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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D3E56 it is the complementary color #D2C1A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D3E56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D3E56 shade: #323E51, #435064, #546277, #65748A and #76869D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D3E56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D3E56 shade: #2D3E56, #1C2C43, #0B1A30, #00081D and #00000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D3E56 shade: #2E3F57, #2E3457, #332E57, #3E2E57 and #492E57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D3E56 shade: #2E3F57, #2E3457 and #2E2E57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D3E56 shade matches the following richer shades: #2E3F57, #233D62, #183B6C, #0E3977 and #033782

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D3E56 shade: #2E3F57, #38414C, #434241, #4E4437 and #59462C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D3E56 shade: #2E5557, #2E4A57, #2E3F57, #2E3457 and #332E57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D3E56 shade: #111821, #202B3C, #2E3F57, #3C5272 and #4A668D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D3E56 shade: #2D3E56, #4E2E57 and #4F572E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D3E56 shade: #2D3E56, #572E3F and #3F572E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D3E56 shade: #2D3E56, #4E2E57, #57462E and #37572E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D3E56 shade: #2D3E56, #572E53, #57462E and #2E5731

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 28 / 0 / 66

HEX #2D3E56

RGB 45 62 86

HSL 215.12, 0.31%, 0.26%

LAB 25.79, 0.55, -16.56

 

Complementary color

CMYK 0 / 8 / 20 / 18

HEX #D2C1A9

RGB 210 193 169

HSL 35.12, 0.31%, 0.74%

LAB 78.87, 2.12, 14.25

 

CMYK 38 / 23 / 0 / 68

HEX #323E51

RGB 50 62 81

HSL 216.77, 0.24%, 0.26%

LAB 25.91, 0.53, -13.07

 

CMYK 33 / 20 / 0 / 61

HEX #435064

RGB 67 80 100

HSL 216.36, 0.2%, 0.33%

LAB 33.67, 0.21, -13.29

 

CMYK 29 / 18 / 0 / 53

HEX #546277

RGB 84 98 119

HSL 216, 0.17%, 0.4%

LAB 41.14, -0.05, -13.56

 

CMYK 27 / 16 / 0 / 46

HEX #65748A

RGB 101 116 138

HSL 215.68, 0.15%, 0.47%

LAB 48.38, -0.26, -13.86

 

CMYK 25 / 15 / 0 / 38

HEX #76869D

RGB 118 134 157

HSL 215.38, 0.17%, 0.54%

LAB 55.42, -0.45, -14.18

 

CMYK 48 / 28 / 0 / 66

HEX #2D3E56

RGB 45 62 86

HSL 215.12, 0.31%, 0.26%

LAB 25.79, 0.55, -16.56

 

CMYK 58 / 34 / 0 / 74

HEX #1C2C43

RGB 28 44 67

HSL 215.38, 0.41%, 0.19%

LAB 17.71, 1.25, -16.52

 

CMYK 77 / 46 / 0 / 81

HEX #0B1A30

RGB 11 26 48

HSL 215.68, 0.63%, 0.12%

LAB 9.18, 2.48, -16.57

 

CMYK 100 / 72 / 0 / 89

HEX #00081D

RGB 0 8 29

HSL 223.45, 1%, 0.06%

LAB 2.37, 2.43, -12.8

 

CMYK 100 / 100 / 0 / 96

HEX #00000A

RGB 0 0 10

HSL 240, 1%, 0.02%

LAB 0.2, 1.39, -3.79

 

CMYK 47 / 28 / 0 / 66

HEX #2E3F57

RGB 46 63 87

HSL 215.12, 0.31%, 0.26%

LAB 26.23, 0.52, -16.53

 

CMYK 47 / 40 / 0 / 66

HEX #2E3457

RGB 46 52 87

HSL 231.22, 0.31%, 0.26%

LAB 22.74, 8.01, -21.98

 

CMYK 41 / 47 / 0 / 66

HEX #332E57

RGB 51 46 87

HSL 247.32, 0.31%, 0.26%

LAB 21.38, 13.7, -24.1

 

CMYK 29 / 47 / 0 / 66

HEX #3E2E57

RGB 62 46 87

HSL 263.41, 0.31%, 0.26%

LAB 22.54, 17.21, -22.19

 

CMYK 16 / 47 / 0 / 66

HEX #492E57

RGB 73 46 87

HSL 279.51, 0.31%, 0.26%

LAB 23.86, 20.92, -20.02

 

CMYK 47 / 28 / 0 / 66

HEX #2E3F57

RGB 46 63 87

HSL 215.12, 0.31%, 0.26%

LAB 26.23, 0.52, -16.53

 

CMYK 47 / 40 / 0 / 66

HEX #2E3457

RGB 46 52 87

HSL 231.22, 0.31%, 0.26%

LAB 22.74, 8.01, -21.98

 

CMYK 47 / 47 / 0 / 66

HEX #2E2E57

RGB 46 46 87

HSL 240, 0.31%, 0.26%

LAB 20.92, 12.21, -24.86

 

CMYK 47 / 28 / 0 / 66

HEX #2E3F57

RGB 46 63 87

HSL 215.12, 0.31%, 0.26%

LAB 26.23, 0.52, -16.53

 

CMYK 64 / 38 / 0 / 62

HEX #233D62

RGB 35 61 98

HSL 215.24, 0.47%, 0.26%

LAB 25.49, 2.92, -24.87

 

CMYK 78 / 45 / 0 / 58

HEX #183B6C

RGB 24 59 108

HSL 215, 0.64%, 0.26%

LAB 24.97, 6.25, -32.18

 

CMYK 88 / 52 / 0 / 53

HEX #0E3977

RGB 14 57 119

HSL 215.43, 0.79%, 0.26%

LAB 24.8, 11.16, -39.48

 

CMYK 98 / 58 / 0 / 49

HEX #033782

RGB 3 55 130

HSL 215.43, 0.95%, 0.26%

LAB 24.84, 16.58, -46.37

 

CMYK 47 / 28 / 0 / 66

HEX #2E3F57

RGB 46 63 87

HSL 215.12, 0.31%, 0.26%

LAB 26.23, 0.52, -16.53

 

CMYK 26 / 14 / 0 / 70

HEX #38414C

RGB 56 65 76

HSL 213, 0.15%, 0.26%

LAB 27.14, -0.8, -7.88

 

CMYK 0 / 1 / 3 / 74

HEX #434241

RGB 67 66 65

HSL 30, 0.02%, 0.26%

LAB 28.04, 0.2, 0.75

 

CMYK 0 / 13 / 29 / 69

HEX #4E4437

RGB 78 68 55

HSL 33.91, 0.17%, 0.26%

LAB 29.49, 1.89, 9.45

 

CMYK 0 / 21 / 51 / 65

HEX #59462C

RGB 89 70 44

HSL 34.67, 0.34%, 0.26%

LAB 31.08, 4.27, 18.71

 

CMYK 47 / 2 / 0 / 66

HEX #2E5557

RGB 46 85 87

HSL 182.93, 0.31%, 0.26%

LAB 33.49, -13.18, -5.49

 

CMYK 47 / 15 / 0 / 66

HEX #2E4A57

RGB 46 74 87

HSL 199.02, 0.31%, 0.26%

LAB 29.83, -6.57, -11

 

CMYK 47 / 28 / 0 / 66

HEX #2E3F57

RGB 46 63 87

HSL 215.12, 0.31%, 0.26%

LAB 26.23, 0.52, -16.53

 

CMYK 47 / 40 / 0 / 66

HEX #2E3457

RGB 46 52 87

HSL 231.22, 0.31%, 0.26%

LAB 22.74, 8.01, -21.98

 

CMYK 41 / 47 / 0 / 66

HEX #332E57

RGB 51 46 87

HSL 247.32, 0.31%, 0.26%

LAB 21.38, 13.7, -24.1

 

CMYK 48 / 27 / 0 / 87

HEX #111821

RGB 17 24 33

HSL 213.75, 0.32%, 0.1%

LAB 7.97, -0.26, -7.3

 

CMYK 47 / 28 / 0 / 76

HEX #202B3C

RGB 32 43 60

HSL 216.43, 0.3%, 0.18%

LAB 17.28, 0.66, -12.33

 

CMYK 47 / 28 / 0 / 66

HEX #2E3F57

RGB 46 63 87

HSL 215.12, 0.31%, 0.26%

LAB 26.23, 0.52, -16.53

 

CMYK 47 / 28 / 0 / 55

HEX #3C5272

RGB 60 82 114

HSL 215.56, 0.31%, 0.34%

LAB 34.42, 1.06, -20.95

 

CMYK 48 / 28 / 0 / 45

HEX #4A668D

RGB 74 102 141

HSL 214.93, 0.31%, 0.42%

LAB 42.58, 0.96, -24.69

 

CMYK 48 / 28 / 0 / 66

HEX #2D3E56

RGB 45 62 86

HSL 215.12, 0.31%, 0.26%

LAB 25.79, 0.55, -16.56

 

CMYK 10 / 47 / 0 / 66

HEX #4E2E57

RGB 78 46 87

HSL 286.83, 0.31%, 0.26%

LAB 24.52, 22.64, -18.94

 

CMYK 9 / 0 / 47 / 66

HEX #4F572E

RGB 79 87 46

HSL 71.71, 0.31%, 0.26%

LAB 35.35, -10.52, 22.7

 

CMYK 48 / 28 / 0 / 66

HEX #2D3E56

RGB 45 62 86

HSL 215.12, 0.31%, 0.26%

LAB 25.79, 0.55, -16.56

 

CMYK 0 / 47 / 28 / 66

HEX #572E3F

RGB 87 46 63

HSL 335.12, 0.31%, 0.26%

LAB 24.76, 21.2, -2.44

 

CMYK 28 / 0 / 47 / 66

HEX #3F572E

RGB 63 87 46

HSL 95.12, 0.31%, 0.26%

LAB 34.13, -17.53, 20.91

 

CMYK 48 / 28 / 0 / 66

HEX #2D3E56

RGB 45 62 86

HSL 215.12, 0.31%, 0.26%

LAB 25.79, 0.55, -16.56

 

CMYK 10 / 47 / 0 / 66

HEX #4E2E57

RGB 78 46 87

HSL 286.83, 0.31%, 0.26%

LAB 24.52, 22.64, -18.94

 

CMYK 0 / 20 / 47 / 66

HEX #57462E

RGB 87 70 46

HSL 35.12, 0.31%, 0.26%

LAB 30.89, 3.55, 17.18

 

CMYK 37 / 0 / 47 / 66

HEX #37572E

RGB 55 87 46

HSL 106.83, 0.31%, 0.26%

LAB 33.62, -20.75, 20.15

 

CMYK 48 / 28 / 0 / 66

HEX #2D3E56

RGB 45 62 86

HSL 215.12, 0.31%, 0.26%

LAB 25.79, 0.55, -16.56

 

CMYK 0 / 47 / 5 / 66

HEX #572E53

RGB 87 46 83

HSL 305.85, 0.31%, 0.26%

LAB 25.58, 24.93, -14.56

 

CMYK 0 / 20 / 47 / 66

HEX #57462E

RGB 87 70 46

HSL 35.12, 0.31%, 0.26%

LAB 30.89, 3.55, 17.18

 

CMYK 47 / 0 / 44 / 66

HEX #2E5731

RGB 46 87 49

HSL 124.39, 0.31%, 0.26%

LAB 33.18, -23.51, 17.71

 

Description

Color code: HEX #2D3E56 | qconv.com Color code: HEX #2D3E56 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 62 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 62 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 28 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 28% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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