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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D5E4C it is the complementary color #D2A1B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D5E4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D5E4C shade: #325E47, #43705A, #54826D, #659480 and #76A693

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D5E4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D5E4C shade: #2D5E4C, #1C4C39, #0B3A26, #002813 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D5E4C shade: #2D5D4B, #2D5D3E, #2D5D31, #355D2D and #425D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D5E4C shade: #2D5D4B, #2D5D58, #2D555D, #2D485D and #2D3B5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D5E4C shade matches the following richer shades: #2D5D4B, #22684E, #167351, #0B7E54 and #008A57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D5E4C shade: #2D5D4B, #385248, #434745, #4E3C42 and #59303F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D5E4C shade: #2D5D31, #2D5D3E, #2D5D4A, #2D5D57 and #2D565D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D5E4C shade: #12251E, #1F4135, #2D5D4B, #3A7962 and #489578

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D5E4C shade: #2D5E4C, #2D365D and #5D372D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D5E4C shade: #2D5E4C, #4A2D5D and #5D4A2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D5E4C shade: #2D5E4C, #2D365D, #5D2D3F and #5D542D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D5E4C shade: #2D5E4C, #322D5D, #5D2D3F and #575D2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 19 / 63

HEX #2D5E4C

RGB 45 94 76

HSL 157.96, 0.35%, 0.27%

LAB 36.15, -21.47, 5.26

 

Complementary color

CMYK 0 / 23 / 15 / 18

HEX #D2A1B3

RGB 210 161 179

HSL 337.96, 0.35%, 0.73%

LAB 71.18, 20.91, -2.27

 

CMYK 47 / 0 / 24 / 63

HEX #325E47

RGB 50 94 71

HSL 148.64, 0.31%, 0.28%

LAB 36.25, -21.21, 8.52

 

CMYK 40 / 0 / 20 / 56

HEX #43705A

RGB 67 112 90

HSL 150.67, 0.25%, 0.35%

LAB 43.54, -20.94, 7.41

 

CMYK 35 / 0 / 16 / 49

HEX #54826D

RGB 84 130 109

HSL 152.61, 0.21%, 0.42%

LAB 50.63, -20.67, 6.42

 

CMYK 32 / 0 / 14 / 42

HEX #659480

RGB 101 148 128

HSL 154.47, 0.19%, 0.49%

LAB 57.56, -20.42, 5.52

 

CMYK 29 / 0 / 11 / 35

HEX #76A693

RGB 118 166 147

HSL 156.25, 0.21%, 0.56%

LAB 64.35, -20.2, 4.69

 

CMYK 52 / 0 / 19 / 63

HEX #2D5E4C

RGB 45 94 76

HSL 157.96, 0.35%, 0.27%

LAB 36.15, -21.47, 5.26

 

CMYK 63 / 0 / 25 / 70

HEX #1C4C39

RGB 28 76 57

HSL 156.25, 0.46%, 0.2%

LAB 28.67, -21.55, 6.5

 

CMYK 81 / 0 / 34 / 77

HEX #0B3A26

RGB 11 58 38

HSL 154.47, 0.68%, 0.14%

LAB 20.97, -21.29, 8.03

 

CMYK 100 / 0 / 53 / 84

HEX #002813

RGB 0 40 19

HSL 148.5, 1%, 0.08%

LAB 13.01, -20.21, 9.96

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 52 / 0 / 19 / 64

HEX #2D5D4B

RGB 45 93 75

HSL 157.5, 0.35%, 0.27%

LAB 35.78, -21.2, 5.36

 

CMYK 52 / 0 / 33 / 64

HEX #2D5D3E

RGB 45 93 62

HSL 141.25, 0.35%, 0.27%

LAB 35.47, -24.25, 12.91

 

CMYK 52 / 0 / 47 / 64

HEX #2D5D31

RGB 45 93 49

HSL 125, 0.35%, 0.27%

LAB 35.22, -26.78, 20.33

 

CMYK 43 / 0 / 52 / 64

HEX #355D2D

RGB 53 93 45

HSL 110, 0.35%, 0.27%

LAB 35.55, -24.7, 23.13

 

CMYK 29 / 0 / 52 / 64

HEX #425D2D

RGB 66 93 45

HSL 93.75, 0.35%, 0.27%

LAB 36.32, -19.65, 24.26

 

CMYK 52 / 0 / 19 / 64

HEX #2D5D4B

RGB 45 93 75

HSL 157.5, 0.35%, 0.27%

LAB 35.78, -21.2, 5.36

 

CMYK 52 / 0 / 5 / 64

HEX #2D5D58

RGB 45 93 88

HSL 173.75, 0.35%, 0.27%

LAB 36.16, -17.68, -2.17

 

CMYK 52 / 9 / 0 / 64

HEX #2D555D

RGB 45 85 93

HSL 190, 0.35%, 0.27%

LAB 33.66, -11.63, -9.02

 

CMYK 52 / 23 / 0 / 64

HEX #2D485D

RGB 45 72 93

HSL 206.25, 0.35%, 0.27%

LAB 29.37, -3.64, -15.56

 

CMYK 52 / 37 / 0 / 64

HEX #2D3B5D

RGB 45 59 93

HSL 222.5, 0.35%, 0.27%

LAB 25.19, 4.97, -22.07

 

CMYK 52 / 0 / 19 / 64

HEX #2D5D4B

RGB 45 93 75

HSL 157.5, 0.35%, 0.27%

LAB 35.78, -21.2, 5.36

 

CMYK 67 / 0 / 25 / 59

HEX #22684E

RGB 34 104 78

HSL 157.71, 0.51%, 0.27%

LAB 39.23, -28.61, 8.35

 

CMYK 81 / 0 / 30 / 55

HEX #167351

RGB 22 115 81

HSL 158.06, 0.68%, 0.27%

LAB 42.8, -34.82, 11.51

 

CMYK 91 / 0 / 33 / 51

HEX #0B7E54

RGB 11 126 84

HSL 158.09, 0.84%, 0.27%

LAB 46.49, -39.79, 14.82

 

CMYK 100 / 0 / 37 / 46

HEX #008A57

RGB 0 138 87

HSL 157.83, 1%, 0.27%

LAB 50.53, -44.52, 18.58

 

CMYK 52 / 0 / 19 / 64

HEX #2D5D4B

RGB 45 93 75

HSL 157.5, 0.35%, 0.27%

LAB 35.78, -21.2, 5.36

 

CMYK 32 / 0 / 12 / 68

HEX #385248

RGB 56 82 72

HSL 156.92, 0.19%, 0.27%

LAB 32.58, -12.33, 2.72

 

CMYK 6 / 0 / 3 / 72

HEX #434745

RGB 67 71 69

HSL 150, 0.03%, 0.27%

LAB 29.74, -2.09, 0.63

 

CMYK 0 / 23 / 15 / 69

HEX #4E3C42

RGB 78 60 66

HSL 340, 0.13%, 0.27%

LAB 27.42, 9.02, -0.66

 

CMYK 0 / 46 / 29 / 65

HEX #59303F

RGB 89 48 63

HSL 338.05, 0.3%, 0.27%

LAB 25.55, 20.79, -1.24

 

CMYK 52 / 0 / 47 / 64

HEX #2D5D31

RGB 45 93 49

HSL 125, 0.35%, 0.27%

LAB 35.22, -26.78, 20.33

 

CMYK 52 / 0 / 33 / 64

HEX #2D5D3E

RGB 45 93 62

HSL 141.25, 0.35%, 0.27%

LAB 35.47, -24.25, 12.91

 

CMYK 52 / 0 / 20 / 64

HEX #2D5D4A

RGB 45 93 74

HSL 156.25, 0.35%, 0.27%

LAB 35.75, -21.45, 5.94

 

CMYK 52 / 0 / 6 / 64

HEX #2D5D57

RGB 45 93 87

HSL 172.5, 0.35%, 0.27%

LAB 36.13, -17.97, -1.59

 

CMYK 52 / 8 / 0 / 64

HEX #2D565D

RGB 45 86 93

HSL 188.75, 0.35%, 0.27%

LAB 33.99, -12.21, -8.52

 

CMYK 51 / 0 / 19 / 85

HEX #12251E

RGB 18 37 30

HSL 157.89, 0.35%, 0.11%

LAB 12.89, -9.91, 2.24

 

CMYK 52 / 0 / 18 / 75

HEX #1F4135

RGB 31 65 53

HSL 158.82, 0.35%, 0.19%

LAB 24.73, -15.85, 3.52

 

CMYK 52 / 0 / 19 / 64

HEX #2D5D4B

RGB 45 93 75

HSL 157.5, 0.35%, 0.27%

LAB 35.78, -21.2, 5.36

 

CMYK 52 / 0 / 19 / 53

HEX #3A7962

RGB 58 121 98

HSL 158.1, 0.35%, 0.35%

LAB 46.25, -26.25, 6.46

 

CMYK 52 / 0 / 19 / 42

HEX #489578

RGB 72 149 120

HSL 157.4, 0.35%, 0.43%

LAB 56.32, -31.05, 8.11

 

CMYK 52 / 0 / 19 / 63

HEX #2D5E4C

RGB 45 94 76

HSL 157.96, 0.35%, 0.27%

LAB 36.15, -21.47, 5.26

 

CMYK 52 / 42 / 0 / 64

HEX #2D365D

RGB 45 54 93

HSL 228.75, 0.35%, 0.27%

LAB 23.63, 8.41, -24.53

 

CMYK 0 / 41 / 52 / 64

HEX #5D372D

RGB 93 55 45

HSL 12.5, 0.35%, 0.27%

LAB 27.43, 15.72, 13.42

 

CMYK 52 / 0 / 19 / 63

HEX #2D5E4C

RGB 45 94 76

HSL 157.96, 0.35%, 0.27%

LAB 36.15, -21.47, 5.26

 

CMYK 20 / 52 / 0 / 64

HEX #4A2D5D

RGB 74 45 93

HSL 276.25, 0.35%, 0.27%

LAB 24.07, 23.42, -23.63

 

CMYK 0 / 20 / 52 / 64

HEX #5D4A2D

RGB 93 74 45

HSL 36.25, 0.35%, 0.27%

LAB 32.73, 3.8, 20.3

 

CMYK 52 / 0 / 19 / 63

HEX #2D5E4C

RGB 45 94 76

HSL 157.96, 0.35%, 0.27%

LAB 36.15, -21.47, 5.26

 

CMYK 52 / 42 / 0 / 64

HEX #2D365D

RGB 45 54 93

HSL 228.75, 0.35%, 0.27%

LAB 23.63, 8.41, -24.53

 

CMYK 0 / 52 / 32 / 64

HEX #5D2D3F

RGB 93 45 63

HSL 337.5, 0.35%, 0.27%

LAB 25.45, 24.21, -1.32

 

CMYK 0 / 10 / 52 / 64

HEX #5D542D

RGB 93 84 45

HSL 48.75, 0.35%, 0.27%

LAB 35.71, -2.32, 24.01

 

CMYK 52 / 0 / 19 / 63

HEX #2D5E4C

RGB 45 94 76

HSL 157.96, 0.35%, 0.27%

LAB 36.15, -21.47, 5.26

 

CMYK 46 / 52 / 0 / 64

HEX #322D5D

RGB 50 45 93

HSL 246.25, 0.35%, 0.27%

LAB 21.38, 16.08, -28.08

 

CMYK 0 / 52 / 32 / 64

HEX #5D2D3F

RGB 93 45 63

HSL 337.5, 0.35%, 0.27%

LAB 25.45, 24.21, -1.32

 

CMYK 6 / 0 / 52 / 64

HEX #575D2D

RGB 87 93 45

HSL 67.5, 0.35%, 0.27%

LAB 37.92, -10.43, 26.58

 

Description

Color code: HEX #2D5E4C | qconv.com Color code: HEX #2D5E4C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 94 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 94 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 19 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 19% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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