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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D41BE it is the complementary color #D2BE41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D41BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D41BE shade: #3241B9, #4353CC, #5465DF, #6577F2 and #7689FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D41BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D41BE shade: #2D41BE, #1C2FAB, #0B1D98, #000B85 and #000072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D41BE shade: #2D41BE, #402DBE, #672DBE, #8E2DBE and #B52DBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D41BE shade: #2D41BE and #2D2DBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D41BE shade matches the following richer shades: #2D41BE, #1A33D1 and #0725E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D41BE shade: #2D41BE, #404EAB, #535C98, #666A85 and #787872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D41BE shade: #2D90BE, #2D69BE, #2D42BE, #3E2DBE and #642DBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D41BE shade: #1D2A7B, #25359D, #2D41BE, #4155D3 and #6373DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D41BE shade: #2D41BE, #BE2DB7 and #7DBE2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D41BE shade: #2D41BE, #BE2D42 and #42BE2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D41BE shade: #2D41BE, #BE2DB7, #BEA82D and #2DBE34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D41BE shade: #2D41BE, #BE2D8B, #BEA82D and #2DBE5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 66 / 0 / 25

HEX #2D41BE

RGB 45 65 190

HSL 231.72, 0.62%, 0.46%

LAB 34.1, 36.73, -67.53

 

Complementary color

CMYK 0 / 10 / 69 / 18

HEX #D2BE41

RGB 210 190 65

HSL 51.72, 0.62%, 0.54%

LAB 76.62, -6.83, 62.74

 

CMYK 73 / 65 / 0 / 27

HEX #3241B9

RGB 50 65 185

HSL 233.33, 0.57%, 0.46%

LAB 33.9, 35.48, -64.9

 

CMYK 67 / 59 / 0 / 20

HEX #4353CC

RGB 67 83 204

HSL 232.99, 0.57%, 0.53%

LAB 40.8, 33.01, -64.69

 

CMYK 62 / 55 / 0 / 13

HEX #5465DF

RGB 84 101 223

HSL 232.66, 0.68%, 0.6%

LAB 47.65, 30.91, -64.39

 

CMYK 58 / 51 / 0 / 5

HEX #6577F2

RGB 101 119 242

HSL 232.34, 0.84%, 0.67%

LAB 54.42, 29.13, -64.07

 

CMYK 54 / 46 / 0 / 0

HEX #7689FF

RGB 118 137 255

HSL 231.68, 1%, 0.73%

LAB 60.75, 25.74, -61.03

 

CMYK 76 / 66 / 0 / 25

HEX #2D41BE

RGB 45 65 190

HSL 231.72, 0.62%, 0.46%

LAB 34.1, 36.73, -67.53

 

CMYK 84 / 73 / 0 / 33

HEX #1C2FAB

RGB 28 47 171

HSL 232.03, 0.72%, 0.39%

LAB 27.35, 39.72, -67.37

 

CMYK 93 / 81 / 0 / 40

HEX #0B1D98

RGB 11 29 152

HSL 232.34, 0.87%, 0.32%

LAB 20.89, 42.74, -66.53

 

CMYK 100 / 92 / 0 / 48

HEX #000B85

RGB 0 11 133

HSL 235.04, 1%, 0.26%

LAB 15.13, 44.71, -64.28

 

CMYK 100 / 100 / 0 / 55

HEX #000072

RGB 0 0 114

HSL 240, 1%, 0.22%

LAB 10.67, 43.72, -59.55

 

CMYK 76 / 66 / 0 / 25

HEX #2D41BE

RGB 45 65 190

HSL 231.72, 0.62%, 0.46%

LAB 34.1, 36.73, -67.53

 

CMYK 66 / 76 / 0 / 25

HEX #402DBE

RGB 64 45 190

HSL 247.86, 0.62%, 0.46%

LAB 31.08, 50.31, -72.47

 

CMYK 46 / 76 / 0 / 25

HEX #672DBE

RGB 103 45 190

HSL 264, 0.62%, 0.46%

LAB 34.96, 55.42, -65.94

 

CMYK 25 / 76 / 0 / 25

HEX #8E2DBE

RGB 142 45 190

HSL 280.14, 0.62%, 0.46%

LAB 40.16, 62.07, -57.25

 

CMYK 5 / 76 / 0 / 25

HEX #B52DBE

RGB 181 45 190

HSL 296.28, 0.62%, 0.46%

LAB 46.2, 69.61, -47.21

 

CMYK 76 / 66 / 0 / 25

HEX #2D41BE

RGB 45 65 190

HSL 231.72, 0.62%, 0.46%

LAB 34.1, 36.73, -67.53

 

CMYK 76 / 76 / 0 / 25

HEX #2D2DBE

RGB 45 45 190

HSL 240, 0.62%, 0.46%

LAB 29.79, 48.58, -74.63

 

CMYK 76 / 66 / 0 / 25

HEX #2D41BE

RGB 45 65 190

HSL 231.72, 0.62%, 0.46%

LAB 34.1, 36.73, -67.53

 

CMYK 88 / 76 / 0 / 18

HEX #1A33D1

RGB 26 51 209

HSL 231.8, 0.78%, 0.46%

LAB 32.24, 50.48, -81.72

 

CMYK 97 / 84 / 0 / 11

HEX #0725E4

RGB 7 37 228

HSL 231.86, 0.94%, 0.46%

LAB 31.74, 62.94, -93.51

 

CMYK 76 / 66 / 0 / 25

HEX #2D41BE

RGB 45 65 190

HSL 231.72, 0.62%, 0.46%

LAB 34.1, 36.73, -67.53

 

CMYK 63 / 54 / 0 / 33

HEX #404EAB

RGB 64 78 171

HSL 232.15, 0.46%, 0.46%

LAB 36.89, 24.17, -51.71

 

CMYK 45 / 39 / 0 / 40

HEX #535C98

RGB 83 92 152

HSL 232.17, 0.29%, 0.46%

LAB 40.83, 13.06, -33.99

 

CMYK 23 / 20 / 0 / 48

HEX #666A85

RGB 102 106 133

HSL 232.26, 0.13%, 0.46%

LAB 45.4, 4.77, -15.41

 

CMYK 0 / 0 / 5 / 53

HEX #787872

RGB 120 120 114

HSL 60, 0.03%, 0.46%

LAB 50.26, -1.18, 3.29

 

CMYK 76 / 24 / 0 / 25

HEX #2D90BE

RGB 45 144 190

HSL 199.03, 0.62%, 0.46%

LAB 56.31, -12.56, -31.98

 

CMYK 76 / 45 / 0 / 25

HEX #2D69BE

RGB 45 105 190

HSL 215.17, 0.62%, 0.46%

LAB 44.77, 10.8, -50.22

 

CMYK 76 / 65 / 0 / 25

HEX #2D42BE

RGB 45 66 190

HSL 231.31, 0.62%, 0.46%

LAB 34.34, 36.1, -67.14

 

CMYK 67 / 76 / 0 / 25

HEX #3E2DBE

RGB 62 45 190

HSL 247.03, 0.62%, 0.46%

LAB 30.92, 50.1, -72.73

 

CMYK 47 / 76 / 0 / 25

HEX #642DBE

RGB 100 45 190

HSL 262.76, 0.62%, 0.46%

LAB 34.61, 54.96, -66.53

 

CMYK 76 / 66 / 0 / 52

HEX #1D2A7B

RGB 29 42 123

HSL 231.7, 0.62%, 0.3%

LAB 21.38, 25.08, -47.55

 

CMYK 76 / 66 / 0 / 38

HEX #25359D

RGB 37 53 157

HSL 232, 0.62%, 0.38%

LAB 27.77, 31.55, -58.2

 

CMYK 76 / 66 / 0 / 25

HEX #2D41BE

RGB 45 65 190

HSL 231.72, 0.62%, 0.46%

LAB 34.1, 36.73, -67.53

 

CMYK 69 / 60 / 0 / 17

HEX #4155D3

RGB 65 85 211

HSL 231.78, 0.62%, 0.54%

LAB 41.73, 33.92, -67.22

 

CMYK 55 / 47 / 0 / 15

HEX #6373DA

RGB 99 115 218

HSL 231.93, 0.62%, 0.62%

LAB 51.81, 23.44, -54.81

 

CMYK 76 / 66 / 0 / 25

HEX #2D41BE

RGB 45 65 190

HSL 231.72, 0.62%, 0.46%

LAB 34.1, 36.73, -67.53

 

CMYK 0 / 76 / 4 / 25

HEX #BE2DB7

RGB 190 45 183

HSL 302.9, 0.62%, 0.46%

LAB 47.29, 70.33, -41.29

 

CMYK 34 / 0 / 76 / 25

HEX #7DBE2D

RGB 125 190 45

HSL 86.9, 0.62%, 0.46%

LAB 70.44, -42.5, 61.82

 

CMYK 76 / 66 / 0 / 25

HEX #2D41BE

RGB 45 65 190

HSL 231.72, 0.62%, 0.46%

LAB 34.1, 36.73, -67.53

 

CMYK 0 / 76 / 65 / 25

HEX #BE2D42

RGB 190 45 66

HSL 351.31, 0.62%, 0.46%

LAB 43.09, 57.59, 23.77

 

CMYK 65 / 0 / 76 / 25

HEX #42BE2D

RGB 66 190 45

HSL 111.31, 0.62%, 0.46%

LAB 68.15, -59.8, 58.82

 

CMYK 76 / 66 / 0 / 25

HEX #2D41BE

RGB 45 65 190

HSL 231.72, 0.62%, 0.46%

LAB 34.1, 36.73, -67.53

 

CMYK 0 / 76 / 4 / 25

HEX #BE2DB7

RGB 190 45 183

HSL 302.9, 0.62%, 0.46%

LAB 47.29, 70.33, -41.29

 

CMYK 0 / 12 / 76 / 25

HEX #BEA82D

RGB 190 168 45

HSL 50.9, 0.62%, 0.46%

LAB 68.85, -4.96, 61.99

 

CMYK 76 / 0 / 73 / 25

HEX #2DBE34

RGB 45 190 52

HSL 122.9, 0.62%, 0.46%

LAB 67.75, -63.02, 55.84

 

CMYK 76 / 66 / 0 / 25

HEX #2D41BE

RGB 45 65 190

HSL 231.72, 0.62%, 0.46%

LAB 34.1, 36.73, -67.53

 

CMYK 0 / 76 / 27 / 25

HEX #BE2D8B

RGB 190 45 139

HSL 321.1, 0.62%, 0.46%

LAB 45.2, 64.2, -18.31

 

CMYK 0 / 12 / 76 / 25

HEX #BEA82D

RGB 190 168 45

HSL 50.9, 0.62%, 0.46%

LAB 68.85, -4.96, 61.99

 

CMYK 76 / 0 / 50 / 25

HEX #2DBE5F

RGB 45 190 95

HSL 140.69, 0.62%, 0.46%

LAB 68.18, -57.89, 37.3

 

Description

Color code: HEX #2D41BE | qconv.com Color code: HEX #2D41BE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 65 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 65 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 66 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 66% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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