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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D4A3E it is the complementary color #D2B5C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D4A3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D4A3E shade: #324A39, #435C4C, #546E5F, #658072 and #769285

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D4A3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D4A3E shade: #2D4A3E, #1C382B, #0B2618, #001405 and #000200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D4A3E shade: #2C483D, #2C4835, #2C482D, #32482C and #3A482C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D4A3E shade: #2C483D, #2C4844, #2C4548, #2C3D48 and #2C3648

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D4A3E shade matches the following richer shades: #2C483D, #23523E, #195B40, #106541 and #066E43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D4A3E shade: #2C483D, #363F3B, #3F3539, #492C38 and #522236

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D4A3E shade: #2C482D, #2C4835, #2C483C, #2C4844 and #2C4548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D4A3E shade: #0D1512, #1C2F27, #2C483D, #3C6252 and #4B7B68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D4A3E shade: #2D4A3E, #2C3248 and #48312C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D4A3E shade: #2D4A3E, #3C2C48 and #483C2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D4A3E shade: #2D4A3E, #2C3248, #482C38 and #48422C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D4A3E shade: #2D4A3E, #2E2C48, #482C38 and #46482C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 16 / 71

HEX #2D4A3E

RGB 45 74 62

HSL 155.17, 0.24%, 0.23%

LAB 28.91, -14.04, 3.74

 

Complementary color

CMYK 0 / 14 / 8 / 18

HEX #D2B5C1

RGB 210 181 193

HSL 335.17, 0.24%, 0.77%

LAB 76.44, 12.41, -2.23

 

CMYK 32 / 0 / 23 / 71

HEX #324A39

RGB 50 74 57

HSL 137.5, 0.19%, 0.24%

LAB 29.08, -13.41, 7.24

 

CMYK 27 / 0 / 17 / 64

HEX #435C4C

RGB 67 92 76

HSL 141.6, 0.16%, 0.31%

LAB 36.69, -13.15, 6.2

 

CMYK 24 / 0 / 14 / 57

HEX #546E5F

RGB 84 110 95

HSL 145.38, 0.13%, 0.38%

LAB 44.04, -12.93, 5.26

 

CMYK 21 / 0 / 11 / 50

HEX #658072

RGB 101 128 114

HSL 148.89, 0.12%, 0.45%

LAB 51.17, -12.76, 4.41

 

CMYK 19 / 0 / 9 / 43

HEX #769285

RGB 118 146 133

HSL 152.14, 0.11%, 0.52%

LAB 58.13, -12.63, 3.63

 

CMYK 39 / 0 / 16 / 71

HEX #2D4A3E

RGB 45 74 62

HSL 155.17, 0.24%, 0.23%

LAB 28.91, -14.04, 3.74

 

CMYK 50 / 0 / 23 / 78

HEX #1C382B

RGB 28 56 43

HSL 152.14, 0.33%, 0.16%

LAB 21.02, -14.33, 4.86

 

CMYK 71 / 0 / 37 / 85

HEX #0B2618

RGB 11 38 24

HSL 148.89, 0.55%, 0.1%

LAB 12.76, -14.53, 6.27

 

CMYK 100 / 0 / 75 / 92

HEX #001405

RGB 0 20 5

HSL 135, 1%, 0.04%

LAB 4.62, -8.54, 4.71

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 39 / 0 / 15 / 72

HEX #2C483D

RGB 44 72 61

HSL 156.43, 0.24%, 0.23%

LAB 28.13, -13.48, 3.27

 

CMYK 39 / 0 / 26 / 72

HEX #2C4835

RGB 44 72 53

HSL 139.29, 0.24%, 0.23%

LAB 27.92, -15.41, 8.12

 

CMYK 39 / 0 / 38 / 72

HEX #2C482D

RGB 44 72 45

HSL 122.14, 0.24%, 0.23%

LAB 27.74, -17.1, 12.95

 

CMYK 31 / 0 / 39 / 72

HEX #32482C

RGB 50 72 44

HSL 107.14, 0.24%, 0.23%

LAB 28.1, -14.91, 14.13

 

CMYK 19 / 0 / 39 / 72

HEX #3A482C

RGB 58 72 44

HSL 90, 0.24%, 0.23%

LAB 28.68, -11.5, 15.01

 

CMYK 39 / 0 / 15 / 72

HEX #2C483D

RGB 44 72 61

HSL 156.43, 0.24%, 0.23%

LAB 28.13, -13.48, 3.27

 

CMYK 39 / 0 / 6 / 72

HEX #2C4844

RGB 44 72 68

HSL 171.43, 0.24%, 0.23%

LAB 28.35, -11.63, -0.96

 

CMYK 39 / 4 / 0 / 72

HEX #2C4548

RGB 44 69 72

HSL 186.43, 0.24%, 0.23%

LAB 27.46, -8.67, -4.87

 

CMYK 39 / 15 / 0 / 72

HEX #2C3D48

RGB 44 61 72

HSL 203.57, 0.24%, 0.23%

LAB 24.77, -3.6, -8.92

 

CMYK 39 / 25 / 0 / 72

HEX #2C3648

RGB 44 54 72

HSL 218.57, 0.24%, 0.23%

LAB 22.45, 1.05, -12.46

 

CMYK 39 / 0 / 15 / 72

HEX #2C483D

RGB 44 72 61

HSL 156.43, 0.24%, 0.23%

LAB 28.13, -13.48, 3.27

 

CMYK 57 / 0 / 24 / 68

HEX #23523E

RGB 35 82 62

HSL 154.47, 0.4%, 0.23%

LAB 31.21, -21.53, 6.94

 

CMYK 73 / 0 / 30 / 64

HEX #195B40

RGB 25 91 64

HSL 155.45, 0.57%, 0.23%

LAB 34.11, -27.79, 9.7

 

CMYK 84 / 0 / 36 / 60

HEX #106541

RGB 16 101 65

HSL 154.59, 0.73%, 0.23%

LAB 37.48, -33.42, 13.7

 

CMYK 95 / 0 / 39 / 57

HEX #066E43

RGB 6 110 67

HSL 155.19, 0.9%, 0.23%

LAB 40.57, -37.64, 16.66

 

CMYK 39 / 0 / 15 / 72

HEX #2C483D

RGB 44 72 61

HSL 156.43, 0.24%, 0.23%

LAB 28.13, -13.48, 3.27

 

CMYK 14 / 0 / 6 / 75

HEX #363F3B

RGB 54 63 59

HSL 153.33, 0.08%, 0.23%

LAB 25.73, -4.68, 1.19

 

CMYK 0 / 16 / 10 / 75

HEX #3F3539

RGB 63 53 57

HSL 336, 0.09%, 0.23%

LAB 23.33, 5.27, -0.87

 

CMYK 0 / 40 / 23 / 71

HEX #492C38

RGB 73 44 56

HSL 335.17, 0.25%, 0.23%

LAB 21.96, 15.41, -2.07

 

CMYK 0 / 59 / 34 / 68

HEX #522236

RGB 82 34 54

HSL 335, 0.41%, 0.23%

LAB 20.84, 24.94, -2.18

 

CMYK 39 / 0 / 38 / 72

HEX #2C482D

RGB 44 72 45

HSL 122.14, 0.24%, 0.23%

LAB 27.74, -17.1, 12.95

 

CMYK 39 / 0 / 26 / 72

HEX #2C4835

RGB 44 72 53

HSL 139.29, 0.24%, 0.23%

LAB 27.92, -15.41, 8.12

 

CMYK 39 / 0 / 17 / 72

HEX #2C483C

RGB 44 72 60

HSL 154.29, 0.24%, 0.23%

LAB 28.1, -13.74, 3.87

 

CMYK 39 / 0 / 6 / 72

HEX #2C4844

RGB 44 72 68

HSL 171.43, 0.24%, 0.23%

LAB 28.35, -11.63, -0.96

 

CMYK 39 / 4 / 0 / 72

HEX #2C4548

RGB 44 69 72

HSL 186.43, 0.24%, 0.23%

LAB 27.46, -8.67, -4.87

 

CMYK 38 / 0 / 14 / 92

HEX #0D1512

RGB 13 21 18

HSL 157.5, 0.24%, 0.07%

LAB 6.01, -3.66, 0.75

 

CMYK 40 / 0 / 17 / 82

HEX #1C2F27

RGB 28 47 39

HSL 154.74, 0.25%, 0.15%

LAB 17.58, -9.97, 2.7

 

CMYK 39 / 0 / 15 / 72

HEX #2C483D

RGB 44 72 61

HSL 156.43, 0.24%, 0.23%

LAB 28.13, -13.48, 3.27

 

CMYK 39 / 0 / 16 / 62

HEX #3C6252

RGB 60 98 82

HSL 154.74, 0.24%, 0.31%

LAB 38.38, -17.56, 4.87

 

CMYK 39 / 0 / 15 / 52

HEX #4B7B68

RGB 75 123 104

HSL 156.25, 0.24%, 0.39%

LAB 47.83, -20.97, 5.28

 

CMYK 39 / 0 / 16 / 71

HEX #2D4A3E

RGB 45 74 62

HSL 155.17, 0.24%, 0.23%

LAB 28.91, -14.04, 3.74

 

CMYK 39 / 31 / 0 / 72

HEX #2C3248

RGB 44 50 72

HSL 227.14, 0.24%, 0.23%

LAB 21.15, 3.79, -14.47

 

CMYK 0 / 32 / 39 / 72

HEX #48312C

RGB 72 49 44

HSL 10.71, 0.24%, 0.23%

LAB 22.85, 9.67, 7.35

 

CMYK 39 / 0 / 16 / 71

HEX #2D4A3E

RGB 45 74 62

HSL 155.17, 0.24%, 0.23%

LAB 28.91, -14.04, 3.74

 

CMYK 17 / 39 / 0 / 72

HEX #3C2C48

RGB 60 44 72

HSL 274.29, 0.24%, 0.23%

LAB 20.94, 13.72, -14.66

 

CMYK 0 / 17 / 39 / 72

HEX #483C2C

RGB 72 60 44

HSL 34.29, 0.24%, 0.23%

LAB 26.13, 2.48, 11.85

 

CMYK 39 / 0 / 16 / 71

HEX #2D4A3E

RGB 45 74 62

HSL 155.17, 0.24%, 0.23%

LAB 28.91, -14.04, 3.74

 

CMYK 39 / 31 / 0 / 72

HEX #2C3248

RGB 44 50 72

HSL 227.14, 0.24%, 0.23%

LAB 21.15, 3.79, -14.47

 

CMYK 0 / 39 / 22 / 72

HEX #482C38

RGB 72 44 56

HSL 334.29, 0.24%, 0.23%

LAB 21.82, 14.98, -2.29

 

CMYK 0 / 8 / 39 / 72

HEX #48422C

RGB 72 66 44

HSL 47.14, 0.24%, 0.23%

LAB 28, -1.36, 14.34

 

CMYK 39 / 0 / 16 / 71

HEX #2D4A3E

RGB 45 74 62

HSL 155.17, 0.24%, 0.23%

LAB 28.91, -14.04, 3.74

 

CMYK 36 / 39 / 0 / 72

HEX #2E2C48

RGB 46 44 72

HSL 244.29, 0.24%, 0.23%

LAB 19.43, 8.67, -17.12

 

CMYK 0 / 39 / 22 / 72

HEX #482C38

RGB 72 44 56

HSL 334.29, 0.24%, 0.23%

LAB 21.82, 14.98, -2.29

 

CMYK 3 / 0 / 39 / 72

HEX #46482C

RGB 70 72 44

HSL 64.29, 0.24%, 0.23%

LAB 29.71, -6.03, 16.55

 

Description

Color code: HEX #2D4A3E | qconv.com Color code: HEX #2D4A3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 74 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 74 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 16 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 16% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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