 

CMYK 80 / 27 / 0 / 42

HEX #1E6C94

RGB 30 108 148

HSL 200.34, 0.66%, 0.35%

LAB 42.97, -8.75, -28.41

 

CMYK 90 / 31 / 0 / 36

HEX #1070A3

RGB 16 112 163

HSL 200.82, 0.82%, 0.35%

LAB 44.72, -6.66, -34.56

 

CMYK 99 / 34 / 0 / 31

HEX #0175B1

RGB 1 117 177

HSL 200.45, 0.99%, 0.35%

LAB 46.85, -4.9, -39.41

 

CMYK 66 / 23 / 0 / 47

HEX #2D6786

RGB 45 103 134

HSL 200.9, 0.5%, 0.35%

LAB 41.18, -8.6, -22.77

 

CMYK 50 / 17 / 0 / 53

HEX #3B6377

RGB 59 99 119

HSL 200, 0.34%, 0.35%

LAB 39.89, -8.1, -15.61

 

CMYK 30 / 10 / 0 / 59

HEX #4A5E69

RGB 74 94 105

HSL 201.29, 0.17%, 0.35%

LAB 38.69, -4.71, -8.75

 

CMYK 3 / 1 / 0 / 64

HEX #585A5B

RGB 88 90 91

HSL 200, 0.02%, 0.35%

LAB 38.1, -0.57, -0.86

 

CMYK 0 / 17 / 25 / 60

HEX #66554C

RGB 102 85 76

HSL 20.77, 0.15%, 0.35%

LAB 37.56, 5.44, 7.86

 

CMYK 66 / 0 / 13 / 47

HEX #2D8674

RGB 45 134 116

HSL 167.87, 0.5%, 0.35%

LAB 50.53, -30.76, 1.99

 

CMYK 66 / 4 / 0 / 47

HEX #2D8086

RGB 45 128 134

HSL 184.04, 0.5%, 0.35%

LAB 49.15, -22.52, -10.6

 

CMYK 66 / 22 / 0 / 47

HEX #2D6886

RGB 45 104 134

HSL 200.22, 0.5%, 0.35%

LAB 41.5, -9.19, -22.28

 

CMYK 66 / 40 / 0 / 47

HEX #2D5086

RGB 45 80 134

HSL 216.4, 0.5%, 0.35%

LAB 34.02, 5.83, -34.01

 

CMYK 66 / 57 / 0 / 47

HEX #2D3986

RGB 45 57 134

HSL 231.91, 0.5%, 0.35%

LAB 27.31, 21.37, -44.78

 

CMYK 67 / 24 / 0 / 72

HEX #183748

RGB 24 55 72

HSL 201.25, 0.5%, 0.19%

LAB 21.56, -5.43, -13.94

 

CMYK 67 / 23 / 0 / 60

HEX #224F67

RGB 34 79 103

HSL 200.87, 0.5%, 0.27%

LAB 31.6, -7.17, -18.52

 

CMYK 66 / 23 / 0 / 47

HEX #2D6786

RGB 45 103 134

HSL 200.9, 0.5%, 0.35%

LAB 41.18, -8.6, -22.77

 

CMYK 67 / 23 / 0 / 35

HEX #377FA5

RGB 55 127 165

HSL 200.73, 0.5%, 0.43%

LAB 50.34, -10.14, -26.88

 

CMYK 65 / 22 / 0 / 24

HEX #4496C1

RGB 68 150 193

HSL 200.64, 0.5%, 0.51%

LAB 58.87, -11.54, -29.64

 

CMYK 67 / 23 / 0 / 47

HEX #2D6887

RGB 45 104 135

HSL 200.67, 0.5%, 0.35%

LAB 41.54, -8.84, -22.81

 

CMYK 31 / 66 / 0 / 47

HEX #5C2D86

RGB 92 45 134

HSL 271.69, 0.5%, 0.35%

LAB 29.09, 38.94, -41.68

 

CMYK 0 / 4 / 66 / 47

HEX #86802D

RGB 134 128 45

HSL 55.96, 0.5%, 0.35%

LAB 52.62, -8.49, 44.25

 

CMYK 67 / 23 / 0 / 47

HEX #2D6887

RGB 45 104 135

HSL 200.67, 0.5%, 0.35%

LAB 41.54, -8.84, -22.81

 

CMYK 0 / 66 / 22 / 47

HEX #862D68

RGB 134 45 104

HSL 320.22, 0.5%, 0.35%

LAB 33.87, 44.43, -14.8

 

CMYK 22 / 0 / 66 / 47

HEX #68862D

RGB 104 134 45

HSL 80.22, 0.5%, 0.35%

LAB 52.04, -24.85, 42.92

 

CMYK 67 / 23 / 0 / 47

HEX #2D6887

RGB 45 104 135

HSL 200.67, 0.5%, 0.35%

LAB 41.54, -8.84, -22.81

 

CMYK 31 / 66 / 0 / 47

HEX #5C2D86

RGB 92 45 134

HSL 271.69, 0.5%, 0.35%

LAB 29.09, 38.94, -41.68

 

CMYK 0 / 45 / 66 / 47

HEX #864A2D

RGB 134 74 45

HSL 19.55, 0.5%, 0.35%

LAB 38.12, 22.7, 28.12

 

CMYK 36 / 0 / 66 / 47

HEX #56862D

RGB 86 134 45

HSL 92.36, 0.5%, 0.35%

LAB 50.94, -32.01, 41.41

 

CMYK 67 / 23 / 0 / 47

HEX #2D6887

RGB 45 104 135

HSL 200.67, 0.5%, 0.35%

LAB 41.54, -8.84, -22.81

 

CMYK 11 / 66 / 0 / 47

HEX #772D86

RGB 119 45 134

HSL 289.89, 0.5%, 0.35%

LAB 32.96, 45.57, -35.26

 

CMYK 0 / 45 / 66 / 47

HEX #864A2D

RGB 134 74 45

HSL 19.55, 0.5%, 0.35%

LAB 38.12, 22.7, 28.12

 

CMYK 55 / 0 / 66 / 47

HEX #3C862D

RGB 60 134 45

HSL 109.89, 0.5%, 0.35%

LAB 49.74, -40.71, 39.76

 

Description

Color code: HEX #2D6887 | qconv.com Color code: HEX #2D6887 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 104 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 104 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 23 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 23% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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