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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D6128 it is the complementary color #D29ED7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D6128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D6128 shade: #326123, #437336, #548549, #65975C and #76A96F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D6128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D6128 shade: #2D6128, #1C4F15, #0B3D02, #002B00 and #001900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D6128 shade: #2D6228, #3D6228, #4C6228, #5C6228 and #625828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D6128 shade: #2D6228, #286232, #286242, #286252 and #286261

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D6128 shade matches the following richer shades: #2D6228, #246D1D, #1B7812 and #118307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D6128 shade: #2D6228, #365733, #3F4B3E, #494049 and #523554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D6128 shade: #4D6228, #3D6228, #2E6228, #286232 and #286241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D6128 shade: #122710, #20441C, #2D6228, #3A7F34 and #489C40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D6128 shade: #2D6128, #285C62 and #622845

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D6128 shade: #2D6128, #282E62 and #62282E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D6128 shade: #2D6128, #285C62, #5C2862 and #622E28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D6128 shade: #2D6128, #284B62, #5C2862 and #623F28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 59 / 62

HEX #2D6128

RGB 45 97 40

HSL 114.74, 0.42%, 0.27%

LAB 36.48, -30.04, 26.94

 

Complementary color

CMYK 2 / 27 / 0 / 16

HEX #D29ED7

RGB 210 158 215

HSL 294.74, 0.42%, 0.73%

LAB 71.6, 28.92, -21.51

 

CMYK 48 / 0 / 64 / 62

HEX #326123

RGB 50 97 35

HSL 105.48, 0.47%, 0.26%

LAB 36.65, -29.03, 29.81

 

CMYK 42 / 0 / 53 / 55

HEX #437336

RGB 67 115 54

HSL 107.21, 0.36%, 0.33%

LAB 43.83, -29.06, 28.52

 

CMYK 37 / 0 / 45 / 48

HEX #548549

RGB 84 133 73

HSL 109, 0.29%, 0.4%

LAB 50.85, -28.92, 27.18

 

CMYK 33 / 0 / 39 / 41

HEX #65975C

RGB 101 151 92

HSL 110.85, 0.24%, 0.48%

LAB 57.72, -28.72, 25.9

 

CMYK 30 / 0 / 34 / 34

HEX #76A96F

RGB 118 169 111

HSL 112.76, 0.25%, 0.55%

LAB 64.46, -28.49, 24.69

 

CMYK 54 / 0 / 59 / 62

HEX #2D6128

RGB 45 97 40

HSL 114.74, 0.42%, 0.27%

LAB 36.48, -30.04, 26.94

 

CMYK 65 / 0 / 73 / 69

HEX #1C4F15

RGB 28 79 21

HSL 112.76, 0.58%, 0.2%

LAB 29.14, -29.66, 28.17

 

CMYK 82 / 0 / 97 / 76

HEX #0B3D02

RGB 11 61 2

HSL 110.85, 0.94%, 0.12%

LAB 21.63, -28.48, 28.41

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 100 / 0 / 100 / 90

HEX #001900

RGB 0 25 0

HSL 120, 1%, 0.05%

LAB 6.28, -12.83, 9.17

 

CMYK 54 / 0 / 59 / 62

HEX #2D6228

RGB 45 98 40

HSL 114.83, 0.42%, 0.27%

LAB 36.83, -30.5, 27.35

 

CMYK 38 / 0 / 59 / 62

HEX #3D6228

RGB 61 98 40

HSL 98.28, 0.42%, 0.27%

LAB 37.63, -24.86, 28.49

 

CMYK 22 / 0 / 59 / 62

HEX #4C6228

RGB 76 98 40

HSL 82.76, 0.42%, 0.27%

LAB 38.59, -18.68, 29.86

 

CMYK 6 / 0 / 59 / 62

HEX #5C6228

RGB 92 98 40

HSL 66.21, 0.42%, 0.27%

LAB 39.86, -11.48, 31.64

 

CMYK 0 / 10 / 59 / 62

HEX #625828

RGB 98 88 40

HSL 49.66, 0.42%, 0.27%

LAB 37.35, -2.83, 28.91

 

CMYK 54 / 0 / 59 / 62

HEX #2D6228

RGB 45 98 40

HSL 114.83, 0.42%, 0.27%

LAB 36.83, -30.5, 27.35

 

CMYK 59 / 0 / 49 / 62

HEX #286232

RGB 40 98 50

HSL 130.34, 0.42%, 0.27%

LAB 36.77, -30.42, 21.7

 

CMYK 59 / 0 / 33 / 62

HEX #286242

RGB 40 98 66

HSL 146.9, 0.42%, 0.27%

LAB 37.08, -27.23, 12.65

 

CMYK 59 / 0 / 16 / 62

HEX #286252

RGB 40 98 82

HSL 163.45, 0.42%, 0.27%

LAB 37.47, -23.27, 3.44

 

CMYK 59 / 0 / 1 / 62

HEX #286261

RGB 40 98 97

HSL 178.97, 0.42%, 0.27%

LAB 37.93, -18.96, -5.14

 

CMYK 54 / 0 / 59 / 62

HEX #2D6228

RGB 45 98 40

HSL 114.83, 0.42%, 0.27%

LAB 36.83, -30.5, 27.35

 

CMYK 67 / 0 / 73 / 57

HEX #246D1D

RGB 36 109 29

HSL 114.75, 0.58%, 0.27%

LAB 40.25, -38.84, 36.41

 

CMYK 78 / 0 / 85 / 53

HEX #1B7812

RGB 27 120 18

HSL 114.71, 0.74%, 0.27%

LAB 43.81, -45.5, 43.85

 

CMYK 87 / 0 / 95 / 49

HEX #118307

RGB 17 131 7

HSL 115.16, 0.9%, 0.27%

LAB 47.45, -50.91, 49.55

 

CMYK 54 / 0 / 59 / 62

HEX #2D6228

RGB 45 98 40

HSL 114.83, 0.42%, 0.27%

LAB 36.83, -30.5, 27.35

 

CMYK 38 / 0 / 41 / 66

HEX #365733

RGB 54 87 51

HSL 115, 0.26%, 0.27%

LAB 33.65, -20.28, 17.21

 

CMYK 16 / 0 / 17 / 71

HEX #3F4B3E

RGB 63 75 62

HSL 115.38, 0.09%, 0.27%

LAB 30.49, -7.75, 6.16

 

CMYK 0 / 12 / 0 / 71

HEX #494049

RGB 73 64 73

HSL 300, 0.07%, 0.27%

LAB 28.29, 5.78, -4.04

 

CMYK 2 / 37 / 0 / 67

HEX #523554

RGB 82 53 84

HSL 296.13, 0.23%, 0.27%

LAB 26.68, 18.96, -13.58

 

CMYK 21 / 0 / 59 / 62

HEX #4D6228

RGB 77 98 40

HSL 81.72, 0.42%, 0.27%

LAB 38.67, -18.25, 29.97

 

CMYK 38 / 0 / 59 / 62

HEX #3D6228

RGB 61 98 40

HSL 98.28, 0.42%, 0.27%

LAB 37.63, -24.86, 28.49

 

CMYK 53 / 0 / 59 / 62

HEX #2E6228

RGB 46 98 40

HSL 113.79, 0.42%, 0.27%

LAB 36.87, -30.18, 27.41

 

CMYK 59 / 0 / 49 / 62

HEX #286232

RGB 40 98 50

HSL 130.34, 0.42%, 0.27%

LAB 36.77, -30.42, 21.7

 

CMYK 59 / 0 / 34 / 62

HEX #286241

RGB 40 98 65

HSL 145.86, 0.42%, 0.27%

LAB 37.06, -27.45, 13.23

 

CMYK 54 / 0 / 59 / 85

HEX #122710

RGB 18 39 16

HSL 114.78, 0.42%, 0.11%

LAB 13.33, -14.43, 12.32

 

CMYK 53 / 0 / 59 / 73

HEX #20441C

RGB 32 68 28

HSL 114, 0.42%, 0.19%

LAB 25.34, -22.43, 20.13

 

CMYK 54 / 0 / 59 / 62

HEX #2D6228

RGB 45 98 40

HSL 114.83, 0.42%, 0.27%

LAB 36.83, -30.5, 27.35

 

CMYK 54 / 0 / 59 / 50

HEX #3A7F34

RGB 58 127 52

HSL 115.2, 0.42%, 0.35%

LAB 47.4, -37.59, 33.73

 

CMYK 54 / 0 / 59 / 39

HEX #489C40

RGB 72 156 64

HSL 114.78, 0.42%, 0.43%

LAB 57.58, -44.08, 39.87

 

CMYK 54 / 0 / 59 / 62

HEX #2D6128

RGB 45 97 40

HSL 114.74, 0.42%, 0.27%

LAB 36.48, -30.04, 26.94

 

CMYK 59 / 6 / 0 / 62

HEX #285C62

RGB 40 92 98

HSL 186.21, 0.42%, 0.27%

LAB 35.96, -15.32, -8.71

 

CMYK 0 / 59 / 30 / 62

HEX #622845

RGB 98 40 69

HSL 330, 0.42%, 0.27%

LAB 25.39, 29.86, -5.35

 

CMYK 54 / 0 / 59 / 62

HEX #2D6128

RGB 45 97 40

HSL 114.74, 0.42%, 0.27%

LAB 36.48, -30.04, 26.94

 

CMYK 59 / 53 / 0 / 62

HEX #282E62

RGB 40 46 98

HSL 233.79, 0.42%, 0.27%

LAB 21.16, 14.57, -31.76

 

CMYK 0 / 59 / 53 / 62

HEX #62282E

RGB 98 40 46

HSL 353.79, 0.42%, 0.27%

LAB 24.68, 26.91, 9.16

 

CMYK 54 / 0 / 59 / 62

HEX #2D6128

RGB 45 97 40

HSL 114.74, 0.42%, 0.27%

LAB 36.48, -30.04, 26.94

 

CMYK 59 / 6 / 0 / 62

HEX #285C62

RGB 40 92 98

HSL 186.21, 0.42%, 0.27%

LAB 35.96, -15.32, -8.71

 

CMYK 6 / 59 / 0 / 62

HEX #5C2862

RGB 92 40 98

HSL 293.79, 0.42%, 0.27%

LAB 25.79, 33.16, -24.03

 

CMYK 0 / 53 / 59 / 62

HEX #622E28

RGB 98 46 40

HSL 6.21, 0.42%, 0.27%

LAB 25.87, 22.89, 14.76

 

CMYK 54 / 0 / 59 / 62

HEX #2D6128

RGB 45 97 40

HSL 114.74, 0.42%, 0.27%

LAB 36.48, -30.04, 26.94

 

CMYK 59 / 23 / 0 / 62

HEX #284B62

RGB 40 75 98

HSL 203.79, 0.42%, 0.27%

LAB 30.32, -5.13, -17.32

 

CMYK 6 / 59 / 0 / 62

HEX #5C2862

RGB 92 40 98

HSL 293.79, 0.42%, 0.27%

LAB 25.79, 33.16, -24.03

 

CMYK 0 / 36 / 59 / 62

HEX #623F28

RGB 98 63 40

HSL 23.79, 0.42%, 0.27%

LAB 30.17, 12.53, 20.25

 

Description

Color code: HEX #2D6128 | qconv.com Color code: HEX #2D6128 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 97 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 97 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 59 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 59% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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