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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D5E42 it is the complementary color #D2A1BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D5E42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D5E42 shade: #325E3D, #437050, #548263, #659476 and #76A689

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D5E42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D5E42 shade: #2D5E42, #1C4C2F, #0B3A1C, #002809 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D5E42 shade: #2C5C41, #2C5C34, #325C2C, #3F5C2C and #4C5C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D5E42 shade: #2C5C41, #2C5C4E, #2C5C5B, #2C515C and #2C445C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D5E42 shade matches the following richer shades: #2C5C41, #21683F, #16733E, #0B7E3C and #00893B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D5E42 shade: #2C5C41, #375142, #434644, #4E3B46 and #593047

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D5E42 shade: #325C2C, #2C5C33, #2C5C40, #2C5C4D and #2C5C5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D5E42 shade: #11251A, #1F412D, #2C5C41, #3A7855 and #479468

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D5E42 shade: #2D5E42, #2C3F5C and #5C2D2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D5E42 shade: #2D5E42, #402C5C and #5C402C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D5E42 shade: #2D5E42, #2C3F5C, #5C2C48 and #5C4A2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D5E42 shade: #2D5E42, #2C305C, #5C2C48 and #5C582C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 30 / 63

HEX #2D5E42

RGB 45 94 66

HSL 145.71, 0.35%, 0.27%

LAB 35.9, -23.87, 11.07

 

Complementary color

CMYK 0 / 23 / 10 / 18

HEX #D2A1BD

RGB 210 161 189

HSL 325.71, 0.35%, 0.73%

LAB 71.46, 22.58, -7.37

 

CMYK 47 / 0 / 35 / 63

HEX #325E3D

RGB 50 94 61

HSL 135, 0.31%, 0.28%

LAB 36.02, -23.4, 14.31

 

CMYK 40 / 0 / 29 / 56

HEX #437050

RGB 67 112 80

HSL 137.33, 0.25%, 0.35%

LAB 43.3, -23.11, 13.03

 

CMYK 35 / 0 / 24 / 49

HEX #548263

RGB 84 130 99

HSL 139.57, 0.21%, 0.42%

LAB 50.39, -22.81, 11.89

 

CMYK 32 / 0 / 20 / 42

HEX #659476

RGB 101 148 118

HSL 141.7, 0.19%, 0.49%

LAB 57.32, -22.53, 10.86

 

CMYK 29 / 0 / 17 / 35

HEX #76A689

RGB 118 166 137

HSL 143.75, 0.21%, 0.56%

LAB 64.1, -22.28, 9.92

 

CMYK 52 / 0 / 30 / 63

HEX #2D5E42

RGB 45 94 66

HSL 145.71, 0.35%, 0.27%

LAB 35.9, -23.87, 11.07

 

CMYK 63 / 0 / 38 / 70

HEX #1C4C2F

RGB 28 76 47

HSL 143.75, 0.46%, 0.2%

LAB 28.44, -23.98, 12.51

 

CMYK 81 / 0 / 52 / 77

HEX #0B3A1C

RGB 11 58 28

HSL 141.7, 0.68%, 0.14%

LAB 20.76, -23.67, 14.24

 

CMYK 100 / 0 / 78 / 84

HEX #002809

RGB 0 40 9

HSL 133.5, 1%, 0.08%

LAB 12.84, -22.26, 14.81

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 52 / 0 / 29 / 64

HEX #2C5C41

RGB 44 92 65

HSL 146.25, 0.35%, 0.27%

LAB 35.15, -23.38, 10.63

 

CMYK 52 / 0 / 43 / 64

HEX #2C5C34

RGB 44 92 52

HSL 130, 0.35%, 0.27%

LAB 34.88, -26.08, 18.12

 

CMYK 46 / 0 / 52 / 64

HEX #325C2C

RGB 50 92 44

HSL 112.5, 0.35%, 0.27%

LAB 35.03, -25.44, 23.02

 

CMYK 32 / 0 / 52 / 64

HEX #3F5C2C

RGB 63 92 44

HSL 96.25, 0.35%, 0.27%

LAB 35.78, -20.49, 24.11

 

CMYK 17 / 0 / 52 / 64

HEX #4C5C2C

RGB 76 92 44

HSL 80, 0.35%, 0.27%

LAB 36.69, -14.95, 25.44

 

CMYK 52 / 0 / 29 / 64

HEX #2C5C41

RGB 44 92 65

HSL 146.25, 0.35%, 0.27%

LAB 35.15, -23.38, 10.63

 

CMYK 52 / 0 / 15 / 64

HEX #2C5C4E

RGB 44 92 78

HSL 162.5, 0.35%, 0.27%

LAB 35.48, -20.17, 3.06

 

CMYK 52 / 0 / 1 / 64

HEX #2C5C5B

RGB 44 92 91

HSL 178.75, 0.35%, 0.27%

LAB 35.88, -16.51, -4.45

 

CMYK 52 / 12 / 0 / 64

HEX #2C515C

RGB 44 81 92

HSL 193.75, 0.35%, 0.27%

LAB 32.24, -9.82, -10.54

 

CMYK 52 / 26 / 0 / 64

HEX #2C445C

RGB 44 68 92

HSL 210, 0.35%, 0.27%

LAB 27.96, -1.67, -17.1

 

CMYK 52 / 0 / 29 / 64

HEX #2C5C41

RGB 44 92 65

HSL 146.25, 0.35%, 0.27%

LAB 35.15, -23.38, 10.63

 

CMYK 68 / 0 / 39 / 59

HEX #21683F

RGB 33 104 63

HSL 145.35, 0.52%, 0.27%

LAB 38.87, -32.3, 16.82

 

CMYK 81 / 0 / 46 / 55

HEX #16733E

RGB 22 115 62

HSL 145.81, 0.68%, 0.27%

LAB 42.43, -39.01, 22.03

 

CMYK 91 / 0 / 52 / 51

HEX #0B7E3C

RGB 11 126 60

HSL 145.57, 0.84%, 0.27%

LAB 46.07, -44.69, 27.71

 

CMYK 100 / 0 / 57 / 46

HEX #00893B

RGB 0 137 59

HSL 145.84, 1%, 0.27%

LAB 49.75, -49.45, 32.71

 

CMYK 52 / 0 / 29 / 64

HEX #2C5C41

RGB 44 92 65

HSL 146.25, 0.35%, 0.27%

LAB 35.15, -23.38, 10.63

 

CMYK 32 / 0 / 19 / 68

HEX #375142

RGB 55 81 66

HSL 145.38, 0.19%, 0.27%

LAB 32.01, -13.54, 5.7

 

CMYK 4 / 0 / 3 / 73

HEX #434644

RGB 67 70 68

HSL 140, 0.02%, 0.27%

LAB 29.39, -1.69, 0.77

 

CMYK 0 / 24 / 10 / 69

HEX #4E3B46

RGB 78 59 70

HSL 325.26, 0.14%, 0.27%

LAB 27.27, 10.47, -3.52

 

CMYK 0 / 46 / 20 / 65

HEX #593047

RGB 89 48 71

HSL 326.34, 0.3%, 0.27%

LAB 25.84, 22.15, -6.16

 

CMYK 46 / 0 / 52 / 64

HEX #325C2C

RGB 50 92 44

HSL 112.5, 0.35%, 0.27%

LAB 35.03, -25.44, 23.02

 

CMYK 52 / 0 / 45 / 64

HEX #2C5C33

RGB 44 92 51

HSL 128.75, 0.35%, 0.27%

LAB 34.86, -26.26, 18.69

 

CMYK 52 / 0 / 30 / 64

HEX #2C5C40

RGB 44 92 64

HSL 145, 0.35%, 0.27%

LAB 35.12, -23.61, 11.21

 

CMYK 52 / 0 / 16 / 64

HEX #2C5C4D

RGB 44 92 77

HSL 161.25, 0.35%, 0.27%

LAB 35.45, -20.44, 3.64

 

CMYK 52 / 0 / 2 / 64

HEX #2C5C5A

RGB 44 92 90

HSL 177.5, 0.35%, 0.27%

LAB 35.85, -16.81, -3.88

 

CMYK 54 / 0 / 30 / 85

HEX #11251A

RGB 17 37 26

HSL 147, 0.37%, 0.11%

LAB 12.72, -11.39, 4.84

 

CMYK 52 / 0 / 31 / 75

HEX #1F412D

RGB 31 65 45

HSL 144.71, 0.35%, 0.19%

LAB 24.52, -17.88, 8.46

 

CMYK 52 / 0 / 29 / 64

HEX #2C5C41

RGB 44 92 65

HSL 146.25, 0.35%, 0.27%

LAB 35.15, -23.38, 10.63

 

CMYK 52 / 0 / 29 / 53

HEX #3A7855

RGB 58 120 85

HSL 146.13, 0.35%, 0.35%

LAB 45.62, -28.76, 13.22

 

CMYK 52 / 0 / 30 / 42

HEX #479468

RGB 71 148 104

HSL 145.71, 0.35%, 0.43%

LAB 55.6, -34.37, 16.16

 

CMYK 52 / 0 / 30 / 63

HEX #2D5E42

RGB 45 94 66

HSL 145.71, 0.35%, 0.27%

LAB 35.9, -23.87, 11.07

 

CMYK 52 / 32 / 0 / 64

HEX #2C3F5C

RGB 44 63 92

HSL 216.25, 0.35%, 0.27%

LAB 26.34, 1.64, -19.62

 

CMYK 0 / 51 / 52 / 64

HEX #5C2D2C

RGB 92 45 44

HSL 1.25, 0.35%, 0.27%

LAB 24.75, 21.29, 10.43

 

CMYK 52 / 0 / 30 / 63

HEX #2D5E42

RGB 45 94 66

HSL 145.71, 0.35%, 0.27%

LAB 35.9, -23.87, 11.07

 

CMYK 30 / 52 / 0 / 64

HEX #402C5C

RGB 64 44 92

HSL 265, 0.35%, 0.27%

LAB 22.53, 20.61, -25.5

 

CMYK 0 / 30 / 52 / 64

HEX #5C402C

RGB 92 64 44

HSL 25, 0.35%, 0.27%

LAB 29.72, 9.48, 17.04

 

CMYK 52 / 0 / 30 / 63

HEX #2D5E42

RGB 45 94 66

HSL 145.71, 0.35%, 0.27%

LAB 35.9, -23.87, 11.07

 

CMYK 52 / 32 / 0 / 64

HEX #2C3F5C

RGB 44 63 92

HSL 216.25, 0.35%, 0.27%

LAB 26.34, 1.64, -19.62

 

CMYK 0 / 52 / 22 / 64

HEX #5C2C48

RGB 92 44 72

HSL 325, 0.35%, 0.27%

LAB 25.4, 25.87, -7.45

 

CMYK 0 / 20 / 52 / 64

HEX #5C4A2C

RGB 92 74 44

HSL 37.5, 0.35%, 0.27%

LAB 32.6, 3.21, 20.71

 

CMYK 52 / 0 / 30 / 63

HEX #2D5E42

RGB 45 94 66

HSL 145.71, 0.35%, 0.27%

LAB 35.9, -23.87, 11.07

 

CMYK 52 / 48 / 0 / 64

HEX #2C305C

RGB 44 48 92

HSL 235, 0.35%, 0.27%

LAB 21.66, 11.98, -27

 

CMYK 0 / 52 / 22 / 64

HEX #5C2C48

RGB 92 44 72

HSL 325, 0.35%, 0.27%

LAB 25.4, 25.87, -7.45

 

CMYK 0 / 4 / 52 / 64

HEX #5C582C

RGB 92 88 44

HSL 55, 0.35%, 0.27%

LAB 36.81, -5.29, 25.9

 

Description

Color code: HEX #2D5E42 | qconv.com Color code: HEX #2D5E42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 94 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 94 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 30 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 30% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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