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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D5D9C4C it is the complementary color #D2A2634C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D5D9C4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D5D9C4C shade: #325D974C, #436FAA4C, #5481BD4C, #6593D04C and #76A5E34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D5D9C4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D5D9C4C shade: #2D5D9C4C, #1C4B894C, #0B39764C, #0027634C and #0015504C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D5D9C4C shade: #2D5C9A, #2D3F9A, #382D9A, #562D9A and #732D9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D5D9C4C shade: #2D5C9A, #2D3F9A and #2D2D9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D5D9C4C shade matches the following richer shades: #2D5C9A, #1D5AAA and #0D58BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D5D9C4C shade: #2D5C9A, #3D5E8A, #4D607A, #5D636A and #6D655A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D5D9C4C shade: #2D979A, #2D799A, #2D5C9A, #2D3F9A and #382D9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D5D9C4C shade: #1A365A, #23497A, #2D5C9A, #366FBA and #4E84CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D5D9C4C shade: #2D5D9C, #812D9A and #889A2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D5D9C4C shade: #2D5D9C, #9A2D5C and #5C9A2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D5D9C4C shade: #2D5D9C, #812D9A, #9A6B2D and #469A2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D5D9C4C shade: #2D5D9C, #9A2D93, #9A6B2D and #2D9A34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 12 / 0 / 12

HEX #2D5D9C4C

RGBA 45 93 156 0.3

HSLA 214.05, 0.55%, 0.39%, 0.3

LABA 39.22, 5.63, -39.08, 0.3

 

Complementary color

CMYK 0 / 7 / 16 / 5

HEX #D2A2634C

RGBA 210 162 99 0.3

HSLA 34.05, 0.55%, 0.61%, 0.3

LABA 69.78, 10.32, 39.35, 0.3

 

CMYK 20 / 12 / 0 / 12

HEX #325D974C

RGBA 50 93 151 0.3

HSLA 214.46, 0.5%, 0.39%, 0.3

LABA 39.14, 4.62, -36.19, 0.3

 

CMYK 18 / 10 / 0 / 10

HEX #436FAA4C

RGBA 67 111 170 0.3

HSLA 214.37, 0.43%, 0.46%, 0.3

LABA 46.26, 3.34, -36.14, 0.3

 

CMYK 17 / 10 / 0 / 8

HEX #5481BD4C

RGBA 84 129 189 0.3

HSLA 214.29, 0.44%, 0.54%, 0.3

LABA 53.23, 2.37, -36.12, 0.3

 

CMYK 15 / 9 / 0 / 6

HEX #6593D04C

RGBA 101 147 208 0.3

HSLA 214.21, 0.53%, 0.61%, 0.3

LABA 60.06, 1.6, -36.12, 0.3

 

CMYK 14 / 8 / 0 / 3

HEX #76A5E34C

RGBA 118 165 227 0.3

HSLA 214.13, 0.66%, 0.68%, 0.3

LABA 66.75, 0.97, -36.16, 0.3

 

CMYK 21 / 12 / 0 / 12

HEX #2D5D9C4C

RGBA 45 93 156 0.3

HSLA 214.05, 0.55%, 0.39%, 0.3

LABA 39.22, 5.63, -39.08, 0.3

 

CMYK 24 / 14 / 0 / 14

HEX #1C4B894C

RGBA 28 75 137 0.3

HSLA 214.13, 0.66%, 0.32%, 0.3

LABA 32, 7.66, -39.12, 0.3

 

CMYK 27 / 16 / 0 / 16

HEX #0B39764C

RGBA 11 57 118 0.3

HSLA 214.21, 0.83%, 0.25%, 0.3

LABA 24.66, 10.48, -39.08, 0.3

 

CMYK 30 / 18 / 0 / 18

HEX #0027634C

RGBA 0 39 99 0.3

HSLA 216.36, 1%, 0.19%, 0.3

LABA 17.24, 14.37, -38.86, 0.3

 

CMYK 30 / 22 / 0 / 21

HEX #0015504C

RGBA 0 21 80 0.3

HSLA 224.25, 1%, 0.16%, 0.3

LABA 9.92, 19.45, -38.07, 0.3

 

CMYK 71 / 40 / 0 / 40

HEX #2D5C9A

RGB 45 92 154

HSL 214.13, 0.55%, 0.39%

LAB 38.8, 5.52, -38.54

 

CMYK 71 / 59 / 0 / 40

HEX #2D3F9A

RGB 45 63 154

HSL 230.09, 0.55%, 0.39%

LAB 30.51, 24.79, -51.89

 

CMYK 64 / 71 / 0 / 40

HEX #382D9A

RGB 56 45 154

HSL 246.06, 0.55%, 0.39%

LAB 26.88, 37.91, -57.79

 

CMYK 44 / 71 / 0 / 40

HEX #562D9A

RGB 86 45 154

HSL 262.57, 0.55%, 0.39%

LAB 29.88, 42.97, -52.76

 

CMYK 25 / 71 / 0 / 40

HEX #732D9A

RGB 115 45 154

HSL 278.53, 0.55%, 0.39%

LAB 33.68, 48.93, -46.42

 

CMYK 71 / 40 / 0 / 40

HEX #2D5C9A

RGB 45 92 154

HSL 214.13, 0.55%, 0.39%

LAB 38.8, 5.52, -38.54

 

CMYK 71 / 59 / 0 / 40

HEX #2D3F9A

RGB 45 63 154

HSL 230.09, 0.55%, 0.39%

LAB 30.51, 24.79, -51.89

 

CMYK 71 / 71 / 0 / 40

HEX #2D2D9A

RGB 45 45 154

HSL 240, 0.55%, 0.39%

LAB 26.06, 36.47, -59.16

 

CMYK 71 / 40 / 0 / 40

HEX #2D5C9A

RGB 45 92 154

HSL 214.13, 0.55%, 0.39%

LAB 38.8, 5.52, -38.54

 

CMYK 83 / 47 / 0 / 33

HEX #1D5AAA

RGB 29 90 170

HSL 214.04, 0.71%, 0.39%

LAB 38.68, 11.01, -48.3

 

CMYK 93 / 53 / 0 / 27

HEX #0D58BA

RGB 13 88 186

HSL 213.99, 0.87%, 0.39%

LAB 38.92, 17.69, -57.37

 

CMYK 71 / 40 / 0 / 40

HEX #2D5C9A

RGB 45 92 154

HSL 214.13, 0.55%, 0.39%

LAB 38.8, 5.52, -38.54

 

CMYK 56 / 32 / 0 / 46

HEX #3D5E8A

RGB 61 94 138

HSL 214.29, 0.39%, 0.39%

LAB 39.3, 1.68, -28.07

 

CMYK 37 / 21 / 0 / 52

HEX #4D607A

RGB 77 96 122

HSL 214.67, 0.23%, 0.39%

LAB 40.16, -0.23, -16.93

 

CMYK 12 / 7 / 0 / 58

HEX #5D636A

RGB 93 99 106

HSL 212.31, 0.07%, 0.39%

LAB 41.68, -0.75, -4.76

 

CMYK 0 / 7 / 17 / 57

HEX #6D655A

RGB 109 101 90

HSL 34.74, 0.1%, 0.39%

LAB 43.21, 1.12, 7.37

 

CMYK 71 / 2 / 0 / 40

HEX #2D979A

RGB 45 151 154

HSL 181.65, 0.55%, 0.39%

LAB 57.1, -28.05, -10.26

 

CMYK 71 / 21 / 0 / 40

HEX #2D799A

RGB 45 121 154

HSL 198.17, 0.55%, 0.39%

LAB 47.71, -12.11, -24.56

 

CMYK 71 / 40 / 0 / 40

HEX #2D5C9A

RGB 45 92 154

HSL 214.13, 0.55%, 0.39%

LAB 38.8, 5.52, -38.54

 

CMYK 71 / 59 / 0 / 40

HEX #2D3F9A

RGB 45 63 154

HSL 230.09, 0.55%, 0.39%

LAB 30.51, 24.79, -51.89

 

CMYK 64 / 71 / 0 / 40

HEX #382D9A

RGB 56 45 154

HSL 246.06, 0.55%, 0.39%

LAB 26.88, 37.91, -57.79

 

CMYK 71 / 40 / 0 / 65

HEX #1A365A

RGB 26 54 90

HSL 213.75, 0.55%, 0.23%

LAB 22.29, 2.73, -24.75

 

CMYK 71 / 40 / 0 / 52

HEX #23497A

RGB 35 73 122

HSL 213.79, 0.55%, 0.31%

LAB 30.71, 4.07, -31.87

 

CMYK 71 / 40 / 0 / 40

HEX #2D5C9A

RGB 45 92 154

HSL 214.13, 0.55%, 0.39%

LAB 38.8, 5.52, -38.54

 

CMYK 71 / 40 / 0 / 27

HEX #366FBA

RGB 54 111 186

HSL 214.09, 0.55%, 0.47%

LAB 46.58, 6.75, -45

 

CMYK 62 / 35 / 0 / 20

HEX #4E84CC

RGB 78 132 204

HSL 214.29, 0.55%, 0.55%

LAB 54.53, 4.32, -42.62

 

CMYK 71 / 40 / 0 / 39

HEX #2D5D9C

RGB 45 93 156

HSL 214.05, 0.55%, 0.39%

LAB 39.22, 5.63, -39.08

 

CMYK 16 / 71 / 0 / 40

HEX #812D9A

RGB 129 45 154

HSL 286.24, 0.55%, 0.39%

LAB 35.75, 52.02, -42.99

 

CMYK 12 / 0 / 71 / 40

HEX #889A2D

RGB 136 154 45

HSL 69.91, 0.55%, 0.39%

LAB 60.37, -21.33, 52.24

 

CMYK 71 / 40 / 0 / 39

HEX #2D5D9C

RGB 45 93 156

HSL 214.05, 0.55%, 0.39%

LAB 39.22, 5.63, -39.08

 

CMYK 0 / 71 / 40 / 40

HEX #9A2D5C

RGB 154 45 92

HSL 334.13, 0.55%, 0.39%

LAB 36.97, 48.9, -2.13

 

CMYK 40 / 0 / 71 / 40

HEX #5C9A2D

RGB 92 154 45

HSL 94.13, 0.55%, 0.39%

LAB 57.63, -38.78, 48.58

 

CMYK 71 / 40 / 0 / 39

HEX #2D5D9C

RGB 45 93 156

HSL 214.05, 0.55%, 0.39%

LAB 39.22, 5.63, -39.08

 

CMYK 16 / 71 / 0 / 40

HEX #812D9A

RGB 129 45 154

HSL 286.24, 0.55%, 0.39%

LAB 35.75, 52.02, -42.99

 

CMYK 0 / 31 / 71 / 40

HEX #9A6B2D

RGB 154 107 45

HSL 34.13, 0.55%, 0.39%

LAB 48.98, 12.58, 41.03

 

CMYK 55 / 0 / 71 / 40

HEX #469A2D

RGB 70 154 45

HSL 106.24, 0.55%, 0.39%

LAB 56.69, -45.8, 47.3

 

CMYK 71 / 40 / 0 / 39

HEX #2D5D9C

RGB 45 93 156

HSL 214.05, 0.55%, 0.39%

LAB 39.22, 5.63, -39.08

 

CMYK 0 / 71 / 5 / 40

HEX #9A2D93

RGB 154 45 147

HSL 303.85, 0.55%, 0.39%

LAB 39.33, 56.55, -32.79

 

CMYK 0 / 31 / 71 / 40

HEX #9A6B2D

RGB 154 107 45

HSL 34.13, 0.55%, 0.39%

LAB 48.98, 12.58, 41.03

 

CMYK 71 / 0 / 66 / 40

HEX #2D9A34

RGB 45 154 52

HSL 123.85, 0.55%, 0.39%

LAB 56, -51.06, 43.4

 

Description

Color code: HEX #2D5D9C4C | qconv.com Color code: HEX #2D5D9C4C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 93 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 93 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 12 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 12% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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