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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D4D9CBF it is the complementary color #D2B263BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D4D9CBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D4D9CBF shade: #324D97BF, #435FAABF, #5471BDBF, #6583D0BF and #7695E3BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D4D9CBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D4D9CBF shade: #2D4D9CBF, #1C3B89BF, #0B2976BF, #001763BF and #000550BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D4D9CBF shade: #2D4C9A, #2D2F9A, #482D9A, #662D9A and #832D9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D4D9CBF shade: #2D4C9A, #2D2F9A and #2D2D9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D4D9CBF shade matches the following richer shades: #2D4C9A, #1D45AA and #0D3FBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D4D9CBF shade: #2D4C9A, #3D538A, #4D5A7A, #5D616A and #6D685A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D4D9CBF shade: #2D889A, #2D6B9A, #2D4E9A, #2D309A and #462D9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D4D9CBF shade: #1A2D5A, #233C7A, #2D4C9A, #365CBA and #4E72CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D4D9CBF shade: #2D4D9C, #8F2D9A and #799A2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D4D9CBF shade: #2D4D9C, #9A2D4E and #4E9A2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D4D9CBF shade: #2D4D9C, #8F2D9A, #9A792D and #389A2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D4D9CBF shade: #2D4D9C, #9A2D84, #9A792D and #2D9A43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 38 / 0 / 29

HEX #2D4D9CBF

RGBA 45 77 156 0.75

HSLA 222.7, 0.55%, 0.39%, 0.75

LABA 34.53, 16.15, -46.59, 0.75

 

Complementary color

CMYK 0 / 11 / 40 / 13

HEX #D2B263BF

RGBA 210 178 99 0.75

HSLA 42.7, 0.55%, 0.61%, 0.75

LABA 73.83, 1.77, 44.29, 0.75

 

CMYK 50 / 37 / 0 / 31

HEX #324D97BF

RGBA 50 77 151 0.75

HSLA 223.96, 0.5%, 0.39%, 0.75

LABA 34.44, 15.09, -43.7, 0.75

 

CMYK 45 / 33 / 0 / 25

HEX #435FAABF

RGBA 67 95 170 0.75

HSLA 223.69, 0.43%, 0.46%, 0.75

LABA 41.66, 13.4, -43.45, 0.75

 

CMYK 42 / 30 / 0 / 19

HEX #5471BDBF

RGBA 84 113 189 0.75

HSLA 223.43, 0.44%, 0.54%, 0.75

LABA 48.72, 12.07, -43.23, 0.75

 

CMYK 39 / 28 / 0 / 14

HEX #6583D0BF

RGBA 101 131 208 0.75

HSLA 223.18, 0.53%, 0.61%, 0.75

LABA 55.64, 11.01, -43.06, 0.75

 

CMYK 36 / 26 / 0 / 8

HEX #7695E3BF

RGBA 118 149 227 0.75

HSLA 222.94, 0.66%, 0.68%, 0.75

LABA 62.42, 10.14, -42.94, 0.75

 

CMYK 53 / 38 / 0 / 29

HEX #2D4D9CBF

RGBA 45 77 156 0.75

HSLA 222.7, 0.55%, 0.39%, 0.75

LABA 34.53, 16.15, -46.59, 0.75

 

CMYK 60 / 43 / 0 / 35

HEX #1C3B89BF

RGBA 28 59 137 0.75

HSLA 222.94, 0.66%, 0.32%, 0.75

LABA 27.24, 18.68, -46.79, 0.75

 

CMYK 68 / 49 / 0 / 40

HEX #0B2976BF

RGBA 11 41 118 0.75

HSLA 223.18, 0.83%, 0.25%, 0.75

LABA 19.9, 22.03, -46.82, 0.75

 

CMYK 75 / 58 / 0 / 46

HEX #001763BF

RGBA 0 23 99 0.75

HSLA 226.06, 1%, 0.19%, 0.75

LABA 12.69, 26.17, -46.31, 0.75

 

CMYK 75 / 70 / 0 / 51

HEX #000550BF

RGBA 0 5 80 0.75

HSLA 236.25, 1%, 0.16%, 0.75

LABA 6.21, 29.74, -44.21, 0.75

 

CMYK 71 / 51 / 0 / 40

HEX #2D4C9A

RGB 45 76 154

HSL 222.94, 0.55%, 0.39%

LAB 34.11, 16.06, -46.06

 

CMYK 71 / 69 / 0 / 40

HEX #2D2F9A

RGB 45 47 154

HSL 238.9, 0.55%, 0.39%

LAB 26.52, 35.23, -58.41

 

CMYK 53 / 71 / 0 / 40

HEX #482D9A

RGB 72 45 154

HSL 254.86, 0.55%, 0.39%

LAB 28.35, 40.43, -55.33

 

CMYK 34 / 71 / 0 / 40

HEX #662D9A

RGB 102 45 154

HSL 271.38, 0.55%, 0.39%

LAB 31.89, 46.16, -49.41

 

CMYK 15 / 71 / 0 / 40

HEX #832D9A

RGB 131 45 154

HSL 287.34, 0.55%, 0.39%

LAB 36.05, 52.47, -42.48

 

CMYK 71 / 51 / 0 / 40

HEX #2D4C9A

RGB 45 76 154

HSL 222.94, 0.55%, 0.39%

LAB 34.11, 16.06, -46.06

 

CMYK 71 / 69 / 0 / 40

HEX #2D2F9A

RGB 45 47 154

HSL 238.9, 0.55%, 0.39%

LAB 26.52, 35.23, -58.41

 

CMYK 71 / 71 / 0 / 40

HEX #2D2D9A

RGB 45 45 154

HSL 240, 0.55%, 0.39%

LAB 26.06, 36.47, -59.16

 

CMYK 71 / 51 / 0 / 40

HEX #2D4C9A

RGB 45 76 154

HSL 222.94, 0.55%, 0.39%

LAB 34.11, 16.06, -46.06

 

CMYK 83 / 59 / 0 / 33

HEX #1D45AA

RGB 29 69 170

HSL 222.98, 0.71%, 0.39%

LAB 32.74, 25.07, -57.92

 

CMYK 93 / 66 / 0 / 27

HEX #0D3FBA

RGB 13 63 186

HSL 222.66, 0.87%, 0.39%

LAB 32.23, 34.35, -68.29

 

CMYK 71 / 51 / 0 / 40

HEX #2D4C9A

RGB 45 76 154

HSL 222.94, 0.55%, 0.39%

LAB 34.11, 16.06, -46.06

 

CMYK 56 / 40 / 0 / 46

HEX #3D538A

RGB 61 83 138

HSL 222.86, 0.39%, 0.39%

LAB 36.01, 8.71, -33.25

 

CMYK 37 / 26 / 0 / 52

HEX #4D5A7A

RGB 77 90 122

HSL 222.67, 0.23%, 0.39%

LAB 38.37, 3.49, -19.69

 

CMYK 12 / 8 / 0 / 58

HEX #5D616A

RGB 93 97 106

HSL 221.54, 0.07%, 0.39%

LAB 41.08, 0.46, -5.64

 

CMYK 0 / 5 / 17 / 57

HEX #6D685A

RGB 109 104 90

HSL 44.21, 0.1%, 0.39%

LAB 44.07, -0.65, 8.59

 

CMYK 71 / 12 / 0 / 40

HEX #2D889A

RGB 45 136 154

HSL 189.91, 0.55%, 0.39%

LAB 52.4, -20.36, -17.36

 

CMYK 71 / 31 / 0 / 40

HEX #2D6B9A

RGB 45 107 154

HSL 205.87, 0.55%, 0.39%

LAB 43.37, -3.87, -31.32

 

CMYK 71 / 49 / 0 / 40

HEX #2D4E9A

RGB 45 78 154

HSL 221.83, 0.55%, 0.39%

LAB 34.68, 14.72, -45.14

 

CMYK 71 / 69 / 0 / 40

HEX #2D309A

RGB 45 48 154

HSL 238.35, 0.55%, 0.39%

LAB 26.75, 34.6, -58.03

 

CMYK 55 / 71 / 0 / 40

HEX #462D9A

RGB 70 45 154

HSL 253.76, 0.55%, 0.39%

LAB 28.15, 40.09, -55.66

 

CMYK 71 / 50 / 0 / 65

HEX #1A2D5A

RGB 26 45 90

HSL 222.19, 0.55%, 0.23%

LAB 19.37, 9.16, -29.41

 

CMYK 71 / 51 / 0 / 52

HEX #233C7A

RGB 35 60 122

HSL 222.76, 0.55%, 0.31%

LAB 26.72, 12.97, -38.25

 

CMYK 71 / 51 / 0 / 40

HEX #2D4C9A

RGB 45 76 154

HSL 222.94, 0.55%, 0.39%

LAB 34.11, 16.06, -46.06

 

CMYK 71 / 51 / 0 / 27

HEX #365CBA

RGB 54 92 186

HSL 222.73, 0.55%, 0.47%

LAB 41.19, 18.87, -53.63

 

CMYK 62 / 44 / 0 / 20

HEX #4E72CC

RGB 78 114 204

HSL 222.86, 0.55%, 0.55%

LAB 49.51, 15.3, -50.6

 

CMYK 71 / 51 / 0 / 39

HEX #2D4D9C

RGB 45 77 156

HSL 222.7, 0.55%, 0.39%

LAB 34.53, 16.15, -46.59

 

CMYK 7 / 71 / 0 / 40

HEX #8F2D9A

RGB 143 45 154

HSL 293.94, 0.55%, 0.39%

LAB 37.93, 55.19, -39.37

 

CMYK 21 / 0 / 71 / 40

HEX #799A2D

RGB 121 154 45

HSL 78.17, 0.55%, 0.39%

LAB 59.31, -27.65, 50.83

 

CMYK 71 / 51 / 0 / 39

HEX #2D4D9C

RGB 45 77 156

HSL 222.7, 0.55%, 0.39%

LAB 34.53, 16.15, -46.59

 

CMYK 0 / 71 / 49 / 40

HEX #9A2D4E

RGB 154 45 78

HSL 341.83, 0.55%, 0.39%

LAB 36.55, 47.48, 6.22

 

CMYK 49 / 0 / 71 / 40

HEX #4E9A2D

RGB 78 154 45

HSL 101.83, 0.55%, 0.39%

LAB 57, -43.42, 47.72

 

CMYK 71 / 51 / 0 / 39

HEX #2D4D9C

RGB 45 77 156

HSL 222.7, 0.55%, 0.39%

LAB 34.53, 16.15, -46.59

 

CMYK 7 / 71 / 0 / 40

HEX #8F2D9A

RGB 143 45 154

HSL 293.94, 0.55%, 0.39%

LAB 37.93, 55.19, -39.37

 

CMYK 0 / 21 / 71 / 40

HEX #9A792D

RGB 154 121 45

HSL 41.83, 0.55%, 0.39%

LAB 52.66, 4.58, 44.91

 

CMYK 64 / 0 / 71 / 40

HEX #389A2D

RGB 56 154 45

HSL 113.94, 0.55%, 0.39%

LAB 56.23, -49.43, 46.68

 

CMYK 71 / 51 / 0 / 39

HEX #2D4D9C

RGB 45 77 156

HSL 222.7, 0.55%, 0.39%

LAB 34.53, 16.15, -46.59

 

CMYK 0 / 71 / 14 / 40

HEX #9A2D84

RGB 154 45 132

HSL 312.11, 0.55%, 0.39%

LAB 38.57, 54.17, -24.79

 

CMYK 0 / 21 / 71 / 40

HEX #9A792D

RGB 154 121 45

HSL 41.83, 0.55%, 0.39%

LAB 52.66, 4.58, 44.91

 

CMYK 71 / 0 / 56 / 40

HEX #2D9A43

RGB 45 154 67

HSL 132.11, 0.55%, 0.39%

LAB 56.16, -49.2, 36.54

 

Description

Color code: HEX #2D4D9CBF | qconv.com Color code: HEX #2D4D9CBF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 77 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 77 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 38 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 38% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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