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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D4D09 it is the complementary color #D2B2F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D4D09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D4D09 shade: #324D04, #435F17, #54712A, #65833D and #769550

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D4D09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D4D09 shade: #2D4D09, #1C3B00, #0B2900, #001700 and #000500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D4D09 shade: #2D4E09, #404E09, #4E4909, #4E3609 and #4E2409

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D4D09 shade: #2D4E09, #1B4E09, #094E0A, #094E1C and #094E2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D4D09 shade matches the following richer shades: #2D4E09 and #2E5502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D4D09 shade: #2D4E09, #2D4710, #2D4017, #2C391E and #2C3225

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D4D09 shade: #4E4909, #404E09, #2E4E09, #1B4E09 and #094E09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D4D09 shade: #020400, #182905, #2D4E09, #43730D and #599712

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D4D09 shade: #2D4D09, #094E37 and #4E0949

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D4D09 shade: #2D4D09, #092E4E and #4E092E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D4D09 shade: #2D4D09, #094E37, #29094E and #4E0920

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D4D09 shade: #2D4D09, #094E4B, #29094E and #4E090B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 88 / 70

HEX #2D4D09

RGB 45 77 9

HSL 88.24, 0.79%, 0.17%

LAB 29.12, -23.74, 33.35

 

Complementary color

CMYK 15 / 28 / 0 / 4

HEX #D2B2F6

RGB 210 178 246

HSL 268.24, 0.79%, 0.83%

LAB 77.4, 24.26, -29.51

 

CMYK 35 / 0 / 95 / 70

HEX #324D04

RGB 50 77 4

HSL 82.19, 0.9%, 0.16%

LAB 29.4, -21.9, 35.55

 

CMYK 29 / 0 / 76 / 63

HEX #435F17

RGB 67 95 23

HSL 83.33, 0.61%, 0.23%

LAB 36.82, -22.55, 35.88

 

CMYK 26 / 0 / 63 / 56

HEX #54712A

RGB 84 113 42

HSL 84.51, 0.46%, 0.3%

LAB 44.03, -22.89, 35.19

 

CMYK 23 / 0 / 53 / 49

HEX #65833D

RGB 101 131 61

HSL 85.71, 0.36%, 0.38%

LAB 51.08, -23.04, 34.06

 

CMYK 21 / 0 / 46 / 42

HEX #769550

RGB 118 149 80

HSL 86.96, 0.3%, 0.45%

LAB 57.97, -23.09, 32.83

 

CMYK 42 / 0 / 88 / 70

HEX #2D4D09

RGB 45 77 9

HSL 88.24, 0.79%, 0.17%

LAB 29.12, -23.74, 33.35

 

CMYK 53 / 0 / 100 / 77

HEX #1C3B00

RGB 28 59 0

HSL 91.53, 1%, 0.12%

LAB 21.49, -22.56, 29.27

 

CMYK 73 / 0 / 100 / 84

HEX #0B2900

RGB 11 41 0

HSL 103.9, 1%, 0.08%

LAB 13.57, -20.49, 19.53

 

CMYK 100 / 0 / 100 / 91

HEX #001700

RGB 0 23 0

HSL 120, 1%, 0.05%

LAB 5.54, -11.31, 8.08

 

CMYK 100 / 0 / 100 / 98

HEX #000500

RGB 0 5 0

HSL 120, 1%, 0.01%

LAB 0.98, -2, 1.43

 

CMYK 42 / 0 / 88 / 69

HEX #2D4E09

RGB 45 78 9

HSL 88.7, 0.79%, 0.17%

LAB 29.48, -24.23, 33.68

 

CMYK 18 / 0 / 88 / 69

HEX #404E09

RGB 64 78 9

HSL 72.17, 0.79%, 0.17%

LAB 30.78, -15.7, 35.34

 

CMYK 0 / 6 / 88 / 69

HEX #4E4909

RGB 78 73 9

HSL 55.65, 0.79%, 0.17%

LAB 30.41, -5.79, 35.5

 

CMYK 0 / 31 / 88 / 69

HEX #4E3609

RGB 78 54 9

HSL 39.13, 0.79%, 0.17%

LAB 24.57, 6.15, 30.25

 

CMYK 0 / 54 / 88 / 69

HEX #4E2409

RGB 78 36 9

HSL 23.48, 0.79%, 0.17%

LAB 19.64, 17.66, 25.04

 

CMYK 42 / 0 / 88 / 69

HEX #2D4E09

RGB 45 78 9

HSL 88.7, 0.79%, 0.17%

LAB 29.48, -24.23, 33.68

 

CMYK 65 / 0 / 88 / 69

HEX #1B4E09

RGB 27 78 9

HSL 104.35, 0.79%, 0.17%

LAB 28.65, -30.56, 32.61

 

CMYK 88 / 0 / 87 / 69

HEX #094E0A

RGB 9 78 10

HSL 120.87, 0.79%, 0.17%

LAB 28.19, -34.39, 31.66

 

CMYK 88 / 0 / 64 / 69

HEX #094E1C

RGB 9 78 28

HSL 136.52, 0.79%, 0.17%

LAB 28.36, -32.36, 23.55

 

CMYK 88 / 0 / 40 / 69

HEX #094E2F

RGB 9 78 47

HSL 153.04, 0.79%, 0.17%

LAB 28.67, -28.62, 12.74

 

CMYK 42 / 0 / 88 / 69

HEX #2D4E09

RGB 45 78 9

HSL 88.7, 0.79%, 0.17%

LAB 29.48, -24.23, 33.68

 

CMYK 46 / 0 / 98 / 67

HEX #2E5502

RGB 46 85 2

HSL 88.19, 0.95%, 0.17%

LAB 31.99, -27.52, 38.32

 

CMYK 42 / 0 / 88 / 69

HEX #2D4E09

RGB 45 78 9

HSL 88.7, 0.79%, 0.17%

LAB 29.48, -24.23, 33.68

 

CMYK 37 / 0 / 77 / 72

HEX #2D4710

RGB 45 71 16

HSL 88.36, 0.63%, 0.17%

LAB 27.02, -20.23, 28.53

 

CMYK 30 / 0 / 64 / 75

HEX #2D4017

RGB 45 64 23

HSL 87.8, 0.47%, 0.17%

LAB 24.6, -15.75, 22.31

 

CMYK 23 / 0 / 47 / 78

HEX #2C391E

RGB 44 57 30

HSL 88.89, 0.31%, 0.17%

LAB 22.14, -11.17, 15.1

 

CMYK 12 / 0 / 26 / 80

HEX #2C3225

RGB 44 50 37

HSL 87.69, 0.15%, 0.17%

LAB 19.84, -5.54, 7.43

 

CMYK 0 / 6 / 88 / 69

HEX #4E4909

RGB 78 73 9

HSL 55.65, 0.79%, 0.17%

LAB 30.41, -5.79, 35.5

 

CMYK 18 / 0 / 88 / 69

HEX #404E09

RGB 64 78 9

HSL 72.17, 0.79%, 0.17%

LAB 30.78, -15.7, 35.34

 

CMYK 41 / 0 / 88 / 69

HEX #2E4E09

RGB 46 78 9

HSL 87.83, 0.79%, 0.17%

LAB 29.54, -23.82, 33.75

 

CMYK 65 / 0 / 88 / 69

HEX #1B4E09

RGB 27 78 9

HSL 104.35, 0.79%, 0.17%

LAB 28.65, -30.56, 32.61

 

CMYK 88 / 0 / 88 / 69

HEX #094E09

RGB 9 78 9

HSL 120, 0.79%, 0.17%

LAB 28.19, -34.46, 32.01

 

CMYK 50 / 0 / 100 / 98

HEX #020400

RGB 2 4 0

HSL 90, 1%, 0.01%

LAB 0.9, -1.08, 1.33

 

CMYK 41 / 0 / 88 / 84

HEX #182905

RGB 24 41 5

HSL 88.33, 0.78%, 0.09%

LAB 14.35, -14.49, 18.65

 

CMYK 42 / 0 / 88 / 69

HEX #2D4E09

RGB 45 78 9

HSL 88.7, 0.79%, 0.17%

LAB 29.48, -24.23, 33.68

 

CMYK 42 / 0 / 89 / 55

HEX #43730D

RGB 67 115 13

HSL 88.24, 0.8%, 0.25%

LAB 43.48, -32.64, 45.45

 

CMYK 41 / 0 / 88 / 41

HEX #599712

RGB 89 151 18

HSL 87.97, 0.79%, 0.33%

LAB 56.39, -40.05, 55.88

 

CMYK 42 / 0 / 88 / 70

HEX #2D4D09

RGB 45 77 9

HSL 88.24, 0.79%, 0.17%

LAB 29.12, -23.74, 33.35

 

CMYK 88 / 0 / 29 / 69

HEX #094E37

RGB 9 78 55

HSL 160, 0.79%, 0.17%

LAB 28.86, -26.58, 7.96

 

CMYK 0 / 88 / 6 / 69

HEX #4E0949

RGB 78 9 73

HSL 304.35, 0.79%, 0.17%

LAB 16.97, 37.99, -21.37

 

CMYK 42 / 0 / 88 / 70

HEX #2D4D09

RGB 45 77 9

HSL 88.24, 0.79%, 0.17%

LAB 29.12, -23.74, 33.35

 

CMYK 88 / 41 / 0 / 69

HEX #092E4E

RGB 9 46 78

HSL 207.83, 0.79%, 0.17%

LAB 18.2, 0.59, -23.29

 

CMYK 0 / 88 / 41 / 69

HEX #4E092E

RGB 78 9 46

HSL 327.83, 0.79%, 0.17%

LAB 15.55, 33.96, -4.47

 

CMYK 42 / 0 / 88 / 70

HEX #2D4D09

RGB 45 77 9

HSL 88.24, 0.79%, 0.17%

LAB 29.12, -23.74, 33.35

 

CMYK 88 / 0 / 29 / 69

HEX #094E37

RGB 9 78 55

HSL 160, 0.79%, 0.17%

LAB 28.86, -26.58, 7.96

 

CMYK 47 / 88 / 0 / 69

HEX #29094E

RGB 41 9 78

HSL 267.83, 0.79%, 0.17%

LAB 10.68, 31.42, -35.31

 

CMYK 0 / 88 / 59 / 69

HEX #4E0920

RGB 78 9 32

HSL 340, 0.79%, 0.17%

LAB 15.06, 32.48, 5.05

 

CMYK 42 / 0 / 88 / 70

HEX #2D4D09

RGB 45 77 9

HSL 88.24, 0.79%, 0.17%

LAB 29.12, -23.74, 33.35

 

CMYK 88 / 0 / 4 / 69

HEX #094E4B

RGB 9 78 75

HSL 177.39, 0.79%, 0.17%

LAB 29.45, -20.45, -3.99

 

CMYK 47 / 88 / 0 / 69

HEX #29094E

RGB 41 9 78

HSL 267.83, 0.79%, 0.17%

LAB 10.68, 31.42, -35.31

 

CMYK 0 / 88 / 86 / 69

HEX #4E090B

RGB 78 9 11

HSL 358.26, 0.79%, 0.17%

LAB 14.62, 31.13, 18.09

 

Description

Color code: HEX #2D4D09 | qconv.com Color code: HEX #2D4D09 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 77 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 77 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 88 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 88% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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