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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D3E29 it is the complementary color #D2C1D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D3E29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D3E29 shade: #323E24, #435037, #54624A, #65745D and #768670

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D3E29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D3E29 shade: #2D3E29, #1C2C16, #0B1A03, #000800 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D3E29 shade: #2D3D29, #323D29, #383D29, #3D3D29 and #3D3829

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D3E29 shade: #2D3D29, #293D2A, #293D30, #293D35 and #293D3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D3E29 shade matches the following richer shades: #2D3D29, #284521, #224E18, #1D5610 and #185E08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D3E29 shade: #2D3D29, #323531, #372D39, #3C2442 and #411C4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D3E29 shade: #383D29, #323D29, #2D3D29, #293D2A and #293D30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D3E29 shade: #090C08, #1B2418, #2D3D29, #3F5639 and #516F4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D3E29 shade: #2D3E29, #293D3D and #3D2935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D3E29 shade: #2D3E29, #292D3D and #3D292D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D3E29 shade: #2D3E29, #293D3D, #39293D and #3D2929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D3E29 shade: #2D3E29, #29373D, #39293D and #3D2F29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 34 / 76

HEX #2D3E29

RGB 45 62 41

HSL 108.57, 0.2%, 0.2%

LAB 24.2, -11.76, 10.76

 

Complementary color

CMYK 2 / 10 / 0 / 16

HEX #D2C1D6

RGB 210 193 214

HSL 288.57, 0.2%, 0.8%

LAB 80.01, 9.75, -8.32

 

CMYK 19 / 0 / 42 / 76

HEX #323E24

RGB 50 62 36

HSL 87.69, 0.27%, 0.19%

LAB 24.48, -10.46, 14.41

 

CMYK 16 / 0 / 31 / 69

HEX #435037

RGB 67 80 55

HSL 91.2, 0.19%, 0.26%

LAB 32.27, -10.4, 13.09

 

CMYK 14 / 0 / 24 / 62

HEX #54624A

RGB 84 98 74

HSL 95, 0.14%, 0.34%

LAB 39.77, -10.33, 11.92

 

CMYK 13 / 0 / 20 / 55

HEX #65745D

RGB 101 116 93

HSL 99.13, 0.11%, 0.41%

LAB 47.04, -10.27, 10.87

 

CMYK 12 / 0 / 16 / 47

HEX #768670

RGB 118 134 112

HSL 103.64, 0.09%, 0.48%

LAB 54.1, -10.22, 9.91

 

CMYK 27 / 0 / 34 / 76

HEX #2D3E29

RGB 45 62 41

HSL 108.57, 0.2%, 0.2%

LAB 24.2, -11.76, 10.76

 

CMYK 36 / 0 / 50 / 83

HEX #1C2C16

RGB 28 44 22

HSL 103.64, 0.33%, 0.13%

LAB 16.03, -11.99, 12.19

 

CMYK 58 / 0 / 88 / 90

HEX #0B1A03

RGB 11 26 3

HSL 99.13, 0.79%, 0.06%

LAB 7.38, -10.33, 9.62

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 26 / 0 / 33 / 76

HEX #2D3D29

RGB 45 61 41

HSL 108, 0.2%, 0.2%

LAB 23.85, -11.16, 10.29

 

CMYK 18 / 0 / 33 / 76

HEX #323D29

RGB 50 61 41

HSL 93, 0.2%, 0.2%

LAB 24.24, -8.97, 10.88

 

CMYK 8 / 0 / 33 / 76

HEX #383D29

RGB 56 61 41

HSL 75, 0.2%, 0.2%

LAB 24.76, -6.23, 11.67

 

CMYK 0 / 0 / 33 / 76

HEX #3D3D29

RGB 61 61 41

HSL 60, 0.2%, 0.2%

LAB 25.23, -3.89, 12.38

 

CMYK 0 / 8 / 33 / 76

HEX #3D3829

RGB 61 56 41

HSL 45, 0.2%, 0.2%

LAB 23.61, -0.67, 10.19

 

CMYK 26 / 0 / 33 / 76

HEX #2D3D29

RGB 45 61 41

HSL 108, 0.2%, 0.2%

LAB 23.85, -11.16, 10.29

 

CMYK 33 / 0 / 31 / 76

HEX #293D2A

RGB 41 61 42

HSL 123, 0.2%, 0.2%

LAB 23.59, -12.62, 9.23

 

CMYK 33 / 0 / 21 / 76

HEX #293D30

RGB 41 61 48

HSL 141, 0.2%, 0.2%

LAB 23.75, -11.28, 5.49

 

CMYK 33 / 0 / 13 / 76

HEX #293D35

RGB 41 61 53

HSL 156, 0.2%, 0.2%

LAB 23.89, -10.05, 2.38

 

CMYK 33 / 0 / 3 / 76

HEX #293D3B

RGB 41 61 59

HSL 174, 0.2%, 0.2%

LAB 24.08, -8.45, -1.33

 

CMYK 26 / 0 / 33 / 76

HEX #2D3D29

RGB 45 61 41

HSL 108, 0.2%, 0.2%

LAB 23.85, -11.16, 10.29

 

CMYK 42 / 0 / 52 / 73

HEX #284521

RGB 40 69 33

HSL 108.33, 0.35%, 0.2%

LAB 26.21, -19.18, 18.33

 

CMYK 56 / 0 / 69 / 69

HEX #224E18

RGB 34 78 24

HSL 108.89, 0.53%, 0.2%

LAB 29.04, -27.03, 26.64

 

CMYK 66 / 0 / 81 / 66

HEX #1D5610

RGB 29 86 16

HSL 108.86, 0.69%, 0.2%

LAB 31.7, -32.75, 33

 

CMYK 74 / 0 / 91 / 63

HEX #185E08

RGB 24 94 8

HSL 108.84, 0.84%, 0.2%

LAB 34.43, -37.53, 38.14

 

CMYK 26 / 0 / 33 / 76

HEX #2D3D29

RGB 45 61 41

HSL 108, 0.2%, 0.2%

LAB 23.85, -11.16, 10.29

 

CMYK 6 / 0 / 8 / 79

HEX #323531

RGB 50 53 49

HSL 105, 0.04%, 0.2%

LAB 21.75, -2.22, 2.07

 

CMYK 4 / 21 / 0 / 78

HEX #372D39

RGB 55 45 57

HSL 290, 0.12%, 0.2%

LAB 19.98, 7.24, -5.94

 

CMYK 9 / 45 / 0 / 74

HEX #3C2442

RGB 60 36 66

HSL 288, 0.29%, 0.2%

LAB 18.43, 17.57, -14.45

 

CMYK 12 / 62 / 0 / 71

HEX #411C4A

RGB 65 28 74

HSL 288.26, 0.45%, 0.2%

LAB 17.69, 26.24, -21.07

 

CMYK 8 / 0 / 33 / 76

HEX #383D29

RGB 56 61 41

HSL 75, 0.2%, 0.2%

LAB 24.76, -6.23, 11.67

 

CMYK 18 / 0 / 33 / 76

HEX #323D29

RGB 50 61 41

HSL 93, 0.2%, 0.2%

LAB 24.24, -8.97, 10.88

 

CMYK 26 / 0 / 33 / 76

HEX #2D3D29

RGB 45 61 41

HSL 108, 0.2%, 0.2%

LAB 23.85, -11.16, 10.29

 

CMYK 33 / 0 / 31 / 76

HEX #293D2A

RGB 41 61 42

HSL 123, 0.2%, 0.2%

LAB 23.59, -12.62, 9.23

 

CMYK 33 / 0 / 21 / 76

HEX #293D30

RGB 41 61 48

HSL 141, 0.2%, 0.2%

LAB 23.75, -11.28, 5.49

 

CMYK 25 / 0 / 33 / 95

HEX #090C08

RGB 9 12 8

HSL 105, 0.2%, 0.04%

LAB 3.06, -1.39, 1.27

 

CMYK 25 / 0 / 33 / 86

HEX #1B2418

RGB 27 36 24

HSL 105, 0.2%, 0.12%

LAB 12.99, -7, 6.75

 

CMYK 26 / 0 / 33 / 76

HEX #2D3D29

RGB 45 61 41

HSL 108, 0.2%, 0.2%

LAB 23.85, -11.16, 10.29

 

CMYK 27 / 0 / 34 / 66

HEX #3F5639

RGB 63 86 57

HSL 107.59, 0.2%, 0.28%

LAB 34, -15.15, 14.14

 

CMYK 27 / 0 / 33 / 56

HEX #516F4A

RGB 81 111 74

HSL 108.65, 0.2%, 0.36%

LAB 43.67, -18.72, 17.2

 

CMYK 27 / 0 / 34 / 76

HEX #2D3E29

RGB 45 62 41

HSL 108.57, 0.2%, 0.2%

LAB 24.2, -11.76, 10.76

 

CMYK 33 / 0 / 0 / 76

HEX #293D3D

RGB 41 61 61

HSL 180, 0.2%, 0.2%

LAB 24.15, -7.89, -2.56

 

CMYK 0 / 33 / 13 / 76

HEX #3D2935

RGB 61 41 53

HSL 324, 0.2%, 0.2%

LAB 19.37, 11.64, -4.02

 

CMYK 27 / 0 / 34 / 76

HEX #2D3E29

RGB 45 62 41

HSL 108.57, 0.2%, 0.2%

LAB 24.2, -11.76, 10.76

 

CMYK 33 / 26 / 0 / 76

HEX #292D3D

RGB 41 45 61

HSL 228, 0.2%, 0.2%

LAB 18.74, 2.75, -10.72

 

CMYK 0 / 33 / 26 / 76

HEX #3D292D

RGB 61 41 45

HSL 348, 0.2%, 0.2%

LAB 19.09, 10.06, 1.12

 

CMYK 27 / 0 / 34 / 76

HEX #2D3E29

RGB 45 62 41

HSL 108.57, 0.2%, 0.2%

LAB 24.2, -11.76, 10.76

 

CMYK 33 / 0 / 0 / 76

HEX #293D3D

RGB 41 61 61

HSL 180, 0.2%, 0.2%

LAB 24.15, -7.89, -2.56

 

CMYK 7 / 33 / 0 / 76

HEX #39293D

RGB 57 41 61

HSL 288, 0.2%, 0.2%

LAB 19.19, 11.79, -9.87

 

CMYK 0 / 33 / 33 / 76

HEX #3D2929

RGB 61 41 41

HSL 0, 0.2%, 0.2%

LAB 18.96, 9.35, 3.73

 

CMYK 27 / 0 / 34 / 76

HEX #2D3E29

RGB 45 62 41

HSL 108.57, 0.2%, 0.2%

LAB 24.2, -11.76, 10.76

 

CMYK 33 / 10 / 0 / 76

HEX #29373D

RGB 41 55 61

HSL 198, 0.2%, 0.2%

LAB 22.09, -4.04, -5.63

 

CMYK 7 / 33 / 0 / 76

HEX #39293D

RGB 57 41 61

HSL 288, 0.2%, 0.2%

LAB 19.19, 11.79, -9.87

 

CMYK 0 / 23 / 33 / 76

HEX #3D2F29

RGB 61 47 41

HSL 18, 0.2%, 0.2%

LAB 20.77, 5.3, 6.28

 

Description

Color code: HEX #2D3E29 | qconv.com Color code: HEX #2D3E29 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 62 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 62 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 34 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 34% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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