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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D64FD it is the complementary color #D29B02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D64FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D64FD shade: #3264F8, #4376FF, #5488FF, #659AFF and #76ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D64FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D64FD shade: #2D64FD, #1C52EA, #0B40D7, #002EC4 and #001CB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D64FD shade: #2B62FD, #2C2BFD, #652BFD, #9D2BFD and #D62BFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D64FD shade: #2B62FD and #2B2BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D64FD shade matches the following richer shades: #2B62FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D64FD shade: #2B62FD, #3C6BEC, #4E73DA, #5F7BC9 and #7083B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D64FD shade: #2BD3FD, #2B9BFD, #2B63FD, #2B2BFD and #632BFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D64FD shade: #0239D3, #0345FC, #2B62FD, #5481FD and #7D9FFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D64FD shade: #2D64FD, #EF2BFD and #B7FD2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D64FD shade: #2D64FD, #FD2B63 and #63FD2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D64FD shade: #2D64FD, #EF2BFD, #FDC52B and #39FD2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D64FD shade: #2D64FD, #FD2BCC, #FDC52B and #2BFD5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 60 / 0 / 1

HEX #2D64FD

RGB 45 100 253

HSL 224.13, 0.98%, 0.58%

LAB 47.96, 37.54, -80.79

 

Complementary color

CMYK 0 / 26 / 99 / 18

HEX #D29B02

RGB 210 155 2

HSL 44.13, 0.98%, 0.42%

LAB 67.39, 9.91, 71.17

 

CMYK 80 / 60 / 0 / 3

HEX #3264F8

RGB 50 100 248

HSL 224.85, 0.93%, 0.58%

LAB 47.71, 36.12, -78.4

 

CMYK 74 / 54 / 0 / 0

HEX #4376FF

RGB 67 118 255

HSL 223.72, 1%, 0.63%

LAB 53.35, 29.11, -73.08

 

CMYK 67 / 47 / 0 / 0

HEX #5488FF

RGB 84 136 255

HSL 221.75, 1%, 0.66%

LAB 58.71, 20.34, -64.4

 

CMYK 60 / 40 / 0 / 0

HEX #659AFF

RGB 101 154 255

HSL 219.35, 1%, 0.7%

LAB 64.24, 12.43, -55.51

 

CMYK 54 / 33 / 0 / 0

HEX #76ACFF

RGB 118 172 255

HSL 216.35, 1%, 0.73%

LAB 69.88, 5.38, -46.55

 

CMYK 82 / 60 / 0 / 1

HEX #2D64FD

RGB 45 100 253

HSL 224.13, 0.98%, 0.58%

LAB 47.96, 37.54, -80.79

 

CMYK 88 / 65 / 0 / 8

HEX #1C52EA

RGB 28 82 234

HSL 224.27, 0.83%, 0.51%

LAB 41.57, 40.84, -80.64

 

CMYK 95 / 70 / 0 / 16

HEX #0B40D7

RGB 11 64 215

HSL 224.41, 0.9%, 0.44%

LAB 35.29, 44.46, -80.15

 

CMYK 100 / 77 / 0 / 23

HEX #002EC4

RGB 0 46 196

HSL 225.92, 1%, 0.38%

LAB 29.26, 48.14, -79.09

 

CMYK 100 / 84 / 0 / 31

HEX #001CB1

RGB 0 28 177

HSL 230.51, 1%, 0.35%

LAB 23.69, 51.22, -77.08

 

CMYK 83 / 61 / 0 / 1

HEX #2B62FD

RGB 43 98 253

HSL 224.29, 0.98%, 0.58%

LAB 47.42, 38.64, -81.68

 

CMYK 83 / 83 / 0 / 1

HEX #2C2BFD

RGB 44 43 253

HSL 240.29, 0.98%, 0.58%

LAB 36.66, 68.58, -99.44

 

CMYK 60 / 83 / 0 / 1

HEX #652BFD

RGB 101 43 253

HSL 256.57, 0.98%, 0.58%

LAB 40.55, 72.1, -92.87

 

CMYK 38 / 83 / 0 / 1

HEX #9D2BFD

RGB 157 43 253

HSL 272.57, 0.98%, 0.58%

LAB 46.96, 78.26, -82.09

 

CMYK 15 / 83 / 0 / 1

HEX #D62BFD

RGB 214 43 253

HSL 288.86, 0.98%, 0.58%

LAB 55.19, 86.63, -68.33

 

CMYK 83 / 61 / 0 / 1

HEX #2B62FD

RGB 43 98 253

HSL 224.29, 0.98%, 0.58%

LAB 47.42, 38.64, -81.68

 

CMYK 83 / 83 / 0 / 1

HEX #2B2BFD

RGB 43 43 253

HSL 240, 0.98%, 0.58%

LAB 36.62, 68.55, -99.51

 

CMYK 83 / 61 / 0 / 1

HEX #2B62FD

RGB 43 98 253

HSL 224.29, 0.98%, 0.58%

LAB 47.42, 38.64, -81.68

 

CMYK 83 / 61 / 0 / 1

HEX #2B62FD

RGB 43 98 253

HSL 224.29, 0.98%, 0.58%

LAB 47.42, 38.64, -81.68

 

CMYK 75 / 55 / 0 / 7

HEX #3C6BEC

RGB 60 107 236

HSL 223.98, 0.82%, 0.58%

LAB 48.92, 28.36, -69.7

 

CMYK 64 / 47 / 0 / 15

HEX #4E73DA

RGB 78 115 218

HSL 224.14, 0.65%, 0.58%

LAB 50.62, 19.5, -56.78

 

CMYK 53 / 39 / 0 / 21

HEX #5F7BC9

RGB 95 123 201

HSL 224.15, 0.5%, 0.58%

LAB 52.75, 12.27, -43.69

 

CMYK 39 / 29 / 0 / 28

HEX #7083B8

RGB 112 131 184

HSL 224.17, 0.34%, 0.58%

LAB 55.21, 6.64, -30.04

 

CMYK 83 / 17 / 0 / 1

HEX #2BD3FD

RGB 43 211 253

HSL 192, 0.98%, 0.58%

LAB 78.57, -26.75, -32.1

 

CMYK 83 / 39 / 0 / 1

HEX #2B9BFD

RGB 43 155 253

HSL 208, 0.98%, 0.58%

LAB 62.55, 3.55, -57.22

 

CMYK 83 / 61 / 0 / 1

HEX #2B63FD

RGB 43 99 253

HSL 224, 0.98%, 0.58%

LAB 47.66, 38.02, -81.28

 

CMYK 83 / 83 / 0 / 1

HEX #2B2BFD

RGB 43 43 253

HSL 240, 0.98%, 0.58%

LAB 36.62, 68.55, -99.51

 

CMYK 61 / 83 / 0 / 1

HEX #632BFD

RGB 99 43 253

HSL 256, 0.98%, 0.58%

LAB 40.36, 71.93, -93.18

 

CMYK 99 / 73 / 0 / 17

HEX #0239D3

RGB 2 57 211

HSL 224.21, 0.98%, 0.42%

LAB 33.23, 47.05, -81.26

 

CMYK 99 / 73 / 0 / 1

HEX #0345FC

RGB 3 69 252

HSL 224.1, 0.98%, 0.5%

LAB 40.09, 54.33, -93.22

 

CMYK 83 / 61 / 0 / 1

HEX #2B62FD

RGB 43 98 253

HSL 224.29, 0.98%, 0.58%

LAB 47.42, 38.64, -81.68

 

CMYK 67 / 49 / 0 / 1

HEX #5481FD

RGB 84 129 253

HSL 224.02, 0.98%, 0.66%

LAB 56.76, 23.9, -66.43

 

CMYK 51 / 37 / 0 / 0

HEX #7D9FFE

RGB 125 159 254

HSL 224.19, 0.98%, 0.74%

LAB 66.76, 14.02, -50.9

 

CMYK 82 / 60 / 0 / 1

HEX #2D64FD

RGB 45 100 253

HSL 224.13, 0.98%, 0.58%

LAB 47.96, 37.54, -80.79

 

CMYK 6 / 83 / 0 / 1

HEX #EF2BFD

RGB 239 43 253

HSL 296, 0.98%, 0.58%

LAB 59.13, 90.76, -61.79

 

CMYK 28 / 0 / 83 / 1

HEX #B7FD2B

RGB 183 253 43

HSL 80, 0.98%, 0.58%

LAB 91.91, -48.23, 82.94

 

CMYK 82 / 60 / 0 / 1

HEX #2D64FD

RGB 45 100 253

HSL 224.13, 0.98%, 0.58%

LAB 47.96, 37.54, -80.79

 

CMYK 0 / 83 / 61 / 1

HEX #FD2B63

RGB 253 43 99

HSL 344, 0.98%, 0.58%

LAB 55.6, 77.09, 22.39

 

CMYK 61 / 0 / 83 / 1

HEX #63FD2B

RGB 99 253 43

HSL 104, 0.98%, 0.58%

LAB 88.48, -73.48, 78.61

 

CMYK 82 / 60 / 0 / 1

HEX #2D64FD

RGB 45 100 253

HSL 224.13, 0.98%, 0.58%

LAB 47.96, 37.54, -80.79

 

CMYK 6 / 83 / 0 / 1

HEX #EF2BFD

RGB 239 43 253

HSL 296, 0.98%, 0.58%

LAB 59.13, 90.76, -61.79

 

CMYK 0 / 22 / 83 / 1

HEX #FDC52B

RGB 253 197 43

HSL 44, 0.98%, 0.58%

LAB 82.37, 7.05, 76.89

 

CMYK 77 / 0 / 83 / 1

HEX #39FD2B

RGB 57 253 43

HSL 116, 0.98%, 0.58%

LAB 87.63, -80.77, 77.52

 

CMYK 82 / 60 / 0 / 1

HEX #2D64FD

RGB 45 100 253

HSL 224.13, 0.98%, 0.58%

LAB 47.96, 37.54, -80.79

 

CMYK 0 / 83 / 19 / 1

HEX #FD2BCC

RGB 253 43 204

HSL 314, 0.98%, 0.58%

LAB 58.95, 86.6, -34.36

 

CMYK 0 / 22 / 83 / 1

HEX #FDC52B

RGB 253 197 43

HSL 44, 0.98%, 0.58%

LAB 82.37, 7.05, 76.89

 

CMYK 83 / 0 / 64 / 1

HEX #2BFD5C

RGB 43 253 92

HSL 134, 0.98%, 0.58%

LAB 87.75, -78.66, 61.64

 

Description

Color code: HEX #2D64FD | qconv.com Color code: HEX #2D64FD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 100 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 100 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 60 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 60% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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