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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D4CAC it is the complementary color #D2B353. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D4CAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D4CAC shade: #324CA7, #435EBA, #5470CD, #6582E0 and #7694F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D4CAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D4CAC shade: #2D4CAC, #1C3A99, #0B2886, #001673 and #000460

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D4CAC shade: #2C4CAE, #302CAE, #532CAE, #762CAE and #982CAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D4CAC shade: #2C4CAE and #2C2CAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D4CAC shade matches the following richer shades: #2C4CAE, #1B43C0 and #093AD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D4CAC shade: #2C4CAE, #3E559C, #505E8A, #626779 and #737067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D4CAC shade: #2C92AE, #2C6FAE, #2C4DAE, #2F2CAE and #512CAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D4CAC shade: #1C2F6C, #243E8D, #2C4CAE, #385CCB and #5977D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D4CAC shade: #2D4CAC, #A72CAE and #81AE2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D4CAC shade: #2D4CAC, #AE2C4D and #4DAE2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D4CAC shade: #2D4CAC, #A72CAE, #AE8D2C and #33AE2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D4CAC shade: #2D4CAC, #AE2C8D, #AE8D2C and #2CAE4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 56 / 0 / 33

HEX #2D4CAC

RGB 45 76 172

HSL 225.35, 0.59%, 0.43%

LAB 35.41, 22.9, -54.75

 

Complementary color

CMYK 0 / 15 / 60 / 18

HEX #D2B353

RGB 210 179 83

HSL 45.35, 0.59%, 0.57%

LAB 73.91, -0, 52.1

 

CMYK 70 / 54 / 0 / 35

HEX #324CA7

RGB 50 76 167

HSL 226.67, 0.54%, 0.43%

LAB 35.28, 21.72, -51.98

 

CMYK 64 / 49 / 0 / 27

HEX #435EBA

RGB 67 94 186

HSL 226.39, 0.47%, 0.5%

LAB 42.37, 19.66, -51.69

 

CMYK 59 / 45 / 0 / 20

HEX #5470CD

RGB 84 112 205

HSL 226.12, 0.55%, 0.57%

LAB 49.35, 18.02, -51.41

 

CMYK 55 / 42 / 0 / 12

HEX #6582E0

RGB 101 130 224

HSL 225.85, 0.66%, 0.64%

LAB 56.2, 16.67, -51.17

 

CMYK 51 / 39 / 0 / 5

HEX #7694F3

RGB 118 148 243

HSL 225.6, 0.84%, 0.71%

LAB 62.93, 15.55, -50.96

 

CMYK 74 / 56 / 0 / 33

HEX #2D4CAC

RGB 45 76 172

HSL 225.35, 0.59%, 0.43%

LAB 35.41, 22.9, -54.75

 

CMYK 82 / 62 / 0 / 40

HEX #1C3A99

RGB 28 58 153

HSL 225.6, 0.69%, 0.35%

LAB 28.31, 25.75, -54.9

 

CMYK 92 / 70 / 0 / 47

HEX #0B2886

RGB 11 40 134

HSL 225.85, 0.85%, 0.28%

LAB 21.24, 29.27, -54.76

 

CMYK 100 / 81 / 0 / 55

HEX #001673

RGB 0 22 115

HSL 228.52, 1%, 0.23%

LAB 14.47, 33.13, -53.87

 

CMYK 100 / 96 / 0 / 62

HEX #000460

RGB 0 4 96

HSL 237.5, 1%, 0.19%

LAB 8.41, 36.31, -51.44

 

CMYK 75 / 56 / 0 / 32

HEX #2C4CAE

RGB 44 76 174

HSL 225.23, 0.6%, 0.43%

LAB 35.52, 23.53, -55.76

 

CMYK 72 / 75 / 0 / 32

HEX #302CAE

RGB 48 44 174

HSL 241.85, 0.6%, 0.43%

LAB 28.08, 44.15, -67.95

 

CMYK 52 / 75 / 0 / 32

HEX #532CAE

RGB 83 44 174

HSL 258, 0.6%, 0.43%

LAB 31.11, 48.54, -62.85

 

CMYK 32 / 75 / 0 / 32

HEX #762CAE

RGB 118 44 174

HSL 274.15, 0.6%, 0.43%

LAB 35.42, 54.52, -55.63

 

CMYK 13 / 75 / 0 / 32

HEX #982CAE

RGB 152 44 174

HSL 289.85, 0.6%, 0.43%

LAB 40.46, 61.22, -47.23

 

CMYK 75 / 56 / 0 / 32

HEX #2C4CAE

RGB 44 76 174

HSL 225.23, 0.6%, 0.43%

LAB 35.52, 23.53, -55.76

 

CMYK 75 / 75 / 0 / 32

HEX #2C2CAE

RGB 44 44 174

HSL 240, 0.6%, 0.43%

LAB 27.83, 43.78, -68.37

 

CMYK 75 / 56 / 0 / 32

HEX #2C4CAE

RGB 44 76 174

HSL 225.23, 0.6%, 0.43%

LAB 35.52, 23.53, -55.76

 

CMYK 86 / 65 / 0 / 25

HEX #1B43C0

RGB 27 67 192

HSL 225.45, 0.75%, 0.43%

LAB 34.09, 34.73, -68.74

 

CMYK 96 / 72 / 0 / 18

HEX #093AD1

RGB 9 58 209

HSL 225.3, 0.92%, 0.43%

LAB 33.32, 45.9, -79.94

 

CMYK 75 / 56 / 0 / 32

HEX #2C4CAE

RGB 44 76 174

HSL 225.23, 0.6%, 0.43%

LAB 35.52, 23.53, -55.76

 

CMYK 60 / 46 / 0 / 39

HEX #3E559C

RGB 62 85 156

HSL 225.32, 0.43%, 0.43%

LAB 37.7, 13.92, -41.45

 

CMYK 42 / 32 / 0 / 46

HEX #505E8A

RGB 80 94 138

HSL 225.52, 0.27%, 0.43%

LAB 40.49, 6.65, -26.13

 

CMYK 19 / 15 / 0 / 53

HEX #626779

RGB 98 103 121

HSL 226.96, 0.11%, 0.43%

LAB 43.77, 2.22, -10.69

 

CMYK 0 / 3 / 10 / 55

HEX #737067

RGB 115 112 103

HSL 45, 0.06%, 0.43%

LAB 47.25, -0.57, 5.41

 

CMYK 75 / 16 / 0 / 32

HEX #2C92AE

RGB 44 146 174

HSL 192.92, 0.6%, 0.43%

LAB 56.24, -19.23, -22.99

 

CMYK 75 / 36 / 0 / 32

HEX #2C6FAE

RGB 44 111 174

HSL 209.08, 0.6%, 0.43%

LAB 45.58, 0.89, -39.62

 

CMYK 75 / 56 / 0 / 32

HEX #2C4DAE

RGB 44 77 174

HSL 224.77, 0.6%, 0.43%

LAB 35.79, 22.86, -55.32

 

CMYK 73 / 75 / 0 / 32

HEX #2F2CAE

RGB 47 44 174

HSL 241.38, 0.6%, 0.43%

LAB 28.01, 44.06, -68.05

 

CMYK 53 / 75 / 0 / 32

HEX #512CAE

RGB 81 44 174

HSL 257.08, 0.6%, 0.43%

LAB 30.89, 48.24, -63.21

 

CMYK 74 / 56 / 0 / 58

HEX #1C2F6C

RGB 28 47 108

HSL 225.75, 0.59%, 0.27%

LAB 21.44, 15.42, -37.85

 

CMYK 74 / 56 / 0 / 45

HEX #243E8D

RGB 36 62 141

HSL 225.14, 0.59%, 0.35%

LAB 28.76, 19.21, -46.8

 

CMYK 75 / 56 / 0 / 32

HEX #2C4CAE

RGB 44 76 174

HSL 225.23, 0.6%, 0.43%

LAB 35.52, 23.53, -55.76

 

CMYK 72 / 55 / 0 / 20

HEX #385CCB

RGB 56 92 203

HSL 225.31, 0.59%, 0.51%

LAB 42.47, 25.41, -61.42

 

CMYK 58 / 44 / 0 / 17

HEX #5977D4

RGB 89 119 212

HSL 225.37, 0.59%, 0.59%

LAB 51.92, 17.02, -51.28

 

CMYK 74 / 56 / 0 / 33

HEX #2D4CAC

RGB 45 76 172

HSL 225.35, 0.59%, 0.43%

LAB 35.41, 22.9, -54.75

 

CMYK 4 / 75 / 0 / 32

HEX #A72CAE

RGB 167 44 174

HSL 296.77, 0.6%, 0.43%

LAB 42.87, 64.35, -43.24

 

CMYK 26 / 0 / 75 / 32

HEX #81AE2C

RGB 129 174 44

HSL 80.77, 0.6%, 0.43%

LAB 65.84, -33.94, 57.82

 

CMYK 74 / 56 / 0 / 33

HEX #2D4CAC

RGB 45 76 172

HSL 225.35, 0.59%, 0.43%

LAB 35.41, 22.9, -54.75

 

CMYK 0 / 75 / 56 / 32

HEX #AE2C4D

RGB 174 44 77

HSL 344.77, 0.6%, 0.43%

LAB 40.14, 53.89, 12.43

 

CMYK 56 / 0 / 75 / 32

HEX #4DAE2C

RGB 77 174 44

HSL 104.77, 0.6%, 0.43%

LAB 63.37, -51.55, 54.56

 

CMYK 74 / 56 / 0 / 33

HEX #2D4CAC

RGB 45 76 172

HSL 225.35, 0.59%, 0.43%

LAB 35.41, 22.9, -54.75

 

CMYK 4 / 75 / 0 / 32

HEX #A72CAE

RGB 167 44 174

HSL 296.77, 0.6%, 0.43%

LAB 42.87, 64.35, -43.24

 

CMYK 0 / 19 / 75 / 32

HEX #AE8D2C

RGB 174 141 44

HSL 44.77, 0.6%, 0.43%

LAB 60.1, 2.44, 53.5

 

CMYK 71 / 0 / 75 / 32

HEX #33AE2C

RGB 51 174 44

HSL 116.77, 0.6%, 0.43%

LAB 62.64, -57.5, 53.59

 

CMYK 74 / 56 / 0 / 33

HEX #2D4CAC

RGB 45 76 172

HSL 225.35, 0.59%, 0.43%

LAB 35.41, 22.9, -54.75

 

CMYK 0 / 75 / 19 / 32

HEX #AE2C8D

RGB 174 44 141

HSL 315.23, 0.6%, 0.43%

LAB 42.34, 60.84, -24.18

 

CMYK 0 / 19 / 75 / 32

HEX #AE8D2C

RGB 174 141 44

HSL 44.77, 0.6%, 0.43%

LAB 60.1, 2.44, 53.5

 

CMYK 75 / 0 / 56 / 32

HEX #2CAE4D

RGB 44 174 77

HSL 135.23, 0.6%, 0.43%

LAB 62.8, -55.11, 39.57

 

Description

Color code: HEX #2D4CAC | qconv.com Color code: HEX #2D4CAC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 76 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 76 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 56 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 56% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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