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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D3E61 it is the complementary color #D2C19E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D3E61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D3E61 shade: #323E5C, #43506F, #546282, #657495 and #7686A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D3E61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D3E61 shade: #2D3E61, #1C2C4E, #0B1A3B, #000828 and #000015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D3E61 shade: #2C3E61, #2C3061, #382C61, #462C61 and #542C61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D3E61 shade: #2C3E61, #2C3061 and #2C2C61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D3E61 shade matches the following richer shades: #2C3E61, #213A6D, #153678 and #0A3284

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D3E61 shade: #2C3E61, #384256, #44464A, #4F4A3F and #5B4E33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D3E61 shade: #2C5A61, #2C4C61, #2C3E61, #2C3061 and #372C61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D3E61 shade: #121A29, #1F2C45, #2C3E61, #39507E and #46629A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D3E61 shade: #2D3E61, #5A2C61 and #53612C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D3E61 shade: #2D3E61, #612C3E and #3E612C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D3E61 shade: #2D3E61, #5A2C61, #61502C and #34612C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D3E61 shade: #2D3E61, #612C59, #61502C and #2C6135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 36 / 0 / 62

HEX #2D3E61

RGB 45 62 97

HSL 220.38, 0.37%, 0.28%

LAB 26.35, 4.33, -22.84

 

Complementary color

CMYK 0 / 8 / 25 / 18

HEX #D2C19E

RGB 210 193 158

HSL 40.38, 0.37%, 0.72%

LAB 78.64, 0.53, 19.82

 

CMYK 46 / 33 / 0 / 64

HEX #323E5C

RGB 50 62 92

HSL 222.86, 0.3%, 0.28%

LAB 26.44, 4.05, -19.44

 

CMYK 40 / 28 / 0 / 56

HEX #43506F

RGB 67 80 111

HSL 222.27, 0.25%, 0.35%

LAB 34.15, 3.46, -19.46

 

CMYK 35 / 25 / 0 / 49

HEX #546282

RGB 84 98 130

HSL 221.74, 0.21%, 0.42%

LAB 41.58, 3, -19.56

 

CMYK 32 / 22 / 0 / 42

HEX #657495

RGB 101 116 149

HSL 221.25, 0.19%, 0.49%

LAB 48.79, 2.63, -19.72

 

CMYK 30 / 20 / 0 / 34

HEX #7686A8

RGB 118 134 168

HSL 220.8, 0.22%, 0.56%

LAB 55.82, 2.32, -19.91

 

CMYK 54 / 36 / 0 / 62

HEX #2D3E61

RGB 45 62 97

HSL 220.38, 0.37%, 0.28%

LAB 26.35, 4.33, -22.84

 

CMYK 64 / 44 / 0 / 69

HEX #1C2C4E

RGB 28 44 78

HSL 220.8, 0.47%, 0.21%

LAB 18.36, 5.49, -22.98

 

CMYK 81 / 56 / 0 / 77

HEX #0B1A3B

RGB 11 26 59

HSL 221.25, 0.69%, 0.14%

LAB 10, 7.42, -23.21

 

CMYK 100 / 80 / 0 / 84

HEX #000828

RGB 0 8 40

HSL 228, 1%, 0.08%

LAB 2.95, 6.52, -20.49

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 55 / 36 / 0 / 62

HEX #2C3E61

RGB 44 62 97

HSL 219.62, 0.38%, 0.28%

LAB 26.29, 4.07, -22.94

 

CMYK 55 / 51 / 0 / 62

HEX #2C3061

RGB 44 48 97

HSL 235.47, 0.38%, 0.28%

LAB 21.99, 13.77, -29.76

 

CMYK 42 / 55 / 0 / 62

HEX #382C61

RGB 56 44 97

HSL 253.58, 0.38%, 0.28%

LAB 21.96, 19.75, -29.73

 

CMYK 28 / 55 / 0 / 62

HEX #462C61

RGB 70 44 97

HSL 269.43, 0.38%, 0.28%

LAB 23.56, 23.86, -27.09

 

CMYK 13 / 55 / 0 / 62

HEX #542C61

RGB 84 44 97

HSL 285.28, 0.38%, 0.28%

LAB 25.41, 28.2, -24.05

 

CMYK 55 / 36 / 0 / 62

HEX #2C3E61

RGB 44 62 97

HSL 219.62, 0.38%, 0.28%

LAB 26.29, 4.07, -22.94

 

CMYK 55 / 51 / 0 / 62

HEX #2C3061

RGB 44 48 97

HSL 235.47, 0.38%, 0.28%

LAB 21.99, 13.77, -29.76

 

CMYK 55 / 55 / 0 / 62

HEX #2C2C61

RGB 44 44 97

HSL 240, 0.38%, 0.28%

LAB 20.83, 16.57, -31.62

 

CMYK 55 / 36 / 0 / 62

HEX #2C3E61

RGB 44 62 97

HSL 219.62, 0.38%, 0.28%

LAB 26.29, 4.07, -22.94

 

CMYK 70 / 47 / 0 / 57

HEX #213A6D

RGB 33 58 109

HSL 220.26, 0.54%, 0.28%

LAB 25.12, 8.87, -32.56

 

CMYK 83 / 55 / 0 / 53

HEX #153678

RGB 21 54 120

HSL 220, 0.7%, 0.28%

LAB 24.17, 14.42, -41.12

 

CMYK 92 / 62 / 0 / 48

HEX #0A3284

RGB 10 50 132

HSL 220.33, 0.86%, 0.28%

LAB 23.71, 21.41, -49.46

 

CMYK 55 / 36 / 0 / 62

HEX #2C3E61

RGB 44 62 97

HSL 219.62, 0.38%, 0.28%

LAB 26.29, 4.07, -22.94

 

CMYK 35 / 23 / 0 / 66

HEX #384256

RGB 56 66 86

HSL 220, 0.21%, 0.28%

LAB 27.87, 1.43, -13.29

 

CMYK 8 / 5 / 0 / 71

HEX #44464A

RGB 68 70 74

HSL 220, 0.04%, 0.28%

LAB 29.67, 0.1, -2.69

 

CMYK 0 / 6 / 20 / 69

HEX #4F4A3F

RGB 79 74 63

HSL 41.25, 0.11%, 0.28%

LAB 31.62, -0.06, 7.32

 

CMYK 0 / 14 / 44 / 64

HEX #5B4E33

RGB 91 78 51

HSL 40.5, 0.28%, 0.28%

LAB 33.8, 1.1, 17.98

 

CMYK 55 / 7 / 0 / 62

HEX #2C5A61

RGB 44 90 97

HSL 187.92, 0.38%, 0.28%

LAB 35.42, -13.54, -8.88

 

CMYK 55 / 22 / 0 / 62

HEX #2C4C61

RGB 44 76 97

HSL 203.77, 0.38%, 0.28%

LAB 30.8, -5.1, -15.92

 

CMYK 55 / 36 / 0 / 62

HEX #2C3E61

RGB 44 62 97

HSL 219.62, 0.38%, 0.28%

LAB 26.29, 4.07, -22.94

 

CMYK 55 / 51 / 0 / 62

HEX #2C3061

RGB 44 48 97

HSL 235.47, 0.38%, 0.28%

LAB 21.99, 13.77, -29.76

 

CMYK 43 / 55 / 0 / 62

HEX #372C61

RGB 55 44 97

HSL 252.45, 0.38%, 0.28%

LAB 21.86, 19.47, -29.91

 

CMYK 56 / 37 / 0 / 84

HEX #121A29

RGB 18 26 41

HSL 219.13, 0.39%, 0.12%

LAB 9.22, 1.55, -11.34

 

CMYK 55 / 36 / 0 / 73

HEX #1F2C45

RGB 31 44 69

HSL 219.47, 0.38%, 0.2%

LAB 18.02, 2.85, -17.38

 

CMYK 55 / 36 / 0 / 62

HEX #2C3E61

RGB 44 62 97

HSL 219.62, 0.38%, 0.28%

LAB 26.29, 4.07, -22.94

 

CMYK 55 / 37 / 0 / 51

HEX #39507E

RGB 57 80 126

HSL 220, 0.38%, 0.36%

LAB 34.22, 5.57, -28.72

 

CMYK 55 / 36 / 0 / 40

HEX #46629A

RGB 70 98 154

HSL 220, 0.38%, 0.44%

LAB 41.8, 6.66, -33.72

 

CMYK 54 / 36 / 0 / 62

HEX #2D3E61

RGB 45 62 97

HSL 220.38, 0.37%, 0.28%

LAB 26.35, 4.33, -22.84

 

CMYK 7 / 55 / 0 / 62

HEX #5A2C61

RGB 90 44 97

HSL 292.08, 0.38%, 0.28%

LAB 26.27, 30.1, -22.64

 

CMYK 14 / 0 / 55 / 62

HEX #53612C

RGB 83 97 44

HSL 75.85, 0.38%, 0.28%

LAB 38.85, -14.61, 28.16

 

CMYK 54 / 36 / 0 / 62

HEX #2D3E61

RGB 45 62 97

HSL 220.38, 0.37%, 0.28%

LAB 26.35, 4.33, -22.84

 

CMYK 0 / 55 / 36 / 62

HEX #612C3E

RGB 97 44 62

HSL 339.62, 0.38%, 0.28%

LAB 25.83, 26.22, -0.01

 

CMYK 36 / 0 / 55 / 62

HEX #3E612C

RGB 62 97 44

HSL 99.62, 0.38%, 0.28%

LAB 37.4, -23.46, 26.07

 

CMYK 54 / 36 / 0 / 62

HEX #2D3E61

RGB 45 62 97

HSL 220.38, 0.37%, 0.28%

LAB 26.35, 4.33, -22.84

 

CMYK 7 / 55 / 0 / 62

HEX #5A2C61

RGB 90 44 97

HSL 292.08, 0.38%, 0.28%

LAB 26.27, 30.1, -22.64

 

CMYK 0 / 18 / 55 / 62

HEX #61502C

RGB 97 80 44

HSL 40.75, 0.38%, 0.28%

LAB 34.92, 1.91, 23.72

 

CMYK 46 / 0 / 55 / 62

HEX #34612C

RGB 52 97 44

HSL 110.94, 0.38%, 0.28%

LAB 36.86, -27.15, 25.29

 

CMYK 54 / 36 / 0 / 62

HEX #2D3E61

RGB 45 62 97

HSL 220.38, 0.37%, 0.28%

LAB 26.35, 4.33, -22.84

 

CMYK 0 / 55 / 8 / 62

HEX #612C59

RGB 97 44 89

HSL 309.06, 0.38%, 0.28%

LAB 26.92, 30.74, -16.32

 

CMYK 0 / 18 / 55 / 62

HEX #61502C

RGB 97 80 44

HSL 40.75, 0.38%, 0.28%

LAB 34.92, 1.91, 23.72

 

CMYK 55 / 0 / 45 / 62

HEX #2C6135

RGB 44 97 53

HSL 130.19, 0.38%, 0.28%

LAB 36.63, -28.27, 19.82

 

Description

Color code: HEX #2D3E61 | qconv.com Color code: HEX #2D3E61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 62 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 62 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 36 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 36% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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