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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D3199 it is the complementary color #D2CE66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D3199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D3199 shade: #323194, #4343A7, #5455BA, #6567CD and #7679E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D3199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D3199 shade: #2D3199, #1C1F86, #0B0D73, #000060 and #00004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D3199 shade: #2C309A, #462C9A, #632C9A, #812C9A and #9A2C95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D3199 shade: #2C309A and #2C2C9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D3199 shade matches the following richer shades: #2C309A, #1C21AA and #0C12BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D3199 shade: #2C309A, #3C3F8A, #4C4E79, #5D5D69 and #6D6C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D3199 shade: #2C6C9A, #2C4F9A, #2C329A, #442C9A and #612C9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D3199 shade: #1A1C5A, #23267A, #2C309A, #363ABA and #4D52CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D3199 shade: #2D3199, #9A2C89 and #5D9A2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D3199 shade: #2D3199, #9A2C32 and #329A2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D3199 shade: #2D3199, #9A2C89, #9A942C and #2C9A3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D3199 shade: #2D3199, #9A2C68, #9A942C and #2C9A5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 68 / 0 / 40

HEX #2D3199

RGB 45 49 153

HSL 237.78, 0.55%, 0.39%

LAB 26.89, 33.62, -57.19

 

Complementary color

CMYK 0 / 2 / 51 / 18

HEX #D2CE66

RGB 210 206 102

HSL 57.78, 0.55%, 0.61%

LAB 81.18, -12.47, 51.58

 

CMYK 66 / 67 / 0 / 42

HEX #323194

RGB 50 49 148

HSL 240.61, 0.5%, 0.39%

LAB 26.77, 32.54, -54.3

 

CMYK 60 / 60 / 0 / 35

HEX #4343A7

RGB 67 67 167

HSL 240, 0.43%, 0.46%

LAB 33.98, 30.41, -54.03

 

CMYK 55 / 54 / 0 / 27

HEX #5455BA

RGB 84 85 186

HSL 239.41, 0.43%, 0.53%

LAB 41.1, 28.61, -53.69

 

CMYK 51 / 50 / 0 / 20

HEX #6567CD

RGB 101 103 205

HSL 238.85, 0.51%, 0.6%

LAB 48.1, 27.1, -53.35

 

CMYK 47 / 46 / 0 / 12

HEX #7679E0

RGB 118 121 224

HSL 238.3, 0.63%, 0.67%

LAB 54.98, 25.81, -53.05

 

CMYK 71 / 68 / 0 / 40

HEX #2D3199

RGB 45 49 153

HSL 237.78, 0.55%, 0.39%

LAB 26.89, 33.62, -57.19

 

CMYK 79 / 77 / 0 / 47

HEX #1C1F86

RGB 28 31 134

HSL 238.3, 0.65%, 0.32%

LAB 19.83, 36.22, -57.06

 

CMYK 90 / 89 / 0 / 55

HEX #0B0D73

RGB 11 13 115

HSL 238.85, 0.83%, 0.25%

LAB 13.21, 38.46, -55.94

 

CMYK 100 / 100 / 0 / 62

HEX #000060

RGB 0 0 96

HSL 240, 1%, 0.19%

LAB 7.63, 38.71, -52.74

 

CMYK 100 / 100 / 0 / 70

HEX #00004D

RGB 0 0 77

HSL 240, 1%, 0.15%

LAB 4.84, 30.95, -44.39

 

CMYK 71 / 69 / 0 / 40

HEX #2C309A

RGB 44 48 154

HSL 237.82, 0.56%, 0.39%

LAB 26.68, 34.48, -58.14

 

CMYK 55 / 71 / 0 / 40

HEX #462C9A

RGB 70 44 154

HSL 254.18, 0.56%, 0.39%

LAB 27.94, 40.65, -55.99

 

CMYK 36 / 71 / 0 / 40

HEX #632C9A

RGB 99 44 154

HSL 270, 0.56%, 0.39%

LAB 31.32, 46.03, -50.35

 

CMYK 16 / 71 / 0 / 40

HEX #812C9A

RGB 129 44 154

HSL 286.36, 0.56%, 0.39%

LAB 35.6, 52.43, -43.23

 

CMYK 0 / 71 / 3 / 40

HEX #9A2C95

RGB 154 44 149

HSL 302.73, 0.56%, 0.39%

LAB 39.31, 57.25, -34.04

 

CMYK 71 / 69 / 0 / 40

HEX #2C309A

RGB 44 48 154

HSL 237.82, 0.56%, 0.39%

LAB 26.68, 34.48, -58.14

 

CMYK 71 / 71 / 0 / 40

HEX #2C2C9A

RGB 44 44 154

HSL 240, 0.56%, 0.39%

LAB 25.77, 36.97, -59.64

 

CMYK 71 / 69 / 0 / 40

HEX #2C309A

RGB 44 48 154

HSL 237.82, 0.56%, 0.39%

LAB 26.68, 34.48, -58.14

 

CMYK 84 / 81 / 0 / 33

HEX #1C21AA

RGB 28 33 170

HSL 237.89, 0.72%, 0.39%

LAB 24.44, 47.33, -71.59

 

CMYK 94 / 90 / 0 / 27

HEX #0C12BA

RGB 12 18 186

HSL 237.93, 0.88%, 0.39%

LAB 23.86, 58.04, -82.17

 

CMYK 71 / 69 / 0 / 40

HEX #2C309A

RGB 44 48 154

HSL 237.82, 0.56%, 0.39%

LAB 26.68, 34.48, -58.14

 

CMYK 57 / 54 / 0 / 46

HEX #3C3F8A

RGB 60 63 138

HSL 237.69, 0.39%, 0.39%

LAB 30.28, 21.7, -42.41

 

CMYK 37 / 36 / 0 / 53

HEX #4C4E79

RGB 76 78 121

HSL 237.33, 0.23%, 0.39%

LAB 34.73, 10.53, -24.72

 

CMYK 11 / 11 / 0 / 59

HEX #5D5D69

RGB 93 93 105

HSL 240, 0.06%, 0.39%

LAB 39.87, 2.66, -6.83

 

CMYK 0 / 1 / 18 / 57

HEX #6D6C59

RGB 109 108 89

HSL 57, 0.1%, 0.39%

LAB 45.22, -3.17, 10.79

 

CMYK 71 / 30 / 0 / 40

HEX #2C6C9A

RGB 44 108 154

HSL 205.09, 0.56%, 0.39%

LAB 43.64, -4.64, -30.9

 

CMYK 71 / 49 / 0 / 40

HEX #2C4F9A

RGB 44 79 154

HSL 220.91, 0.56%, 0.39%

LAB 34.92, 13.9, -44.75

 

CMYK 71 / 68 / 0 / 40

HEX #2C329A

RGB 44 50 154

HSL 236.73, 0.56%, 0.39%

LAB 27.16, 33.21, -57.37

 

CMYK 56 / 71 / 0 / 40

HEX #442C9A

RGB 68 44 154

HSL 253.09, 0.56%, 0.39%

LAB 27.75, 40.32, -56.33

 

CMYK 37 / 71 / 0 / 40

HEX #612C9A

RGB 97 44 154

HSL 268.91, 0.56%, 0.39%

LAB 31.06, 45.63, -50.79

 

CMYK 71 / 69 / 0 / 65

HEX #1A1C5A

RGB 26 28 90

HSL 238.13, 0.55%, 0.23%

LAB 14.33, 21.56, -37.56

 

CMYK 71 / 69 / 0 / 52

HEX #23267A

RGB 35 38 122

HSL 237.93, 0.55%, 0.31%

LAB 20.63, 28.19, -48.14

 

CMYK 71 / 69 / 0 / 40

HEX #2C309A

RGB 44 48 154

HSL 237.82, 0.56%, 0.39%

LAB 26.68, 34.48, -58.14

 

CMYK 71 / 69 / 0 / 27

HEX #363ABA

RGB 54 58 186

HSL 238.18, 0.55%, 0.47%

LAB 32.6, 40.62, -67.62

 

CMYK 62 / 60 / 0 / 20

HEX #4D52CB

RGB 77 82 203

HSL 237.62, 0.55%, 0.55%

LAB 41.1, 34.82, -63.6

 

CMYK 71 / 68 / 0 / 40

HEX #2D3199

RGB 45 49 153

HSL 237.78, 0.55%, 0.39%

LAB 26.89, 33.62, -57.19

 

CMYK 0 / 71 / 11 / 40

HEX #9A2C89

RGB 154 44 137

HSL 309.27, 0.56%, 0.39%

LAB 38.69, 55.31, -27.69

 

CMYK 40 / 0 / 71 / 40

HEX #5D9A2C

RGB 93 154 44

HSL 93.27, 0.56%, 0.39%

LAB 57.67, -38.5, 49.03

 

CMYK 71 / 68 / 0 / 40

HEX #2D3199

RGB 45 49 153

HSL 237.78, 0.55%, 0.39%

LAB 26.89, 33.62, -57.19

 

CMYK 0 / 71 / 68 / 40

HEX #9A2C32

RGB 154 44 50

HSL 356.73, 0.56%, 0.39%

LAB 35.79, 45.76, 23.06

 

CMYK 68 / 0 / 71 / 40

HEX #329A2C

RGB 50 154 44

HSL 116.73, 0.56%, 0.39%

LAB 56.06, -50.85, 46.85

 

CMYK 71 / 68 / 0 / 40

HEX #2D3199

RGB 45 49 153

HSL 237.78, 0.55%, 0.39%

LAB 26.89, 33.62, -57.19

 

CMYK 0 / 71 / 11 / 40

HEX #9A2C89

RGB 154 44 137

HSL 309.27, 0.56%, 0.39%

LAB 38.69, 55.31, -27.69

 

CMYK 0 / 4 / 71 / 40

HEX #9A942C

RGB 154 148 44

HSL 56.73, 0.56%, 0.39%

LAB 60.1, -10.36, 52.85

 

CMYK 71 / 0 / 60 / 40

HEX #2C9A3D

RGB 44 154 61

HSL 129.27, 0.56%, 0.39%

LAB 56.07, -50.18, 39.34

 

CMYK 71 / 68 / 0 / 40

HEX #2D3199

RGB 45 49 153

HSL 237.78, 0.55%, 0.39%

LAB 26.89, 33.62, -57.19

 

CMYK 0 / 71 / 32 / 40

HEX #9A2C68

RGB 154 44 104

HSL 327.27, 0.56%, 0.39%

LAB 37.25, 50.69, -9.34

 

CMYK 0 / 4 / 71 / 40

HEX #9A942C

RGB 154 148 44

HSL 56.73, 0.56%, 0.39%

LAB 60.1, -10.36, 52.85

 

CMYK 71 / 0 / 40 / 40

HEX #2C9A5D

RGB 44 154 93

HSL 146.73, 0.56%, 0.39%

LAB 56.52, -45, 23.37

 

Description

Color code: HEX #2D3199 | qconv.com Color code: HEX #2D3199 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 49 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 49 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 68 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 68% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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