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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D5042 it is the complementary color #D2AFBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D5042. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D5042 shade: #32503D, #436250, #547463, #658676 and #769889

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D5042. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D5042 shade: #2D5042, #1C3E2F, #0B2C1C, #001A09 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D5042 shade: #2E5243, #2E523A, #2E5230, #35522E and #3F522E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D5042 shade: #2E5243, #2E524D, #2E4D52, #2E4352 and #2E3952

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D5042 shade matches the following richer shades: #2E5243, #245C45, #196647, #0F714A and #057B4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D5042 shade: #2E5243, #384741, #433D3F, #4D333D and #57283B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D5042 shade: #2E5230, #2E523A, #2E5243, #2E524D and #2E4D52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D5042 shade: #101D18, #1F372E, #2E5243, #3D6C59 and #4C866F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D5042 shade: #2D5042, #2E3552 and #52352E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D5042 shade: #2D5042, #432E52 and #52432E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D5042 shade: #2D5042, #2E3552, #522E3C and #524A2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D5042 shade: #2D5042, #312E52, #522E3C and #4E522E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 18 / 69

HEX #2D5042

RGB 45 80 66

HSL 156, 0.28%, 0.25%

LAB 31.09, -16.44, 4.3

 

Complementary color

CMYK 0 / 17 / 10 / 18

HEX #D2AFBD

RGB 210 175 189

HSL 336, 0.28%, 0.75%

LAB 74.85, 14.97, -2.38

 

CMYK 38 / 0 / 24 / 69

HEX #32503D

RGB 50 80 61

HSL 142, 0.23%, 0.25%

LAB 31.24, -15.93, 7.72

 

CMYK 32 / 0 / 18 / 62

HEX #436250

RGB 67 98 80

HSL 145.16, 0.19%, 0.32%

LAB 38.74, -15.64, 6.65

 

CMYK 28 / 0 / 15 / 55

HEX #547463

RGB 84 116 99

HSL 148.13, 0.16%, 0.39%

LAB 46.01, -15.39, 5.7

 

CMYK 25 / 0 / 12 / 47

HEX #658676

RGB 101 134 118

HSL 150.91, 0.14%, 0.46%

LAB 53.09, -15.18, 4.84

 

CMYK 22 / 0 / 10 / 40

HEX #769889

RGB 118 152 137

HSL 153.53, 0.14%, 0.53%

LAB 59.99, -15.01, 4.03

 

CMYK 44 / 0 / 18 / 69

HEX #2D5042

RGB 45 80 66

HSL 156, 0.28%, 0.25%

LAB 31.09, -16.44, 4.3

 

CMYK 55 / 0 / 24 / 76

HEX #1C3E2F

RGB 28 62 47

HSL 153.53, 0.38%, 0.18%

LAB 23.33, -16.69, 5.46

 

CMYK 75 / 0 / 36 / 83

HEX #0B2C1C

RGB 11 44 28

HSL 150.91, 0.6%, 0.11%

LAB 15.26, -16.76, 6.92

 

CMYK 100 / 0 / 65 / 90

HEX #001A09

RGB 0 26 9

HSL 140.77, 1%, 0.05%

LAB 6.85, -12.38, 6.34

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 44 / 0 / 18 / 68

HEX #2E5243

RGB 46 82 67

HSL 155, 0.28%, 0.25%

LAB 31.85, -16.98, 4.77

 

CMYK 44 / 0 / 29 / 68

HEX #2E523A

RGB 46 82 58

HSL 140, 0.28%, 0.25%

LAB 31.63, -19.1, 10.11

 

CMYK 44 / 0 / 41 / 68

HEX #2E5230

RGB 46 82 48

HSL 123.33, 0.28%, 0.25%

LAB 31.41, -21.14, 16

 

CMYK 35 / 0 / 44 / 68

HEX #35522E

RGB 53 82 46

HSL 108.33, 0.28%, 0.25%

LAB 31.78, -18.87, 17.77

 

CMYK 23 / 0 / 44 / 68

HEX #3F522E

RGB 63 82 46

HSL 91.67, 0.28%, 0.25%

LAB 32.46, -14.76, 18.77

 

CMYK 44 / 0 / 18 / 68

HEX #2E5243

RGB 46 82 67

HSL 155, 0.28%, 0.25%

LAB 31.85, -16.98, 4.77

 

CMYK 44 / 0 / 6 / 68

HEX #2E524D

RGB 46 82 77

HSL 171.67, 0.28%, 0.25%

LAB 32.15, -14.34, -1.14

 

CMYK 44 / 6 / 0 / 68

HEX #2E4D52

RGB 46 77 82

HSL 188.33, 0.28%, 0.25%

LAB 30.64, -9.95, -6.58

 

CMYK 44 / 18 / 0 / 68

HEX #2E4352

RGB 46 67 82

HSL 205, 0.28%, 0.25%

LAB 27.31, -3.72, -11.61

 

CMYK 44 / 30 / 0 / 68

HEX #2E3952

RGB 46 57 82

HSL 221.67, 0.28%, 0.25%

LAB 24.05, 2.9, -16.62

 

CMYK 44 / 0 / 18 / 68

HEX #2E5243

RGB 46 82 67

HSL 155, 0.28%, 0.25%

LAB 31.85, -16.98, 4.77

 

CMYK 61 / 0 / 25 / 64

HEX #245C45

RGB 36 92 69

HSL 155.36, 0.44%, 0.25%

LAB 34.92, -24.59, 7.8

 

CMYK 75 / 0 / 30 / 60

HEX #196647

RGB 25 102 71

HSL 155.84, 0.61%, 0.25%

LAB 38.14, -31.1, 11.02

 

CMYK 87 / 0 / 35 / 56

HEX #0F714A

RGB 15 113 74

HSL 156.12, 0.77%, 0.25%

LAB 41.85, -36.47, 14.32

 

CMYK 96 / 0 / 38 / 52

HEX #057B4C

RGB 5 123 76

HSL 156.1, 0.92%, 0.25%

LAB 45.25, -40.84, 17.73

 

CMYK 44 / 0 / 18 / 68

HEX #2E5243

RGB 46 82 67

HSL 155, 0.28%, 0.25%

LAB 31.85, -16.98, 4.77

 

CMYK 21 / 0 / 8 / 72

HEX #384741

RGB 56 71 65

HSL 156, 0.12%, 0.25%

LAB 28.72, -7.44, 1.62

 

CMYK 0 / 9 / 6 / 74

HEX #433D3F

RGB 67 61 63

HSL 340, 0.05%, 0.25%

LAB 26.42, 3.01, -0.3

 

CMYK 0 / 34 / 21 / 70

HEX #4D333D

RGB 77 51 61

HSL 336.92, 0.2%, 0.25%

LAB 24.58, 13.49, -1.52

 

CMYK 0 / 54 / 32 / 66

HEX #57283B

RGB 87 40 59

HSL 335.74, 0.37%, 0.25%

LAB 23.2, 24.17, -2.04

 

CMYK 44 / 0 / 41 / 68

HEX #2E5230

RGB 46 82 48

HSL 123.33, 0.28%, 0.25%

LAB 31.41, -21.14, 16

 

CMYK 44 / 0 / 29 / 68

HEX #2E523A

RGB 46 82 58

HSL 140, 0.28%, 0.25%

LAB 31.63, -19.1, 10.11

 

CMYK 44 / 0 / 18 / 68

HEX #2E5243

RGB 46 82 67

HSL 155, 0.28%, 0.25%

LAB 31.85, -16.98, 4.77

 

CMYK 44 / 0 / 6 / 68

HEX #2E524D

RGB 46 82 77

HSL 171.67, 0.28%, 0.25%

LAB 32.15, -14.34, -1.14

 

CMYK 44 / 6 / 0 / 68

HEX #2E4D52

RGB 46 77 82

HSL 188.33, 0.28%, 0.25%

LAB 30.64, -9.95, -6.58

 

CMYK 45 / 0 / 17 / 89

HEX #101D18

RGB 16 29 24

HSL 156.92, 0.29%, 0.09%

LAB 9.44, -7.19, 1.64

 

CMYK 44 / 0 / 16 / 78

HEX #1F372E

RGB 31 55 46

HSL 157.5, 0.28%, 0.17%

LAB 20.91, -11.9, 2.7

 

CMYK 44 / 0 / 18 / 68

HEX #2E5243

RGB 46 82 67

HSL 155, 0.28%, 0.25%

LAB 31.85, -16.98, 4.77

 

CMYK 44 / 0 / 18 / 58

HEX #3D6C59

RGB 61 108 89

HSL 155.74, 0.28%, 0.33%

LAB 41.9, -20.93, 5.65

 

CMYK 43 / 0 / 17 / 47

HEX #4C866F

RGB 76 134 111

HSL 156.21, 0.28%, 0.41%

LAB 51.54, -24.71, 6.49

 

CMYK 44 / 0 / 18 / 69

HEX #2D5042

RGB 45 80 66

HSL 156, 0.28%, 0.25%

LAB 31.09, -16.44, 4.3

 

CMYK 44 / 35 / 0 / 68

HEX #2E3552

RGB 46 53 82

HSL 228.33, 0.28%, 0.25%

LAB 22.78, 5.64, -18.61

 

CMYK 0 / 35 / 44 / 68

HEX #52352E

RGB 82 53 46

HSL 11.67, 0.28%, 0.25%

LAB 25.37, 12.03, 9.72

 

CMYK 44 / 0 / 18 / 69

HEX #2D5042

RGB 45 80 66

HSL 156, 0.28%, 0.25%

LAB 31.09, -16.44, 4.3

 

CMYK 18 / 44 / 0 / 68

HEX #432E52

RGB 67 46 82

HSL 275, 0.28%, 0.25%

LAB 22.85, 17.55, -18.34

 

CMYK 0 / 18 / 44 / 68

HEX #52432E

RGB 82 67 46

HSL 35, 0.28%, 0.25%

LAB 29.43, 3.06, 15.16

 

CMYK 44 / 0 / 18 / 69

HEX #2D5042

RGB 45 80 66

HSL 156, 0.28%, 0.25%

LAB 31.09, -16.44, 4.3

 

CMYK 44 / 35 / 0 / 68

HEX #2E3552

RGB 46 53 82

HSL 228.33, 0.28%, 0.25%

LAB 22.78, 5.64, -18.61

 

CMYK 0 / 44 / 27 / 68

HEX #522E3C

RGB 82 46 60

HSL 336.67, 0.28%, 0.25%

LAB 23.91, 18.64, -1.75

 

CMYK 0 / 10 / 44 / 68

HEX #524A2E

RGB 82 74 46

HSL 46.67, 0.28%, 0.25%

LAB 31.55, -1.32, 17.94

 

CMYK 44 / 0 / 18 / 69

HEX #2D5042

RGB 45 80 66

HSL 156, 0.28%, 0.25%

LAB 31.09, -16.44, 4.3

 

CMYK 40 / 44 / 0 / 68

HEX #312E52

RGB 49 46 82

HSL 245, 0.28%, 0.25%

LAB 20.89, 11.46, -21.55

 

CMYK 0 / 44 / 27 / 68

HEX #522E3C

RGB 82 46 60

HSL 336.67, 0.28%, 0.25%

LAB 23.91, 18.64, -1.75

 

CMYK 5 / 0 / 44 / 68

HEX #4E522E

RGB 78 82 46

HSL 66.67, 0.28%, 0.25%

LAB 33.67, -8.05, 20.57

 

Description

Color code: HEX #2D5042 | qconv.com Color code: HEX #2D5042 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 80 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 80 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 18 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 18% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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