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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D4D35 it is the complementary color #D2B2CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D4D35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D4D35 shade: #324D30, #435F43, #547156, #658369 and #76957C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D4D35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D4D35 shade: #2D4D35, #1C3B22, #0B290F, #001700 and #000500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D4D35 shade: #2D4D35, #2D4D2D, #364D2D, #3F4D2D and #474D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D4D35 shade: #2D4D35, #2D4D3D, #2D4D46, #2D4B4D and #2D424D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D4D35 shade matches the following richer shades: #2D4D35, #235730, #19602B, #0F6A26 and #057421

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D4D35 shade: #2D4D35, #37433A, #41393F, #4A2F44 and #542549

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D4D35 shade: #364D2D, #2D4D2D, #2D4D35, #2D4D3D and #2D4D46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D4D35 shade: #0E1911, #1E3323, #2D4D35, #3C6747 and #4B8159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D4D35 shade: #2D4D35, #2D3E4D and #4D2D32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D4D35 shade: #2D4D35, #352D4D and #4D352D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D4D35 shade: #2D4D35, #2D3E4D, #4D2D45 and #4D3B2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D4D35 shade: #2D4D35, #2D354D, #4D2D45 and #4D452D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

Complementary color

CMYK 0 / 15 / 4 / 18

HEX #D2B2CA

RGB 210 178 202

HSL 315, 0.26%, 0.76%

LAB 75.95, 15.62, -7.85

 

CMYK 35 / 0 / 38 / 70

HEX #324D30

RGB 50 77 48

HSL 115.86, 0.23%, 0.25%

LAB 29.91, -16.97, 14.05

 

CMYK 29 / 0 / 29 / 63

HEX #435F43

RGB 67 95 67

HSL 120, 0.17%, 0.32%

LAB 37.45, -16.69, 12.78

 

CMYK 26 / 0 / 24 / 56

HEX #547156

RGB 84 113 86

HSL 124.14, 0.15%, 0.39%

LAB 44.75, -16.44, 11.64

 

CMYK 23 / 0 / 20 / 49

HEX #658369

RGB 101 131 105

HSL 128, 0.13%, 0.45%

LAB 51.86, -16.23, 10.62

 

CMYK 21 / 0 / 17 / 42

HEX #76957C

RGB 118 149 124

HSL 131.61, 0.13%, 0.52%

LAB 58.79, -16.04, 9.68

 

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

CMYK 53 / 0 / 42 / 77

HEX #1C3B22

RGB 28 59 34

HSL 131.61, 0.36%, 0.17%

LAB 21.91, -18.12, 12.03

 

CMYK 73 / 0 / 63 / 84

HEX #0B290F

RGB 11 41 15

HSL 128, 0.58%, 0.1%

LAB 13.78, -18.16, 13.39

 

CMYK 100 / 0 / 100 / 91

HEX #001700

RGB 0 23 0

HSL 120, 1%, 0.05%

LAB 5.54, -11.31, 8.08

 

CMYK 100 / 0 / 100 / 98

HEX #000500

RGB 0 5 0

HSL 120, 1%, 0.01%

LAB 0.98, -2, 1.43

 

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

CMYK 42 / 0 / 42 / 70

HEX #2D4D2D

RGB 45 77 45

HSL 120, 0.26%, 0.24%

LAB 29.55, -19.44, 15.37

 

CMYK 30 / 0 / 42 / 70

HEX #364D2D

RGB 54 77 45

HSL 103.13, 0.26%, 0.24%

LAB 30.11, -15.9, 16.22

 

CMYK 18 / 0 / 42 / 70

HEX #3F4D2D

RGB 63 77 45

HSL 86.25, 0.26%, 0.24%

LAB 30.77, -12.05, 17.2

 

CMYK 8 / 0 / 42 / 70

HEX #474D2D

RGB 71 77 45

HSL 71.25, 0.26%, 0.24%

LAB 31.43, -8.44, 18.19

 

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

CMYK 42 / 0 / 21 / 70

HEX #2D4D3D

RGB 45 77 61

HSL 150, 0.26%, 0.24%

LAB 29.92, -16, 5.82

 

CMYK 42 / 0 / 9 / 70

HEX #2D4D46

RGB 45 77 70

HSL 166.88, 0.26%, 0.24%

LAB 30.18, -13.69, 0.43

 

CMYK 42 / 3 / 0 / 70

HEX #2D4B4D

RGB 45 75 77

HSL 183.75, 0.26%, 0.24%

LAB 29.73, -10.54, -4.73

 

CMYK 42 / 14 / 0 / 70

HEX #2D424D

RGB 45 66 77

HSL 200.63, 0.26%, 0.24%

LAB 26.71, -4.96, -9.27

 

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

CMYK 60 / 0 / 45 / 66

HEX #235730

RGB 35 87 48

HSL 135, 0.43%, 0.24%

LAB 32.67, -27.12, 17.55

 

CMYK 74 / 0 / 55 / 62

HEX #19602B

RGB 25 96 43

HSL 135.21, 0.59%, 0.24%

LAB 35.49, -34.35, 23.95

 

CMYK 86 / 0 / 64 / 58

HEX #0F6A26

RGB 15 106 38

HSL 135.16, 0.75%, 0.24%

LAB 38.81, -40.53, 30.49

 

CMYK 96 / 0 / 72 / 55

HEX #057421

RGB 5 116 33

HSL 135.14, 0.92%, 0.24%

LAB 42.2, -45.55, 36.58

 

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

CMYK 18 / 0 / 13 / 74

HEX #37433A

RGB 55 67 58

HSL 135, 0.1%, 0.24%

LAB 27.11, -7.01, 3.85

 

CMYK 0 / 12 / 3 / 75

HEX #41393F

RGB 65 57 63

HSL 315, 0.07%, 0.24%

LAB 24.98, 4.78, -2.44

 

CMYK 0 / 36 / 8 / 71

HEX #4A2F44

RGB 74 47 68

HSL 313.33, 0.22%, 0.24%

LAB 23.36, 16.24, -8.1

 

CMYK 0 / 56 / 13 / 67

HEX #542549

RGB 84 37 73

HSL 314.04, 0.39%, 0.24%

LAB 22.62, 27.19, -12.48

 

CMYK 30 / 0 / 42 / 70

HEX #364D2D

RGB 54 77 45

HSL 103.13, 0.26%, 0.24%

LAB 30.11, -15.9, 16.22

 

CMYK 42 / 0 / 42 / 70

HEX #2D4D2D

RGB 45 77 45

HSL 120, 0.26%, 0.24%

LAB 29.55, -19.44, 15.37

 

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

CMYK 42 / 0 / 21 / 70

HEX #2D4D3D

RGB 45 77 61

HSL 150, 0.26%, 0.24%

LAB 29.92, -16, 5.82

 

CMYK 42 / 0 / 9 / 70

HEX #2D4D46

RGB 45 77 70

HSL 166.88, 0.26%, 0.24%

LAB 30.18, -13.69, 0.43

 

CMYK 44 / 0 / 32 / 90

HEX #0E1911

RGB 14 25 17

HSL 136.36, 0.28%, 0.08%

LAB 7.49, -6.48, 3.51

 

CMYK 41 / 0 / 31 / 80

HEX #1E3323

RGB 30 51 35

HSL 134.29, 0.26%, 0.16%

LAB 19.08, -12.64, 7.56

 

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

CMYK 42 / 0 / 31 / 60

HEX #3C6747

RGB 60 103 71

HSL 135.35, 0.26%, 0.32%

LAB 39.78, -22.66, 13.48

 

CMYK 42 / 0 / 31 / 49

HEX #4B8159

RGB 75 129 89

HSL 135.56, 0.26%, 0.4%

LAB 49.4, -27.24, 16.21

 

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

CMYK 42 / 19 / 0 / 70

HEX #2D3E4D

RGB 45 62 77

HSL 208.13, 0.26%, 0.24%

LAB 25.38, -2.37, -11.29

 

CMYK 0 / 42 / 35 / 70

HEX #4D2D32

RGB 77 45 50

HSL 350.63, 0.26%, 0.24%

LAB 22.6, 15.49, 3.04

 

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

CMYK 31 / 42 / 0 / 70

HEX #352D4D

RGB 53 45 77

HSL 255, 0.26%, 0.24%

LAB 20.71, 11.92, -18.46

 

CMYK 0 / 31 / 42 / 70

HEX #4D352D

RGB 77 53 45

HSL 15, 0.26%, 0.24%

LAB 24.68, 9.56, 9.32

 

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

CMYK 42 / 19 / 0 / 70

HEX #2D3E4D

RGB 45 62 77

HSL 208.13, 0.26%, 0.24%

LAB 25.38, -2.37, -11.29

 

CMYK 0 / 42 / 10 / 70

HEX #4D2D45

RGB 77 45 69

HSL 315, 0.26%, 0.24%

LAB 23.28, 18.92, -8.85

 

CMYK 0 / 23 / 42 / 70

HEX #4D3B2D

RGB 77 59 45

HSL 26.25, 0.26%, 0.24%

LAB 26.43, 5.66, 11.71

 

CMYK 42 / 0 / 31 / 70

HEX #2D4D35

RGB 45 77 53

HSL 135, 0.26%, 0.24%

LAB 29.72, -17.83, 10.62

 

CMYK 42 / 31 / 0 / 70

HEX #2D354D

RGB 45 53 77

HSL 225, 0.26%, 0.24%

LAB 22.44, 3.67, -15.81

 

CMYK 0 / 42 / 10 / 70

HEX #4D2D45

RGB 77 45 69

HSL 315, 0.26%, 0.24%

LAB 23.28, 18.92, -8.85

 

CMYK 0 / 10 / 42 / 70

HEX #4D452D

RGB 77 69 45

HSL 45, 0.26%, 0.24%

LAB 29.47, -0.72, 15.75

 

Description

Color code: HEX #2D4D35 | qconv.com Color code: HEX #2D4D35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 77 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 77 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 31 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 31% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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